Tag Archives: Little Richard

2020 ➤ And now Bowie pays the ultimate tribute to Little Richard

obituaries, rock-n-roll, gay issues, Little Richard,

Little Richard in 1957: So many saxophones in the band that Bowie the child went out and bought his own

➢ When rock-n-roll legend Little Richard died
this week at the age of 87, the official David Bowie
website published this tribute…

“Some cat was layin’ down some rock n roll…” The young David Jones soaked up influences like a dry sponge and he found the music and attitude of Little Richard, among others, inspirational to say the least. As a 15-year-old in 1962, Jones saw Little Richard live for the first time and then again the following year with The Rolling Stones as one of the support acts. He listed the 1959 album, The Fabulous Little Richard, among his favourite 25 for a Vanity Fair feature in 2003.

Little Richard, David Bowie

Bowie’s own Star Pic of Little Richard: described as his most treasured possession (© The David Bowie Archive)

Here’s Bowie talking in 1991: “I sent away for a photograph of Little Richard when I was seven years old, it was called Star Pic and it took eight weeks to arrive and when it arrived it was torn… and I was absolutely broken-hearted. The first record I think I bought was called I Got It, which he later re-wrote as She’s Got It. And ever since I saw that photograph, I realised he had so many saxophones in his band. So I went out and bought a saxophone intending that when I grew up I’d work in the Little Richard band as one of his saxophonists. Anyway it didn’t work out like that, but without him I think myself and half of my contemporaries wouldn’t be playing music.”

We’ll leave you with a Tweet posted by David’s son, Duncan Jones: “From what my dad told me about his love of this legend growing up, it’s very likely he would not have taken the path he did without the huge influence of Little Richard. One of the highest of the high. Enjoy whatever’s next, Superstar.”

CLICK PIC TO VIEW 1991 VIDEO OF BOWIE
PRAISING RICHARD & RICHARD IN FULL FLOW

Little Richard, David Bowie,obituaries, rock-n-roll,video,interview

Bowie and Richard 1991: click pic to view video interviews in a new tab

Little Richard , biography , rock-n-roll,

Excerpt from Charles White’s authorised biography, The Life and Times of Little Richard: The Quasar of Rock (Harmony Books, Sept 1984)

➢ Elsewhere at Shapers of the 80s:
Nailing the maverick talents of Little Richard, king of rock-n-roll – the Maureen Cleave interview 1985

Little Richard ,obituaries, rock-n-roll, gay issues, bbc, interview, video,Ray Connolly,

Richard meets Connolly: Click on pic to run BBC video in a new tab

❏ ABOVE: In one of his first TV appearances, the Evening Standard’s Ray Connolly interviews rock-n-roll’s irrepressible icon Little Richard for Late Night Line-up in 1972. “I used to be an opera singer, Oh-ooohhhhhh!” (© Posted by BBC Archive)

SELECTED TRIBUTES

Little Richard , obituaries, rock-n-roll, gay issues,

Little Richard in 1971: “his queerness made him dynamic”

➢ Little Richard’s queer triumph – The legend himself sometimes sought to distance himself from the LGBTQ community but his queerness is what made him a dynamic performer – by Myles E. Johnson in The New York Times, 10 May 2020

➢ Prime force of rock-n-roll who made an explosive impact with songs such as Tutti Frutti, Good Golly, Miss Molly, Lucille and Long Tall Sally – by Michael Gray in The Guardian, 10 May 2020

➢ Too black, too queer, too holy: why Little Richard never truly got his dues – How did a turbaned drag queen from the sexual underground of America’s deep south ignite rock-n-roll? We unravel the mystery behind Little Richard’s subversive genius – by Tavia Nyong’o in The Guardian, 12 May 2020

➢ How Little Richard changed the world: The legacy of the singer, who died last week, goes beyond music and helped change our attitudes to race, sex and class – by Daniel Finkelstein in The Times, 12 May 2020

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➤ How Nile Rodgers “rearranged” Bowie’s Let’s Dance into a stonking hit single

David Bowie, Nile Rodgers, Let’s Dance, Meltdown, South Bank Centre, soul music,

Twin geniuses: Bowie and Rodgers photographed by Ebet Roberts

AMONG MANY SENSATIONS during three foot-tapping hours in the company of Nile Rodgers on Saturday night was a rare audio track possibly being played out in public for the first time. Rodgers is not only curating this year’s prestigious South Bank Meltdown festival in London but his own band Chic headlined the opening night with a mighty seamless stream of dance-floor hits. Rodgers preceded the concert with a lengthy talk about his unrivalled career as one of the most influential record producers ever, an icon of black excellence along with Quincy Jones and Stevie Wonder.

