Category Archives: Fashion

2022 ➤ After the op, Judi Frankland gets her boxing gloves on

Judith Frankland, New Romantics, Blitz Kids, fashion, cancer,

Judi Frankland at home again in Whitley Bay: at rear, the staircase in her bungalow. . . to the fore, Judi in black-and-lime kaftan (“a snip at £10.99 from E-bay”), plus some lippy at last! © Shapersofthe80s

❚ DROPPED IN FOR AFTERNOON TEA THIS WEEK with the lovely Judi Frankland, after a rattlingly fast ride to Newcastle on one of LNER’s new Azuma trains, seemingly built without any detectable suspension. You may recall Judi recently left hospital after a major cancer operation which proved very successful and had her walking 1km a day straight afterwards! She told me: “What an amazing team at the RVI hospital. I cannot thank them enough. They were a proud team and I had plenty of time to watch how brilliant they were with everyone. It makes me emotional to think about them.

“I’ve been told the road to recovery will not be short but with their continued support I will stay positive and, as you can see, I have finally put some lippy on! The question is, Who left the fabulous flowers on the doorstep? I love them and thank you.” Her neighbours in the seaside resort of Whitley Bay lavish attendance and affection on the eccentric woman with vibrant red hair who they know appeared in that David Bowie video for Ashes to Ashes. The rest of us remember her from the Blitz Club’s heyday and her all-black degree-show collection from 1980, the wedding dress from which was worn by clubland leader Steve Strange in that video.

By now I’m sitting on Judi’s sofa where she has thoughtfully supplied a bottle of Merlot to help down my cheese and biscuits, while she slurps some taramasalata aided by two smooth crackers. “You would think I’d eaten a three-course meal quickly, grrr!” No solids is the current rule while she adapts to life without much of a stomach. Ironically, her stomach remains “the size of a football” so, having been forewarned, I’d brought with me supplies of houmous and baba ganoush and tzatziki.

Judi is living now in her late mother’s home which is jam-packed with her own artsy objects and pictures occupying every inch of space, not to mention mum’s Welsh terrier Betty who has quite an appetite for attention and is today a rare breed possibly for that reason. (Runs in the family?) Ironically for a bungalow, a staircase leads to a loft. “That is the stairway to my heaven, my sewing area. When mum was doing her fairs selling antiques she wanted a place to keep her stock so she did a no-frills loft conversion which is now my sewing room, though I’ll not be going up there for a while sadly.”

Judi Frankland 1981: queuing to check her coat behind Nick Trulocke before Spandau Ballet’s Sundown concert. © Shapersofthe80s

Earlier this day a nurse had already visited to whip out a stitch. Judi said: “The nurse is taking the dressing off tomorrow, yikes, but don’t worry I won’t be showing anyone my scar – oh the thought! I can’t go far but I did go to Tesco earlier in my kaftan and compression stockings, very slowly. Hospital just rang to check on me and told me to take it one day at a time. “Dumplings? I pleaded. No not yet she said, ha!” We’re still awaiting results for my lymph nodes. They said it’s going to be a long recovery and as you can imagine I am antsy but doing as I’m told. I’ve been told to get my boxing gloves on and fight so I will do just that. Meanwhile. I’ve spoken with Macmillan, they are wonderful and are in the process of getting me a Macmillan buddy.

“I do believe I’m adopting a different attitude to life that’s more positive and healthy and I intend to make it a very creative one. Can’t wait to be well enough to start sewing.”

Before she went into hospital Judi put out a request for anyone to mix her a CD with their choice of music – “as long as it’s not jazz or Gary Barlow, I’m up for owt!” Lots of nice friends have responded so this week, she says: “I’ve been playing old punk music – that’s my mood right now and thinking of a new punk look for me when I’m finally unleashed on the world again.” Shake Some Action, Judi!

➢ Previously at Shapersofthe80s: 2021, So what’s the Bowie premium as Judi’s Ashes hat goes for sale?

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2022 ➤ Spandau seek your help to create a major new showcase

Spandau, New Romantics, pop music, New York City, 1981

Spandau in New York City 1981: were you there and do you have any memorabilia?

■ THE FIRST NEW BAND out of Eighties clubland to score a chart hit are planning a celebration of those early formative years when the world called them the leaders of the New Romantics.

Today Spandau Ballet – all now in their sixties – announced “a major career-defining project” and appealed to fans for help. The band invites everyone who attended any of their performances between 1979 and 1981 to send in memorabilia such as flyers, posters, tickets, video or film footage of Spandau Ballet, onstage and off. For example, these would include their appearances at London’s Blitz Club, Mayhem Studios, Scala Cinema, HMS Belfast, their first Top of the Pops, Birmingham’s Botanical Gardens, Tiger Bay Cardiff, Heaven and the Sundown in London, Exeter Bowl Bournemouth, Le Palace in Paris, the Underground Club in New York, the Ku Club in Ibiza or the Much More in Rome.

