Tag Archives: Top Of The Pops

➤ Farewell George Michael: London’s young guns remember their pal from 80s clubland

George Michael

A bearded George Michael before Wham! came along: Captured on 20 February 1981 with his eye on the Nationwide TV camera, among many familiar faces at Soho’s Friday night Beat Route – where the Caribbean beach decor was to inspire his song Club Tropicana. (Photo BBC)

THIS ENTIRE WEBSITE CELEBRATES the Swinging 80s when UK subcultures were uniquely re-shaped by the youngest generation since the 60s to create new sounds and new styles in music, fashion and media. George Michael, who died this week, was one among hundreds of inveterate Soho clubbers, except that in his own mind he was a global superstar. Yet before the teenaged George and his schoolmate Andrew Ridgeley signed to Innervision as Wham!, there were several false starts to their career, not least being turned away from the Friday-night Beat Route during its coolest-club-in-town heyday when gatekeeper Ollie O’Donnell decided the boys from Bushey looked just too suburban. The Soho elite of 20-somethings who ran the new club-nights and managed the cool new image bands were very protective of their post-Romantic projects. George was however fly enough to use his contacts behind the bar to ensure he was on the dancefloor during the BBC Nationwide filming for a Spandau Ballet package in February ’81, when he clearly had the camera in his sights.

The irony was that by the next year Wham! were pushing a glossy brand of unashamedly “pure pop” that was so new, the debut single Wham Rap! failed to chart when released that June – the BBC declined to playlist the number partly because of its “anti-social” lyrics. After a touch of retuning, four months later Wham! released Young Guns (Go For It!)  and this time their hedonistic attitude – mixing humour with social conscience – clicked with the clubland audiences that were growing all over Britain.


A lucky break got them onto Top of the Pops in November when the group came as a shock to the eyeballs. The vocal foursome were immaculately rehearsed. Chinese-slippered George held himself like a star, bare-chested and sporting a leather waistcoat while Andrew and backing singers Shirlie Holliman and Dee C Lee stepped out with panache, all fully choreographed down to their finger-points and slippered toe-points. Then whoosh. Wham! rocketed to No 3 in the UK singles chart in December, the next three singles all made the Top 10, and the Bushey boys graduated to the international A-Team of British superstars. The next four years turned out 25 million albums and 15 million singles and scored four US number one hit singles.

It was evidently an advantage that all four members of Wham! had emerged as faces among London’s clubland soul tribes, the dance-crazy cognoscenti who banished rock from the singles charts during 1980-81 and provided an eager audience for new music. Some of them can be seen in the music video for Young Guns shot by Tim Pope at the glitzy Churchill’s club in Piccadilly.


Pop journalist about town Paul “Scoop” Simper recalls first meeting Wham! in autumn 1982 while working for Melody Maker. In his forthcoming autobiography, Pop Stars in My Pantry, he writes:

George told me: “I loved dancing at Le Beat Route. Nobody gave a fuck who I was so you could throw yourself around. If Shirlie was with me we’d really do that pair dancing. It was cool. We’d always make a bit of space and really show off.”

There’s footage from a BBC Nationwide report on the club which appears in Spandau Ballet’s Soul Boys of the Western World movie showing a bearded, curly-haired George in an alarmingly orange suit slap bang in the middle of the dancefloor [pictured at top] from a time when he was still in a ska band called The Executive, before Le Beat Route’s playlist helped transform them into Wham!

“Andrew and I were at Le Beat Route when Andrew started going ‘Wham! Bam! I am a man!’’ and doing this terrible rap,” said George. “It was supposed to be funny. But that’s where he had the idea.

➢ Read Simper’s full chapter on George at Unbound, the publisher’s website, and pre-order your copy of PSIMP

It was the Beat Route itself – actually, its Caribbean beach decor – which was to inspire George’s song Club Tropicana and for more than two years O’Donnell’s Friday-nighter set the benchmark for the coolest sounds anywhere in Soho with 22-year-old deejay Steve Lewis ruling the turntables.

➢ INSIDE: CONTINUE READING MORE CLUBLAND
TRIBUTES FOR GEORGE MICHAEL

On an inside page, Soho’s young guns remember their pals in Wham! – led by…

Paul McKee, admin for Soul Boys Soul Girls at Facebook – “RIP George Michael – A regular at our clubs Le Beat Route, Wag, Bogarts and many others. Easy to forget now the impact Wham Rap! Had. It was not out of place at the time in 1983 when the likes of Funkapolitan, Spandau Ballet, Culture Club, who all came from our clubs, began producing great club records, as the Soul Boys and Soul Girls sound and styles began to change. When Wham! performed Young Guns on TOTP with that dance routine, we all noted some of those little moves he used, we’d witness at a club at any given weekend. Without doubt one of the greatest soul voices and songwriters this country has ever produced. He liked to club like the rest of us, George was one of us.”


