Category Archives: Pop music

1983 ➤ A True romance aboard Spandau’s triumphal Thames riverboat

Spandau Ballet,1983, tour, Gary Kemp

Spandau over Bournemouth, 1 April 1983: Gary Kemp teases the screamers at the Good Friday show in the Pavilion Theatre. © Shapersofthe80s

40
YEARS
ON

❚ YES IT’S 30 40 YEARS SINCE Spandau Ballet scored their only No 1 chart hit single with True, coinciding with their epic “Spandau Over Britain Tour”. By May 3, True the album reached No 1, while the single remained at No 1 as well. The band’s official website is celebrating with a month of recollections from 1983 and asking UK fans to offer their own memories. Naturally Shapersofthe80s was there on the waterfront and has a few inside stories of its own.

The month-long tour ended in triumph at London’s Royal Festival Hall 30 years ago today, on Friday April 29, because True hit the top spot in the UK singles chart and the night before Spandau topped the bill on Top of the Pops – only two weeks after its release. After the London gig there followed a right old knees-up for friends and family aboard a Thames riverboat. As it cast off Shapersofthe80s was onboard and snapped a True romance as Steve “Spiny” Norman took to the dance floor with bass-player Martin Kemp, while Steve’s mum Sheila tried to muscle in. Here are our snaps, never seen before.

CLICK ANY PIC TO LAUNCH CAROUSEL
AND NAME THE FACES:

The band’s third album True, produced by Tony Swain and Steve Jolley, had preceded the tour and was to yield several chart hits across the world, Gold among them. The tour moved on to Europe in the summer and to North America in the autumn, when Shapersofthe80s will have some wild eye-witness scenes to report – laters…

➢ May 1 update: all five members of Spandau Ballet have agreed to an individual ‘TRUE’ Twitter Q&A session with fans, according to the official Spandau website – Q&A sessions start at 8pm (BST) on the official Spandau Twitter account, not their personal accounts, as follows: Gary May 3, Martin May 6, John May 7, Steve May 9, Tony tbc.

➢ 30th anniversary interview with Gary Kemp
at UK Official Charts website

The Observer OMM Oct 4, 2009

The Observer Music Monthly Oct 4, 2009

HOW IT ALL BEGAN FOR
THE ANGEL BOYS

➢ Read the story of Spandau Ballet,
the Blitz Kids and the birth of the New Romantics
in my feature at The Observer

➢ Photographer Neil Matthews, another friend of Spandau from their earliest days, has been celebrating with an exhibition of his popstar photos titled My 80s Through the Lens, at The Great British Restaurant, 14 North Audley Street, London W1K 6WE. All images can be viewed online and are for sale in limited editions printed on smart archival paper. As well as Spandau, his subjects include Bananarama, Blue Rondo, Bauhaus, Haysi Fantayzee, Malcolm McLaren, The Jam, Nick Heyward, Bow Wow Wow and more.

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2023➤ Kemp Bros keep tongues firmly in their cheeks

Gary Kemp, Martin Kemp, comedy, documentary, pop music, television, biopic, Spandau Ballet,

Who Do They Think They Are? Their spoof TV doc traces the Kemp Brothers’ origins back to the inventor of the clothes peg

❚ THREE YEARS AGO the critics divided over a TV “mockumentary” about Spandau Ballet’s Kemp brothers, which Martin summed up as “French and Saunders do Gary and Martin Kemp”. Gary added: “Our traits, but highlighted”. The unexpectedly oddball hour is being repeated on BBC2 tonight.

Their contemporary, Eighties musician Andy Polaris, declared himself a bit of a fan in his own review:

The Kemps All True is a surprisingly deft spoof documentary based on the Spandau Ballet stars’ ill-fated revamp revolving solely around the two charismatic brothers. Chock-full of well-known British cameos (Christopher Eccleston, Daniel Mays, Anna Maxwell Martin), it follows their attempted relaunch including a guest star covers album where ‘Sia’ and the gruff-voiced ‘Rag and Bone Guy’ both murder True, a song they had reserved for a popular girl band.

