Category Archives: London

2016 ➤ Bowie’s passionate eye for art proves to be not bad at all

Damien Hirst,David Bowie, Sotheby’s, auction, art, furniture

In the Bowie/Collector sale: one of Damien Hirst’s first spin paintings from 1995 with a long-winded title, painted with household gloss. Sotheby’s est £250k-350k.

◼ WHAT A BRACING INSIGHT into David Bowie’s creative mind! Only 30 items are displayed in an exhibition of the musician’s art collection in London, yet, whether or not you share Bowie’s taste, his sharp eye for a strong image is indisputable.

This exquisite mini-show at the auctioneer Sotheby’s provides a taster for the sale of 400 items from Bowie’s collection in November. Sotheby’s chairman describes the musician’s taste as “eclectic, unscripted, understated” and there’s not a dud in sight. What is immediately evident is strong work by artists who changed the future, from an impertinent Marcel Duchamp readymade, through Wyndham Lewis, David Bomberg, Harold Gilman, Henry Moore, Peter Lanyon, Kenneth Armitage and Frank Auerbach. The core is clearly driven by Bowie’s love of 20th-century British art, with international detours to acknowledge Basquiat and others, plus dozens of items of 20th-century furniture.

Sotheby’s Bowie/Collector previews in London from 20 July to 9 August, then tours to LA, NYC, HK and returns to London in the autumn for a ten-day full exhibition from 1 November and an auction in three parts.

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The only thing I buy addictively is art
– David Bowie

A spokesman for Bowie’s estate said: “David’s art collection was fuelled by personal interest and compiled out of passion. He always sought and encouraged loans from the collection and enjoyed sharing the works in his custody. Though his family are keeping certain pieces of particular personal significance, it is now time to give others the opportunity to appreciate – and acquire – the art and objects he so admired.”

➢ David Bowie’s personal art collection to feature in three sales – at Sotheby’s

➢ Works the late singer quietly collected over the years go on display – feature and gallery at the Guardian
The singer, who died in January, studied art and design at technical college and once confessed to buying art “obsessively and addictively”, but the scale of the addiction had not been realised. His family say they are selling because they have not got the space to keep the collection.

➢ Bowie’s Art and Furniture Collection – New York Times
“. . . his collection of modern and contemporary British art [includes] paintings by John Virtue, Stanley Spencer, Leon Kossoff and Patrick Caulfield, as well as work by contemporary African artists and pieces of outsider art. Mr Bowie also owned pieces by major international figures: Duchamp’s sculpture À bruit secret, two Hirst “spin” paintings and … a 1960s stereo cabinet by Achille and Pier Giacomo Castiglioni.”

➢ Starman in the saleroom – Antiques Trade Gazette
The top lot is expected to be Jean-Michel Basquiat’s Air Power, an acrylic and oilstick on canvas from 1984 that has an estimate of £2.5–3.5million. Prices for the artist have increased dramatically since Bowie bought the 5ft 6in high painting at Christie’s for a premium-inclusive £78,500 in November 1995.

David Bowie, Sotheby’s, auction, art, furniture

In the Bowie/Collector sale: Italian Brionvega Radiophonograph (model RR 126) by the Castiglioni brothers from 1965. Sotheby’s estimate £800-1,200

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➤ 40 years on, Ridgers casts an honest spotlight on the birth of punk

Derek Ridgers, punk ,Vortex , Clare Thom

“I didn’t make a very good punk,” says photographer Derek Ridgers, here snapped by a passing punk at the Vortex in 1977, with future Blitz Kid Clare Thom at right

◼ THE CLICHES ABOUT PUNK are the rage, the nihilism, the safety pins. In fact, punk dawned in 1976, like all British youth cults, as a fashion statement that trumped those clichés. A new and powerful photo book from Derek Ridgers titled Punk London 1977 shows in 152 pages just how considered were its style leaders who had to invent their own iconoclastic looks before they could be bought off the peg. There were no mohican haircuts at the Roxy club when it opened in December 1976 and for 100 days became the platform for Generation X, the Clash, the Jam, the Heartbreakers, the Boys, Buzzcocks, Siouxsie and the Banshees and a raucous wave of rebel music that spread to Soho’s Vortex and the 100 Club.