➢ Previously at Shapersofthe80s:
Britain stunned by sudden death of George Michael, our biggest pop superstar of the 80s

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➤ Catch up on New Romantic landmarks reported here at Shapers of the 80s

Andrew Ridgeley,George Michael, Wham Rap, video, Face magazine, Club Culture,

Click pic to open the Wham Rap! video in another window … “Man or mouse” Andrew Ridgeley establishes his clubbing credentials – along with sidekick George Michael – in the opening shots of the Wham! video by reading this very Face cover story on Club Culture that you’re about to read!

THE MOST READ FEATURE ARTICLE AMONG 890,000 VIEWS SINCE THE LAUNCH OF SHAPERS OF THE 80s

➢ 1983, The Making of UK Club Culture — Definitive Face cover story by yours truly being read here in the Wham Rap! video. This account of how London nightlife had become an international magnet was first published as “an upstairs‑downstairs tale of two key nightspots” in The Face No 34 in February 1983. Photography © by Derek Ridgers. Reprinted in The Faber Book of Pop, 1995; and in Night Fever, Boxtree, 1997

69 Dean Street, Soho, club culture, The Face magazine, London, 1980s, clubbing, nightlife,Billys, Gargoyle,Red Studio,Blitz Kids

From The Face, February 1983

THE ORIGINAL HISTORY OF THE BLITZ KIDS

The Observer Music Magazine. Pictures © by Derek Ridgers

The Observer Music Magazine, Oct 4, 2009. Pictures © by Derek Ridgers

➢ Spandau Ballet, the Blitz Kids and the birth of the New Romantics — This much-recycled account originally penned by Shapers of the 80s tells who did what to make stars out of a club houseband, change the rhythm of the UK charts — and ultimately rejuvenate the British media. The obsessive fashionistas behind one small club in London in 1980 went on to dominate the international landscape of pop and fashion, while putting more British acts into the US Billboard charts than the 1960s ever achieved. Spandau Ballet songwriter Gary Kemp responded: “A superb piece. It will be referred to historically.”

EARLY 80s REPORTS REVISITED

➢ How three wizards met at the same crossroad in time — an inside scene-setter on the forces shaping the Swinging Eighties

➢ 1980, Strange days, strange nights, strange people: at The Blitz a decade dawns

➢ 1980, One week in the private worlds of the new young: London blazes with creativity

➢ 1980, Shapersofthe80s tells how Duran Duran’s road to stardom began in the Studio 54 of Birmingham, UK

➢ 1981, Birth of Duran’s Planet Earth … when other people’s faith put the Brummies into the charts

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Romance blossoms: Drummer Jon Moss gives George a peck at Planets club in July 1981 way before Culture Club existed. Photographed © by Shapersofthe80s

➢ Three key men in Boy George’s life – In 2010 the BBC turned the pop star’s teens ’n’ twenties into a 90-minute drama of foot-stamping, chair-throwing, cry-baby tantrums over his self-confessed “dysfunctional romances”, all of which he had documented in his eye-wateringly frank 1995 autobiography, Take It Like a Man. Shapers of the 80s summarises George O’Dowd’s stormy lovelife.

➢ Ex-Blitz Kids give their verdicts on the TV drama Worried About the Boy – During and after this heavily fictionalised life story was broadcast in 2010, Shapers of the 80s canvassed this authoritative mixture of opinions on the Boy George myth and in doing so reshaped the accepted clichés about the Blitz Kids.

Chris Sullivan, club-host, deejay, Wag club, Blue Rondo, pop music,We Can Be Heroes, youth culture,

At home in Kentish Town Chris Sullivan chooses the right zootsuit for today’s mood: his wardrobe is legendary, his taste impeccable, and his influence immeasurable. Shapersofthe80s shot this for his first Evening Standard interview in June 1981

➢ 1976–1984, How creative clubbing started and ended with the 80s – “We were all kids,” says Chris Sullivan who would eventually run the Wag, the coolest club in town, for 19 years. “We went out and had a go. Empowerment is what’s important about this story.”

