Category Archives: Swinging 80s

2021 ➤ The man called Seven offers his skills to the next generation of music students

Rock music, education, Business, Seven Webster, IMCP, BA (Hons),

Seven Webster: probably the nicest guy in rock


❚ THE LAST TIME Shapers of the 80s mentioned Seven Webster, we described him as “probably the nicest guy on the entire UK music scene” and it’s with great pleasure we can now reveal his new role championing entrepreneurship in that industry.

He said yesterday: “I am extremely honoured to have been appointed an ambassador for the first ever BA (Hons) Music Business Degree in the UK. Encouraging fresh entrepreneurial spirit is the very essence of what is going to help shape, strengthen and sustain the future of music. To lend my support to future generations of creative like-minded spirits is wonderful.”

Announcing his appointment, The Institute of Contemporary Music Performance (ICMP) declared: “Seven is a successful and well-respected music industry professional, who has worked across various parts of the sector. The kind of entrepreneurial spirit he embodies is at the heart of our course and his insight and experience will be an invaluable asset for our students.

“His 7pm Management company has launched and managed the careers of numerous established top 40 artists and DJs over the last 30 years. This includes the likes of superstar DJs Sasha, John Digweed and Carl Cox through to the multi-million selling singer-songwriter Dido and rock band Skindred.”

Other ventures have included running music publishing companies and organising live music events. In 2015 which Seven described as “a very buoyant time for rock”, people were actively signing rock acts and wielding what he believed was “a cumulative fist”.

7pm Management, Swinging 80s, Rock music, Seven Webster, Geschlechts-Akt, Padded Cell, nightclubbing,

Seven Webster when we first met, 1983 at the Padded Cell… and as guitarist in postpunk band Geschlechts-Akt, 1984


His outfit launched a new music conference at the Rich Mix Cultural Foundation in Shoreditch. RockComm London described itself as “the first UK-based international rock music conference aiming to unite everyone from labels, publishers, managers, distributors, agents, promoters, manufacturers, digital aggregators, the lot”. RockComm was as an appetiser for the UK’s biggest rock music event, the Download Festival.

Seven is one of a seemingly small band of brothers who is determined to assert his creative ideals. He draws on a lifelong love of music, saying “it’s my heart and soul”, having kicked off playing guitar in a post-punk band called Geschlechts-Akt (a messy German mouthful meaning Sex Act). He is also intensely sociable and has a quip ready to account for most eventualities. As he told us at the age of 20: “I just hate staying in. I’ll go to ice-cream and jelly parties, anything.”

➢ IMCP breaks the news of Seven’s appointment

➢ Previously at Shapers of the 80s: 2015, Seven’s easy stages – from jelly parties to saviour of the rock scene

➢ Previously at Shapers of the 80s:
1983, Deciphering the code of the Padded Cell

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2021 ➤ New photos to rekindle the spirit of Brummie icons Kahn and Bell

Fashion, Swinging 80s, Gary Lindsay-Moore, Kahn & Bell, Birmingham Rag Market, Damien,

Photographed by Gary Lindsay-Moore for his show It’s Not Unusual: Damien models a vintage Kahn and Bell dress


❚ ART PHOTOGRAPHER Gary Lindsay-Moore was a teenager when he caught the bus from Tamworth to Birmingham city centre to search out a boutique he had been hearing rumours about. Heading on to Hurst Street, he stepped into the emporium created by designers Patti Bell and Jane Kahn – and discovered a whole new world.

“I had no money,” he says, “but went in and there was Patti although I didn’t know it was Patti at the time. I just saw this seven-foot Amazon with massive blonde spiked hair, a massive set of heels and leather and chains. And it was ‘Oh, my goodness, this is amazing’. I felt I’d found my cultural home – this was the kind of excitement I was looking for. The significance for me was profound.”

Together, in the late Seventies, Kahn and Bell revolutionised the city’s fashion scene. They were at the vanguard of punk and new romanticism, creating hand-made clothes for a host of pop icons including Birmingham’s own Duran Duran, Eurovision winners Bucks Fizz and music and dance group Shock.

Talked of as Birmingham’s Vivienne Westwood, Kahn and Bell gave people the opportunity to dress to express. And now, 45 years after their shop opened in 1976 in the city’s emerging Gay Quarter, Gary is paying homage to their innovation with a photography exhibition featuring some of their original flamboyant clothing. The exhibition is called It’s Not Unusual as a nod to Patti’s close relationship with music stars of the era including her friendship with singer Tom Jones.