Ridgers says: “In ’76 the audience became more interesting than the bands.” As he turned his camera away from the stage, he focused on the unique characters in the audience who were creating a new movement through self-expression. “Most of the early punks didn’t look like punks anyway. They just looked like young people who would alter their clothes: very often it would be school uniform or there would be bin liners, a few safety pins but not very many. The ethos of punk is really ‘Do it yourself’. It’s not dressing up in leather and having a mohican.”

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The book launched last night in Mayfair with a vibrant exhibition of its photos and a swell party hosted by menswear designer Paul Smith and the British Fashion Council. Rightly Vogue.com asked Ridgers yesterday: What did you wear while documenting these kids? He replied: “Often I’d be going to gigs straight from work, so I simply wore what I’d worn there—usually a jacket, open-neck shirt, and jeans. I was not a punk by any means.” There’s a key picture of the Damned playing the Roxy in early 1977 where Ridgers is visible in the top right-hand corner, standing on the stairs, in glasses, open-neck shirt, cardigan, smiling. “I didn’t make a very good punk,” he says. No, just a very perceptive footnote to history!

Dazed Digital probed further and asked: Out of all the scenes you’ve photographed, which have you most felt part of? Ridgers replied: “There must be a part of me that wanted to be part of all of them. I see my photography as a very vicarious thing. I suppose if I didn’t wear glasses and if I’d been a little bit more of a macho type of guy, I would have been a skinhead. I don’t think I could’ve ever been a punk or a new romantic.”

As an observer he carved out his own beat along the labyrinthine path British youth culture took during the exotic 80s and became the go-to lensman for his take on more extreme outsider cults. Ridgers told Dazed: “There were a lot of photographers around but I stuck it out longer. Woody Allen said something about success is 80% just being there. It’s the thing with me – I was there. I can’t make any other claims apart from the fact that I was there. Through everything. On the edge looking in. With a camera I was able to stare with some legitimacy.”

The trash mag Polyesterzine asks Ridgers if he could compare today’s Zeitgeist to any of the eras he had shot. “No, not at all,” he replies. “The late ’70s and early ’80s was a very different, much darker time. The streets of London were a mess. The poor guy [I photographed] who had ‘We are the flowers in your dustbin’ tattooed across his forehead had it exactly right. They did all seem like the flowers in a dustbin. . . Things are very different now because a lot of those little clubs don’t exist. Soho for instance, where nearly half my nightlife photographs were taken, is rapidly changing. There isn’t the same after dark frisson of excitement about the place any more. Gentrification and the need for developers to maximise the profit from every square inch of the place means that there just aren’t any scruffy, little basement clubs left. Those scruffy, little basement clubs were the area’s lifeblood.”

➢ Punk London 1977 is published by Carpet Bombing Culture

Adam Ant, Jordan, Vortex, punk, Derek Ridgers,

Derek Ridgers immortalises the night that the pioneering punk icon Jordan sang with The Ants at the Vortex, and says today: “They played far better music IMHO than when Adam became a big star in the 80s”

A GALAXY OF GALLERIES OF RIDGERS’ PIX

➢ At i-D – light on punk’s incendiary early days

➢ AllAccess Online in the cauldron of youth culture

➢ Dazed Digital pictures Punk London

➢ Accent shoots Brutus SS16 with Derek Ridgers

Captain Sensible , Damned , punk music, Roxy , Derek Ridgers

Captain Sensible fronts the Damned at the Roxy in 1977: spot Ridgers the cameraman top right in glasses and open-neck shirt. Photographed by Erica Echenberg

