Tag Archives: Spandau Ballet

2020 ➤ Steve Norman takes up noodlin’ while Staying At Home… ditto Nick Heyward

Facebook Live, video, chat, pop music, Steve Norman, Sheila Norman,

Live on Facebook: Sheila his mum joins Steve Norman for a guitar duet

■ YOU HAVE TO GIVE STEVE NORMAN a Boy Scout badge for Fun & Games after reaching out to his fans through a live webcast last night, on the day that “Stay At Home” officially became the nation’s motto, thanks to the coronavirus epidemic. Ten minutes after the advertised time of 8pm (so echoing the prime minister’s own slack daily time-keeping!) the Spandau Ballet sax player went Live on Facebook for the best part of an hour, locked down in his Brighton home with his partner and agent Sabrina Winter, and Sheila his lovely old mum (herself a nifty dancer back in the day).

His generally dishevelled look suggested he’d just fallen out of bed (do get that scraggy beard trimmed, Steve – it adds years to you!). He rabbited on in his usual enthusiastic way, name-checking the fans and friends who were leaving their comments and love-hearts down the side of the screen, with Steve blowing kisses and greeting them in Spanish and Italian… Jenny, Cristina, Rita from LA, Michaela, Steve Webster, Gaz de Vere (“my old schoolmate”) and Richard Miller, early Spandau’s second bassist. Other odd celebs looked in, such as Nicholas (aka Nick) Heyward ex-Haircut 100 who readily accepted Steve’s invitation to join him for the next live event (though obvs that cannot happen while we are all Staying At Home).

Facebook Live, video, chat, pop music, Steve Norman, Sabrina Winter, Sheila Norman,

Live on Facebook: a finale from Sabrina, Sheila and Steve Norman

Half the time Steve was embracing his guitar, strumming some blues grooves, a Spandau riff or a Beatles classic. As he put it: “Only noodlin’ really, but the whole point of this is to come together”. He tried a bit of True on sax but switched back to guitar and then had a senior moment with Bowie’s Absolute Beginners when the right chords strangely eluded him. In between, Mum and Sabrina as director popped into shot too.

700 viewers left comments while watching the 54-minute webcast and by this morning 2,000 more had watched on catch-up, which really isn’t bad. What did disappoint was a shonky soundtrack in parts when every other word kept dropping out, but Steve’s effervescence made the whole show a right old laugh. Best of all was Mum coming in to sit on his knee and neatly duetting on the same guitar. Next stop, Top of the Pops, Sheila!

➢ Catch up viewing Steve Norman Live
at Facebook, 23 March 2020

THEN NICK HEYWARD HOPS ON BOARD

Nick Heyward, Facebook Live, pop music, corona, diversion,

Ommmmmmm: Nick Heyward on Facebook Live


■ SO HERE WE ARE TWO DAYS LATER and Nick Heyward is also live on Facebook doing his own thing from Florida where he enjoys the sunshine with Sarah, his partner. Nick, sporting summer shorts, takes an age to find his feet in front of his online audience but once he turns to guitar and piano he gets on with delivering his shamelessly romantic recent tunes. Slight audio variations result from relying on what seems like an autotuned internal mic, but hey! Then, as the setting sun evidently darkens his room, Nick closes his eyes and embarks on a short zen-like meditation – “Ommmmmm” – during which the cheeky Jacqui Ruddock comments: “Never thought I’d get to sleep with Nick Heyward.” Toodle-oo, he replies.

➢ Catch up on Nick Heyward on
Facebook Live, 25 March 2020

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➤ Thanks, Steve, for my invitation to the Swinging 80s

Blitz Kids, New Romantics, Observer Music Magazine, Derek Ridgers,Spandau Ballet, Steve Dagger, Steve Strange, Tipping points,London, Media, Politics, Pop music, Swinging 80s,,

The Observer Music Magazine, Oct 4, 2009. Pictures © by Derek Ridgers

40
YEARS
ON

ALSO THE FIFTH ANNIVERSARY
OF STEVE STRANGE’S DEATH

WHEN MY PHONE RANG IN JANUARY 1980, little did I realise its message meant: “Put out the cat. You’re coming to the party of your life.” The voice on the other end spoke without pausing: “My name’s Steve Strange and I run a club called the Blitz on Tuesdays and I’m starting a cabaret night on Thursdays with a really great new band…. they combine synthesised dance music for the future with vocals akin to Sinatra, they’re called Spandau Ballet and they’re going to be really big. . .”