Likewise, send them your memories of the pace-setting dance-led clubs during those years, such as Billy’s, the Blitz, Rum Runner, Le Beat Route, Le Kilt, Club for Heroes, Danceteria, the Voodoo Club, or from 1982 the Camden Palace and the Wag club. Again, memorabilia that captures the fashions and the atmosphere is welcomed.

➢ Click to visit Spandau’s special website for
submissions and more information

➢ Previously at Shapers of the 80s:
1980, Steve Strange’s call to join the party

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1982 ➤ Strange takes UK clubbing mainstream

Koko, Camden Theatre, Camden Palace, nightclubbing, music venue, fire, architecture, Music Machine,

Steve Strange in 1982: for ever being filmed at Camden Palace

40
YEARS
ON

❏ In the same season that Next opened its first shops in Britain to bring colour to the high street, Steve Strange and Rusty Egan went mainstream with their first mega-club venue for the growing generation of nightlifers who had discovered that dressing up could change your life. On this day in April 1982, Strange & Egan began fronting what became the Camden Palace a couple of nights a week, way north of London’s West End. This huge Edwardian theatre was most famous in the postwar years as BBC radio’s studio for recording the Goon Shows.

Within its first year and open five nights a week, the Palace came to offer easily the best night out in London because, as well as the usual delights, this poser’s paradise won a reputation for offering more. The world’s media and photographers learned this was the fashionable place to find the next big thing and on the crowded stairways here, posing truly began to pay its way…

During 1982 mega-clubs began appearing across the country, from the Hacienda in Manchester to Rock City in Nottingham and the Academy in Bournemouth. Click below to read my report in the Evening Standard nailing how streetwise New Romantic followers set about expressing their inner talents in ways that helped transform rampant unemployment into a jobs market in which the young began to thrive…

Camden Palace, nightclubbing, Steve Strange

First published in the Evening Standard, 11 May 1983

➢ Previously at Shapers of the 80s:
1983, A silly hat and a calculated look might be
the best career move you’ve ever made

London, nightlife

Palace forecourt 1983: in their circle of peers everyone in this picture is a household name. Picture © by David Montgomery

➢ Previously at Shapers of the 80s:
2020, Second time unlucky as fire ravages
the former Camden Palace nightspot

➢ 2022, On 29 April Koko, the renamed Camden Palace,
reopens as a state-of-the-art venue after massive refurbs
including a new roof garden. Arcade Fire plays live

Koko, nightclub, London, reopens, live venue

Koko in 2022: a roof-terrace bar as part of its £70m refurbishment

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2022 ➤ New Romantics? Here are some who won’t own to that name

BFI Flare Film Festival 2022, Tramps!, Kevin Hegge, Brian Robertson, movies, New Romantics

After yesterday’s Gala premiere of Tramps! – BFI host at left, then director Kevin Hegge, Scarlett Cannon, Jeffrey Hinton, Philip Sallon, Verity Susman (music), Matthew Sims (music) and Brian Robertson (producer). (Photo © Tessa Hallmann)

❚ MAYBE IT TAKES AN OUTSIDER to see a whole decade with a fresh perspective? Saturday night saw the launch of a documentary called Tramps! that attempts to do just that in almost two hours.  The much-spun truths and fables of a movement which, even after this film’s premiere, refuses to own its given name, appears to have a new champion. In truth there was not just one group of people who started the emerging movement, there clearly were many who at times intermingled but also grew their own quiet revolutions under a greater umbrella that later came to be called a cult: the New Romantics. This is the story of some of them.

Tramps!, BFI Flare Festival, Mark Dooris, review, movies

FILM REVIEW BY
MARK DOORIS
(Photo Tessa Hallmann)

The Canadian Kevin Hegge’s film opens cleverly to a domestic picture of the model Scarlett Cannon tending to her sun-drenched garden as she recollects her formative years. In this unexpected view of a woman whose powerful and iconic imagery has been documented and used as one of the least compromising style statements of the Eighties (playing “key identity” for the V&A Museum’s major exhibition From Club to Catwalk), she speaks about simply being there!

Just like the film’s poster, this is well-placed bait that slowly draws you into what will turn out to be a very well-constructed game plan. A definitive film about the so-called New Romantics has yet to be made but this contribution to the BFI’s annual Flare Film Festival offers a well-stacked sandwich of people and events that gives a very personal view of their experiences through a uniquely creative period of history.

