Tag Archives: London

➤ After his Spandau ordeal, singer Ross shakes off the blues

◼ EX-SPANDAU BALLET VOCALIST Ross William Wild seems to be finally feeling the warmth of the summer sun after weeks of black despair. Without being told his position, it became evident that he had been dumped by the band who recruited him to replace Tony Hadley a year ago. Provoked first by Spandau’s silence and then by an insulting media interview from songwriter Gary Kemp, Ross found a new band and in May announced he was quitting Spandau. Bass player Martin Kemp was next to insult him in a rambling TV interview that made no mention of Ross’s position.

On 28 May Ross told Shapers of the 80s: “I’d put my whole life on hold and was sick of waiting around for them to make up their minds. I told the boys I was quitting and then never heard back from them.”

Suddenly this month Ross has revealed how this tough emotional saga was taking its toll on him. He wrote on Facebook:

“This year has not been an easy one. Last year I was on top of the world and then this year the medical powers that be stuck me on everybody’s favourite mental tourniquet, antidepressants. After quitting Spandau I never even had the time to tell anybody before others were told to get on TV and do some damage control, which made me look like a dick and in turn f***ed me up mentally.

Francesco Lucidi, Emanuele Nazzaro, Fabio Staffieri , Ross William Wild, Dingwalls, Camden Rocks Fest, reviews, grunge, Rock music,

Mercutio at Dingwalls: Ross centre-stage in his second live gig with the metal band

“But things are looking up. Great concert in the West End coming up, couple of international gigs, a green energy company that’s really taking off (more news to come on that soon). And best of all, I’m going on tour with my band Mercutio. We’re really just starting out and I can’t wait to see what our future holds, but mainly, I’m going to enjoy the ride and be present, and get off these goddamn pills.”

His “metal with melody” band Mercutio has played a couple of riff-driven London gigs and released a video for their first single pointedly titled Where the Pain Lives, directed by contemporary dance choreographer Eleesha Drennan. Ross says: “The song is an epiphany. A realisation that some of our best ideas and most creative thinking come from our darkest and most painful places. Where the Pain Lives is an acceptance of this fact.”

Mercutio comprises Fabio Staffieri on guitar, Emanuele Nazzaro on bass and Francesco Lucidi on drums. Their stated aim is to bring mainstream rock music back to the forefront of people’s musical consciousness with a bang. From 28 October they will be supporting Inglorious (“a young Deep Purple”) on four UK dates, and another in Milan.

Ross’s West End event next week stars Jodie Steele (Heathers, Wicked, Rock of Ages) as Daisy Buchanan and Ross as Jay Gatsby, among a cast of eight in three concert performances of a musical take on Scott Fitzgerald’s Jazz Age novel The Great Gatsby.

➢ Gatsby the Musical plays in concert at Crazy Coqs in London W1, 27-29 August. Box office 020 7734 4888 and online

➢ Mercutio support Inglorious at Oxford, Cardiff, Exeter, Brighton, 28 Oct-1 Nov, then 5 Nov in Milan

➢ On 18 Oct Mercutio play at 93 Feet East, Brick Lane E1 6QL

Gatsby the Musical, Crazy Coqs, London, brasserie zedel, Jodie Steele, Ross William Wild,

❏ 30 AUGUST UPDATE VERDICT: As Jay Gatsby, Ross William Wild’s own big numbers were superb, especially The Moon That Never Rose, also Escape the Heat and Broken Wings Broken Dreams with Jodie Steele as Daisy Buchanan confronting her fabled carelessness. Musically Gatsby the Musical proved very promising with Edward Court providing a sensitive accompaniment on piano. The show boasted spirited Jazz Age tunes by Joe Evans, though often touchingly melancholy in keeping with the elusive storyline by Linnie Reedman, plus engaging lyrics, as with I Bet He Killed a Man. Sadly staging concert performances always puts an unnatural strain on the actors so let’s hope the serious shortcomings of the tiny and cramped Crazy Coqs (with a super-loud wall clock ticking throughout quieter scenes!) won’t inhibit this show’s development.

