Category Archives: Europe

➤ Ex-Blitz Kid Rusty Egan and friends dress 80s electro-pop in brilliant new clothes

Welcome to the Dancefloor, Rusty Egan, electro-pop, Blitz Kids, New Romantic, EDM, synthesisers,

Egan deejaying at Tramp this week: a nightclub launch for Welcome to the Dancefloor

AFTER FIVE YEARS OF BLAGGING, and five years of feuding with former collaborators, 80s Blitz Club deejay Rusty Egan’s own “electro-diskow” album, Welcome to the Dancefloor, is out this week and it amounts to a superb sonic landmark. He and his guest performers engage an impressive range of emotions by dramatically humanising the potential starkness many associate with electronica.

ALBUM REVIEW
Welcome to the Dancefloor
Rusty Egan (Black Mosaic)

Spookily, their energy rockets us immediately into that vast clean stereo soundscape that uniquely defined the new music of 1980. Here synthesiser chords are stretched and layered and cracked like a whip, as if by an invisible hand in another time and space, which of course was precisely the sound of London clubland when its youth culture erupted as a volcano of creativity. The album’s pacey opening track finds ex-New Order’s Peter Hook on The Other Side spinning through the Milky Way, his thin 80s vocal style querulous and wistful, yet poppily optimistic.

That era did after all abandon the overpowering noise of the rock stadium and the punk nihilists to celebrate a return to melodious singing voices and to arch lyrics meant for listening, while synthesisers defined a fresh musical ambience. Inexperienced young artists unsure about their singing ability half shouted, half vocodered their limited vocal range to re-imagine their teenage dreams on a different planet.

Egan’s collaborators: click any pic below to launch slideshow

While Egan has carefully selected 13 tracks reflecting the wide spectrum of synth possibilities, half are love songs in the spirit of the 80s generation who were dubbed by the press New Romantics. Nevertheless he has created a consummate showcase for electronic music, co-produced by Nick Bitzenis (aka Nikonn), has had a hand in writing a majority of the songs, many co-written with Chris Payne (of Fade to Grey fame), these subsequently endorsed and expressed by a handful of starry friends such as Midge Ure and Tony Hadley on tracks of their own.

Despite its title, this is not dance music that the funk nation would groove to. Laying down a dominant 4-4 beat is not conducive to free-form movement unless you think you’re Tik or Tok. Exceptions include Egan’s own pulsating title track with robo vocals as if by Stephen Hawking and knowing breaks parodying Tenek and the Human League; also the nippy number Hero, which gains spiritual resonance from Andy Huntley’s richly textured delivery.

The stand-out track is Midge Ure’s transformation of an Egan/Payne song titled Glorious. He rewrote lyrics and melody so as to construct one magnificent crescendo filled with space and tension reminiscent of “Oh, Vienna!” A close second for reconjuring the authentic 80s is Egan’s own Wunderwerke, driven by his Trans-Europe vocals through classic synth sweeps, hypnotic repeats and bass stabs. Third comes Erik Stein on the astonishingly contemplative Ballet Dancer, basking in a wonderful waterfall of synths.

Like Brexit, Tony Hadley *is* Tony Hadley and here (without the Ballet) on the coltish lovesong Lonely Highway he canters to the top of a whole new hill as a crooner. What distinguishes this album is that it’s awash with affecting lyrics and fine voices to listen to in the name of electro pop – among the gentlest are Be The Man featuring the gorgeous inflections of Kira Porter; Nicole Clarke’s ethereal contribution to Love Can Conquer All; and Love Is Coming My Way, a second number from the silken-voiced Stein.

And just wait for the Chariots of Fire finale: Egan’s intensely personal track, Thank You, which unleashes a shock of the best kind. To describe more would be to spoil a gifted idea. It is emotional and all too evidently sincere. Thank you, Rusty.

Welcome to the Dancefloor, Rusty Egan, electro-pop, Blitz Kids, New Romantics, EDM, synthesisers,

Rusty Egan: co-producer, co-writer and much else – has created a landmark album in Welcome to the Dancefloor

➢ Welcome To The Dancefloor was released by Black Mosaic in digital formats on 3 Dec 2016. Pre-order your 180g vinyl LP and CD variants, plus bonus mixes, at Pledge Music

➢ Previously at Shapersofthe80s:
1980, First sighting of the Blitz Kids

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➤ London Design Museum’s new home is a wow!

