Category Archives: History

➤ Captured in 1983: the Westwood-McLaren showdown

Over two weeks I watched fashion gurus Westwood
and McLaren go their separate ways. Daggers-drawn,
they both talked exclusively to the Evening Standard…
Mine were the final pix of them together

Paris fashion, 1983, Vivienne Westwood, Malcolm McLaren, Worlds End, post-punk

Their last dance, Paris 1983… Westwood says: “Malcolm has one more chance to be good.” McLaren says: “I’m not incapable of designing the next collection myself.” Photographed © by Shapersofthe80s

➢ Click here to read my enhanced version about the day
the King and Queen of Outrage realised
the end was nigh, in 1983

First published in the Evening Standard, 4 Nov 1983

➢ Obituary for Dame Vivienne Westwood 1941-2022 at The Guardian

➢ BBC’s in-depth tribute to Vivienne – the godmother of punk

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2022 ➤ Martin Kemp on a life full of love but lacking two vital apologies

Martin Kemp, Spandau Ballet, Los Angeles, pop music, live concerts,

Golden years: Martin Kemp escaping fans after Spandau Ballet played at The Palace, Los Angeles, in 1983

❚ MARTIN IS THE YOUNGER BROTHER of the two Kemps, the good-looking one with the easy charm that has opened doors into a television career that included EastEnders. Gary is the older one with such a strong sense of self that as recently as 2017 it wrecked the last of several reunions for Spandau Ballet, by shedding their talented and popular singer Tony Hadley who now thrives with his own band. In 1978 Gary had invited Martin to learn to play bass then join his former school band the Makers 18 months before it was renamed Spandau Ballet and went on to international success.

Today The Guardian interviews Martin Kemp aged 61 about his third book, Ticket to the World: My 80s Story (HarperCollins £11), which sounds more cosy than you might expect following Kemp’s distressing surgery to remove two brain tumours during the 1990s. He can’t stop telling us how much he loves everybody in his life, even after fist fights with Gary. What does he have to say about why Tony Hadley left the band in 2017, after several previous break-ups? ➢ The interviewer Paula Cocozza reports:

“It’s something that I’d never spoken to him about. But I do feel guilty when I look back.” In the book, Kemp stops short of an apology. “Oh, listen,” he says immediately. “I would apologise to Tony, absolutely, for the way that he was treated. I think it was really poor.”

Why doesn’t he pick up the phone and say all this to Hadley? He really sounds as if he wants to. But he says: “I haven’t spoken to Tony for ages. I reach out to him, but I rarely hear back. I send little messages” – he mimes texting – “if I get two words back, I’m happy.

“Tony is lovely,” he says. “He is a lovely man. I will always, always love him, in the same way I love all the rest of the band. But you drift apart, don’t you?”

Nowhere in the interview does the name of Ross William Wild get mentioned, the singer who succeeded Hadley during 2018 following Martin Kemp’s recommendation, and was silently dumped after a trial series of concerts and subsequently contemplated suicide. When might he, too, expect an apology from the band who blanked him?

Spandau Ballet, Ross William Wild, Gary Kemp, Martin Kemp, Steve Norman, pop music,

October 2018: What proved to be vocalist Ross William Wild’s last outing with Spandau Ballet at the Hammersmith Apollo

➢ Previously at Shapersofthe80s: 2020, Singer Ross reveals how Spandau drove him to try ending it all

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1982 ➤ When fans first screamed for Spandau and two climbed up to their window

Spandau Ballet, Blitz Kids, New Romantics, Liverpool Empire, 1982, Diamond Tour, fans,

8 May, 1982: Now identified! A teenage fan shins the drainpipe at the Liverpool Empire giving access to Spandau Ballet’s dressing room on their first nationwide tour with the Diamond album. Snapped by © Shapersofthe80s