Photocall: Spandau Ballet, Richard Burgess and assorted Blitz Kid designers gather for the press conference before their fashion-and-music shows in New York. Yes that is Sade towards the far right. Photograph © by Shapersofthe80s

➢ 1981, First Blitz invasion of the US – 21 Blitz Kids take Manhattan by storm with a fresh fashion show and the live new sound of London. Eye-witness words and pix by Shapers of the 80s

ROMANTIC REVIVAL OF THE NOUGHTIES

Sade  1983

Wow! Then and now: Sade backstage in August 1983 while still seeking a recording contract and, right, as shot to launch her 2010 album. Vintage picture © by Shapersofthe80s

➢ 2010, Shapers of the 80s finds comeback Shard comfy as ‘Auntie Sade’ – Having wowed the 80s clubbing scene, in 2011 Sade’s band won a Grammy award for Best R&B Performance By A Group.

➢ 2009, Onstage, Spandau Ballet’s Hadley and Kemp finally get huggy in a mighty musical Reformation – Shapers of the 80s follows the reunion of the band who wrote the new rules for pop in the Swinging 80s.

WE ARE ALL BOWIE’S CHILDREN NOW

David Bowie, Starman, 1972, Top of the Pops, tipping point, BBC

The moment the earth tilted July 6, 1972: During Starman on Top of the Pops, David Bowie drapes his arm around the shoulder of Mick Ronson. Video © BBC

➢ 40 years since “I picked on you-oo-oo”! July 6, 1972 saw the seminal pop moment — David Bowie’s first appearance on Top of the Pops as Ziggy Stardust, the day he created the next generation of popstar wannabes

➢ Where to draw a line between glitter and glam – defining what separates Slade from Bowie, the naff blokes in Bacofoil from starmen with pretensions

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➤ Essential pop-cultural landmarks reported here at Shapers of the 80s

Andrew Ridgeley,George Michael, Wham Rap, video, Face magazine, Club Culture,

Click pic to open the Wham Rap! video in another window … “Man or mouse” Andrew Ridgeley establishes his clubbing credentials – along with sidekick George Michael – in the opening shots of the Wham! video by reading this very Face cover story on Club Culture that you’re about to read!

THE MOST READ FEATURE ARTICLE AMONG 720,000 VIEWS SINCE THE LAUNCH OF SHAPERS OF THE 80s

➢ 1983, The Making of UK Club Culture — Definitive Face cover story by yours truly seen here in the Wham Rap! video. This account of how London nightlife had become an international magnet was first published as “an upstairs‑downstairs tale of two key nightspots” in The Face No 34 in February 1983. Photography © by Derek Ridgers. Reprinted in The Faber Book of Pop, 1995; and in Night Fever, Boxtree, 1997

69 Dean Street, Soho, club culture, The Face magazine, London, 1980s, clubbing, nightlife,Billys, Gargoyle,Red Studio,Blitz Kids

From The Face, February 1983

THE ORIGINAL HISTORY OF THE BLITZ KIDS

The Observer Music Magazine. Pictures © by Derek Ridgers

The Observer Music Magazine, Oct 4, 2009. Pictures © by Derek Ridgers

➢ Spandau Ballet, the Blitz Kids and the birth of the New Romantics — The much-plundered story originally researched by Shapers of the 80s tells who did what to make stars out of a club houseband, change the rhythm of the UK charts — and ultimately rejuvenate the British media. The obsessive fashionistas behind one small club in London in 1980 went on to dominate the international landscape of pop and fashion, while putting more British acts into the US Billboard charts than the 1960s ever achieved.

EARLY 80s REPORTS REVISITED

➢ How three wizards met at the same crossroad in time — an inside scene-setter on the forces shaping the Swinging Eighties

➢ 1980, Strange days, strange nights, strange people: at The Blitz a decade dawns

➢ 1980, One week in the private worlds of the new young: London blazes with creativity

➢ 1980, Shapersofthe80s tells how Duran Duran’s road to stardom began in the Studio 54 of Birmingham, UK

➢ 1981, Birth of Duran’s Planet Earth … when other people’s faith put the Brummies into the charts

Romance blossoms: Drummer Jon Moss gives George O’Dowd a peck at Planets club in July 1981 way before their band Culture Club existed. Photographed © by Shapersofthe80s

➢ Three key men in Boy George’s life – In 2010 the BBC turned the pop star’s teens ’n’ twenties into a 90-minute drama of foot-stamping, chair-throwing, cry-baby tantrums over his self-confessed “dysfunctional romances”, all of which he had documented in his eye-wateringly frank 1995 autobiography, Take It Like a Man. Shapers of the 80s summarises George O’Dowd’s stormy lovelife.

