Tag Archives: Molly Parkin

2010 ➤ Index of posts for October

Birth of electro-pop, synth-pop,Makers, Gentry, Spandau Ballet

Feb 1978: The Makers, one day to be Spandau Ballet. Photographed by Gill Davies

➢ Classics of 80s graffiti revived by campaigning collective in New York

➢ Final spin confirmed for the Technics 1200, the DJ’s top turntable

➢ On this day in 1980 Spandau fired the starting gun for British clubland’s pop hopefuls: dada didi daaa!

➢ A second squadron of high-octane British artists zaps the Saatchi space

➢ Facebook may well be the mother of all networks but one man needs to check his maths

➢ Cool 21st-century branding for Channel 4, but when will it junk those clunky Bladerunner idents?

➢ A step up in the world for graffitist Eine, thanks to Potus and lady friends who shop in high places

Molly Parkin, John Timbers

In her heyday: Molly aged 29 at her first art exhibition. Photographed © by John Timbers

➢ Miss Parkin regrets that she said no to Cary… and can’t wait to meet Orson, Lee and Walter

➢ How Keith Richards’s life of debauchery became an inexplicable sign of alien invasion at The Times

➢ 30 years ago today: First survey of their private worlds as the new young trigger a generation gap

➢ 2011: Sade comes home to tour UK but even a cheap seat will cost you £158 !

➢ 1980: The day Spandau signed on the line and changed the sound of British pop

➢ 1980: Rik and pals detonate a timebomb beneath another kind of strip for Soho

➢ 1976: When Iain met Stephen, London traffic stopped and St Martin’s stood still

➢ Britain’s top hatter, Stephen Jones OBE, celebrates 30 years of Jonesmanship

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➤ Miss Parkin regrets that she said no to Cary… and can’t wait to meet Orson, Lee and Walter

Molly Parkin, Mollywood,Barrington De La Roche, Chelsea Arts Club

Molly Parkin at her book launch with Barrington De La Roche. Photograph by Inesa and Barrington De La Roche © Dark Theatre

Molly Parkin,Mollywood, Chelsea Arts Club❚ AS ALL READERS OF SHAPERSOFTHE80s should know, the godhead of all things stylish is not “the Posing Doughnut” as gossip columns were once wont to call Steve Strange, but our true icon, Molly Parkin. If you need reminding why, click on the Giants Who Went Before.

Molly has been a font of mischief and outrage for almost eight decades and the 80s were no exception. Yesterday she wowed a launch party at the Chelsea Arts Club for her newest auto-exposé, Welcome to Mollywood, about which actor turned nightclub buccaneer Robert Pereno has said: “Well done Moll.” A couple of newspaper pieces this week give the flavour of a life thoroughly well lived, so click away…

The Sunday Telegraph’s new men’s mag asked Moll for 12 things every man should know about women, and here is one of them:

“You should think of women as goddesses. I regard myself as a goddess. Even if you pluck a few flowers from a neighbour’s garden after dark and bring them in, that is a small gesture towards the goddess. It’s a question of nourishing that romantic spark that was between you when you first got together.”

And the Daily Mail — who else? — trailed a serialisation with this bait: “Molly Parkin’s racy confessions turn to her wild affairs with George Melly, John Mortimer and a host of others”. Among her regrets, Moll writes:

“I regret not accepting Cary Grant’s offer of an evening out in London, when he was flying back to the States the next morning… And I’d like to say to the late Orson Welles, Lee Marvin and Walter Matthau, whom I’ve always fancied more than any of the pretty boys of Hollywood: ‘I’m on my way’.”

Molly Parkin, John Timbers

In her heyday: Molly aged 29 at her first art exhibition. Photographed © by John Timbers

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