Gary set about capturing the spirit of experimentation and freedom which Kahn and Bell encapsulated in a series of new images of their creations worn by some equally dramatic models. Between July 27–30 the free show runs at Birmingham’s Rag Market, where Patti also ran a stall.

i-D Magazine,Fashion, Swinging 80s, Gary Lindsay-Moore, Kahn & Bell, Birmingham Rag Market,

Kahn and Bell profiled in i-D Magazine No 5, while Shock’s Tik & Tok are seen modelling


One challenge lay in the clothes themselves. “A minor issue was that all these clothes were quite small, like sizes six or eight,” Gary says. “A lot of the photography I do is about body positivity, acceptance and individuality and I didn’t want to just use a skinny model. I wanted people who were modelling them to have the Kahn and Bell spirit.”

Gary tracked down local models with an individual sense of flair including some of the region’s best-known drag artists such as Birmingham’s Twiggy, who had a personal reason for wanting to be involved, having worked for Kahn and Bell in the past.

“I’m not trying to update pictures of Kahn and Bell which already exist,” Gary says. “It’s about putting my spin on the show, so all the models I’ve pictured did their own make-up although we talked about it beforehand to make sure it reflected the make-up of the time. There is lots of make-up, glitter and stick-on gemstones. They all look amazing.”

“I like pictures that work with sub-levels, so I’ve included some references people might spot. Patti and I are both big fans of the film Blade Runner and in one of my favourite scenes in that film there are lots of mannequins so I’ve added mannequins to some of the pictures as a tribute.

“I’m going to be there in the Rag Market and am happy to chat to people, especially those who don’t already know Kahn and Bell who can ask questions and then do a bit of research themselves. We have so much information at our fingertips now but 45 years ago it was all word of mouth.”

Gary has created a book around the project and has already presented Patti with her copy as a recent birthday present.

Birmingham, Fashion, Swinging 80s, Kahn & Bell,

Kahn and Bell in their early years, courtesy of Patti’s son Dylan Gibbons


➢ Prints of his images will also be available to buy on Gary’s website

❚ It’s Not Unusual runs July 27–30, 9am–5pm, at St Martin’s Rag Market, Edgbaston Street, Birmingham B5 4RB (tel 0121 464 8349)

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2021 ➤ Robbie Vincent wins Sunday radio slot!

Jazz, soul, funk, dance music, radio, Robbie Vincent, JazzFM, Tony Minvielle

New moves at JazzFM: Tony Minvielle and Robbie Vincent

❚ GREAT NEWS FOR FANS of deejay legend Robbie Vincent who helped establish a UK audience for soul and jazz in the 1980s. After recent guest appearances on the nationwide music station JazzFM, he has been given a weekly show from Easter Sunday 4 April. Robbie was “pleased to confirm” the news via Twitter at 8:10am today.

Twitter, Jazz, soul, funk, dance music, radio, Robbie Vincent, JazzFM
➢ Planet Radio also announced:

Jazz FM is to introduce a new look to Sundays that sees an exciting new daytime slot for broadcaster Tony Minvielle and the return of Robbie Vincent to a regular show.

Having previously hosted the late-night Sunday show Foldedspace on the station, Tony Minvielle will take on 10am until 1pm with a relaxed soulful selection of UK and west coast US jazz and soul. Expect conversations with some of today’s hottest acts.

Radio legend Robbie Vincent will make a return to weekly broadcasting on Jazz FM following a series of specials in May last year. He’ll present a two-hour Sunday afternoon show 1-3pm which promises to be full of ‘soulful jazzy vibes’.

Robbie Vincent says: ‘After my trial runs last year on Jazz FM, I’m really pleased to be back at home and more specifically back in the music garden on a Sunday. The new show will have some smashing mature tunes and super fresh rhythms… / Continued at planetradio.co.uk

➢ Tune in to JazzFM on all platforms

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1983 ➤ Who’d be a spy while the 80s were swinging?

Deutschland89, TV, spy drama, East Germany,

Jonas Ney as superspy Martin: going rogue across rival intelligence services

❚ WHAT A ROLLERCOASTER! Just finished all three hit series of Deutschland83/86/89 on Channel4 catchup, an eye-opening panorama of Cold War life during the 1980s, notably in East Germany, the GDR. There, almost every member of your family had been pressed into spying on everyone else by the Stasi and hence at arm’s length by the Russian KGB. In the newly aired series three, the Fall of the Wall and the terrifying prospect of “freedom” becomes almost laughable, were people’s reflexes not so grim as the red peril turns in on itself.

