Tag Archives: New Romantics

2026 ➤ Seven definitive books about the 80s subcultural revolution in the UK

Derek Ridgers, Stephen Jones, Robert Elms, Paul Simper, Graham Smith, Chris Sullivan, Midge Ure, David Johnson, New Romantics, Shapersofthe80s,

❚ All you need to know about the New Romantics
revolution of the 1980s is covered in each of these
books which is definitive in its own way. . .

* 78-87 LONDON YOUTH, by Derek Ridgers (Damiani, 2013) – Generous and compassionate straight-up photography at the street level of daily life captures the “looks” that set people apart.

* SOUVENIRS, by Stephen Jones (Rizzoli International, 2016) – Pictures of his playful and compelling hats accompany the life story of milliner Stephen Jones, from St Martin’s School of Art to every key designer runway over four decades.

* BLITZ, The club that created the 80s, by Robert Elms (Faber & Faber, 2025) – “Unofficial catalogue” for the Blitz Club exhibition in September 2025 at London’s Design Museum, according to its curator. The time-travel broadcaster and writer Elms was a key influencer when individualism redefined nightclubbing.

* POP STARS IN MY PANTRY, by Paul Simper (Unbound, 2017) – The columnist and TV writer Simper stumbled across an early Spandau Ballet gig to become an essential part of the British pop scene ever since. He had his own crack at the charts in the ill-fated disco duo Slippry Feet.

* WE CAN BE HEROES: London Clubland 1976-1984, by Graham Smith and Chris Sullivan (Unbound 2011) – The most personal gallery by photographer Smith in an elegant hardback, with insightful text throughout by club host Sullivan, a key Shaper of the 80s who ran the Wag for 18 years and charted with his band Blue Rondo a la Turk.

* If I was…, by Midge Ure (Virgin Books, 2004&5) – This remains a superb and frank autobiography by the weathervane of synth-pop who helped shape the British New Wave with Ultravox as probably the first active player of a synth among any of his clubbing pals. He earned an OBE for being half the brains behind Band Aid’s smash hit for charity in 1984, Do They Know It’s Christmas? the song that became, for 13 years, the biggest selling UK single of all time.

* NIGHTLIFE REBELS: How New Romantics Ignited the 80s, by David Johnson, featuring photographs by Derek Ridgers (self-published, 2025) – Two seasoned eye-witnesses watched Britain’s young ignite a glittering subcultural revolution… As a Fleet Street journalist I explored their intriguing carnival of style-setting cults across Britain, Paris and New York, while straight-up photographer Derek Ridgers captured the libertines in their dark dens, illustrating many of my own reports in The Face mag’s early years. . . Our elegant illustrated hardback NIGHTLIFE REBELS celebrates the 19-year-old hedonists who insisted “One look lasts a day” while becoming the latest British pop stars with more acts in the US Billboard charts than the 1960s ever achieved. Featuring unseen pictures, stats, a unique timeline and Who Really Was Who. . . “Some nights it was like walking into Hieronymus Bosch’s Garden of Earthly Delights,” says Ridgers. And Johnson: “The whole spectacle shouted newness. This chapter was about youthful talent and personal success, not about worshipping rock gods in a stadium.”

[ Order through my online address
nightlife.rebels [a t] shapersofthe80s.com
]

FRONT PAGE

1983 ➤ A True romance aboard Spandau’s triumphal Thames riverboat

Spandau Ballet,1983, tour, Gary Kemp

Spandau over Bournemouth, 1 April 1983: Gary Kemp teases the screamers at the Good Friday show in the Pavilion Theatre. © Shapersofthe80s

40
YEARS
ON

❚ YES IT’S 30 40 YEARS SINCE Spandau Ballet scored their only No 1 chart hit single with True, coinciding with their epic “Spandau Over Britain Tour”. By May 3, True the album reached No 1, while the single remained at No 1 as well. The band’s official website is celebrating with a month of recollections from 1983 and asking UK fans to offer their own memories. Naturally Shapersofthe80s was there on the waterfront and has a few inside stories of its own.

The month-long tour ended in triumph at London’s Royal Festival Hall 30 years ago today, on Friday April 29, because True hit the top spot in the UK singles chart and the night before Spandau topped the bill on Top of the Pops – only two weeks after its release. After the London gig there followed a right old knees-up for friends and family aboard a Thames riverboat. As it cast off Shapersofthe80s was onboard and snapped a True romance as Steve “Spiny” Norman took to the dance floor with bass-player Martin Kemp, while Steve’s mum Sheila tried to muscle in. Here are our snaps, never seen before.

CLICK ANY PIC TO LAUNCH CAROUSEL
AND NAME THE FACES:

The band’s third album True, produced by Tony Swain and Steve Jolley, had preceded the tour and was to yield several chart hits across the world, Gold among them. The tour moved on to Europe in the summer and to North America in the autumn, when Shapersofthe80s will have some wild eye-witness scenes to report – laters…

➢ May 1 update: all five members of Spandau Ballet have agreed to an individual ‘TRUE’ Twitter Q&A session with fans, according to the official Spandau website – Q&A sessions start at 8pm (BST) on the official Spandau Twitter account, not their personal accounts, as follows: Gary May 3, Martin May 6, John May 7, Steve May 9, Tony tbc.

