Category Archives: Concert

➤ After his Spandau ordeal, singer Ross shakes off the blues

◼ EX-SPANDAU BALLET VOCALIST Ross William Wild seems to be finally feeling the warmth of the summer sun after weeks of black despair. Without being told his position, it became evident that he had been dumped by the band who recruited him to replace Tony Hadley a year ago. Provoked first by Spandau’s silence and then by an insulting media interview from songwriter Gary Kemp, Ross found a new band and in May announced he was quitting Spandau. Bass player Martin Kemp was next to insult him in a rambling TV interview that made no mention of Ross’s position.

On 28 May Ross told Shapers of the 80s: “I’d put my whole life on hold and was sick of waiting around for them to make up their minds. I told the boys I was quitting and then never heard back from them.”

Suddenly this month Ross has revealed how this tough emotional saga was taking its toll on him. He wrote on Facebook:

“This year has not been an easy one. Last year I was on top of the world and then this year the medical powers that be stuck me on everybody’s favourite mental tourniquet, antidepressants. After quitting Spandau I never even had the time to tell anybody before others were told to get on TV and do some damage control, which made me look like a dick and in turn f***ed me up mentally.

Francesco Lucidi, Emanuele Nazzaro, Fabio Staffieri , Ross William Wild, Dingwalls, Camden Rocks Fest, reviews, grunge, Rock music,

Mercutio at Dingwalls: Ross centre-stage in his second live gig with the metal band

“But things are looking up. Great concert in the West End coming up, couple of international gigs, a green energy company that’s really taking off (more news to come on that soon). And best of all, I’m going on tour with my band Mercutio. We’re really just starting out and I can’t wait to see what our future holds, but mainly, I’m going to enjoy the ride and be present, and get off these goddamn pills.”

His “metal with melody” band Mercutio has played a couple of riff-driven London gigs and released a video for their first single pointedly titled Where the Pain Lives, directed by contemporary dance choreographer Eleesha Drennan. Ross says: “The song is an epiphany. A realisation that some of our best ideas and most creative thinking come from our darkest and most painful places. Where the Pain Lives is an acceptance of this fact.”

Mercutio comprises Fabio Staffieri on guitar, Emanuele Nazzaro on bass and Francesco Lucidi on drums. Their stated aim is to bring mainstream rock music back to the forefront of people’s musical consciousness with a bang. From 28 October they will be supporting Inglorious (“a young Deep Purple”) on four UK dates, and another in Milan.

Ross’s West End event next week stars Jodie Steele (Heathers, Wicked, Rock of Ages) as Daisy Buchanan and Ross as Jay Gatsby, among a cast of eight in three concert performances of a musical take on Scott Fitzgerald’s Jazz Age novel The Great Gatsby.

➢ Gatsby the Musical plays in concert at Crazy Coqs in London W1, 27-29 August. Box office 020 7734 4888 and online

➢ Mercutio support Inglorious at Oxford, Cardiff, Exeter, Brighton, 28 Oct-1 Nov, then 5 Nov in Milan

➢ On 18 Oct Mercutio play at 93 Feet East, Brick Lane E1 6QL

Gatsby the Musical, Crazy Coqs, London, brasserie zedel, Jodie Steele, Ross William Wild,

❏ 30 AUGUST UPDATE VERDICT: As Jay Gatsby, Ross William Wild’s own big numbers were superb, especially The Moon That Never Rose, also Escape the Heat and Broken Wings Broken Dreams with Jodie Steele as Daisy Buchanan confronting her fabled carelessness. Musically Gatsby the Musical proved very promising with Edward Court providing a sensitive accompaniment on piano. The show boasted spirited Jazz Age tunes by Joe Evans, though often touchingly melancholy in keeping with the elusive storyline by Linnie Reedman, plus engaging lyrics, as with I Bet He Killed a Man. Sadly staging concert performances always puts an unnatural strain on the actors so let’s hope the serious shortcomings of the tiny and cramped Crazy Coqs (with a super-loud wall clock ticking throughout quieter scenes!) won’t inhibit this show’s development.

➢ Previously at Shapers of the 80s: New vocalist Ross rocks Spandau by announcing his new band Mercutio

➢ Previously at Shapers of the 80s: Another Spandau bombshell – Kemp Brothers drive out Ross their ‘perfect’ new singer

Steve Norman, Ross William Wild, Pop-Helden-Festival, Berlin, pop music

1 Sept update: Ross and Spandau’s saxophonist Steve Norman rehearsing in London today for their appearance together at next Saturday’s Pop-Helden-Festival of 80s Pioneers in Berlin, along with Marc Almond, Paul Young, Wet Wet Wet and Howard Jones

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➤ How Nile Rodgers “rearranged” Bowie’s Let’s Dance into a stonking hit single

David Bowie, Nile Rodgers, Let’s Dance, Meltdown, South Bank Centre, soul music,

Twin geniuses: Bowie and Rodgers photographed by Ebet Roberts

AMONG MANY SENSATIONS during three foot-tapping hours in the company of Nile Rodgers on Saturday night was a rare audio track possibly being played out in public for the first time. Rodgers is not only curating this year’s prestigious South Bank Meltdown festival in London but his own band Chic headlined the opening night with a mighty seamless stream of dance-floor hits. Rodgers preceded the concert with a lengthy talk about his unrivalled career as one of the most influential record producers ever, an icon of black excellence along with Quincy Jones and Stevie Wonder.