➢ Catch up on Deutschland 83, the irresistible German thriller series set during the 1980s Cold War. Young East German guard Martin Rauch is inveigled into spying

➢ Guardian TV review, 2021 – Western hubris is unpicked as a new series of the hit German drama explores the deeper consequences of the fall of the Berlin Wall

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2001 ➤ Blitz Kids nail the rites for a Tuesday night out

Blitz Kids, New Romantics, Spandau Ballet, pop music, fashion

Before the phrase New Romantics had been invented: Blitz Kids queue for Spandau Ballet’s second pivotal concert at the Scala Cinema in May 1980

20 & 40
YEARS
ON

❚ BBC4 REMINDED UK AUDIENCES this week how entertaining were many of the Blitz Kids who set the New Romantics ball rolling 40 years ago. When the documentary The New Romantics: A Fine Romance was made in 2001, these talking heads were of course 20 years younger than they are today and full of fizz.

However BBC Manchester fell for some faulty memories that had gelled into mythological “truths” to create several laugh-out-loud howlers in the voice-over script as the price of believing odd Blitz Kid fantasies. Another irritation, amid much classic vintage footage, was the repeated montaging of film footage irrelevant to the Blitz club-night run by gender-bending Steve Strange and electro-deejay Rusty Egan, mainly because no more than about 11 minutes of live footage inside the Tuesday-night Blitz exist, and only one of which was used in this doc. That’s history for you. Set in video.

At least we can enjoy the many gnomic quips tossed out by the stars of 1980’s clubworld during the 48-minutes of A Fine Romance…

St Martin’s designer Fiona Dealey on the New Romantic credo: “Dressing for the Blitz was REAL THEATRE. It wasn’t just another uniform.”

Blitz Kid Stephen Linard’s trade secret: “Make-up was the big thing: make-up and Elnett. We used to get our make-up DONE FOR NOTHING down at Selfridges at half-past five and the girls there would do a makeover on you.”

Steve Strange on the term New Romantics: “I’d rather call it THE CULT WITH NO NAME, because the papers can never put one finger on it.”

Rusty Egan on gender confusion at the Blitz: “By the end of the night you’d hope to go home with someone – same sex, opposite sex, NO SEX AT ALL, you were never quite sure.”

Spandau manager Steve Dagger on their music: “Over the period 78-79 in the rehearsal studio the band gradually changed from a rock-pop sound to a modern SYNTHESISED TYPE DANCE SOUND.”

Duran’s Nick Rhodes on first seeing Spandau Ballet live in Birmingham in 1980: “We saw them play at the Botanical Gardens and when we left we were smiling. We just said: WHAT’S THAT ABOUT?”

New Romantics, Duran Duran, pop music, frilly shirts, Top of the Pops

Happy even to work “New Romantic” into their lyrics: frilly Duran Duran’s debut on Top of the Pops in March 1981

“Boy” George O’Dowd: “Duran Duran brought the FRILLY SHIRT through to the masses.”

Gary Kemp on shooting Spandau Ballet’s video for Chant No 1 at the Beat Route club in 1981: “That was our LAST HOORAH – Spandau being part of this movement.”

Spandau manager Steve Dagger on the early 80s: “There was this COLOURFUL BANG which revitalised pop culture and fashion and London as a swinging city.”

Robert Elms on the clubbing revolution initiated by the Blitz Kids: “It introduced one-off nightclubs, warehouse parties, the deejay as the centre of attention, clubs where they tell you you can’t come in UNLESS YOU LOOK RIGHT. None of that had existed before.”

George O’Dowd speaking as an old Boy: “Strange and Egan were the gruesome twosome of the time – the HINGE AND BRACKET of New Romanticism.”

➢ View A Fine Romance (BBC Manchester 2001,
last shown 2015, on iPlayer now for another month)

➢ Says one observer: “If you stepped out and didn’t get
abuse, you hadn’t done it right” – Daily Mail review, 2001

➢ Previously at Shapers of the 80s:
How real did 1980 feel? Ex-Blitz Kids give verdicts on the TV play about Boy George, Worried About the Boy in 2010

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