Tag Archives: Steve Norman

2018 ➤ Dad band Spandau preen with pride for Ross their newly adopted son

pop music, media, rebirth, Ross William Wild, Spandau Ballet, concert, spandauballetlive, Subterania,

A confident debut with Spandau Ballet: Ross William Wild at Subterania last night

pop music, media, rebirth, Ross William Wild, Spandau Ballet, concert, spandauballetlive, Subterania,

Ross William Wild’s debut with Spandau Ballet: from left, Martin, Ross, Steve and Gary

AND WHAT TOUR DE FORCE the entire band made of Spandau Ballet’s rebirth last night to showcase their new singer Ross William Wild who effortlessly filled the space onstage vacated by Tony Hadley. At the age of 30 Aberdeen-reared Ross could easily be the son of any of the Spandau dads around him, yet he had infused new energy into them to inspire one of the tightest all-round performances in recent years. He embodies all a lead singer should: energy, confidence, instantly likeability and a strong singing voice that almost never sounds like his predecessor.

Ross was announced by the tabloids as an Elvis Presley impersonator so it was a relief that this is not what we saw or heard: in fact the inflexions in his singing voice do reflect his principal experience in musical theatre, most recently in The Million Dollar Quartet, The Witches of Eastwick, and We Will Rock You. And though in the Noughties he was the lead singer in a nu-metal band called Lethal Dosage, Ross performs with shoulders, arms, hips, feet – in fact, his entire body just as you’d expect in a stage musical.

pop music, media, rebirth, Ross William Wild, Spandau Ballet, concert, spandauballetlive, Subterania,

Spandau’s rebirth set list

From Spandau’s nostalgically involved opening hit Through the Barricades, Ross made each of the set’s 13 hit numbers his own (with almost as many changes of shirt!).

Spotlit on a darkened stage, his first three minutes were a vocal slow-burn alongside a masterly Gary Kemp on solo guitar. It was a daring move to persuade us to listen. By the second line, as he gave vibrato to the lyric, Ross was evidently “feeling strong”, and from here on he introduced us to his voice in gentle stages, slowly raising the temperature, until the pause. . . Then: bam-bam! Keeble’s drums announced the bombast of Barricades proper, and Ross let rip to command centre-stage, amid the familiar Spandau front-line on vocals. They climaxed with a big sound in an intimate clubby space, up close to 500 of their fans. What a statement of intent!

HEAR ROSS’S FIRST VERSE OF ‘BARRICADES’


Ross excelled in another emotional classic Only When You Leave, had the audience eating out of his spiralling hand for Round and Round, pogoing through Lifeline, and by the encore the hot summer’s evening had him stripped down to a vest as he gloriously re-energised To Cut a Long Story Short to sound like a brand-new number. Amazingly, at the bar afterwards, Ross said he was intrigued by its lyrics since he first heard this hit from 1980, but read none of Gary Kemp’s meaning into it or the lyrical quotation it contains. He imagines it is set in the first world war trenches and reflects the strange solitude of the soldier.

➢ Click to hear Rusty Egan’s 2h16m deejay set
recorded live at the Subterania Club before
Spandau Ballet’s rebirth concert

The band’s families and friends turned out along with veteran Blitz Kids and Beat Routers (smashing to see you again, genial doorman Ollie O’Donnell) who could all be seen grooving to Rusty Egan’s unique mixes at the after-party. Sentimental as ever, Martin Kemp had announced from the stage that last night’s venue, Subterania beneath Westway at Portobello Road, was chosen because in its days as Acklam Hall community centre, the original Spandau lineup had played a benefit there under their early name, Gentry, on Saturday 24 February 1979. In the after-bash I recognised the curly-haired photographer Denis O’Regan who was at work with his camera. Spookily I’d just posted one of his seminal band images here at Shapersofthe80s on my own tribute revisit to 1980 when Denis had posed the band in his studio and uplit them to create the dramatic shot of Spandau which became the expressionist motif of their live performance that spring at the Scala Cinema.

Verdicts from the band on their young vocalist are breathless. Gary Kemp said: “Ross’s great talent and passion has given us the confidence to continue.” Drummer John Keeble who drove the show with his usual percussive enthusiasm said: “I bonded with Ross over our mutual love of rock music. He may have come up through the theatres but he loves bands like Tool.” Steve Norman added: “He’s also a right nice bloke. We struck lucky.” [I often wonder whether Steve realises just how richly musical his own sax playing is! Ben Webster will be smiling benignly at this.]

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At the after-party: Ross William Wild shares song-writing ambitions with Steve Norman’s son Jaco

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Patrolling the audience during Spandau’s rebirth gig: their trusty manager Steve Dagger evidently chuffed to bits at their new singer

➢ Previously at Shapers of the 80s: The Spandau show must go on and Oh, the Wild voice!

➢ More Spandau Ballet at Twitter where a one-off concert is now booking for Apollo Hammersmith on 29 October

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2018 ➤ The Spandau show must go on and Oh, the Wild voice! Oh, the Wild biceps!