Don Letts, Andrew Czezowski , punk,Roxy

28 March 1977: deejay Don Letts and club promoter Andrew Czezowski outside the Roxy when it closed, three months after giving birth to punk. Photographed by Erica Echenberg

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2016 ➤ Bid for your own rare photo of David Bowie

David Bowie , exhibition, auction, Labyrinth, Photography,Chalkie Davies

1985: Bowie as Jareth the Goblin King in Labyrinth, photographed during filming by Chalkie Davies who says today that he “only shot this one single frame”

◼ FOR THE NEXT 12 DAYS in central London a free exhibition titled David Bowie: Fame, Fashion, Photography is showing previously unseen archive photographs of the pop icon who died in January. The event is organised by a supporter of Cancer Research UK and curated by the V&A, with the aim of raising money through a silent online auction of 27 lots, of which seven are actual-size contact sheets. All images are signed by their photographers – Chalkie Davies, Tony McGee and Denis O’Regan – who shared working relationships with our hero.

Three pictures in the room command serious attention: Davies’ stunning portrait of Bowie in the film Labyrinth has caught a unique sensual intensity, enhanced by the stylised goblin makeup. At 21 inches square, it is well worth the starting price of £2,500 set by the photographer. Another contribution by Davies groups within one frame nine strong images from Ziggy Stardust’s farewell concert in 1973 showing both Bowie and Mick Ronson live on-stage. Given that each shot measures roughly 10×14 inches, great value at a starting price of £3,000.

One of the largest photographs in the room is by Denis O’Regan: a potent live concert picture of the short-haired Bowie during his 1978 UK tour showcasing Low and “Heroes”. At six-foot square and mounted on aluminium, this black-and-white image is a snip at its £750 starting price.

David Bowie, Chalkie Davies, Tony McGee , Denis O’Regan photography , exhibition, auction, Cancer Research UK, Bidding in the auction continues online until the exhibition closes at 6:30pm on 19 June. While the lots have been framed and printed to museum quality, the auctioneer’s website proved confusing until it was pointed out that it failed both to identify the photographer alongside many photos and to specify what size of print a buyer would receive for opening bids that range between £350 and £3,000!

A limited-edition, numbered catalogue is on sale at the gallery which is in Heddon Street where Bowie was immortalised in 1972 on the album cover of The Rise and Fall of Ziggy Stardust and The Spiders from Mars. The exhibition space, donated by Regent Street and The Crown Estate, is described by Kevin Cann, author of the definitive guide to Bowie’s early life, Any Day Now, as “one of the natural gravitational points for many fans to pay their respect” after David’s passing.

David Bowie , exhibition, auction, Photography,Chalkie Davies, Denis O’Regan, Ziggy Stardust

Bowie, Fame, Fashion, Photography at The Hub: at left, Denis O’Regan’s wall of images with his 1978 performance picture at centre. On the far wall is Chalkie Davies’s montage of nine Ziggy Stardust stage images from 1973

➢ The exhibition Bowie, Fame, Fashion, Photography runs 7–19 June at The Hub, 10 Heddon Street, W1B 4BX and is free, but a timed-admission ticket is required by registering online at Eventbrite. What a palaver! 7 June update: Just after midday on the show’s first day there were 17 visitors in the gallery. Ten minutes later there were only five.