Driven by a musical score that both emotes and supports the story, we see unfolding before us spliced and collaged pictures and film clips of a selection of renegades who love and survive in punk’s underlying gloom and spend ten years carving out a brighter world through Thatcher’s hectic Britain. The patchworking together of views and motivations of some of the witnesses proves that the movement was bigger than its over-used title.

Judy Blame steals the show by saying it as it is. The unrepentant gay designer, who has sadly died since being interviewed by Hegge, is often overlooked for his contribution to Eighties style and gay culture. Disc jockey Princess Julia remains a constant through the film, as indeed she should, as a very relevant force in style and club culture to this day.

In a new twist, nightlife entrepreneur Philip Sallon was given credit and indeed respect for his very singular influence on both the scene and indeed the followers who helped change the growing movement. Unlike many previous interviews, this time they let his wit and views be heard rather than using him as the cymbal-clapping monkey who offers only light relief to the story of the times. At Saturday’s screening, the effervescently clad Philip asked the audience to be kind to each other and to look beyond the superficial outer paint to the person within and that, at its core, is what this film itself does.

BFI Flare Film Festival 2022, Tramps!, Kevin Hegge, movies,

Kevin Hegge, director of the documentary TRAMPS! © Kevin Hegge

“If you have a bone of contention with
the movie… make your own movie”
– director Kevin Hegge

John Maybury talks of his film-making career and the people who appear in the clips we see of his days in the legendary Warren Street squat, plus the influence and support that director Derek Jarman gave him to discover and use his skills after being invited to join what turned out to be the cult film Jubilee in 1977. Artist Andrew Logan with his occasional Alternative Miss World competitions is rightly identified as a pioneering force in the new bohemia party scene that was emerging, while the painter Duggie Fields added some graceful recollections of this time gone by, he too having passed on since filming.

Thrown aside are the frilly shirts in favour of the BodyMap duo of David Holah and Stevie Stewart, offered up as the fashion revolutionaries who, hand in hand with Michael Clark and Les Childs, danced to a different beat. Performance artist Leigh Bowery is featured throughout the film and images of his eccentricity almost drive the visual impact with its cinematic styling and its Venus in Furs-esque vibe. An intriguing insight is given into the apparent genius of Bowery’s room-mate Trojan (Guy Barnes), his part in the Taboo nightclub set and the impact he might have continued to make if not for his untimely death.

Michael Costiff and his amazing partner Gerlinde are acknowledged for their roles in both the club world and the counter culture that was emerging, as were Miss Binnie and the Neo Naturists who are almost forgotten in most reviews of the Eighties. Sadly many people were lost to the Aids epidemic that cut its way through the careers of others referenced within the film and their contribution to gay culture, as was the demise of many in the drug-fuelled parts of club world. What and who are missing is a list too long to type but a refreshing and often underplayed star emerges in disc-jockey Jeffrey Hinton’s outlook during a pivotal chapter in the history of style.

Curiously, the title Tramps! and its poster are misleading about the ground this film covers and what it offers instead, but as an insight into how key people saw their time in the sun, it’s a winner. And impressively moving.

The Gala evening was not awash with big names from the Eighties and indeed a grave lack of New Romantic superstars was evident at both screening and drinks party after. Sadly the promised Questions and Answers section never really hit the mark and no chance was given for the audience to question the director or cast. That said, Tramps! made a great choice for the closing night of the Flare Festival.

❏  The film is not yet on general release

Blitz Kids, film, New Romantics, Swinging 80s, Michele Clapton, George O’Dowd, Lee Sheldrick , Princess Julia, Kevin Hegge, Tramps!, BFI Flare Festival

Leading the Goth wave in 1980: Blitz Kids Michele Clapton, George O’Dowd, Lee Sheldrick and Princess Julia, on the rooftop at St Martin’s School of Art, photographed by Graham Smith and dressed in Gothic mode for Stephen Linard’s “Neon Gothic” collection in the second year’s Alternative Fashion Show

➢ Previously at Shapers of the 80s: 1981, Who are the New Romantics, what are their sounds and how do they dance?
➢ Previously at Shapers of the 80s:
1980, The year the Blitz Kids took their first steps into the headlines

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2021 ➤ So what’s the Bowie premium as Judi’s Ashes hat goes for sale?

