Category Archives: rock music

2018 ➤ Peel on Smith and The Fall: the band by which all others must be judged

The Fall, Mark E Smith, John Peel,post-punk, bands, tributes, songwriter

Songwriter Smith fronting The Fall’s first incarnation in 1977. (Photo © Kevin Cummins)

In tribute to Mark Edward Smith who died today, here’s his biggest fan, the legendary deejay John Peel, who was commissioned to summarise the uniqueness of The Fall in The Sunday Times’s partwork, 1000 Makers of Music, published 25 May 1997:

Nothing in the history of pop has been remotely like the Fall. Mark E Smith is not only the writer of lyrics that often boast more ideas in a verse than most bands contrive for an LP, but is also credited with what is often said about Viz, that it isn’t as funny as it used to be. Fall devotees are accustomed to hearing similar assessments of their favourite band but believe that, through a bewildering number of personnel changes, the Fall remains the band by which all others must be judged. Their dozens of records crawl with anger, insults, waspish poetry and roaring guitar/bass/drums/keyboards-driven music some have styled Manc-a-billy after their home town. We the faithful can argue that anything, from 1979’s Live At the Witch Trials to last year’s The Light User Syndrome, might be the best. Smith’s press interviews – ranting against political correctness and students (the song Hey, Student from the 1994 LP Middle Class Revolt is a Fall classic) – make marvellous reading. (Keywork: Hey, Student.)

➢ Frontman of the post-punk band the Fall notorious for his deadpan black humour – Guardian obituary: “Smith performed with a total of 66 band members on 63 albums”

➢ The Fall’s 12 Essential Tracks – New York Times

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➤ Maxine and Marr: heard the deeply serious tale about the actress and the rock star?

Johnny Marr, rock, theatre, film, Maxine Peake, Guardian, interview, homelessness, Royal Exchange ,working class , Manchester

Maxine Peake and Johnny Marr: “You can’t avoid homelessness in Manchester. It touched us both”

Marr: “There are so many things about being working class that never leave you entirely. A certain gratitude. A kind of humility, whether it’s forced on you or not. You could even call it guilt, I guess: working-class guilt.”

“There is a guilt, yeah,” says Peake. “A friend said to me, ‘Are you sure you’re not a Catholic? ’Cos you’re riddled with guilt.’ It’s tied up with a work ethic. You’ve got to be seen to be grafting for what you’re doing. You know what I mean? Constantly.”

➢ Today’s Guardian interview by John Harris delves into the serious stuff behind a blossoming showbiz friendship:

When the musician Johnny Marr met and the actor Maxine Peake in 2014, they “clicked straight away”, bonding over a mission to bring back socially conscious art. The first fruits of their partnership are now about to be released: a five-minute piece entitled The Priest, which has been turned into a short film, co-directed by Marr, set in the centre of Manchester, as a vivid first-person account of homelessness. Here they talk about shamanic rock stars, working-class guilt and how their spoken-word album about homelessness strives to be a modern Cathy Come Home. . .

Marr says of Peake at one point: “I’ve actually met someone who probably works even more than me, if that’s possible,” and Peake’s résumé suggests he’s not wrong. Next year will see the release of Funny Cow, in which she stars as a female standup trying to push her way through the grimness of 70s Britain, as well as the staging at the Royal Exchange of Queens of the Coal Age, the play Peake has written about the true story of four women resisting the closure of a Yorkshire coalmine. . .

PLUS MARR ON THE M-WORD

Marr says he was “crushed and heartbroken” by the vote for Brexit, whereas his former creative partner Morrissey seemed to rejoice in it. Though Marr has remained firmly on the political left, Morrissey now seems to champion the reactionary right. “I’ve stayed the same. I’ve never changed. But … people tend to forget that it was 30 years ago that we were in a band together. Stop and think about it: 30 years. It’s a long time. So I honestly don’t care very much. . . / Continued at The Guardian online

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➤ Double drama of the 60s pop dream by Ray Connolly

film, Ray Connolly, Swinging Sixties ,Radio 4, drama, That’ll Be the Day, David Essex , Ringo Starr

Now a radio drama: Poster for the 1973 film

HERE ARE TWO RADIO 4 DRAMA TREATS this Saturday 23 Sept and next at 2.30pm – first an adaptation by former Evening Standard pop columnist Ray Connolly of his 1973 film, That’ll Be the Day (which starred David Essex and Ringo Starr with cameos from Billy Fury and Keith Moon). It’s a very British coming-of-age story that keenly captures the vicissitudes of postwar austerity prevailing in the provinces as the Swinging Sixties dawned.

BBC sell: “It’s 1959 and young Jim Maclaine seems to have it all. He’s good looking and destined to go to a good university. But he’s haunted by the father who abandoned him and his mother when he was small. Is he ready for the normal life mapped out for him? Or is he restless like his old man?”

➢ That’ll Be the Day at R4 – catch up online at the iPlayer for a month

Jim’s story is followed through on Saturday 30th with Stardust. Sell: “Show me a boy who never wanted to be a rock star and I’ll show you a liar. In this sequel to That’ll Be the Day, it’s the early 1960s and Jim Maclaine is now an aspiring pop musician. He seeks out his old mate Mike, because every pop star needs a road manager. Performing to bored audiences in seedy clubs, the Stray Cats live on dreams of becoming as famous as the Beatles…” Based on the film of the same name which featured David Essex, Adam Faith, Larry Hagman and Keith Moon.

➢ Stardust at R4 – also online for a month

ALSO AVAILABLE AS PAPERBACKS

Ray Connolly, books, films

Ray Connolly’s books as spin-offs from their films

➢ Buy That’ll Be the Day as a Fontana paperback

➢ Buy Stardust as a Fontana paperback

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