TABLOIDS GET THEIR MAN: ROSS WILLIAM WILD
HERE SINGING The Show Must Go On, 2012

➢ A talented Elvis impersonator has been brought in to sing Spandau Ballet’s hits like True and Gold – Daily Mirror

Spandau Ballet, vocalist, Ross William Wild, Martin Kemp,

Spandau’s new boy Ross William Wild met Martin Kemp when they both appeared in Million Dollar Quartet

The identity of the new Spandau vocalist has been cracked: He is a 30-year-old former Aberdeen Grammar School pupil, born in February 1988, whose original name is Ross William Davidson, with a brother Will Davidson and a step-sister Lucy Indiana Wild living in Canada. Ross trained for the stage at Aberdeen Youth Music Theatre from the age of 10, and then studied Musical Theatre at Glasgow Academy of Music Theatre Arts.

➢ “We first noticed he had such a fantastic singing voice when his voice was starting to develop” – Evening Express

Ross William Wild , Spandau Ballet, vocalist,

Spandau’s new boy Ross William Wild with Nile Rogers at Abbey Road Studios this year – at Instagram

✭ His first instrument was guitar when he was 8 and the first chords that he struck were the blues chords.

✭ Describes himself as musician, singer, actor, writer and adventurer. Tweeted that he enjoyed the Charles II: Art and Power exhibition at The Queen’s Gallery.

Spandau Ballet, vocalist, Ross William Wild

Spandau’s new boy Ross William Wild – at Twitter

✭ In 2016 he released his debut solo album Wild Tracks which includes songs written with Trisha Ward.

✭ In 2016 Ross played Elvis Presley in the hit West End musical Million Dollar Quartet and shared the stage with Martin Kemp when he took over the role of record producer Sam Phillips who discovered Presley.

✭ Above, Ross featured as the popular and handsome Daniel in the raunchy 2011 film Downing, where he has sex scenes with a woman and a man. He speaks with a clear Scottish accent.

➢ Hunky Ross regularly shows off his honed physique in saucy social media selfies – The Mail

Spandau Ballet, vocalist, Ross William Wild

Spandau’s new boy Ross William Wild on holiday in Barcelona – from Instagram

➢ Wild has trained in kickboxing and taekwondo at a high level since the age of 15 – The Sun

➢ View Wild’s selfies at Instagram
➢ Follow the new Spandau singer at Twitter

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➤ A happy Norman family outing on the eve of some big Spandau news

Pop-Up UK Tour, Pizza Express Live, Steve Norman ,Sabrina Winter , Jaco Norman

Last night at Pizza Express Live: Spandau Ballet’s percussionist Steve Norman alongside his partner Sabrina Winter and son Jaco Norman on bass. (Photo: Shapersofthe80s)

LAST NIGHT STEVE NORMAN’S POP-UP UK TOUR played its third set at a packed Pizza Express in Holborn. Spandau Ballet’s percussionist and joker Steve is pictured here alongside his girlfriend, manager and vocalist Sabrina Winter, and actor son Jaco Norman on bass, while his mum Sheila, daughter Lara and relations cheered from their corner. We enjoyed a generous 2hour-37minute show including a frank yet good-humoured Q&A (the first single he bought was Double Barrel by Dave and Ansil Collins, OK?), with only one twitchy moment which his old mucker on bongos Joe Becket reckoned was a “domestic” at the couple’s mics.

Steve met Joe at his best mate Deuce Barter’s Sunday clubnight called Passion at La Valbonne in Maidenhead in 1988 not long before the final tour which signalled the Spandau Ballet split. Steve joined Joe on percussion with him one night, and the same night Steve asked Joe if he would like to join Spandau’s tour on percussion. And so he did. They have been firm friends ever since and once more last night they indulged in a battle of the bongos reminiscent of Deuce’s club during a choppy version of Chant No 1. Jaco closed in to complete a trio for a thrilling percussive climax.

➢ Read Jeff Prestridge’s review of an emotional evening
and Steve’s “saxophonic genius”

Guitarist Paul Cuddeford also plays in Holy Holy and Steve Harley’s band and has worked as producer with Steve on various projects. Last night he pumped guts into a range of soulish covers from Al Green’s Let’s Stay Together and Nick Cave’s Where The Wild Roses Grow to All the Young Dudes, The Passenger, Absolute Beginners and Come Together. He totally walloped astonishing new life into the Spandau hit True, as did Steve who excelled with his trademark dirty tenor sax.

Steve introduced three new songs during the set: L’Apprendista Di Nettuno, written for a swimming event and proving a soaring sensation on soprano sax; I Get Up I Get Down; and the evening closed with a snappy new potential hit titled If Looks Could Kill where he alternates vocals with that sax – well out on its own stylistically!

As for the big news, we’re waiting, tick-tock. . . Noos-flash at 2pm: Spandau are writing the next line. They say put the date 6.6.2018 in our diaries!!! F-A-B!!!

Spandau Ballet, breaking news

Breaking news today at 2pm

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➤ Whither Spandau? Expect a bombshell today!

Spandau Ballet , pop music,Gary Kemp, Martin Kemp, John Keeble, Steve Norman

Face wanted in the Spandau Ballet lineup: from left, Gary Kemp, Martin Kemp, John Keeble, Steve Norman. Might the new singer even be female? (Er, no.)

