Tag Archives: Duran Duran

2015 ➤ Pitch now to make a video for Duran’s slinky come-back party single

Pressure Off, Paper Gods, Duran Duran, album, video,UK tour, US tour

Duran reignited for 2015: Roger Taylor drums, John Taylor bass, Nick Rhodes keyboards, Simon Le Bon vocals. (Photograph by Stephanie Pistel)

◼ FILM-MAKERS AND CREATIVE TYPES, Duran Duran are talking to you! Deadline for pitching your treatment to make a new lyric video is Sunday 28 June. When they threw out a free-for-all invitation in 2011, dozens of brilliant music videos resulted from people adapting classic Duran tracks. Now DD are trying something similar for their single Pressure Off, the first from a new album, in another video collaboration with Genero TV – click now to apply.

In September, after a gap of nearly five years, the former house band of the Brummie Rum Runner club’s New Romantic scene launch a new studio album – Paper Gods, their 14th. As part of a recording deal with Warner Bros Records, the album starts the next chapter in the Duran story, and features a host of A-list collaborators who include Nile Rodgers, Mark Ronson, Mr Hudson, Janelle Monáe, John Frusciante, Kiesza and Davide Ross.

➢ Previously at Shapersofthe80s:
2011, Ten killer videos made as tributes
to Duran’s return to creativity

Duran Duran,Pressure Off, Janelle Monae,pop music

Pressure Off features Janelle Monáe

“We found a whole new level of inspiration on this album,” says the band’s keyboardist and aesthetic overlord, Nick Rhodes. “We were talking the other day about artists that have been around for a long time – our contemporaries and some older ones, and there’s only a handful of the latter now, still out there playing shows. And we were saying, ‘What albums did they make this far down the line that we own?’ And that was a difficult one.”

DD seem convinced that this album will be one of the most visceral and daring of their career. A senior editor at Yahoo Music has already given Pressure Off a rave review, saying: “The sexy, slinky, all-around groovy party track is the legendary group’s best single in years. . . The remix-ready cut sounds fresh and modern, even as it traffics in D2’s tried-and-true signature sounds: super-Chic chickenscratch guitars, thick ’n’ gooey basslines, sassy soul-sister backup vocals, irresistibly effervescent chants.” Listen now at YouTube and you decide (no prizes for linking the cocktail of images with DD classic hits). Pre-order Duran Duran’s Paper Gods on iTunes and get an instant download of Pressure Off.

➢ Duran Duran 2015 tour dates at their own website – The four-man Duran line-up is set to headline at Bestival, in the UK, in September, and a trickle of European tour dates kicked off this week in Barcelona and The Hague, following up with the US and UK before climaxing in December.

➢ Previously at Shapersofthe80s:
1981, Birth of Duran’s Planet Earth — when other people’s faith put the Brummies into the charts

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➤ A Duranie showers praise on Spandau’s Soul Boys gig in Los Angeles

Spandau Ballet , Soul Boys of the Western World, US Tour, pop music, Blitz Kids, New Romantics, Swinging 80s,

Streaming live: old romantics Spandau Ballet paying the Wiltern, Los Angeles, on Sunday night. Screengrab © Yahoo/Live Nation

➢ VIEW Yahoo’s online stream of Spandau Ballet’s Sunday concert at Wiltern Theatre in Los Angeles (initially on a continuous loop but later reduced to clips)

➢ Update 28 Jan: View Spandau Ballet’s number Only When You Leave from Yahoo’s stream of last Sunday’s concert at Wiltern Theatre

Spandau Ballet , Soul Boys of the Western World, US Tour, pop music,
➢ Oh the irony! At the ultimate Duran Duran fansite, Rhonda reviews Spandau Ballet live in Los Angeles 2015

I have to give Spandau credit: they are the real deal. They PLAY… and any backing used is incredibly minimal compared to many other bands. Tony Hadley has a better voice live than nearly any vocalist I’ve ever heard, and I’m sure the Jack he used for toasting the audience does nothing to hurt him, either. I can’t really say enough about Tony’s vocal talent OR the rest of the band. Steve Norman is a sax GOD, not to mention a world-class percussionist, of course Gary and Martin Kemp are the backbone of the band along with John Keeble on drums.