➢ Click through to continue reading Yours Truly’s eye-witness account of Spandau Ballet, the Blitz Kids and the birth of the New Romantics at The Observer Music Magazine

➢ Elsewhere at Shapers of the 80s:
The Invisible Hand of Shapersofthe80s draws a selective
timeline for the break-out year of 1980

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➤ Singer Tony Hadley wins royal gong for his services to charity

Tony Hadley, TH Band, pop music, Spandau Ballet, New Year Honour, MBE, singer

Tony Hadley MBE, still on-stage at 59 and proud of his work ethic

◼ THE POP SINGER TONY HADLEY, who came to fame fronting Spandau Ballet in the 1980s, has been appointed an MBE (Member of the Order of the British Empire) in the 2020 New Year honours list. The annual awards recognise the outstanding achievements of individuals across the UK population and two other pop stars named included activist Sir Elton John who was made a Companion of Honour (CH) for services over five decades to music and to charity. The singer and actress Olivia Newton-John was raised from OBE to DBE (Dame Commander of the Most Excellent Order of the British Empire) for services to charity, to cancer research and to entertainment.

Big Tone, aka Anthony Patrick Hadley, was honoured for charitable services to Shooting Star Chase Children’s Hospice Care, which provides palliative care to families with children who are not expected to reach the age of 19 because of illness, genetic conditions or incurable disease.

Trust executive vice-president Karen Sugarman tweeted this week: “I cannot be more thrilled or proud that at last @TheTonyHadley has been recognised in the Queen’s #NewYearHonours for his charitable work. We were privileged to nominate him @SSChospices for his work as Vice-President. Congratulations Tony on your MBE from us all.”

In 2017 Hadley tweeted that, due to circumstances beyond his control, he was no longer a member of Spandau Ballet. Having met during their teens at Dame Alice Owen’s grammar school in North London, the band first split in 1990 and worked together during two year-long reunions in 2009 and 2014. At the age of 59, he is the first among them to be honoured with an award from the sovereign.

Great Yorkshire Brewery, Tony Hadley, Gold, lager, pop singer,

Tony Hadley in 2014: developing a lager called Gold with the Great Yorkshire Brewery

Tony’s father, Patrick Hadley, worked as an electrical engineer for the Daily Mail, and his mother, Josephine, worked for the local health authority. He is proud of his work ethic, which he says was instilled into him from a young age by his parents. In 2011 he said in an interview with The Daily Telegraph: “Since leaving school I’ve never been unemployed or claimed benefits. My Spandau days didn’t make me rich, or as well-off as people might think. What I was earning went towards buying a lovely family home in Muswell Hill and bringing up my three children. In fact, 2008 was my best-ever earning year. At that point we were doing in excess of 220 shows a year.”

Of the 1999 dispute with Spandau’s Gary Kemp, which resulted in Hadley, John Keeble and Steven Norman suing for royalties, he said: “Spending 23 days in the High Court was a strain and an expensive way to learn about the law. It cost me hundreds of thousands.”

Later, in 2006 Hadley became a co-owner of the Red Rat Craft Brewery which produced Hadley’s Blonde. The business closed in 2013, after which he became associated with The Great Yorkshire Brewery, which issued a lager called Gold and a pale ale called Moonstone IPA. This association has since ended.

These days Tony is a regular live performer with his own line-up, the TH Band who in 2018 gave a superlative performance at the London Palladium. Shapersofthe80s reported: “His evident pleasure on-stage paid tribute to the songs written for his rich baritone voice and which fit him like favourite gloves. We heard familiar Spandau classics fizzing with new energy and melodic detail – numbers such as Chant No 1 and Only When You Leave moved along at a pace. Equally impressive was the other half of his set-list which showcased his own consummate solo album Talking to the Moon and other covers.”

Tony Hadley, pop music, TH Band, London Palladium, Talking to the Moon, UK tour,

Tony Hadley and his band: making magic at the London Palladium, October 2018

➢ 2020, Hadley’s busy New Year kicks off with February
dates in the Far East and Australia

➢ Previously at Shapers of the 80s:
2018, Hadley v Spandau – Whose superb band is paying
tribute to the other?