EXPECT A NEWS TSUNAMI TODAY when Spandau Ballet, the New Romantic heroes of the 80s, announce who is going to replace the finally departed Tony Hadley as their singer. AND the date of their first gig together as a revitalised new line-up.

A shortlist of hot tips for the Spands’ new voice was discussed at Shapersofthe80s last summer. Since then we’ve learnt that he/she is not going to be an old 80s has-been. So who’s still in the frame for the key job without which Spandau’s legacy will remain all behind them? Could it really be Brandon Flowers who is known to have discussed a future with Spandau? Or Will Young whose recently acclaimed stage experience in Cabaret might bring a fresh note of theatre to Spandau performances?

Or could it be one of these burgeoning young talents?

* George Maguire, recently touring as Marc Bolan, who also won the Olivier Award for the Best Actor in a Supporting Role in a Musical in 2015?

* Rami Malek, the 36-year-old star of Mr Robot?

* Layton Williams, who stole all the curtain calls as Angel in Rent, the touring musical?

* Mo Adeniran, the 21-year-old former hotel worker whose show-stopping performance of Iron Sky wowed judges in the blind auditions on The Voice UK?

* Giles Terera, the British actor and musician best known for originating the character of Aaron Burr in the London production of Hamilton for which he won the 2018 Olivier Award for Best Actor in a Musical?

* Martin Lewis, who sang Gold brilliantly in Stars in Their Eyes?

* Adam J Bernard, who won Best actor in a supporting role in a musical for Dreamgirls at the Savoy Theatre?

* Tyrone Huntley, 2016 winner of the Standard’s Emerging Talent Award, also nominated for Best Supporting Actor in a Musical for his Judas in Jesus Christ Superstar at Regent’s Park Open Air Theatre?

The choice is yours! Sorry, no it’s not. The choice is Spandau’s. And he’s already been hired!

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2017 ➤ So who can fill Tony Hadley’s big Ballet shoes?

Spandau Ballet , pop music,Gary Kemp, Martin Kemp, John Keeble, Steve Norman

Face wanted in the Spandau Ballet lineup: from left, Gary Kemp, Martin Kemp, John Keeble, Steve Norman. Might the new singer even be female?

AFTER YEARS OF HINTING that his career as Spandau Ballet’s frontman was over, both during and after two world tours – all of his bombshells reported here at Shapersofthe80s – today Tony Hadley finally quit with a single tweet. Immediately, the Spandau management declared that the other four resting band members will rise like Lazarus to “move on as a band”. Er, well, perhaps, but Big Tone’s suave 6 ft 4 in (1.93 m) frame leaves not only a physical hole in the five-piece line-up, none of them especially noted for their singing voices, but an inevitable audible gap too. The four Spandau remainers provide the complementary blue-eyed soul music to a big balladeering voice, albeit described as a “dramatic warble” by Dan LeRoy at AllMusic, or that of a “top crooner” by somebody at BBC Somerset.

➢ Earlier at Shapersofthe80s:
Today’s Hadley bombshell

So who’s in the frame for the key job without which Spandau’s legacy will remain all behind them? It has to be either a dead ringer who plays to fans’ expectations, or a radical candidate who will set a new direction. One obvious contender is Paul Young as a singer who built a strong reputation for vocal interpretation during the same renaissance of British pop music that made Spandau an international supergroup. His covers of Marvyn Gaye and Jimmy Ruffin well qualify him at 61 to become the big brother of the Spandau dad-band.

Click any pic below to launch slideshow

Less obvious but no less talented is Brandon Flowers, 36, former frontman of the Killers with whom he helped repopularise the sounds of the 80s in the noughties. His charismatic presence and fashion sense would sit comfortably with the Spandau heritage.

Amazingly, Will Young has reached the ripe old age of 38 in minutes seemingly, but as a respected vocalist and former Pop Idol winner he can claim four UK number-one albums and two Brit awards, while his recently acclaimed stage experience in Cabaret might bring a fresh note of theatre to Spandau performances.

Olly Alexander, pop music,

Olly Alexander at Glastonbury (Getty)

But if Spandau really want to inject some millennial youth into their daddy line-up they could consider the chirpy presence of actor-vocalist Olly Alexander, 26, whose sheer energy would trigger a mighty refresh. Olly describes himself as a “real left-winger” which should sit well with the millionaire Spands whose working-class roots reach back to Islington.

Of course, they could just as easily invite on-board one of those Hadley impersonators who wowed viewers of the Saturday night talent show Stars in Their Eyes – such as Martin Lewis who sang Gold brilliantly in 1997 or Steven Houghton who sang the same number in 1998.

NOW NOMINATE SPANDAU’S NEW VOCALIST

❏ Who would you like to see as the next vocalist with Spandau Ballet? Many fans today have been wailing how irreplaceable Big Tone is, while others have condemned him harshly for robbing his former schoolmates of their pensions. Clearly the band believe they have one more album and tour ahead of them, but who will lead them on through the barricades? Please leave your comment below.

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