Steve Strange, Judith Frankland, Blitz Kids, fashion, Ashes to Ashes, David Bowie, pop video,

Bowie’s Ashes to Ashes video 1980: Steve Strange at left and Judi Frankland at right, wearing the hat going for auction on 7 December. (Video © 1983 Jones Music / EMI Records Ltd)

Updated on 6 December 2021

❚ A FAMOUS OWNER can certainly bestow prestige on a work of art. Indeed when Bowie’s own contemporary art collection went for auction at Sotheby’s in 2016 there was an online frenzy to snap up most of the 147 items – at prices which were mostly two to four times greater than the auctioneer’s top estimates. Some artists managed to attract TEN TIMES their top asking price, specifically Picasso, Kokoschka, Gill, Alexander Mckenzie, David Jones, Stephen Finer, Clive Shepherd, Eric Heckel, Johann Garber, Ivon Hitchens, Maurice Cockrill.

You could call those sizeably inflated extra costs a “Bowie premium” and a lot of people were prepared to pay hair-raising prices depending on their determination to own a piece of Bowie’s legacy.

Step forward Steve Strange, or rather since Steve is sadly no longer with us, step forward fashion designer Judi Frankland, one of the wildest of clubland’s Blitz Kids, best known for some of her fab 1980 degree collection immortalised in Bowie’s Ashes to Ashes video. There, Steve Strange sports more than one hat, most famously the ornate veiled head-dress made of stiffened lace on a metal frame by Stephen Jones, worn with Judi’s black wedding dress in long shots. But he also sports another smaller, snugger hat in certain chorus close-ups on the beach and later in the studio.

➢ Previously at Shapers of the 80s:
1980, Bowie recruits Blitz Kids
for his Ashes video

This titfer had initially been thought to be the one described today by a London auctioneer as a “wide pleated chiffon band and large taffeta bow to rear”, which is being offered for sale on 7th December for £200-£300. Designed by Judi to coordinate with her degree-show collection, the hat was, she says, made by Fiona Dealey and Richard Ostell together in the days when student pals helped out on each other’s major collections. Both of them boast significant reputations today.

An initial description and provenance had been provided by the seller, who is not known to Judi. Since first posting, however, the auctioneer initiated a long phone conversation on Monday with Judi, from which it turns out that the hat for sale was worn by Judi herself in the video as the bow arrangement at rear had originally stood high in the air, whereas today it is folded flat. So two or even three price premiums come into play here to determine the market value of this chic little titfer 40 years after Judi designed it. For making it famous, a Bowie premium of two to four times the estimated price, would bump its worth up to, say, £900; plus a Steve Strange premium for sporting Judi’s collection in the Ashes video shoots. And now perhaps a Frankland premium too!

Judith Frankland, Blitz Kids, fashion, Ashes to Ashes, Kerry Taylor Auctions,

Former Blitz Kid Judi Frankland: Her latest voile and taffeta creation with capelets is crowned with a hat of maribou feathers… Right, her 1980 hat for sale with chiffon band and taffeta bow, photographed by Kerry Taylor Auctions

So what is a Steve Strange premium worth? Remember that other auction last March when Auction Antiques in Exeter sold an Issey Miyake suit belonging to David Bowie, which he supposedly discarded in the Blitz Club after burning it with a cigarette (yet the date cited, 1982, was long after the Blitz had closed!)? Steve Strange took it home and following his death in 2015 it was inherited by his long-time friend Jayce Lewis who subsequently offered it for sale via Auction Antiques who reckoned it could fetch an estimated £10,000-£15,000. Trouble was, in this sale there were so few bids that it yielded only £8,000, which you could interpret as the “Strange premium” proving to be more like a forfeit of 36%. Apply that to Judi’s hat and its possible worth comes down to around £576. Which is better than nothing, obvs. Now we hear that absent-minded Judi herself sported the hat in Ashes to Ashes, so we really ought to sprinkle some Frankland stardust on the price so let’s say it’s worth £700 to a buyer!

hats, Judith Frankland, Blitz Kids, fashion, Ashes to Ashes, David Bowie, pop video,

The Frankland hat for sale in 2021: here in the bonfire scene in Ashes to Ashes

Kerry Taylor Auctions in London sells vintage fashion worn by such celebs as Princess Di and Amy Winehouse. And next week they’re selling Judi’s long-lost hat as Lot 155A in their Passion for Fashion sale. The website tells a tale of its current owner Roz Corrigan wearing it on the eve she met her future husband. Aw, sweet.

Dear old Judi can’t even remember how the hat vanished from her Cranley Gardens flat way back when. “I have no doubt it’s my hat,” she tells me, having seen the photos online. “It was possibly crushed in my wardrobe as I was as bad as Steve was with my frocks.” She recalls how her sensational black wedding dress had returned from the seaside video location covered in mud and make-up and vanished into the recess Steve Strange called his wardrobe, never to be seen again. She adds however: “That hat would never have stood a chance of surviving if it had stayed with me and not been given away.”