There was something really heartwarming as I watched fans scream with glee as Tony broke into Chant No 1 (I Don’t Need This Pressure On) or the way the entire audience sang True with the band. . . As we waited in line outside, I halfway listened as the people in back of us talked about the trek they were making to follow the band on their tour across the country, and how they talked about members of the band as though they were old friends. It reminded me so much of the “relationship” Duran fans have with the band. As much as we might be different – Spandau fans and Duran fans – we’re really the same. . . / Continued online at the Daily Duranie

Spandau Ballet,Daily Duranie , Soul Boys of the Western World, John Taylor, Martin Kemp

Duranspan or is it Spanduran? The New Romantics John Taylor and Martin Kemp in 1985

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➤ Catch up on New Romantic landmarks reported here at Shapers of the 80s

Andrew Ridgeley,George Michael, Wham Rap, video, Face magazine, Club Culture,

Click pic to open the Wham Rap! video in another window … “Man or mouse” Andrew Ridgeley establishes his clubbing credentials – along with sidekick George Michael – in the opening shots of the Wham! video by reading this very Face cover story on Club Culture that you’re about to read!

THE MOST READ FEATURE ARTICLE AMONG 890,000 VIEWS SINCE THE LAUNCH OF SHAPERS OF THE 80s

➢ 1983, The Making of UK Club Culture — Definitive Face cover story by yours truly being read here in the Wham Rap! video. This account of how London nightlife had become an international magnet was first published as “an upstairs‑downstairs tale of two key nightspots” in The Face No 34 in February 1983. Photography © by Derek Ridgers. Reprinted in The Faber Book of Pop, 1995; and in Night Fever, Boxtree, 1997

69 Dean Street, Soho, club culture, The Face magazine, London, 1980s, clubbing, nightlife,Billys, Gargoyle,Red Studio,Blitz Kids

From The Face, February 1983

THE ORIGINAL HISTORY OF THE BLITZ KIDS

The Observer Music Magazine. Pictures © by Derek Ridgers

The Observer Music Magazine, Oct 4, 2009. Pictures © by Derek Ridgers

➢ Spandau Ballet, the Blitz Kids and the birth of the New Romantics — This much-recycled account originally penned by Shapers of the 80s tells who did what to make stars out of a club houseband, change the rhythm of the UK charts — and ultimately rejuvenate the British media. The obsessive fashionistas behind one small club in London in 1980 went on to dominate the international landscape of pop and fashion, while putting more British acts into the US Billboard charts than the 1960s ever achieved. Spandau Ballet songwriter Gary Kemp responded: “A superb piece. It will be referred to historically.”

EARLY 80s REPORTS REVISITED

➢ How three wizards met at the same crossroad in time — an inside scene-setter on the forces shaping the Swinging Eighties

➢ 1980, Strange days, strange nights, strange people: at The Blitz a decade dawns

➢ 1980, One week in the private worlds of the new young: London blazes with creativity

➢ 1980, Shapersofthe80s tells how Duran Duran’s road to stardom began in the Studio 54 of Birmingham, UK

➢ 1981, Birth of Duran’s Planet Earth … when other people’s faith put the Brummies into the charts

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Romance blossoms: Drummer Jon Moss gives George a peck at Planets club in July 1981 way before Culture Club existed. Photographed © by Shapersofthe80s

➢ Three key men in Boy George’s life – In 2010 the BBC turned the pop star’s teens ’n’ twenties into a 90-minute drama of foot-stamping, chair-throwing, cry-baby tantrums over his self-confessed “dysfunctional romances”, all of which he had documented in his eye-wateringly frank 1995 autobiography, Take It Like a Man. Shapers of the 80s summarises George O’Dowd’s stormy lovelife.

➢ Ex-Blitz Kids give their verdicts on the TV drama Worried About the Boy – During and after this heavily fictionalised life story was broadcast in 2010, Shapers of the 80s canvassed this authoritative mixture of opinions on the Boy George myth and in doing so reshaped the accepted clichés about the Blitz Kids.

Chris Sullivan, club-host, deejay, Wag club, Blue Rondo, pop music,We Can Be Heroes, youth culture,

At home in Kentish Town Chris Sullivan chooses the right zootsuit for today’s mood: his wardrobe is legendary, his taste impeccable, and his influence immeasurable. Shapersofthe80s shot this for his first Evening Standard interview in June 1981

➢ 1976–1984, How creative clubbing started and ended with the 80s – “We were all kids,” says Chris Sullivan who would eventually run the Wag, the coolest club in town, for 19 years. “We went out and had a go. Empowerment is what’s important about this story.”

Photocall: Spandau Ballet, Richard Burgess and assorted Blitz Kid designers gather for the press conference before their fashion-and-music shows in New York. Yes that is Sade towards the far right. Photograph © by Shapersofthe80s

➢ 1981, First Blitz invasion of the US – 21 Blitz Kids take Manhattan by storm with a fresh fashion show and the live new sound of London. Eye-witness words and pix by Shapers of the 80s

ROMANTIC REVIVAL OF THE NOUGHTIES

Sade  1983

Wow! Then and now: Sade backstage in August 1983 while still seeking a recording contract and, right, as shot to launch her 2010 album. Vintage picture © by Shapersofthe80s

➢ 2010, Shapers of the 80s finds comeback Shard comfy as ‘Auntie Sade’ – Having wowed the 80s clubbing scene, in 2011 Sade’s band won a Grammy award for Best R&B Performance By A Group.