➢ Previously at Shapers of the 80s:
2017, Tony Hadley pulls the plug on Spandau Ballet

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1979 ➤ Spandau’s manager Steve Dagger tells of two offers to sign his band at their debut

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Spandau Ballet’s debut beneath festive bunting: left, Steve Strange in PX frills introduces the new band at the Blitz Christmas party in December 1979… Tony Hadley supercool in collar, tie, waistcoat and overcoat, Martin Kemp in jaunty trilby with Steve Norman beyond. Dagger’s blog seems unaware of these photos and after seeing them here at Shapersofthe80s, Gary Kemp recalls “being terrified while playing the little Yamaha CS-10, that we wouldn’t get away with it. Apart from many of the songs that made up our first album we also played Iggy Pop’s Fun Time and On Her Majesty’s Secret Service”

On the 40th anniversary of Spandau Ballet’s debut
performance at London’s Blitz club spearheading
the post-punk new wave, the band’s manager
Steve Dagger publishes his eye-witness account…

❏ On the 5th of December 1979, Spandau Ballet was born. After a year in metamorphosis and following a successful preview show two weeks before at Halligan’s rehearsal studios, when they were named by journalist and broadcaster to be, Robert Elms, Spandau Ballet emerged onto the stage and into the world at the Blitz on the occasion of Steve Strange and Rusty Egan’s Christmas party in 1980 [1979 surely – Ed].

Much has been written about the Blitz and its extraordinary position as a cultural funnel at the beginning of the 80s. But Spandau Ballet’s two performances there and subsequent meteoric rise to success did much to drive this tiny club and its spectacular cliental [clientele? – Ed] into the headlines and its ethos into popular culture and serve as the template to the 80s.

What happened that night?

No band had played before at a Steve Strange/Rusty Egan event, so the audience was not used to seeing live music in this context. Music was normally provided by Rusty Egan’s DJing, an extraordinary montage of epic electronica which seemed to give a tantalizing glimpse of a future we were all going to take part in.

How would “Spandau Ballet” be received? The preview show had gone incredibly well, so a handful of our friends and key faces on the scene had seen the band already, liked them and spread the word. But it was an impossibly cool crowd. Whether they were fashion students, artists, embryonic designers, wannabe writers, film directors or just London’s coolest of the cool night people, they all had an opinion of themselves and everything else.

The usual crowd was supplemented by a sprinkling of older cognoscenti, a Chelsea crowd who had become aware of the Blitz scene. The likes of Keith Wainwright, uber-cool hairdresser of Smile; artist Dougie Fields to name but a few, plus some musicians who had been drawn to the Blitz. Richard Burgess of Landscape (Spandau Ballet producer to be), Midge Ure of Ultravox and Billy Idol, Steve Severin of Siouxsie and the Banshees and Marco Pirroni of Adam & The Ants.

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Spandau Ballet’s second Blitz date, January 1980, despite Dagger’s belief on his blog that this pic shows the band’s debut. Most are sporting bow ties – Gary Kemp on synth at left, Tony Hadley as vocalist, with Steve Norman and Martin Kemp on guitars held high in their anti-rock stance. Churchill gazes out from his photo on the rear wall

So the battle lines were drawn and into the valley [of] death… Actually, the band were much less nervous than they had been for the preview show and also excited about playing in “their” club. When Rusty’s music stopped and they got onto the tiny stage there was a degree of anticipation and curiosity. I think the band realised collectively it was now or never and they seized the moment and started to play confidently and with a bit of swagger. Some of the audience danced, some applauded but almost everyone watched.

Tony sang brilliantly. The set which included most of the songs on “Journeys to Glory” fitted the club. Spandau Ballet fitted the club. “To Cut a Long Story” sounded like a massive hit.

Halfway through the set I was feeling quietly confident and was standing by the mixing desk next to the sound engineer when I became aware of a man standing next to me. He spoke to me.
“Who is this band?”
“It’s Spandau Ballet,” I said.
The new name sounded f*cking great.
“Which record label are they signed to?”
“They aren’t signed.”
“Who is their manager.”
“I am,” I said proudly.
“Well I am Chris Blackwell and I own Island Records, and I would like to sign them.”

First gig as Spandau Ballet… 5-0 up. Another man approached me. He was Danny Goodwin from Peninsula Music Publishing. He wanted to sign them too.

Spandau Ballet, Blitz Club, New Romantics, Steve Strange, London, Heritage award,The band finished their set. I could not wait to go backstage into the tiny dressing room to talk to them. We had all worked very hard for this moment. They were about to become a very important band. The only band that could play in the Blitz. The most important club in the world at that time. Everyone in the Blitz that night was hugely complimentary and positive about them.