Gary Kemp, Martin Kemp, comedy, documentary, pop music, television, biopic,Spandau Ballet,

Exclusive preview of new album cover (BBC)

Interwoven are real clips from the band’s history leading up to the current 40th anniversary where they are rudderless and searching for new streams of income including an unappealing-sounding meat replacement vegan product called Wonge and a charitable retirement project. The hour whizzes by due to a cavalcade of witty observations about vintage pop stars (ie, playing private parties for oligarchs for considerable financial rewards and celebrity endorsements for dodgy products), piercing their Photoshop vanity and pretentious public images…   ➢ Continued at Apolarisview.com

Shapersofthe80s published another candid appreciation of the Kemps’ venture into comic territory, which was conceived by its director and writer Rhys Thomas, here:
➢ Previously at Shapersofthe80s: Knife-edge TV doc shows Kemp tongues firmly in their cheeks

Followed up almost inevitably by Spandau’s former vocalist Tony Hadley telling The Sun: “I wasn’t approached and would not have anything to do with it. I’m done. They want me back for good but it ain’t going to happen. I’d rather be happy on my own than be in that band again.”
➢ Previously at Shapersofthe80s: Vocalist Hadley hammers final nail into the coffin of Spandau Ballet

Martin Kemp, Gary Kemp, Rhys Thomas, BBC2, documentary,

Preview of Gary Kemp’s latest work as a portrait painter (BBC)


➢ Click for the quite funny Kemp Bros trailer

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2023 ➤ 80,000 items of Bowie baggage find final resting place in the Olympic Park

Bowie, David Bowie Centre for the Study of Performing Arts, V&A East Storehouse, , archive, David Bowie

Into the archive: 1978 self-portrait sketched and signed by Bowie (detail)


❚ AT THE DAVID BOWIE CENTRE for the Study of Performing Arts fans will soon be able to get up-close to Bowie’s creative genius like never before. From 2025 the Victoria & Albert Museum’s East Storehouse in London’s Olympic Park will house more than 80,000 items amassed during the six decades of the performer’s pioneering career. His archive will be made available to the public, from fans to school children and researchers, thanks to the David Bowie Estate and a donation of £10m from the Blavatnik Family Foundation and Warner Music Group.

The archive features handwritten lyrics, letters, sheet music, original costumes, fashion, photography, film, music videos, set designs, Bowie’s own instruments, album artwork and awards. It also includes more intimate writings, thought processes and unrealised projects, the majority of which have never been seen in public before.

V&A East Storehouse will be a new type of museum experience taking visitors behind the scenes of the stored collections. The new Centre will also support the ongoing conservation, research and study of the archive.

Bowie, David Bowie Centre for the Study of Performing Arts, V&A East Storehouse, archive,

Into the archive: notes for Bowie lyrics created by the Burroughs “cut-up” technique

Highlights include stage costumes such as Bowie’s breakthrough Ziggy Stardust ensembles designed by Freddie Burretti (1972), Kansai Yamamoto’s flamboyant creations for the Aladdin Sane tour (1973) and the Union Jack coat designed by Bowie and Alexander McQueen for the Earthling album cover (1997). The archive also includes handwritten lyrics for songs including Fame (1975), “Heroes” (1977) and Ashes to Ashes (1980), as well as examples of the “cut-up” method of generating lyrics introduced to Bowie by the writer William Burroughs. Additionally, the archive holds a series of intimate notebooks from every era of Bowie’s life up to his death in 2016.

Tilda Swinton, one of David Bowie’s friends and collaborators, said: “In 2013, the V&A’s David Bowie Is… exhibition gave us unquestionable evidence that Bowie is a spectacular example of an artist who not only made unique and phenomenal work, but who has an influence and inspiration far beyond that work itself. Ten years later, the regenerative nature of his spirit grows ever further in popular resonance down through younger generations.”