➢ Previously at Shapers of the 80s: New vocalist Ross rocks Spandau by announcing his new band Mercutio

➢ Previously at Shapers of the 80s: Another Spandau bombshell – Kemp Brothers drive out Ross their ‘perfect’ new singer

Steve Norman, Ross William Wild, Pop-Helden-Festival, Berlin, pop music

1 Sept update: Ross and Spandau’s saxophonist Steve Norman rehearsing in London today for their appearance together at next Saturday’s Pop-Helden-Festival of 80s Pioneers in Berlin, along with Marc Almond, Paul Young, Wet Wet Wet and Howard Jones

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2018 ➤ Bayeux Tapestry to be displayed in UK for the first time

Bayeux Tapestry, Saxons, Normans, exhibition, London,

Customised version of the Bayeux Tapestry created using the Historic Tale Construction Kit


DURING HIS UK VISIT THIS WEEK, French President Emmanuel Macron announced the loan of the 11th-century Bayeux Tapestry which depicts events leading up to the Norman conquest of England in 1066 which ended in King Harold II’s death. This marked the end of the Anglo-Saxons’ reign of more than 600 years. The tapestry is 230ft long and and 50cm deep and some historians say it was created by teams of nuns across England – not France – possibly in Canterbury, Kent. It is on permanent display at a museum in the town of Bayeux, in Normandy.

The first loan of the tapestry outside France for 950 years was revealed by The Times which expected the exhibition venue in 2022 to be the British Museum. Our version here was created online using the Historic Tale Construction Kit. Note how the Saxon peasant at right has already pioneered the idea of kebabbed pigeon.

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1980s ➤ The Ridgers lens lays bare the pursuit of love

The Others, Derek Ridgers, Idea Books, youth culture, nightlife, London, Swinging 80s, Dover Street Market, photography, style,

London 1984: if this is you, come to the party! Photo © Derek Ridgers

◼ IF THIS PHOTO SHOWS YOU perfecting the horizontal jig in a London club in 1984, you’ll find yourselves immortalised in the latest book by photographer Derek Ridgers, titled The Others. The collection captures young love in all its clubland guises and if you spot yourself in this gallery why not email info [a t] idea-books.com and ask to come to the London launch this Thursday, 19 Nov?

Between 1980 and 1986 Ridgers and his candid lens couldn’t help following the pursuit of romance among the lovers, the loveless, the lonely and the last to leave in nightclubs as disparate as Gossip’s, Planets, Great Wall, Batcave, Feltham Football & Social Club, Flick’s, Lyceum, Le Beat Route, Camden Palace, Taboo and many more.

These snogging couples represent Britain’s many subcultural tribes who expressed distinct affinities in the early 80s through personal style and musical tastes. The book’s foreword says its intriguingly contradictory title describes the “other” clubbers who had enough attitude *not* to get rejected by the greeters on the doors of London’s finest clubs. It would make more sense to call these kids The Chosen Ones. Once inside a club, however, they got their priorities right and relegated posing into second place behind the down-to-earth goal that was really on their minds.

The Ridgers images capture all the fun and frailty and the frissons of exploring your youthful identity among like-minded tribalists in ways the publisher was probably trying to nail: a sense of “otherness” that characterised many subcultures in that austere and intolerant era. Whether brave or tentative, outsiders or players, they were helping shift attitudes in dark and stylish cellars across the land. They re-energised Britain by mobilising the talents in which the young excel: through music, clothes, haircuts and romance.

The Others is priced £35 for 124 pages in a limited edition exclusively available at Dover Street Market London and New York, Ginza and the Comme des Garcons Trading Museum in Paris, as well as Marc Jacobs’ Bookmarc stores in New York, Los Angeles, London, Paris and Tokyo. And online from Idea Books.

