Tag Archives: Spandau Ballet

➤ Hottest Shapers during 2022

Andrew Ridgeley , Wham Rap, video, Face magazine, Club Culture,

Click pic to open the Wham Rap! video in another window … “Man or mouse” Andrew Ridgeley establishes his group’s clubbing credentials in the opening shots of the Wham video by reading my cover story on Club Culture first published in The Face in 1983 and in recent years the No 1 read at Shapers of the 80s!

❚ OVER THE PAST 14 YEARS Shapers of the 80s has received 2.2 million views, according to year-ending stats measured by our host, WordPress. Our 850+ published items total half-a-million words, which is several times more than most books, so it pays to explore the various navigation buttons. Here are the half dozen posts which remained among the most popular with readers during 2022…

➢ Photos inside the Blitz Club, exclusive to Shapers of the 80s

FACE No 34,club culture ➢ 69 Dean Street and the making of UK club culture – evolution of the once-weekly party night (1983)

➢ Why Bowie recruited Blitz Kids for his Ashes to Ashes video in 1980 from the club-night founded by Steve Strange and Rusty Egan

➢ 20 gay kisses in pop videos that made it past the censor

➢ First Blitz invasion of the US —
Spandau Ballet and the Axiom fashion collective take Manhattan by storm (1981)

NYC,Axiom,Melissa Caplan, Sade, Elms, Tony Hadley, Ollie O'Donnell

At the Underground club in NYC 1981: Melissa Caplan rehearses Bob Elms, Mandy d’Wit and Sade Adu for the Axiom runway show. Right, Ollie “the snip” O’Donnell goes to work on singer Tony Hadley’s hair. Photographed by © Shapersofthe80s

➢ Posing with a purpose at the Camden Palace — power play among the new non-working class (1983)

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2022 ➤ Martin Kemp on a life full of love but lacking two vital apologies

Martin Kemp, Spandau Ballet, Los Angeles, pop music, live concerts,

Golden years: Martin Kemp escaping fans after Spandau Ballet played at The Palace, Los Angeles, in 1983

❚ MARTIN IS THE YOUNGER BROTHER of the two Kemps, the good-looking one with the easy charm that has opened doors into a television career that included EastEnders. Gary is the older one with such a strong sense of self that as recently as 2017 it wrecked the last of several reunions for Spandau Ballet, by shedding their talented and popular singer Tony Hadley who now thrives with his own band. In 1978 Gary had invited Martin to learn to play bass then join his former school band the Makers 18 months before it was renamed Spandau Ballet and went on to international success.

Today The Guardian interviews Martin Kemp aged 61 about his third book, Ticket to the World: My 80s Story (HarperCollins £11), which sounds more cosy than you might expect following Kemp’s distressing surgery to remove two brain tumours during the 1990s. He can’t stop telling us how much he loves everybody in his life, even after fist fights with Gary. What does he have to say about why Tony Hadley left the band in 2017, after several previous break-ups? ➢ The interviewer Paula Cocozza reports:

“It’s something that I’d never spoken to him about. But I do feel guilty when I look back.” In the book, Kemp stops short of an apology. “Oh, listen,” he says immediately. “I would apologise to Tony, absolutely, for the way that he was treated. I think it was really poor.”

Why doesn’t he pick up the phone and say all this to Hadley? He really sounds as if he wants to. But he says: “I haven’t spoken to Tony for ages. I reach out to him, but I rarely hear back. I send little messages” – he mimes texting – “if I get two words back, I’m happy.

“Tony is lovely,” he says. “He is a lovely man. I will always, always love him, in the same way I love all the rest of the band. But you drift apart, don’t you?”

Nowhere in the interview does the name of Ross William Wild get mentioned, the singer who succeeded Hadley during 2018 following Martin Kemp’s recommendation, and was silently dumped after a trial series of concerts and subsequently contemplated suicide. When might he, too, expect an apology from the band who blanked him?