Bowie, David Bowie Centre for the Study of Performing Arts, V&A East Storehouse, costumes, archive,

Into the archive: stage costumes from every decade of Bowie’s career

➢ Read further detail at the official David Bowie website

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2023 ➤ Bowie anniversaries: One fan’s teenage love remains undimmed

David Bowie, 1976, Man Who Fell to Earth, pop music, films, anniversary, birth, death,

Bowie’s new look for 1976 when he became The Man Who Fell to Earth, here in a Haywain shirt. Photographed by Steve Schapiro and published on the cover of the Sunday Times Magazine

David Robert Jones
8 January 1947 – 10 January 2016

Every January, two dates stir the souls of Bowie fans: the 8th being his birthday and the 10th the day he died. On the seventh anniversary of his death, Eighties Blitz Kid and pop singer ANDY POLARIS recalls the dramatic influence Bowie had on his early teens in the way that his fan base would also be galvanized by his art to inspire their own creative dreams. This extract comes from a much longer piece at his own website Apolarisview.wordpress.com … Andy writes:

Much has been written about Bowie’s Starman performance in 1972. I had begun a fascination with his image a little earlier after the Melody Maker interview, thanks to an older teenager who also had the album, Hunky Dory.

I began to spend the little pocket money I had on buying all the magazines and music papers that featured him, especially on the cover. Fab 208, PopSwop, Music Star, Music Scene and Jackie thankfully were relatively cheap and I began my scrapbook collection. Ziggy Stardust with his bold make-up and glamorous wardrobe (courtesy of Freddie Burretti and Kansai Yamamoto) was unlike anything seen before and blurred the line between sexes. This beautiful creature offered a world of possibilities to this youth already bored with football and the teenybop fandom that dominated our era. Clothes, style, identity – normal teenage rites of passage – all took on a greater importance over the next few years but now helped define a more alternative journey.

Seeking out Bowie’s references in lyrics opened a new door to imagination. His creative output eased my inner void of loneliness and probably kick-started my interest in science-fiction. Humdrum suburbia was replaced by the magical worlds of Alfred Bester, Philip K Dick, George Orwell and Robert Heinlein to a soundtrack of Ziggy Stardust, Aladdin Sane and Diamond Dogs.

Scissors, Pritt Stick or Gloy Gum and a large desk were my 1970s iPad, and all that were needed, as I lovingly read and then pasted articles onto A4 note paper into a hard grey binder. This became a ritual that continued for my teenage life. I never liked to create collages because I hated cutting up articles too much and words were equally important. What Bowie was saying or what people were saying about him seemed as important as the visuals. That shape-shifting style (musically and visually) meant I never got bored and felt that I evolved along with him, my anticipation becoming almost tangible with news of a new release or a TV appearance…

➢ Read Andy’s full article on Bowie: First anniversary of his death and my teenage love is undimmed

Andy Polaris , Billy's club, Derek Ridgers, nightlife

Future singer Andy Polaris and Sue at Billy’s in 1978. (Photograph © by Derek Ridgers)

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➤ Hottest Shapers during 2022

Andrew Ridgeley , Wham Rap, video, Face magazine, Club Culture,

Click pic to open the Wham Rap! video in another window … “Man or mouse” Andrew Ridgeley establishes his group’s clubbing credentials in the opening shots of the Wham video by reading my cover story on Club Culture first published in The Face in 1983 and in recent years the No 1 read at Shapers of the 80s!

❚ OVER THE PAST 14 YEARS Shapers of the 80s has received 2.2 million views, according to year-ending stats measured by our host, WordPress. Our 850+ published items total half-a-million words, which is several times more than most books, so it pays to explore the various navigation buttons. Here are the half dozen posts which remained among the most popular with readers during 2022…

➢ Photos inside the Blitz Club, exclusive to Shapers of the 80s

FACE No 34,club culture ➢ 69 Dean Street and the making of UK club culture – evolution of the once-weekly party night (1983)

➢ Why Bowie recruited Blitz Kids for his Ashes to Ashes video in 1980 from the club-night founded by Steve Strange and Rusty Egan

➢ 20 gay kisses in pop videos that made it past the censor

➢ First Blitz invasion of the US —
Spandau Ballet and the Axiom fashion collective take Manhattan by storm (1981)

NYC,Axiom,Melissa Caplan, Sade, Elms, Tony Hadley, Ollie O'Donnell

At the Underground club in NYC 1981: Melissa Caplan rehearses Bob Elms, Mandy d’Wit and Sade Adu for the Axiom runway show. Right, Ollie “the snip” O’Donnell goes to work on singer Tony Hadley’s hair. Photographed by © Shapersofthe80s

➢ Posing with a purpose at the Camden Palace — power play among the new non-working class (1983)

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