 Design Museum, Deyan Sudjic, Kensington, John Pawson, Architecture, London

New home for the Design Museum: The former Commonwealth Institute’s hyperbolic paraboloid roof brings elegance and light to the museum. (Photographed by Shapersofthe80s)

TODAY THE UK’S WORLD-CLASS DESIGN MUSEUM under director Deyan Sudjic opened its doors at an inspirational new home in Kensington. Founded in 1989, the museum has spent 26 years at Shad Thames, near Tower Bridge, though the collection began in the pioneering Boilerhouse Project, located at the V&A museum as the brainwave of Britain’s giant influence on all things designed, Sir Terence Conran. There, the project mounted 20 exhibitions during its life from 1982 to 86 with the aim of helping to explain what design is to a non-specialist audience.

That ethos continues to deliver its visually stunning message in the former Commonwealth Institute, a listed 1962 building designed by modernist champion Robert Matthew, the elegance of which speaks for itself. John Pawson, a perfectionist and minimalist British architectural designer, led the £80-million remodelling of the redundant Kensington building and has worked miracles beneath the controversial hyperbolic paraboloid copper roof which dominates the sparse interior void. Here newly won access to daylight creates vistas that constantly reward the eye as you move from one balcony to another. The museum enjoys three times more space than its previous home.

Click any pic below to launch slideshow:


Signage is minimal so you have to hunt for further rewards: permanent collections on top floor (Designer Maker User) and in the basement; also upstairs, restaurant and members’ bar. Temporary exhibition space is on the ground floor and future themes will reflect contemporary design in every form from architecture and fashion to graphics, product and industrial design, digital media and transport.

The museum’s collection is an important record of the key designs that have shaped the modern world. It tells the history of mass production, from the manufacturing innovations of the 19th century up to the digital and making revolution of recent years.

This week’s opening exhibition, aptly titled Fear and Love: Reactions to a Complex World, presents an eclectic selection of baffling displays – “networked sexuality, sentient robots, slow fashion and settled nomads” – which require hard-working captions to explain some of their seemingly tenuous connections to design. Disgracefully, the museum has over-charged for admission, as if sponsors could not have shouldered the £14-per-head ticket price. Yes, £14! Major own goal for an opener.

Boilerhouse Project, Terence Conran, V&A , Design Museum,Kensington, Architecture, London

First Boilerhouse Project exhibition, Art and Industry, at the V&A: The origins of the Design Museum lie with the collection begun in 1982, which included this Mobil petrol pump designed by Eliot Noyes in 1968

➢ Fear and Love runs at the Design Museum until 23 April 2017. Tickets £14. Otherwise free 10–18h daily

➢ The story of designing London’s Design Museum

CONSTRUCTION DURING 2015:

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➤ “I’m not a rock star” Bowie often said – No, David, you were a messiah

David Bowie, death, obituaries, tributes, rock music, Man Who Fell to Earth, media, videos, films,

A humanoid alien comes to Earth with a mission… What a spooky coincidence that David Bowie played the alien Thomas Jerome Newton in the 1976 film The Man Who Fell to Earth

David Bowie, death, obituaries, tributes, rock music, TheTimes, UK, newspapers

Today’s Times: the masks and the man behind them

◼ ALL 10 BRITISH NATIONAL NEWSPAPERS filled their front pages today with the death of David Bowie at 69 – and so did scores of newspapers overseas. The last pop star whose death justified such deification was Jacko in 2009; and the last British pop star to do likewise was John Lennon, in 1980. The Times of London dedicated 18 pages including an outer broadsheet wrapper to honouring Bowie, plus an editorial comment as blessing. The Guardian topped that with 20 pages, plus the most enlightened editorial comment of them all. Not only did this misfit megastar and cultural icon radiate consummate flair as a performer but he displayed “an instinctive affinity with his times”. He had a “way with the zeitgeist”.

All media, notably social media, captured the dominant sentiment of generations of fans suddenly plunged into mourning. Again and again they claimed: He changed my life. . . He taught me how to be myself. . . David was my inspiration. . . David was my tutor. And most could quote their own favourite song lyric expressing their faith: Oh no, love – you’re not alone. . . Don’t tell them to grow up and out of it. . . It’s only for ever, not long at all. . . All you’ve got to do is win. . . We can be heroes just for one day.

David Bowie, death, obituaries, tributes, rock music, front pages,media, newspapers

Blanket coverage: Bowie on all UK front pages… Image updated 14 Jan to include news magazines

‘THE WORLD HAS LOST AN ORIGINAL’ DECLARED THE GUARDIAN, REMINDING US THAT BOWIE’S
MUSIC WAS MERELY HIS MEDIUM

➢ From today’s main editorial in The Guardian:

His obsession was reinventing himself, not changing the world. But even with that inward focus, Bowie proved a mightily disruptive figure.