He described how he had met David Bowie in the early 80s and as they bonded over their love of jazz, Rodgers says he “realised that David Bowie was the Picasso of rock’n’roll”, meaning his gift for thinking in the abstract. They were soon collaborating over Bowie’s album Let’s Dance, released in April 1983, almost three years after his previous album, Scary Monsters.

More specifically, once Bowie had joked “Is there such a thing as too funky?” Rodgers set about doing what any jazzman does – he was “rearranging” Bowie’s music in their studio sessions. And on Saturday Rodgers told this electrifying yarn by playing us Take One of the slightly protracted Let’s Dance session that started with Bowie in dirge-like mode. Eighties singer Andy Polaris tells it like this in his review of the Meltdown show:

In one extraordinary sequence Rodgers revealed the genesis of his collaboration with David Bowie on Let’s Dance. It was thrilling to listen to a rare recording few people have ever heard as the track was transformed from an almost twee throwaway song into the rhythmic funky stomper that it became. During the first take in the studio, we heard Nile introducing David to his arrangement and Bowie experimenting with melodies and phrasing while Nile carefully coaxed him by explaining the number’s metamorphosis. We listened as David gradually grew more excited, climaxing in obvious satisfaction when he finally “got it” – this, the single that would become his biggest hit! The whole episode provided a revealing insight into how Nile works as both a guitarist and a producer and was a rare treat for Bowie fans in the audience…

David Bowie, Nile Rodgers, Let’s Dance, albums, 1983, soul music,

Let’s Dance: Bowie’s biggest selling album

MORE ON THE BOWIE-RODGERS PARTNERSHIP

➢ “I thought I was going to get fired over my riff to China Girl because it’s so corny. But he heard it and went, That’s amazing!” – Pitchfork 2016:
As a black man in America, there’s not a day that goes by that I’m not reminded of being black. It has nothing to do with me. Some people are just uncomfortable with my presence. It’s never gone away. With Bowie, though, I never felt that at all. He made Let’s Dance with me and guys that he never even met, but he had enough faith to allow me to completely take over. He was like, ‘Nile, take my vision and make it real. You be the impresario.’

The whole album was completed and mixed in 17 days. There’s no four different versions of Let’s Dance, no five versions of Modern Love. That’s just it. Done. End of story. A huge amount of the time he spent sitting in the lounge watching TV and then he would just come in and check and go ‘Wow!’ and then he would leave. And I’m thinking to myself, ‘This is the highest form of respect that anyone has ever given to me’. . .

David Bowie, Nile Rodgers, Let’s Dance, Meltdown, South Bank Centre, soul music,

Evergreen: Bowie and Rodgers photographed by Peter Gabriel

➢ The producer of Let’s Dance, Bowie’s biggest-selling album, asked the singer if he’d made it too funky. ‘Is there such a thing?’ he replied – from the Guardian 2016:
Before we wrote a single piece of music for [Let’s Dance], we did a research project where we played lots of records and talked about what the album wanted to say, how it should sound as a whole. Then one day David said: ‘Nile, this is what I want my album to sound like’ and he showed me a picture of Little Richard in a red suit getting into a red Cadillac convertible. How do you translate that?! But in actual fact I knew exactly what he meant, and that was the point I realised that David Bowie was the Picasso of rock’n’roll. He got uncomfortable with me calling him that but I did it anyway. Because I realised he saw the world in an abstract way, as well as in the way we all see it. And what that picture meant was not that he wanted a retro record, or something based on Little Richard’s music, but that he wanted something that would always look modern. He showed me the future and the past and it was evergreen. The highly designed Cadillac and the red monochromatic suit – that picture was taken in the 1960s but it would still look modern to someone in the year 3000! . . .”

➢ Meltdown 2019, curated by Nile Rodgers, runs at London’s South Bank Centre 3–11 August

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➤ Ross Wild retunes to Gatsby’s Roaring Twenties

Jodie Steele ,Ross William Wild ,Gatsby The Musical , Brasserie Zedel, music,live,

Gatsby in concert: Jodie Steele sings Daisy and Ross William Wild sings Jay

THE MANIPULATIVE DAISY BUCHANAN – she who was notorious for being “careless” with people – moves to the centre of the story in a musical adaptation of The Great Gatsby, F Scott Fitzgerald’s bitter-sweet novel from the Roaring Twenties. As events unfold through her eyes, we are given a fresh perspective on Jay Gatsby himself, a man who seeks to prove himself worthy of her love.

Fans of new musical theatre can catch two concert performances of this show on 28-29 August at Crazy Coqs, the intimate entertainment space alongside Brasserie Zédel in London W1. The cast of seven features, as Daisy, Jodie Steele (Heathers, Wicked, Rock of Ages) and, as Gatsby, Ross William Wild, whose theatre spells in The Million Dollar Quartet and We Will Rock You were most recently followed by an impressive stint as Spandau Ballet’s vocalist.

Time Out said of a stage version of Gatsby The Musical that it “evokes the decadent rush of the jazz era and its seedy underbelly”.

➢ Book tickets via Brasserie Zédel online or phone 020 7734 4888

➢ Previously at Shapers of the 80s:
2018, Ross debuts with Spandau Ballet

➢ Previously at Shapers of the 80s:
2019, Ross announces his own new band Mercutio

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