Spandau Ballet, Ross William Wild, Gary Kemp, Martin Kemp, Steve Norman, pop music,

October 2018: What proved to be vocalist Ross William Wild’s last outing with Spandau Ballet at the Hammersmith Apollo

➢ Previously at Shapersofthe80s: 2020, Singer Ross reveals how Spandau drove him to try ending it all

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2022 ➤ Spandau seek your help to create a major new showcase

Spandau, New Romantics, pop music, New York City, 1981

Spandau in New York City 1981: were you there and do you have any memorabilia?

■ THE FIRST NEW BAND out of Eighties clubland to score a chart hit are planning a celebration of those early formative years when the world called them the leaders of the New Romantics.

Today Spandau Ballet – all now in their sixties – announced “a major career-defining project” and appealed to fans for help. The band invites everyone who attended any of their performances between 1979 and 1981 to send in memorabilia such as flyers, posters, tickets, video or film footage of Spandau Ballet, onstage and off. For example, these would include their appearances at London’s Blitz Club, Mayhem Studios, Scala Cinema, HMS Belfast, their first Top of the Pops, Birmingham’s Botanical Gardens, Tiger Bay Cardiff, Heaven and the Sundown in London, Exeter Bowl Bournemouth, Le Palace in Paris, the Underground Club in New York, the Ku Club in Ibiza or the Much More in Rome.

Likewise, send them your memories of the pace-setting dance-led clubs during those years, such as Billy’s, the Blitz, Rum Runner, Le Beat Route, Le Kilt, Club for Heroes, Danceteria, the Voodoo Club, or from 1982 the Camden Palace and the Wag club. Again, memorabilia that captures the fashions and the atmosphere is welcomed.

➢ Click to visit Spandau’s special website for
submissions and more information

➢ Previously at Shapers of the 80s:
1980, Steve Strange’s call to join the party

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1982 ➤ When fans first screamed for Spandau and two climbed up to their window

Spandau Ballet, Blitz Kids, New Romantics, Liverpool Empire, 1982, Diamond Tour, fans,

8 May, 1982: Now identified! A teenage fan shins the drainpipe at the Liverpool Empire giving access to Spandau Ballet’s dressing room on their first nationwide tour with the Diamond album. Snapped by © Shapersofthe80s

40
YEARS
ON

■ THE YEAR WAS 1982. Spandau’s seventh single Instinction had put them on Top of the Pops during Easter week and sales were rocketing. The night of May 8, towards the end of Spandau’s first nationwide tour, with stand-up comedian Peter Capaldi in support, has become known as The Return of the Scream. The moment the house lights dimmed, a mighty roar lifted the roof off the Empire, the city’s legendary music venue. It didn’t stop for 75 minutes. The band hadn’t heard anything so intense and were visibly shaken when they came offstage. Guitarist Gary Kemp said in disbelief: “I had to stop playing. I couldn’t hear my own monitor.”
➢ Click through to read all about 8 May 1982 – the return of The Scream to British pop

Yes says Jan: that’s me shinning up
the drainpipe in 1982

■ A 30 YEAR-OLD MYSTERY HAS BEEN SOLVED. At the climax to Spandau Ballet’s first national tour in 1982 fan mania broke out on a level comparable to the 1960s. When their single Instinction crashed into the UK charts with freshly injected energy from producer Trevor Horn, three extra tour dates were added in May. After the show in Liverpool, the creative birthplace of British pop music, a crowd of about 500 fans mobbed the stage door at the fabled Empire theatre. A shadow had only to fall across the band’s dressing room window for screams to erupt in the street. Two girls then decided to shin the drainpipe and beat the window with their handbags until they were let in…

➢ Click through for more about the girls who entered Spandau’s dressing room via the window

Spandau Ballet, Blitz Kids, New Romantics, Liverpool Empire, 1982, Diamond Tour, Martin Kemp, fans, Gary Kemp,Steve Norman, Tony Hadley, Peter Capaldi

Inside the Liverpool Empire, May 8, 1982: fans shocked security staff with the roar that greeted Spandau Ballet. Photograph by © Shapersofthe80s

➢ 1982, How Spandau put Peter Capaldi on the road
to play the new Doctor Who

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2021 ➤ Steve Norman returns with The Sleevz and a surprise royal send-off!