The cultural revolution known as “the 60s”, even though it largely took place during the 1970s, blended hazy hopes of a collective awakening to a post-materialist future, with a determined emphasis on the right of the individual to realise his or herself. Nobody embodied the second half of that, the only half which was to stick, like David Bowie. Not for him the protest anthems associated with Dylan or Lennon in the right mood, nor the campus class consciousness raising antics of soixante-huitards. No, almost from the beginning, as this singular stone rolled between obscure bands, dance classes and every last pocket of the avant garde, he grabbed at everything from makeup brushes to music-hall standards for the over-riding purpose of defining, and then reinventing and redefining, the boy born David Jones. . . / Continued at Guardian online

➢ The New York Times eulogises his swansong: David Bowie Allowed His Art to Deliver a Final Message

“I’m not a rock star. I’m not in rock and roll,” Bowie often maintained, and when in 1974 Dick Cavett remarked “You seem to me like a working actor” Bowie agreed, “That’s very good”

Yesterday BBC TV arts czar Will Gompertz called Bowie “the Picasso of pop in the way he was able to synthesise ideas of the modern age and make sense of them in beautiful precise pieces of art”. As is all too clear in the following clips of Bowie’s output – as an actor.

1967 — THE IMAGE

1969 — THE MASK

1969 — SPACE ODDITY

1972 — STARMAN

1973 — LIFE ON MARS

1975 — GOLDEN YEARS

1977 — HEROES

1979 — THE MAN WHO SOLD THE WORLD
and “transformed live television”

David Bowie

Click the pic to view the video in a new window – starring David Bowie with Klaus Nomi and Joey Arias

Updated 16 Jan when Saturday Night Live finally released this pristine 1979 recording of the most immaculate performance of TMWSTW by Bowie, Klaus Nomi, Joey Arias, Stacey Hayden on guitar and Jimmy Destri on keyboards, which some say was the night “he transformed live television”. Since January this video had been marked Private at YouTube for UK viewers (presumably to comply with NBC regional reach), but in February it is suddenly visible again. Catch it before NBC changes its mind again!

1980 — ASHES TO ASHES

2006 — VITTEL TV COMMERCIAL

➢ BBC London radio: Onetime Blitz Kid Robert Elms dedicated yesterday’s three-hour show to David Bowie with tributes from Gary Kemp, Chris Sullivan and Julien Temple. Online for a month

➢ Vogue online gallery: Bowie’s fashion history in pictures

➢ Update 13 Jan, Daily Mirror – David Bowie has been secretly cremated without family and friends present: The singer told his loved ones he wanted to “go without any fuss” and not have a funeral service or public memorial. A source in New York told the Mirror: “There is no public or private service or a public memorial. There is nothing. . .” / Continued at Mirror online

➢ Update 13 Jan, Rolling Stone – Bowie planned post-Blackstar album, “Thought he had few more months”: About a week before his death, with Blackstar nearing release, David Bowie called his longtime friend and producer Tony Visconti via FaceTime, and told him he wanted to make one more album. In what turned out to have been the final weeks of his life, Bowie wrote and demo-ed five fresh songs, and was anxious to return to the studio one last time. . . / Continued at Rolling Stone online

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➤ “Just a Friday night at a rock show,” by a survivor

Bataclan, terrorism, Paris

Isobel’s T-shirt

➢ By Isobel Bowdery at Facebook, 14 Nov 2015;

You never think it will happen to you. It was just a Friday night at a rock show. The atmosphere was so happy and everyone was dancing and smiling. And then when the men came through the front entrance and began the shooting, we naively believed it was all part of the show.

It wasn’t just a terrorist attack, it was a massacre. Dozens of people were shot right in front of me. Pools of blood filled the floor. Cries of grown men who held their girlfriends’ dead bodies pierced the small music venue. Futures demolished, families heartbroken, in an instant.

Shocked and alone, I pretended to be dead for over an hour, lying among people who could see their loved ones motionless. Holding my breath, trying to not move, not cry – not giving those men the fear they longed to see. I was incredibly lucky to survive. But so many didn’t. The people who had been there for the exact same reasons as I – to have a fun Friday night – were innocent.

This world is cruel. And acts like this are suppose to highlight the depravity of humans and the images of those men circling us like vultures will haunt me for the rest of my life. The way they meticulously aimed and shot people around the standing area I was in the centre of without any consideration for human life. It didn’t feel real. I expected any moment for someone to say it was just a nightmare.