➢ 2009, Onstage, Spandau Ballet’s Hadley and Kemp finally get huggy in a mighty musical Reformation – Shapers of the 80s follows the reunion of the band who wrote the new rules for pop in the Swinging 80s.

WE ARE ALL BOWIE’S CHILDREN NOW

David Bowie, Starman, 1972, Top of the Pops, tipping point, BBC

The moment the earth tilted July 6, 1972: During Starman on Top of the Pops, David Bowie drapes his arm around the shoulder of Mick Ronson. Video © BBC

➢ 40 years since “I picked on you-oo-oo”! July 6, 1972 saw the seminal pop moment — David Bowie’s first appearance on Top of the Pops as Ziggy Stardust, the day he created the next generation of popstar wannabes

➢ Where to draw a line between glitter and glam – defining what separates Slade from Bowie, the naff blokes in Bacofoil from starmen with pretensions

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➤ Essential pop-cultural landmarks reported here at Shapers of the 80s

Andrew Ridgeley,George Michael, Wham Rap, video, Face magazine, Club Culture,

Click pic to open the Wham Rap! video in another window … “Man or mouse” Andrew Ridgeley establishes his clubbing credentials – along with sidekick George Michael – in the opening shots of the Wham! video by reading this very Face cover story on Club Culture that you’re about to read!

THE MOST READ FEATURE ARTICLE AMONG 720,000 VIEWS SINCE THE LAUNCH OF SHAPERS OF THE 80s

➢ 1983, The Making of UK Club Culture — Definitive Face cover story by yours truly seen here in the Wham Rap! video. This account of how London nightlife had become an international magnet was first published as “an upstairs‑downstairs tale of two key nightspots” in The Face No 34 in February 1983. Photography © by Derek Ridgers. Reprinted in The Faber Book of Pop, 1995; and in Night Fever, Boxtree, 1997

69 Dean Street, Soho, club culture, The Face magazine, London, 1980s, clubbing, nightlife,Billys, Gargoyle,Red Studio,Blitz Kids

From The Face, February 1983

THE ORIGINAL HISTORY OF THE BLITZ KIDS

The Observer Music Magazine. Pictures © by Derek Ridgers

The Observer Music Magazine, Oct 4, 2009. Pictures © by Derek Ridgers

➢ Spandau Ballet, the Blitz Kids and the birth of the New Romantics — The much-plundered story originally researched by Shapers of the 80s tells who did what to make stars out of a club houseband, change the rhythm of the UK charts — and ultimately rejuvenate the British media. The obsessive fashionistas behind one small club in London in 1980 went on to dominate the international landscape of pop and fashion, while putting more British acts into the US Billboard charts than the 1960s ever achieved.

EARLY 80s REPORTS REVISITED

➢ How three wizards met at the same crossroad in time — an inside scene-setter on the forces shaping the Swinging Eighties

➢ 1980, Strange days, strange nights, strange people: at The Blitz a decade dawns

➢ 1980, One week in the private worlds of the new young: London blazes with creativity

➢ 1980, Shapersofthe80s tells how Duran Duran’s road to stardom began in the Studio 54 of Birmingham, UK

➢ 1981, Birth of Duran’s Planet Earth … when other people’s faith put the Brummies into the charts

Romance blossoms: Drummer Jon Moss gives George O’Dowd a peck at Planets club in July 1981 way before their band Culture Club existed. Photographed © by Shapersofthe80s

➢ Three key men in Boy George’s life – In 2010 the BBC turned the pop star’s teens ’n’ twenties into a 90-minute drama of foot-stamping, chair-throwing, cry-baby tantrums over his self-confessed “dysfunctional romances”, all of which he had documented in his eye-wateringly frank 1995 autobiography, Take It Like a Man. Shapers of the 80s summarises George O’Dowd’s stormy lovelife.

➢ Ex-Blitz Kids give their verdicts on the TV drama Worried About the Boy – During and after its broadcast in 2010, this authoritative mixture of opinions on the Boy George story reshaped the accepted clichés about the Blitz Kids.

