Category Archives: Fashion

2018 ➤ At the seaside Blitz Kids gather to toast unseen photos of their heyday

BlitzClub1980, Blitz Kids, New Romantics, London, elektro-diskow, fashion, history, nightlife, photography, exhibition, Swinging 80s, youth culture, Terry Smith, Lucy Bell Fine Art, St Leonards Sussex,

Former door-girl at the Blitz: “Your Look isn’t extreme enough, you’re not coming in!” Janet Lyon guards the door to Lucy Bell’s photo gallery in St Leonards where vintage Blitz Kids gathered to view themselves in their prime

➢ CLICK HERE TO VISIT OUR GALLERY
AND A REVIEW OF THE EXHIBITION OF
UNSEEN B&W BLITZ PIX FROM 1980

+++
EVERY TUESDAY FOR A YEAR as the 1980s dawned, Steve Strange had been declaring a “private party” in the shabby Blitz wine bar near London’s Covent Garden. Inside, precocious 19-year-olds presented an eye-stopping collage, posing away as stiletto-heeled vamps dressed for cocktails in a Berlin cabaret. Others came as wicked witches, kohl-eyed ghouls, futuristic man machines. Bored by the nihilism of punk with its message of “No future”, these school-leavers were determined to shape a future for themselves. At the Blitz only outrage secured entry: and some Blitz Kids spent the whole of Tuesday perfecting their Look.

Last Thursday in Sussex, previously unseen images taken in 1980 inside the club by ex-Time magazine photographer Terry Smith went on show and for sale for the next six weeks. In the spirit of the Blitz, we set up a snap of Janet Lyon with a red rope barrier on the door at Lucy Bell’s gallery for this week’s Private View. Back in the day Janet helped Steve Strange to vet new arrivals by judging how much wit and outrage they had invested in their Look. Turn inside to read our report on the vintage Blitz Kids and others who made it past the door. . .

➢ Visit the Lucy Bell Fine Art gallery website

Terry Smith, Malcolm McLaren, London, elektro-diskow, fashion, history, nightlife, photography, exhibition, Swinging 80s, youth culture, Terry Smith, Lucy Bell Fine Art, St Leonards Sussex,

Terry Smith, the former Time magazine photographer: recalling his shoot with Malcolm McLaren and proteges Bow Wow Wow in the mid-70s

➢ Exclusively at Shapers of the 80s:
20 of Terry Smith’s unseen Blitz Club pix – in colour

➢ Exclusively at Shapers of the 80s:
20 more of Terry Smith’s unseen Blitz Club pix . . . plus the resulting Time magazine feature from September 1980

FRONT PAGE

2018 ➤ Revealed: The secret role of Shapersofthe80s in the rise and rise of Spandau Ballet

Spandau Ballet, 1980,Scala Cinema, performance,

A photograph never before published: sharply styled Spandau Ballet in 1980 playing the dramatically lit Scala Cinema gig that eventually brought the record companies scrambling to sign them. Photograph by Steve Brown

FIRST COMES THIS UNAUTHORISED BOOK that tells the world there were two bands called Spandau Ballet back in 1979 and turns over the whole myth about where their name came from. There are a least two huge marmalade-dropper revelations, plus several dozen eye-openers about the birth of Blitz culture, however well you think you knew the early 80s. The author David Barrat even knows John Keeble’s middle name. In fact he gives us everybody’s middle name, just to prove his overdue diligence. Barrat is also very revealing about the band’s legal falling-out that ended in the high court before an apparently congenial judge who quite liked their music.

Then out of the blue I find there are about 100 shockingly well-informed pages not exactly about me, long before this website existed, but following my every footstep through every month of 1980 as the second SB with the stolen name takes its first tentative steps toward a record deal and the UK charts all within a single year – which was indeed good going for a new band by any standards. Very flatteringly Barrat suggests that I am waving some Invisible Hand behind the scenes to make the Spandau magic happen and actually writes that “their success can be pinned on one Evening Standard journalist”. Talk about blush!

New Romantics Who Never Were: The Untold Story of Spandau Ballet, David Barrat, Orsam Books, pop music, historySo what we’re doing here today is offering a modest extract from Barrat’s book for you to read how he theorises about my ducking and diving as a regular young journalist about town who suddenly fell into five years of rollicking night-clubbing. Then on an inside page you can read my own parallel account of falling under the spell of the real Svengali, Steve Dagger, Spandau’s manager. I blow the gaff on his game called Squeeze the Lemon.

David Barrat says he became “just an ordinary fan of the band” at the age of 16, who two decades later created a cult SB-related MSN group online called Deformation. It focussed on three subjects: 1, origins of the band’s name; 2, whether SB were real “New Romantics” or not, as a friend’s mum claimed; 3, the legal battle that tore the band apart in the late 1990s. He tackles other questions such as “When was Gary Kemp visited at home by a bishop? What was the real story behind Bob Geldof’s idea for the Band Aid Christmas single?” All the while he unnervingly debunks myths put about by celebrities with faulty memories.

He has also dug up a mass of colourful detail about London clubland in the past when the police were as dodgy as the club-owners, the notorious Roxy in particular, which adds quite a bit to the sum of human knowledge.

So tuck into Barrat’s own book in the extract embedded here as a PDF which will open in a new window. Then contrast it with my own account at the link below.