We owned the space, we had claimed it. We were about to go through the looking glass and our lives were never going to be the same. The next day, I spoke to Chris Blackwell on the phone and arranged to meet him in a pub. He was softly spoken, charming and very cool. He owned the coolest record label in the world – Bob Marley, Roxy Music, Traffic, Free, Spencer Davis – and he wanted to sign Spandau Ballet. Now. He even gave me a list of lawyers he recommended to act for the band.

It all felt a little strange but somehow like it was all supposed to happen like this. I felt unbelievably relaxed and comfortable, empowered, and the band very confident, entitled energised. Uncrowned Princes of pop culture all of a sudden. We turned him down. But that is another story.

© Steve Dagger
First published today at Spandau Ballet’s website

➢ Previously at Shapers of the 80s:
1980, Strange days, strange nights, strange people

Spandau Ballet,Evening Standard, Blitz Club, New Romantics, Steve Strange

Steve Strange’s first interview with the Evening Standard, 24 Jan 1980, telling us of Spandau Ballet’s second performance that day

RARE VIDEO OF THE BLITZ A-BUZZ:


❏ You won’t find much authentic filmed footage inside the Blitz Club because so little exists and many posts claiming to show the Blitz at YouTube do not. The brief but glorious clip we see above captures the visual excess of its dancefloor in Spandau Ballet’s 2014 biopic Soul Boys of the Western World. The interiors come from Lyndall Hobbs’ short doc about London tribes called Steppin’ Out, shot in the summer of 1979. The first half-minute here comes from a TV report showing Blitz Kids gathering outside Sloane Square underground station to celebrate Steve Strange’s 21st birthday on a Circle Line train on 28 May 1980. We hear Martin Kemp voicing the sequence which zooms in on him at 23 seconds. The black-and-white stills collaged into the segment are Shapersofthe80s originals, and the closing seconds are from LWT’s 20th-Century Box.

Spandau Ballet, Blitz Club, New Romantics, Heritage award,

Heritage award from the Performing Rights Society: In September 2014 Spandau Ballet returned to the site of the Blitz Club to see a plaque installed remembering their debut. The club’s original neon sign was also present for the photoshoot

SPANDAU RECALL THE BLITZ IN 2014:

➢ Previously… 1980, The Invisible Hand of Shapersofthe80s
draws a selective timeline for the unprecedented
rise and rise of Spandau Ballet

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2019 ➤ Mr and Mrs Kemp get into the swing together on disc

Martin Kemp, Shirlie Kemp, Wham!, Spandau Ballet, In The Swing Of It, Lorraine Kelly,

Singalong songs: Martin and Shirlie Kemp tell Lorraine theirs is happy music. (Click pic to run ITV video in a new window)

AFTER 30 YEARS OF MARRIAGE Martin and Shirlie Kemp have joined forces to create a double act with an album, In The Swing Of It, set for release on 22nd November on Sony Music. For those who need reminding, both Mr & Mrs Kemp enjoyed chart success in the iconic 80s acts Spandau Ballet and Pepsi and Shirlie, not to mention Shirlie’s stint with Wham!.

The album majors on covering such Fifties classics as Fly Me To The Moon, The Way You Look Tonight, Nice Work If You Can Get It and The Tender Trap. Describing their musical choices, Martin told Lorraine Kelly in a TV interview last month: “It’s like an open love-letter where everybody can look in on our relationship. The words that we sing to each other are words that we say to each other.” While Shirlie added: “I feel this is the best thing I’ve ever done and doing it with Martin was like a dream the whole summer.”

Martin Kemp, Shirlie Kemp, Wham!, Spandau Ballet, In The Swing Of It, Lorraine Kelly, album,The album was inspired by an impromptu recording session with Martin, whilst working with producer Brian Rawling (Cher, Tina Turner, One Direction). He invited Shirlie into the studio to help with a song and the session helped the couple realise how much they enjoyed recording together. They agreed on a list of uplifting Swing covers, chosen to reflect their relationship because, Martin says: “In the 50s with swing they made love songs that made you happy.”

Shirlie adds: “I feel happy when I listen to this music, I hope people dance and sing along to the album when they are in their homes doing the cleaning or cooking the Sunday roast. Singing is a happy drug.”

➢ Buy In The Swing Of It

➢ Tickets for In The Swing Of It: Live Dates – Royal Festival Hall London 25 Jan, Symphony Hall Birmingham 16 Feb, Bridgewater Hall Manchester 23 Feb.

➢ Previously at Shapers of the 80s:
The Kemp quartet: a happy family George Michael helped to create

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