The Others, Derek Ridgers, Idea Books, youth culture, nightlife, London, Swinging 80s, Dover Street Market, photography, style,

Big hair, 80s-style: Mohican and his captive. Photo © Derek Ridgers

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2015 ➤ Hot revelations from the Flexipop book party

Flexipop, pop music, London, Swinging 80s, books,Barry Cain, Tim Lott, Red Gallery

Flexipop founders: Tim Lott and Barry Cain at Red Gallery last night. (Photographed by © Shapersofthe80s)

◼ THREE DECADES AFTER the maverick monthly music magazine Flexipop closed, guilty names were named during last night’s book launch at Shoreditch’s coolest new venue, the Red Gallery. During a Q&A with the mag’s founders Barry Cain and Tim Lott, they confessed that the three most difficult artists to deal with in those heady days of Britain’s burgeoning pop scene were. . . [X-Factor-style pause] . . . Tears for Fears and . . . Paul Weller and . . . the American new-wave band Blondie! Lott tactlessly remarked that what surprised him most was that singer Debbie Harry had “a huge head out of all proportion with her body” – which clearly means he really had a thing about blondes.

Whinging hosts apart, guests at their party were distinctly more polite. Generating tidal waves of affection was the original 2 Tone rude girl Pauline Black, who was happy to chat about this summer’s new album titled Subculture 36 years after her band The Selecter set out, having survived two splits and reunions, and now poised for a UK tour. . . Exchanging gossip beneath the “Free hugs” notice we found veteran 80s popsters Christos Tolera (Blue Rondo à la Turk) and Phil Bloomberg (Polecats). . . Catching up on the music du jour were the gifted jazzer Mark Reilly (Matt Bianco, still going strong and knocking out albums every few years) and the ubiquitous Andy Polaris (Animal Nightlife, long defunct) who these days injects magic into the windows of the UK’s trendiest Oxfam in Dalston. . .

Click any pic below to launch slideshow


Powering through the crowd was photographer Neil Mackenzie Matthews, eager to push his exhibition of pop-star photos printed on smart Somerset paper and selling at very affordable prices. He produced some flopsy-bunny big ears which apparently was the prop he invited stars of the 80s to wear in front of his camera. We saw immortalised on a poster the playful chanteuse Toyah Willcox, though Neil recalled how, despite having bought the ears as a gift for the precious Ian McCulloch of Echo and The Bunnymen (geddit?), he refused outright to see their entertainment value.

It was Flexipop’s belief that all celebs should be humiliated at every turn. As further proof, souvenirs of the magazine’s heyday were visible everywhere, including a blown-up cartoon strip satirising Marc Almond as a “sex dwarf” and Dave Ball his partner in Soft Cell as a beer-swilling “mega-hunk”. Writs for libel were due to be served at midnight.

Flexipop’s trademark plastic 7-inch discs were being dispensed free, after unsold supplies were recently unearthed in Cain’s mum’s garage – and “still playable”, assuming you have a wind-up gramophone.

Apparently Paul Weller couldn’t get along to the party as he was collecting some award as Modest Mod-father of Them All.

➢ The big public Flexipop! book launch party
for charity starts at 7.30pm tonight 25 Sept at the Red Gallery, London EC2A 3DT – tickets £20 at door

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➤ Return to the Blitz 2011 – London Tonight reports

◼ FLASHBACK TO 17 JAN 2011 – ITV’s six o’clock news magazine London Tonight reports on Saturday night’s RETURN TO THE BLITZ party hosted by Steve Strange & Rusty Egan. They’re celebrating the launch of their official website theblitzclub.com and a load of nostalgic New Romantics from 1979 find themselves mingling with Neo Romantics from 2011.

ITV’s intrepid entertainment correspondent Lucrezia Millarini dives into the scrum and Shapersofthe80s topped and tailed her report – all content is © itv.com … Includes three classic Blitz photographs of Boy George and Spandau Ballet by Derek Ridgers, plus one by yours truly of George and Stephen Linard

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