➢ The Kerry Taylor auction Passion for Fashion starts at 1pm on Tue, 7th Dec 2021, both in Bermondsey (booking essential) and online

UNCANNILY AS PREDICTED HERE,
JUDI’S HAT GOES FOR £700

Updated on 7 December 2021
❏ The hat-trick of hot names Bowie/Strange/Frankland meant that during a speedy round of intense bidding at today’s international online auction, Judi’s chiffon-taffeta number hit exactly the hammer price of £700 which we predicted yesterday. So well done Ms Frankland for beating the auctioneer’s mid-point estimate by 280% !!! In real money the hammer price grosses up to £1,050 after premium and VAT are added.

Coincidentally, in this Kerry Taylor auction of 265 fashion items from many nations and periods, among the household names selling either side of Judi’s 1980 hat, about 30 items performed remarkably well. Four garments bearing the 1970s Biba label sold for about four times their top estimates, as did an Ossie Clark/Celia Birtwell chiffon dress. Half a dozen Vivienne Westwood outfits (Pirates/Punkature) went for at least twice their estimates amid fiercely competitive bidding, while a sensational Issey Miyake moulded breastplate from 1980 clocked £32,000. What proved shockingly disappointing was to see a string of striking John Galliano skirts and jackets from around 1986-88 only just hit their estimates, while one delicious woollen pouch dress from his Forgotten Innocents collection on offer for £10,000 failed to reach its reserve with a bid of “only” £7,500, so remains unsold!

Michael Reason, Melbourne Museum, fashion, collector,

Michael Reason: who placed the top bid for Judi Frankland’s 1980 hat at auction this week

AND THE WINNER IS
MICHAEL IN MELBOURNE

Updated on 9 December 2021
❏ So now we know who won Judi Frankland’s chiffon-taffeta titfer in Tuesday’s auction. Michael Reason posted his comment (below) glowing with pride at now owning a talisman from Bowie’s Ashes to Ashes video, “which has meant so much to me since I first saw it as a gay teenager in the 1980s”. We’ve been hearing more about him…

Michael grew up in Tasmania, moved to Melbourne to study and is today the Curator of Leisure and Social Spaces at Melbourne Museum. Because Australia’s time difference placed the auction in the early hours, he says, “I almost didn’t bother staying up, as I had this feeling that such an iconic piece of fashion/music history would command a four-figure sum. I mean, what else is ever going to turn up from the Ashes to Ashes video? The ‘David Bowie is’ exhibition came to Melbourne in 2015, just before he died, and the Pierrot suit was featured, but I’ve never seen anything else.

“I was actually more excited that the hat was worn by Judith in the video, rather than Steve Strange, as I’ve always admired her work. I’m sure it will end up in an appropriate gallery one day, but I will certainly enjoy it until then.”

Twiggy Boutique, minidress, fashion, Dolce & Gabbana, Joanna Lumley, Michael Reason,auctions,

Garments previously bought at auction by collector Michael Reason: Twiggy Boutique duck-egg blue synthetic minidress, 1967-70; and Dolce & Gabbana floral print jacket worn by Joanna Lumley as Patsy in TV’s Absolutely Fabulous in 2000. Photography courtesy of Kerry Taylor Auctions

As a lover of fashion and design, Michael adds: “Our sister organisation, the National Gallery of Victoria, collects more internationally, and with a narrower definition of fashion. I recently donated two items to them, a Vivienne Westwood toile dress and a Twiggy Boutique mini-dress.” He also acquired through Kerry Taylor Auctions a floral print D&G jacket worn by Patsy in three episodes of Ab Fab, Patsy’s D&G shoes and fishnet stockings from another, plus Anne’s costume from Little Britain.

Recently he has been working with Australian fashion designer Jenny Bannister, “known for her interest in upcycling and trashion”, he says, with much of her clothing now part of his Museum’s collection.

Best news of all, Michael adds: “I was thinking that I’d look at having Judith’s bow unstitched, to try and restore its original silhouette. I’m sure it could be done without causing damage.” It’s a proposal Judi greets with delight: “I hope Michael does put the bow right. Why on earth anyone stitched it flat, I don’t know. The silhouette is what made it so fabulous.”

➢ Previously at Shapers of the 80s: The Blitz Kids WATN? No 37, Judith Frankland
➢ Previously at Shapers of the 80s: Judith Frankland as queen
of the Bowie girls

➢ Previously at Shapers of the 80s: 2011, A swelle hello from upstart Judith

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