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2016 ➤ Telling it like it is, Mister Nightlife aka Swindells Junior

Dave Swindells,exhibition, talk, Doomed, nightlife, London

Dave Swindells at Doomed, in front of one of his photos of Taboo in 1985: “It was such an adventure, a crazy night in terms of what happened there, partly because there would be a whole suitcase load of ecstasy” (Photo by Shapersofthe80s)

◼ WE FIRST MET, I VAGUELY RECALL, at the Leadmill in that damp autumn of ’82 when Dave Swindells was still a student at Sheffield Uni. I was the hotshot “Man from The Face” doing a whistle-stop tour of Sheffield clubs for my monthly Nightlife column in Britain’s coolest subcultural magazine, so I was quite used to people standing in front of my camera trying to get into shot. Swindells on the other hand turned his back on me while he lined up his Kodak Box Brownie in a pathetic attempt to capture some new-wave synth band on the barely lit stage. I smiled smugly to myself at his teen gaucheness and leaned in paternally to whisper the advice I’d gleaned from another snapper of the night, Richard Young, himself emerging as the celebrity paparazzo we know and love today: “Give give it f/8 and push the film in the developer.”

The grateful Swindells gushed his thanks and asked: “Please, sir, how do I get into photography for a living?” – “Stick to what you know,” I replied sagely. “Why not photograph what your friends get up to at night?” Ha! I knew full well dark clubs were a nightmare to capture on the slow film of those years before digital, when the trickiest part was having to use flash at close quarters, which reduces faces to a white blotch.

Dave Swindells, Dalston, Doomed Gallery, talks, exhibition,nightlife, photography,

Flyer for the Swindells talk on Tuesday: explain this lot, Dave!

Within two years the little bastard had stabbed me in the back and was toting a very upmarket Pentax as Nightlife Editor of Time Out magazine – a job he then hung onto for the next 23 years!!! His photographs have been featured in i-D, The Face, The Observer etc, while swanning round the world on travel freebies. I’ve been kicking myself ever since.

Next Tuesday 3 May he’ll be telling us all how on earth he got away with it for so long. He’s giving a talk at some achingly on-fleek gallery in Dalston called Doomed, where there’ll be a display of photos and a limited edition Photocopy Club zine to take away. Dave’s title is “Keeping It Real” and he promises “a fascinating insight into the trends, attitudes, and nuances of London’s clubbers. Evocatively shooting the emergence of the rave scene in the late 1980s, Dave follows the journey from the wild attitude of rave to the night-time antics of modern day”.

Frankly, I can’t think of anybody better qualified to tell the tale of the past three decades of hedonism pursued to the hilt as only the Brits know how. Dave’s the one who’s got the proof in pictures, and how.

➢ Swindells keeps it real, 3 May from 6.30pm to 8.30 at Doomed Gallery, 65 Ridley Road, London, E8 2NP

6 May update: Catch Dave’s talk at Vimeo

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1958–2016 ➤ Prince RIP: ‘A funny cat’ and ‘sole authentic genius’ of the 1980s

Prince Rogers Nelson , Detroit, Lyceum London,

1980: How Prince unveiled himself in Detroit months before his UK debut. His Dirty Mind album stirs controversy, while Uptown makes it to No 5 on the US R&B chart. (Photograph by Leni Sinclair)

➢ Prince was to the pop music of the 1980s what David Bowie had been to that of the previous decade, its sole authentic genius – The Telegraph

Prince Rogers Nelson , tributes, Daily News,sexuality, pop music ➢ Prince, the songwriter, singer, producer, one-man studio band and consummate showman, died at his home, Paisley Park, in Chanhassen, Minn. He was 57 – NYT

➢ The unique and endlessly creative artist Prince has died, leaving behind him a gaping hole in musical genres as diverse as R&B, rock, funk and pop – The Guardian

➢ Prince, one criticism runs, was too talented. Ideas flowed through him like rain passing through a leaky roof – The Economist

Prince Rogers Nelson , Spike Lee, pop music, death, tribute

Officialspikelee at Instagram: “I Miss My Brother. Prince Was A Funny Cat. Great Sense Of Humor.”