➢ 30th anniversary interview with Gary Kemp
at UK Official Charts website

The Observer OMM Oct 4, 2009

The Observer Music Monthly Oct 4, 2009

HOW IT ALL BEGAN FOR
THE ANGEL BOYS

➢ Read the story of Spandau Ballet,
the Blitz Kids and the birth of the New Romantics
in my feature at The Observer

➢ Photographer Neil Matthews, another friend of Spandau from their earliest days, has been celebrating with an exhibition of his popstar photos titled My 80s Through the Lens, at The Great British Restaurant, 14 North Audley Street, London W1K 6WE. All images can be viewed online and are for sale in limited editions printed on smart archival paper. As well as Spandau, his subjects include Bananarama, Blue Rondo, Bauhaus, Haysi Fantayzee, Malcolm McLaren, The Jam, Nick Heyward, Bow Wow Wow and more.

FRONT PAGE

1982 ➤ When fans first screamed for Spandau and two climbed up to their window

Spandau Ballet, Blitz Kids, New Romantics, Liverpool Empire, 1982, Diamond Tour, fans,

8 May, 1982: Now identified! A teenage fan shins the drainpipe at the Liverpool Empire giving access to Spandau Ballet’s dressing room on their first nationwide tour with the Diamond album. Snapped by © Shapersofthe80s

40
YEARS
ON

■ THE YEAR WAS 1982. Spandau’s seventh single Instinction had put them on Top of the Pops during Easter week and sales were rocketing. The night of May 8, towards the end of Spandau’s first nationwide tour, with stand-up comedian Peter Capaldi in support, has become known as The Return of the Scream. The moment the house lights dimmed, a mighty roar lifted the roof off the Empire, the city’s legendary music venue. It didn’t stop for 75 minutes. The band hadn’t heard anything so intense and were visibly shaken when they came offstage. Guitarist Gary Kemp said in disbelief: “I had to stop playing. I couldn’t hear my own monitor.”
➢ Click through to read all about 8 May 1982 – the return of The Scream to British pop

Yes says Jan: that’s me shinning up
the drainpipe in 1982

■ A 30 YEAR-OLD MYSTERY HAS BEEN SOLVED. At the climax to Spandau Ballet’s first national tour in 1982 fan mania broke out on a level comparable to the 1960s. When their single Instinction crashed into the UK charts with freshly injected energy from producer Trevor Horn, three extra tour dates were added in May. After the show in Liverpool, the creative birthplace of British pop music, a crowd of about 500 fans mobbed the stage door at the fabled Empire theatre. A shadow had only to fall across the band’s dressing room window for screams to erupt in the street. Two girls then decided to shin the drainpipe and beat the window with their handbags until they were let in…

➢ Click through for more about the girls who entered Spandau’s dressing room via the window

Spandau Ballet, Blitz Kids, New Romantics, Liverpool Empire, 1982, Diamond Tour, Martin Kemp, fans, Gary Kemp,Steve Norman, Tony Hadley, Peter Capaldi

Inside the Liverpool Empire, May 8, 1982: fans shocked security staff with the roar that greeted Spandau Ballet. Photograph by © Shapersofthe80s

➢ 1982, How Spandau put Peter Capaldi on the road
to play the new Doctor Who

FRONT PAGE

➤ Thanks, Steve, for my invitation to the Swinging 80s

Blitz Kids, New Romantics, Observer Music Magazine, Derek Ridgers,Spandau Ballet, Steve Dagger, Steve Strange, Tipping points,London, Media, Politics, Pop music, Swinging 80s,,

The Observer Music Monthly, Oct 4, 2009. Pictures © by Derek Ridgers

40
YEARS
ON

ALSO THE FIFTH ANNIVERSARY OF
STEVE STRANGE’S DEATH

WHEN MY PHONE RANG IN JANUARY 1980, little did I realise its message meant: “Put out the cat. You’re coming to the party of your life.” The voice on the other end spoke without pausing: “My name’s Steve Strange and I run a club called the Blitz on Tuesdays and I’m starting a cabaret night on Thursdays with a really great new band…. they combine synthesised dance music for the future with vocals akin to Sinatra, they’re called Spandau Ballet and they’re going to be really big. . .”

➢ Click through to continue reading Yours Truly’s eye-witness account of Spandau Ballet, the Blitz Kids and the birth of the New Romantics at The Observer Music Monthly

➢ Elsewhere at Shapers of the 80s:
The Invisible Hand of Shapersofthe80s draws a selective
timeline for the break-out year of 1980

FRONT PAGE

➤ Thanks, Steve, for my invitation to the Swinging 80s

Blitz Kids, New Romantics, Observer Music Magazine, Derek Ridgers,Spandau Ballet, Steve Dagger, Steve Strange, Tipping points,London, Media, Politics, Pop music, Swinging 80s,,

The Observer Music Monthly, Oct 4, 2009. Pictures © by Derek Ridgers

MARKING THE FOURTH ANNIVERSARY
OF STEVE STRANGE’S DEATH

WHEN MY PHONE RANG IN JANUARY 1980, little did I realise its message meant: “Put out the cat. You’re coming to the party of your life.” The voice on the other end spoke without pausing: “My name’s Steve Strange and I run a club called the Blitz on Tuesdays and I’m starting a cabaret night on Thursdays with a really great new band…. they combine synthesised dance music for the future with vocals akin to Sinatra, they’re called Spandau Ballet and they’re going to be really big. . .”

➢ Click through to continue reading Yours Truly’s eye-witness account of Spandau Ballet, the Blitz Kids and the birth of the New Romantics at The Observer Music Monthly

➢ Elsewhere at Shapers of the 80s:
The Invisible Hand of Shapersofthe80s draws a selective
timeline for the break-out year of 1980

FRONT PAGE