40
YEARS
ON

■ THE YEAR WAS 1982. Spandau’s seventh single Instinction had put them on Top of the Pops during Easter week and sales were rocketing. The night of May 8, towards the end of Spandau’s first nationwide tour, with stand-up comedian Peter Capaldi in support, has become known as The Return of the Scream. The moment the house lights dimmed, a mighty roar lifted the roof off the Empire, the city’s legendary music venue. It didn’t stop for 75 minutes. The band hadn’t heard anything so intense and were visibly shaken when they came offstage. Guitarist Gary Kemp said in disbelief: “I had to stop playing. I couldn’t hear my own monitor.”
➢ Click through to read all about 8 May 1982 – the return of The Scream to British pop

Yes says Jan: that’s me shinning up
the drainpipe in 1982

■ A 30 YEAR-OLD MYSTERY HAS BEEN SOLVED. At the climax to Spandau Ballet’s first national tour in 1982 fan mania broke out on a level comparable to the 1960s. When their single Instinction crashed into the UK charts with freshly injected energy from producer Trevor Horn, three extra tour dates were added in May. After the show in Liverpool, the creative birthplace of British pop music, a crowd of about 500 fans mobbed the stage door at the fabled Empire theatre. A shadow had only to fall across the band’s dressing room window for screams to erupt in the street. Two girls then decided to shin the drainpipe and beat the window with their handbags until they were let in…

➢ Click through for more about the girls who entered Spandau’s dressing room via the window

Spandau Ballet, Blitz Kids, New Romantics, Liverpool Empire, 1982, Diamond Tour, Martin Kemp, fans, Gary Kemp,Steve Norman, Tony Hadley, Peter Capaldi

Inside the Liverpool Empire, May 8, 1982: fans shocked security staff with the roar that greeted Spandau Ballet. Photograph by © Shapersofthe80s

➢ 1982, How Spandau put Peter Capaldi on the road
to play the new Doctor Who

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1983 ➤ Who’d be a spy while the 80s were swinging?

Deutschland89, TV, spy drama, East Germany,

Jonas Ney as superspy Martin: going rogue across rival intelligence services

❚ WHAT A ROLLERCOASTER! Just finished all three hit series of Deutschland83/86/89 on Channel4 catchup, an eye-opening panorama of Cold War life during the 1980s, notably in East Germany, the GDR. There, almost every member of your family had been pressed into spying on everyone else by the Stasi and hence at arm’s length by the Russian KGB. In the newly aired series three, the Fall of the Wall and the terrifying prospect of “freedom” becomes almost laughable, were people’s reflexes not so grim as the red peril turns in on itself.

➢ Catch up on Deutschland 83, the irresistible German thriller series set during the 1980s Cold War. Young East German guard Martin Rauch is inveigled into spying

➢ Guardian TV review, 2021 – Western hubris is unpicked as a new series of the hit German drama explores the deeper consequences of the fall of the Berlin Wall

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1980 ➤ When Duran Duran put Brummie Romantics on the map

Duran Duran, New Romantics

Duran Duran in 1980: Birmingham’s fluffiest New Romantics

40
YEARS
ON

◼ 40 YEARS AGO TODAY the Birmingham club-band Duran Duran released their debut single Planet Earth, less than two months after signing to EMI. It charted in mid-March, peaked at No 12, and bagged the band a spot on Top of the Pops, Britain’s premier music TV show. They were the first New Romantic band from outside London to make good, and the writer Steve Jansen claims that “inside of three short years, Duran were officially the biggest band on the planet”.

He celebrated Duran’s birthpangs with a thorough survey of their origins titled Switch It On! – Planet Earth & The Launch of Duran Duran, on the blog gimmeawristband.com which though sadly defunct today, is preserved at the Wayback Machine. As a shorter alternative, Shapersofthe80s documented a few key excerpts from his epic account, where Jansen talked to all the key players involved during the run-up to the band’s chart debut. They are published here with his permission…

➢ Previously at Shapers of the 80s:
Read Steve Jansen on how other people’s faith put
the Brummies into the charts

➢ Previously at Shapers of the 80s:
1980, How Duran Duran’s road to stardom began
in the Studio 54 of Birmingham

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