➢ So many people we interviewed told us hilarious stories about Prince. He was the video artist with little use for the video industry. Some loved him; others had quite the opposite reaction – Billboard

THE BEST EVER SUPER BOWL HALFTIME SHOW

➢ Prince’s life in pictures – The Telegraph

➢ Prince in his own words: “You have to live a life to understand it” – Famed for his gnomic utterances, but when he opened up, his remarks could be startlingly candid – The Guardian

Prince Rogers Nelson , Chaka Khan, pop music, death, tribute

PERSONAL TRIBUTES

Nile Rodgers: “RIP our dearly beloved Prince. Tears and love on our tour bus. I’ll never forget my brother. We’ve had good times.”

Quincy Jones: “RIP to prince… a true artist in every sense of the word. Gone way too soon.”

Mick Jagger: “Prince was a revolutionary artist, a great musician, composer, a wonderful lyricist, a startling guitar player… but most importantly, authentic in every way. Prince’s talent was limitless. He was one of the most unique and exciting artists of the last 30 years.”

Lenny Kravitz: “My musical brother… My friend… The one who showed me the possibilities within myself, changed everything, and kept his integrity until the end, is gone. I am heartbroken.”

Frank Ocean: “He was a straight black man who played his first televised set in bikini bottoms and knee-high heeled boots, epic. He made me feel more comfortable with how I identify sexually simply by his display of freedom from and irreverence for obviously archaic ideas like gender conformity.”

Barack Obama, who was flying from Saudi Arabia to London on Air Force One when the news broke, said he was mourning along with millions of fans. “Few artists have influenced the sound and trajectory of popular music more distinctly, or touched quite so many people with their talent. As one of the most gifted and prolific musicians of our time, Prince did it all.”

Shaun Keaveny, BBC Radio 6 Music, deejay: “He’s a virtual Beethoven for the popular song.”

Prince Rogers Nelson , Lovesexy, album, pop music

Prince Rogers Nelson: uncovered on the cover of his 1988 Lovesexy album

➢ Black Music Legends of the 1980s – How Prince revolutionised the perception of black music in the 1980s by embarking on an amazing journey of musical self-discovery (terrific documentary on BBC iPlayer till 21 May 2016)

Chuck D of Public Enemy: “He is walking music. He IS music.”

Alan Leeds, Paisley Park label president, speaking in 2011: “He has outpaced Madonna, he has outpaced Janet Jackson. There really isn’t another phenomenon on the planet like Prince these days.”

prince rogers nelson, passport

Prince: the latest passport picture, February 2016

➢ Prince’s lost Rolling Stone interview: “I don’t think about gone” – Ruminating on sex, music and death in a previously unpublished Q&A from 2014. . . “I can take you out there and hit this guitar for you, and then what you’ll hear is sex. You will hear something where you’d run out of adjectives like you do when you meet the finest woman.”

“I have a couple Revolution albums in the vault and two Time albums, one Vanity 6 album – and tons of stuff recorded in different periods.”

“I don’t think about gone. I just think about in the future when I don’t want to speak in real time.”

2 JUNE UPDATE: “Prince died of accidental overdose” expert says

➢ Accidental overdose – CNN: “Toxicology tests for Prince concluded that the entertainer died from an accidental overdose of the opioid fentanyl, according to a report on his death by the Midwest Medical Examiner’s Office. Fentanyl, prescribed by doctors for cancer treatment, can be made illicitly and is blamed for a spike in overdose deaths in the United States. It is 25 to 50 times more potent than heroin and 50 to 100 times more potent than morphine, according to the U.S. Drug Enforcement Administration. . .” / Contd at CNN

➢ Music legend Prince was killed by an overdose of the powerful painkiller fentanyl – NBC News: “Fentanyl is a synthetic opioid up to 100 times more potent than morphine that is used for severe pain such as advanced cancer, according the Centers for Disease Control. Although it can be obtained by prescription, many overdoses are linked to illegally made versions of the drug, officials say. . . ” / Contd at NBC News

➢ Previously at Shapersofthe80s:
2014, Prince live in London puts the afro back in fashion!

➢ Elsewhere at Shapersofthe80s:
Prince’s raunchy earliest videos and his last

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