➢ Ex-Blitz Kids give their verdicts on the TV drama Worried About the Boy – During and after its broadcast in 2010, this authoritative mixture of opinions on the Boy George story reshaped the accepted clichés about the Blitz Kids.

Chris Sullivan, club-host, deejay, Wag club, Blue Rondo, pop music,We Can Be Heroes, youth culture,

At home in Kentish Town Chris Sullivan chooses the right zootsuit for today’s mood: his wardrobe is legendary, his taste impeccable, and his influence immeasurable. Shapersofthe80s shot this for his first Evening Standard interview in June 1981

➢ 1976–1984, How creative clubbing started and ended with the 80s – “We were all kids,” says Chris Sullivan who would eventually host the Wag, the coolest club in town, for 19 years. “We went out and had a go. Empowerment is what’s important about this story.”

Photocall: Spandau Ballet, Richard Burgess and assorted Blitz Kid designers gather for the press conference before their fashion-and-music shows in New York. Yes that is Sade towards the far right. Photograph © by Shapersofthe80s

➢ 1981, First Blitz invasion of the US – 21 Blitz Kids take Manhattan by storm with a fresh fashion show and the live new sound of London. Eye-witness words and pix by Shapers of the 80s

ROMANTIC REVIVAL OF THE NOUGHTIES

Sade  1983

Wow! Then and now: Sade backstage in August 1983 while still seeking a recording contract and, right, as shot to launch her 2010 album. Vintage picture © by Shapersofthe80s

➢ 2010, Shapers of the 80s finds comeback Shard comfy as ‘Auntie Sade’ – Having wowed the 80s clubbing scene, in 2011 Sade’s band won a Grammy award for Best R&B Performance By A Group.

➢ 2009, Onstage, Spandau Ballet’s Hadley and Kemp finally get huggy in a mighty Reformation – Shapers of the 80s follows the reunion of the band who wrote the new rules for pop in the Swinging 80s.

WE ARE ALL BOWIE’S CHILDREN NOW

David Bowie, Starman, 1972, Top of the Pops, tipping point, BBC

The moment the earth tilted July 6, 1972: During Starman on Top of the Pops, David Bowie drapes his arm around the shoulder of Mick Ronson. Video © BBC

➢ 40 years since “I picked on you-oo-oo”! July 6, 1972 saw the seminal pop moment — David Bowie’s first appearance on Top of the Pops as Ziggy Stardust, the day he created the next generation of popstar wannabes

➢ Where to draw a line between glitter and glam – defining what separates the naff blokes in Bacofoil from starmen with pretensions

FRONT PAGE

2011 ➤ I danced in Bowie’s Jean Genie video but have never seen it, says his friend Wendy

Wendy Kirby,David Bowie, Jean Genie, 1973, Top of the Pops,video,All the Young Dudes ,Daniella Parmar ,Freddi Burretti

Wendy Kirby aged 19: as Freddi Burretti’s flatmate, she met the Bowies at the Sombrero club’s trendy Sunday feasts in Kensington — “We were the people always round David’s house”

❚ “I WAS AT THAT TAPING,” said Wendy Kirby on Facebook earlier today. “But I never got to see the video,” she told Shapersofthe80s by phone later. She was talking about the longlost recording of David Bowie singing Jean Genie on Top of the Pops in 1973 — 38 years “Missing Believed Wiped” — and due to be screened tonight on BBC2 for the first time since.

Wendy was one of a posse of Bowie’s friends he’d asked to accompany him to BBC TV Centre because, she says, he was feeling nervous — “If you can believe that! He comes across as very confident, but he was always very shy and didn’t really want to go on Top of the Pops. Angie was the one with all the energy.”

Wendy Kirby,David Bowie, Jean Genie, 1973, Top of the Pops,video,All the Young Dudes ,Daniella Parmar ,Freddie Burretti,

Wendy Kirby this year: “Amazing to see myself on Top of the Pops after all this time!”

When we spoke today Wendy was mildly surprised at all the fuss over the video she’s never seen, but then, even as a 14-year-old schoolgirl she was a regular in the audience for Top of the Pops so had grown pretty blasé.