Chris Sullivan, club-host, deejay, Wag club, Blue Rondo, pop music,We Can Be Heroes, youth culture,

At home in Kentish Town Chris Sullivan chooses the right zootsuit for today’s mood: his wardrobe is legendary, his taste impeccable, and his influence immeasurable. Shapersofthe80s shot this for his first Evening Standard interview in June 1981

➢ 1976–1984, How creative clubbing started and ended with the 80s – “We were all kids,” says Chris Sullivan who would eventually host the Wag, the coolest club in town, for 19 years. “We went out and had a go. Empowerment is what’s important about this story.”

Photocall: Spandau Ballet, Richard Burgess and assorted Blitz Kid designers gather for the press conference before their fashion-and-music shows in New York. Yes that is Sade towards the far right. Photograph © by Shapersofthe80s

➢ 1981, First Blitz invasion of the US – 21 Blitz Kids take Manhattan by storm with a fresh fashion show and the live new sound of London. Eye-witness words and pix by Shapers of the 80s

ROMANTIC REVIVAL OF THE NOUGHTIES

Sade  1983

Wow! Then and now: Sade backstage in August 1983 while still seeking a recording contract and, right, as shot to launch her 2010 album. Vintage picture © by Shapersofthe80s

➢ 2010, Shapers of the 80s finds comeback Shard comfy as ‘Auntie Sade’ – Having wowed the 80s clubbing scene, in 2011 Sade’s band won a Grammy award for Best R&B Performance By A Group.

➢ 2009, Onstage, Spandau Ballet’s Hadley and Kemp finally get huggy in a mighty Reformation – Shapers of the 80s follows the reunion of the band who wrote the new rules for pop in the Swinging 80s.

WE ARE ALL BOWIE’S CHILDREN NOW

David Bowie, Starman, 1972, Top of the Pops, tipping point, BBC

The moment the earth tilted July 6, 1972: During Starman on Top of the Pops, David Bowie drapes his arm around the shoulder of Mick Ronson. Video © BBC

➢ 40 years since “I picked on you-oo-oo”! July 6, 1972 saw the seminal pop moment — David Bowie’s first appearance on Top of the Pops as Ziggy Stardust, the day he created the next generation of popstar wannabes

➢ Where to draw a line between glitter and glam – defining what separates the naff blokes in Bacofoil from starmen with pretensions

FRONT PAGE

2013 ➤ RIP Milo O’Shea: to some Leopold Bloom, to us Durand Durand

O’Shea as the mad scientist Durand Durand in Barbarella, a 41st-century sex-romp made in1968: this was the character who inspired the name of Simon Le Bon’s pop group Duran Duran. Here he is seen at the keyboard of his Excessive Machine, trying to destroy Jane Fonda with simulated lust waves. © Dino de Laurentiis Cinematografica

O’Shea as the mad scientist Dr Durand Durand in Barbarella, a 41st-century sex-romp made in1968: this was the character who inspired the name of Nick Rhodes’s pop group Duran Duran. Here the Doctor is seen at the keyboard of his orgasmatron which he called the Excessive Machine, trying to destroy Jane Fonda with simulated waves of lust. © Dino de Laurentiis Cinematografica

O’Shea as Leopold Bloom: with Barbara Jefford as Molly Bloom in Ulysses (1967). Photograph: Ronald Grant Archive

O’Shea as Leopold Bloom: with Barbara Jefford as Molly Bloom in Joseph Strick’s Ulysses (1967). Photograph: Ronald Grant Archive

➢ Irish stage and screen character actor who appeared in Barbarella, Ulysses, Loot, Theatre of Blood – Michael Coveney tribute at the Guardian, April 3

For a performer of such fame and versatility, the distinguished Irish character actor Milo O’Shea, who has died aged 86, is not associated with any role in particular, or indeed any clutch of them. He was chiefly associated with his own expressive dark eyes, bushy eyebrows, outstanding mimetic talents and distinctive Dublin brogue.

His impish presence irradiated countless fine movies – including Joseph Strick’s Ulysses (1967), Roger Vadim’s Barbarella (1968) and Sidney Lumet’s The Verdict (1982) – and many top-drawer American television series, from Cheers, The Golden Girls and Frasier, right through to The West Wing (2003-04), in which he played the chief justice Roy Ashland… / Continued at Guardian online

O'Shea as chief justice Ashland in The West Wing 2003-04. © NBCU Photo Bank

O’Shea as chief justice Ashland in The West Wing 2003-04. © NBCU Photo Bank

O’Shea as Friar Laurence in Zeffirelli’s Romeo and Juliet, 1968: with Leonard Whiting and Olivia Hussey

O’Shea as Friar Laurence in Zeffirelli’s Romeo and Juliet, 1968: with Leonard Whiting and Olivia Hussey

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