David Barrat

Click on this image to read the David Barrat book extract

WHEN YOU’RE READY FOR MY OWN STORY…

➢ 1980 was one frantic year – Follow my version of Spandau Ballet’s unprecedented rise, penned by the Invisible Hand of Shapersofthe80s

➢ Previously at Shapers of the 80s:
Spooky or what? When two bands went by the name of Spandau Ballet – the most amazing revelation made in Barrat’s book

Spandau Ballet , Papagayo Club,pop music, St Tropez

Spandau Ballet on the beach in St Tropez 1980: a fortnight in the sun courtesy of the Papagayo Club before they’d even signed a deal! (Photographer unknown)

➢ Click to buy New Romantics Who Never Were: The Untold Story of Spandau Ballet, by David Barrat, from Orsam Books, 330pp, £16.99

FRONT PAGE

➤ Still more unseen pix from the 1980 Blitz Club up for sale next week

ONE WEEK UNTIL YET MORE unseen Blitz Club pix by Terry Smith – this time in black and white – go on show at the Lucy Bell Fine Art gallery in St Leonards, Sussex. All for sale, various sizes, contact Lucy (pictured here) about the 7 June PV.

Blitz Club, Blitz Kids, Terry Smith, New Romantics, clubbing, Swinging 80s, fashion, history, journalism, nightlife, photography, Lucy Bell Fine Art,,
➢ Previously at Shapers of the 80s:
Days 1 + 2 of Terry Smith’s unseen Blitz Club pix in colour

➢ Previously at Shapers of the 80s:
Days 3 + 4 of Terry Smith’s unseen Blitz Club pix . . . plus the resulting Time magazine feature in September 1980

➢ Visit the Lucy Bell Fine Art gallery website

FRONT PAGE

➤ Mix and match 70s retro clothes go up at eBay

auction, eBay, Blitz Kid, Melissa Caplan, vintage, clothing,

For sale: Tartan tabard designed by Blitz Kid Melissa Caplan

WITH SPANDAU BALLET very much in the news this week you’ve a chance to pick up a tartan tabard created by one of their early student designers, Blitz Kid Melissa Caplan. The one we see here was owned and worn by soulboy Lance Mccormack to their gig aboard HMS Belfast in 1980. Yours for £40, or whatever the highest bid is in five days’ time.

Lance says he’s having a clear out, so while you’re browsing you’ll also see a “very rare” Lewis Leathers jacket (pictured below) for sale for £250 or better offer. Other classics available include Johnson’s Lurex peg trousers bought spring 1978; Johnsons BC Ethic Larocka shirt with artwork by Vince Ray; men’s vintage Bowie jacket handmade by Carnaby Cavern London only £15.

No excuse for not looking cool at next Wednesday’s big gig.

Johnsons, Larocka, shirts, auction, eBay, vintage, clothing,Lewis Leathers, jacket, auction, eBay, vintage, clothing,
➢ Visit Lance’s sale page at eBay

FRONT PAGE

1980 ➤ Day Four of Terry Smith’s unseen photos inside the Blitz Club – exclusive

Nik & Trick Photo Services, Folkestone

A New Romantics keynote was your invented image: startling make-up and a towering hat complete Blitz superstar Peter Probert’s wicked witch of the west

➢ DAY FOUR:
CLICK HERE TO VISIT OUR
GALLERY OF TEN MORE FAB IMAGES
OF THE BLITZ CLUB IN 1980

+++
EVEN AMONG THE UK ROCK PRESS, few of its music historians have conceded that the New Romantics amounted to an ambitious subculture that changed the rules of the game – largely because the rockists completely missed the boat by idolising guitar idols, never went to nightclubs, and what’s more, couldn’t dance.

The most audible consequence of the clubbing underground was to fundamentally change the rhythm of the pop singles charts within a year – from the rock guitar to the bass-and-drum, namely, to dance music. After 1981 scarcely any significant new rock groups made the singles charts, only the old dinosaurs, if at all. Rock was relegated to the album chart and new dance-music stars such as Madonna and Prince transformed the pop music of the new decade.

The other New Romantics keynote was the central role of image with the dawn of MTV as a platform for music videos. A band became the leaders of fashion, while their style-conscious nightlife followers collaborated in promoting them through the clubbing grapevine. As synth-pop pioneers during 1980 Spandau Ballet pushed a button for the fashion-conscious young. They were signalling that the language of pop called for new styles as much as new sounds.

During the first five years of the decade, more than 100 “image bands” and acts entered the UK charts – most of them new, led in the South-East by Ultravox, Linx, Spandau Ballet, Visage, Landscape, Depeche Mode, Kid Creole, Blue Rondo a la Turk. Many more emerged from clubland across the UK: Duran Duran, Soft Cell, Heaven 17, Altered Images, Imagination, Eurythmics, Thomas Dolby, ABC.

During Spandau’s North American tour in November 1983, alongside their hit True among the Billboard Top 40 singles in the USA, there were 17 other British bands – more than the Swinging 60s ever knew. Insolence and narcissism lit a torch that led a generation of school-leavers through what threatened to be Britain’s dark age of unemployment. As clubs became workplaces and nightlife the essential engine of cultural evolution, they liberated music, design and, especially, ambition for the young.

➢ Previously at Shapers of the 80s:
Spandau Ballet create a new template for pop success

FRONT PAGE