About five years later she’d become one of Bowie’s “piss-elegant champagne-drinking” entourage after meeting David and Angie at the Sombrero disco (strictly speaking, called Yours or Mine, beneath the restaurant El Sombrero in Kensington High Street) during the Hunky Dory period when he was wearing the Mr Fish man-dress and had long cascades of blond hair. All that was lopped and dyed red by Suzi Fussey for the Ziggy persona which made him a star. On Jan 3 1973, Wendy donned a black fishtail dress “with an exceedingly low back” plus a long blonde mermaid wig, and stepped into Studio 8 and onto the dancefloor for Top of the Pops in company with her flatmate Freddi Burretti (Bowie’s costume designer for whom Moonage Daydream was written), Angie Bowie and panda-eyed Daniella Parmar whose constantly changing hair colour had convinced Bowie “of the importance of a synthetic hair colour for Ziggy”.

David Bowie, Missing Believed Wiped, Jean Genie,1973,Top of the Pops,BBC, Mick Ronson, John Henshall, Spiders from Mars,Wendy said: “We were the ‘young dudes’ who shaved off our eyebrows just for camp, because you could paint them on higher up — that gave us a strange unearthly look which David adopted. He was always open to suggestions and went through our wardrobes like a magpie!”

Bowie name-checked his friends in the lyrics of the glam-rock anthem All the Young Dudes in 1972: Wendy’s stealing clothes/ from Marks and Sparks/ And Freddi’s got spots/ from ripping off the stars from his face/. When David told her, she replied: “You could at least have made it Harrods!”

She added: “Thing is, the fame happened seemingly overnight. People had thought of David as a one-hit wonder with Space Oddity, then suddenly in 1972 Starman was a hit and everything went from ordinary to unreal. Nothing was the same again.”

Wendy had no idea whether the cameras had caught them dancing in the Jean Genie video newly discovered and due for broadcast tonight. “Pan’s People had done their dance number and were heading out of the studio when David went onstage. They all stopped to watch his act and were mightily impressed. I remember a couple of them were wearing red fox-fur coats…”

David Bowie, Jean Genie, 1973, Top of the Pops,video,All the Young Dudes ,Daniella Parmar ,Freddie Burretti

Freddi Burretti and Daniella Parmar photographed by Mick Rock

Wendy Kirby,David Bowie, Jean Genie, 1973, Top of the Pops,video,All the Young Dudes ,Daniella Parmar ,Freddie Burretti, Angie Bowie

Here’s the proof broadcast tonight for the first time in 38 years! Wendy and Daniella Parmar dancing on Top of the Pops in 1973, just behind Mick’s guitar. (Videograb © BBC)

❏ Update at 8pm: “Yes, that’s me between David and Mick, the girl with a ton of make-up, huge eyelashes and the red flower in the hair — we piled on tons of everything then. That’s Daniella dancing next to me. Amazing to see myself on Top of the Pops after all this time! I’ve never seen this before. And I haven’t seen David perform live since… Those were great days and I was too young to appreciate them.”

Of Bowie’s Sombrero posse, today Wendy lives in West London and Daniella in Worthing. Freddi Burretti (born 1951, raised as Frederick Burrett in Hackney) was also aka Rudi Valentino while fronting Bowie’s 1971 phantom band, the specially created Arnold Corns. His talents were better expressed as Freddi Burretti, making Ziggy Stardust’s outfits from the first quilted jumpsuit onward. He died while living in Paris in May 2001. The male escort Micky King recorded the Bowie song How Lucky You Are, among others, and according to Bowie was gruesomely murdered by a client some years later.

Wendy Kirby,David Bowie, Jean Genie, 1973, Top of the Pops,video,All the Young Dudes ,Daniella Parmar ,Freddie Burretti

Very Swinging London, early 70s: Wendy Kirby in a black wig. Her friends among Bowie’s young dudes included Daniella Parmar, hairdresser Antonello Parqualli and Sombrero face, Micky King

➢ Where to draw a line between Glitter and Glam – naff blokes in Bacofoil versus starmen with pretensions

AND HERE IS THE ‘LOST’ BOWIE VID AT YOUTUBE

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➤ Bowie’s “lost” Jean Genie from 1973 to be aired on Top of the Pops this week

David Bowie, Jean Genie, Top of the Pops, Mick Ronson,video,John Henshall,

1973 revisited: Bowie and Ronson singing Jean Genie in the "lost" Top of the Pops performance. (Videograb © BBC, courtesy of John Henshall/Bowie.net)

❚ HOT NEWS OF A CHRISTMAS TREAT for Bowie fans. They have waited for almost 40 years to see his only Top of the Pops performance of The Jean Genie with The Spiders from Mars in January 1973 — shirtless, though clad in an open satin jacket. The tape was long thought to have been wiped or lost.