He described how he had met David Bowie in the early 80s and as they bonded over their love of jazz, Rodgers says he “realised that David Bowie was the Picasso of rock’n’roll”, meaning his gift for thinking in the abstract. They were soon collaborating over Bowie’s album Let’s Dance, released in April 1983, almost three years after his previous album, Scary Monsters.

More specifically, once Bowie had joked “Is there such a thing as too funky?” Rodgers set about doing what any jazzman does – he was “rearranging” Bowie’s music in their studio sessions. And on Saturday Rodgers told this electrifying yarn by playing us Take One of the slightly protracted Let’s Dance session that started with Bowie in dirge-like mode. Eighties singer Andy Polaris tells it like this in his review of the Meltdown show:

In one extraordinary sequence Rodgers revealed the genesis of his collaboration with David Bowie on Let’s Dance. It was thrilling to listen to a rare recording few people have ever heard as the track was transformed from an almost twee throwaway song into the rhythmic funky stomper that it became. During the first take in the studio, we heard Nile introducing David to his arrangement and Bowie experimenting with melodies and phrasing while Nile carefully coaxed him by explaining the number’s metamorphosis. We listened as David gradually grew more excited, climaxing in obvious satisfaction when he finally “got it” – this, the single that would become his biggest hit! The whole episode provided a revealing insight into how Nile works as both a guitarist and a producer and was a rare treat for Bowie fans in the audience…

David Bowie, Nile Rodgers, Let’s Dance, albums, 1983, soul music,

Let’s Dance: Bowie’s biggest selling album

MORE ON THE BOWIE-RODGERS PARTNERSHIP

➢ “I thought I was going to get fired over my riff to China Girl because it’s so corny. But he heard it and went, That’s amazing!” – Pitchfork 2016:
As a black man in America, there’s not a day that goes by that I’m not reminded of being black. It has nothing to do with me. Some people are just uncomfortable with my presence. It’s never gone away. With Bowie, though, I never felt that at all. He made Let’s Dance with me and guys that he never even met, but he had enough faith to allow me to completely take over. He was like, ‘Nile, take my vision and make it real. You be the impresario.’

The whole album was completed and mixed in 17 days. There’s no four different versions of Let’s Dance, no five versions of Modern Love. That’s just it. Done. End of story. A huge amount of the time he spent sitting in the lounge watching TV and then he would just come in and check and go ‘Wow!’ and then he would leave. And I’m thinking to myself, ‘This is the highest form of respect that anyone has ever given to me’. . .

David Bowie, Nile Rodgers, Let’s Dance, Meltdown, South Bank Centre, soul music,

Evergreen: Bowie and Rodgers photographed by Peter Gabriel

➢ The producer of Let’s Dance, Bowie’s biggest-selling album, asked the singer if he’d made it too funky. ‘Is there such a thing?’ he replied – from the Guardian 2016:
Before we wrote a single piece of music for [Let’s Dance], we did a research project where we played lots of records and talked about what the album wanted to say, how it should sound as a whole. Then one day David said: ‘Nile, this is what I want my album to sound like’ and he showed me a picture of Little Richard in a red suit getting into a red Cadillac convertible. How do you translate that?! But in actual fact I knew exactly what he meant, and that was the point I realised that David Bowie was the Picasso of rock’n’roll. He got uncomfortable with me calling him that but I did it anyway. Because I realised he saw the world in an abstract way, as well as in the way we all see it. And what that picture meant was not that he wanted a retro record, or something based on Little Richard’s music, but that he wanted something that would always look modern. He showed me the future and the past and it was evergreen. The highly designed Cadillac and the red monochromatic suit – that picture was taken in the 1960s but it would still look modern to someone in the year 3000! . . .”

➢ Meltdown 2019, curated by Nile Rodgers, runs at London’s South Bank Centre 3–11 August

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