Bataclan, Paris,Isobel Bowdery, survivor, terrorism, shootings ,

Isobel Bowdery: survivor of the terrorist shootings at last night’s Bataclan concert in Paris

But being a survivor of this horror lets me shed light on the heroes. To the man who reassured me and put his life on line to try and cover my brain whilst I whimpered, to the couple whose last words of love kept me believing the good in the world, to the police who succeded in rescuing hundreds of people, to the complete strangers who picked me up from the road and consoled me during the 45 minutes I truly believed the boy I loved was dead, to the injured man who I had mistaken for him and then on my recognition that he was not Amaury, held me and told me everything was going to be fine despite being all alone and scared himself, to the woman who opened her doors to the survivors, to the friend who offered me shelter and went out to buy new clothes so I wouldn’t have to wear this blood stained top, to all of you who have sent caring messages of support – you make me believe this world has the potential to be better. To never let this happen again.

But most of this is to the 80 people who were murdered inside that venue, who weren’t as lucky, who didn’t get to wake up today and to all the pain that their friends and families are going through. I am so sorry. There’s nothing that will fix the pain. I feel privileged to be there for their last breaths. And truly believing that I would join them, I promise that their last thoughts were not on the animals who caused all this. It was thinking of the people they loved. As I lay down in the blood of strangers and waiting for my bullet to end my mere 22 years, I envisioned every face that I have ever loved and whispered I love you, over and over again, reflecting on the highlights of my life. Wishing that those I love knew just how much, wishing that they knew that no matter what happened to me, to keep believing in the good in people. To not let those men win.

Last night, the lives of many were for ever changed and it is up to us to be better people. To live lives that the innocent victims of this tragedy dreamt about but sadly will now never be able to fulfil. RIP angels. You will never be forgotten.

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2015 ➤ Pitch now to make a video for Duran’s slinky come-back party single

Pressure Off, Paper Gods, Duran Duran, album, video,UK tour, US tour

Duran reignited for 2015: Roger Taylor drums, John Taylor bass, Nick Rhodes keyboards, Simon Le Bon vocals. (Photograph by Stephanie Pistel)

◼ FILM-MAKERS AND CREATIVE TYPES, Duran Duran are talking to you! Deadline for pitching your treatment to make a new lyric video is Sunday 28 June. When they threw out a free-for-all invitation in 2011, dozens of brilliant music videos resulted from people adapting classic Duran tracks. Now DD are trying something similar for their single Pressure Off, the first from a new album, in another video collaboration with Genero TV – click now to apply.

In September, after a gap of nearly five years, the former house band of the Brummie Rum Runner club’s New Romantic scene launch a new studio album – Paper Gods, their 14th. As part of a recording deal with Warner Bros Records, the album starts the next chapter in the Duran story, and features a host of A-list collaborators who include Nile Rodgers, Mark Ronson, Mr Hudson, Janelle Monáe, John Frusciante, Kiesza and Davide Ross.

➢ Previously at Shapersofthe80s:
2011, Ten killer videos made as tributes
to Duran’s return to creativity

Duran Duran,Pressure Off, Janelle Monae,pop music

Pressure Off features Janelle Monáe

“We found a whole new level of inspiration on this album,” says the band’s keyboardist and aesthetic overlord, Nick Rhodes. “We were talking the other day about artists that have been around for a long time – our contemporaries and some older ones, and there’s only a handful of the latter now, still out there playing shows. And we were saying, ‘What albums did they make this far down the line that we own?’ And that was a difficult one.”

DD seem convinced that this album will be one of the most visceral and daring of their career. A senior editor at Yahoo Music has already given Pressure Off a rave review, saying: “The sexy, slinky, all-around groovy party track is the legendary group’s best single in years. . . The remix-ready cut sounds fresh and modern, even as it traffics in D2’s tried-and-true signature sounds: super-Chic chickenscratch guitars, thick ’n’ gooey basslines, sassy soul-sister backup vocals, irresistibly effervescent chants.” Listen now at YouTube and you decide (no prizes for linking the cocktail of images with DD classic hits). Pre-order Duran Duran’s Paper Gods on iTunes and get an instant download of Pressure Off.

➢ Duran Duran 2015 tour dates at their own website – The four-man Duran line-up is set to headline at Bestival, in the UK, in September, and a trickle of European tour dates kicked off this week in Barcelona and The Hague, following up with the US and UK before climaxing in December.

➢ Previously at Shapersofthe80s:
1981, Birth of Duran’s Planet Earth — when other people’s faith put the Brummies into the charts

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