Sleevz, Pizza Express Live, Steve Norman, pop music, concert

Sleevz live at Pizza Express 2021: L-R, Steve Norman, Sabrina Winter, Jaco Norman and Paul Cuddeford. (Photo: Shapersofthe80s)


Updated on 27 August 2021
❚ AFTER 18 MONTHS OFF-STAGE Spandau Ballet sax player Steve Norman and his own band The Sleevz have returned to what he calls “our fav venue” Pizza Express Live in Holborn, London. On Thursday night and Friday afternoon they played a “festival set” including Spandau’s most popular hit songs, alongside some of Steve’s own tracks and personal favourites. The lineup included his wife Sabrina Winter, his son Jaco Norman, Paul Cuddeford and Joe Bongo Becket.

During Spandau’s heyday in the Swinging Eighties, the multi-instrumentalist Steve introduced the saxophone as his signature sound then wrote and played one of the most iconic saxophone solos on the band’s No 1 hit True. Steve toured the globe with Spandau Ballet and in 1985 he appeared at Live Aid at Wembley Stadium.

In 2014 the band released a documentary about themselves and 1980s culture more broadly, Soul Boys of the Western World, followed by the album The Story – The Very Best of Spandau Ballet, and another world tour in 2015. In 2017 Steve started playing solo shows across Europe accompanied by his five-piece band.

➢ Click here for tickets for August 26 (8pm) and
August 27 (1:30pm matinee)

The Sleevz, Pizza Express Live, Steve Norman, pop music, concert

Steve Norman, left, with his band Sleevz: Paul Cuddeford,‪ Sabrina Winter, Joe Bongo Becket, Jaco Norman

friends, Sleevz, Pizza Express Live, Steve Norman, pop music, concert

Steve Norman at Pizza Express 2021: with wives of his schoolfriends in Family Corner. (Photo: Shapersofthe80s)

➢ Previously at Shapers of the 80s: Spandau Ballet’s 2014 comeback with a film of their soul-boy journey through pop

ALSO OUT OF THE BLUE THIS WEEK!

The Band of the Coldstream Guards and the Band of the Scots Guard, Changing the Guard, Gold, pop music

CLICK on this pic to view The Royal Family’s video of Gold being played live on the Forecourt of Buckingham Palace this week

❏ As an amazing coincidence, on Monday the Royal Family’s page at Facebook posted this video of Spandau Ballet’s 1983 hit Gold being played live on the forecourt of Buckingham Palace. Back on duty for the first time since March 2020, we see the State Ceremonial Musicians performing while the daily ceremony of Changing The Guard took place. Here, the Band of the Coldstream Guards and the Band of the Scots Guard combined in a special tribute to the Tokyo 2020 Paralympics which began this week.

Steve Norman commented: “I’m very proud of our Spandau legacy. Almost 40 years on and still going strong. My mum would be so proud. She loved the pomp and ceremony of Changing the Guard. Congratulations to team GB for their Olympic achievements.”

❏ Spandau’s original singer Tony Hadley wrote on Twitter: “So honoured for the Ceremonial Musicians to have done their first performance since March to Gold. What a brilliant job! Many thanks. Tone.”

➢ Steve Norman & The Sleevz play the Wonderhall Festival, Lytham St Annes, Lancs, on Saturday 28th from 2pm onward

➢ Tony Hadley plays Let’s Rock Scotland 2021 on Saturday from noon at Dalkeith Country Park near Edinburgh

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