However a former BBC cameraman recently discovered that he possessed the only broadcast-quality copy in pristine condition, and today Bowie Wonderworld announced that entertainment boss Mark Cooper has arranged to have it included in this Wednesday’s 90-minute collection of classic Christmas hits (TOTP2, 7.30pm). The intention had been to unveil the clip in the BBC4 documentary Tales of Television Centre in the New Year, but enthusiastic fans persuaded him to bring forward its screening, even though you won’t see the track listed in the online billings.

As executive producer of Top Of The Pops 2, Cooper said: “I can’t imagine what other piece of TOTP from the early 70s would be as extraordinary a find.”

Bowie’s performance of The Jean Genie was recorded on Jan 3, 1973 and transmitted the following day for the first and only time. The “lost” recording — copy on 2-inch broadcast videotape — was screened last week at the NFT’s Missing Believed Wiped event. BowieNet’s news editor enthused: “A shirtless David looks amazing as he shakes maracas and blows on the harmonica. It’s clear David and the Spiders were at their peak when this video footage was shot, just a few days before David’s 26th birthday.”

Andy Barding, another privileged witness, added: “The first screening of the newly rediscovered clip of Bowie, Ronson, Woodmansey and Bolder performing The Jean Genie on Top of the Pops saw a packed National Film Theatre struck agog at the majesty of Ziggy in action: in pristine, full-colour TV quality. David, with deep-red hair, shaved brows and bafflingly wide trousers, looked every inch the epitome of what we recall as glam.”

➢ Read Barding’s full appreciation of the lost clip at BowieNet

David Bowie, Jean Genie, Top of the Pops, Mick Ronson,video,John Henshall

TOTP 1973: Jean Genie viewed through John Henshall’s innovative fish-eye lens. (Videograb © BBC, courtesy of John Henshall/Bowie.net)

The Jean Genie single had been released in November 1972, and the January 4 transmission on the BBC’s flagship pop show boosted it to peak at Number 2 in the UK singles chart. The track was remixed for Bowie’s sixth album Aladdin Sane in April 1973 which divided critics over his genius. The Jean Genie surfed in on the inspirational wave caused by the arrival of Ziggy Stardust and the Starman in July 1972, when Bowie’s Top of the Pops appearance years later passed into legend as the glam-rock moment that shaped the imaginations of a teen generation who were to become the popstars of the 80s.

➢ Update Dec 21: Bowie’s friend Wendy Kirby spots herself dancing in Jean Genie for the first time

➢ Glitter versus Glam and where to draw a line – naff blokes in Bacofoil versus starmen with pretensions

TV INNOVATOR WHO SAVED THE KEY RECORDING

❏ The retired cameraman John Henshall, now 69, has been speaking of how he came to own the footage of David Bowie’s Jean Genie which was thought to be lost. In the early 70s, long before the days of digital effects, Henshall ran a company called Telefex which made star filters, multi-image prisms, fish-eye lens attachments, kaleidotubes and picture rotators. Encouraged by TOTP producer Johnnie Stewart, he used the fish-eye to create the optical effects seen in the Bowie recording.

David Bowie, Jean Genie, 1973, Top of the Pops,video,John Henshall ,Mick Woodmansey

Cameraman caught on camera: John Henshall seen in Studio 8 just beyond drummer Mick Woodmansey during the Jean Genie recording. (Videograb © BBC)

Afterwards he asked Stewart for a personal copy on 2-inch tape to include in his company’s showreel.

Today he is an expert in digital imaging, who pioneered the now ubiquitous lightweight television camera mounted on a long boom arm that we see sweeping above artist and audience at concerts. He also directed photography on hundreds of early music videos for artists including Paul McCartney, Kate Bush, Blondie and Elton John.

Henshall only discovered how “rarer than rare” the clip was when he mentioned it in a radio interview. He said: “I couldn’t believe that I was the only one with it. I thought you wouldn’t be mad enough to wipe a tape like that. They’d been looking for it for years.”

➢ Listen to John Henshall telling Malcolm Boyden at BBC Radio Oxford about how he saved the Bowie tape

➢ Update Dec 21: Finally, the BBC Six o’Clock News gets round to its own report on John Henshall’s prize discovery

➢ View the Jean Genie video on the BBC iPlayer until New Year’s Eve

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