Tag Archives: Ollie O’Donnell

➤ Farewell George Michael: London’s young guns remember their pal from 80s clubland

George Michael

A bearded George Michael before Wham! came along: Captured on 20 February 1981 with his eye on the Nationwide TV camera, among many familiar faces at Soho’s Friday night Beat Route – where the Caribbean beach decor was to inspire his song Club Tropicana. (Photo BBC)

THIS ENTIRE WEBSITE CELEBRATES the Swinging 80s when UK subcultures were uniquely re-shaped by the youngest generation since the 60s to create new sounds and new styles in music, fashion and media. George Michael, who died this week, was one among hundreds of inveterate Soho clubbers, except that in his own mind he was a global superstar. Yet before the teenaged George and his schoolmate Andrew Ridgeley signed to Innervision as Wham!, there were several false starts to their career, not least being turned away from the Friday-night Beat Route during its coolest-club-in-town heyday when gatekeeper Ollie O’Donnell decided the boys from Bushey looked just too suburban. The Soho elite of 20-somethings who ran the new club-nights and managed the cool new image bands were very protective of their post-Romantic projects. George was however fly enough to use his contacts behind the bar to ensure he was on the dancefloor during the BBC Nationwide filming for a Spandau Ballet package in February ’81, when he clearly had the camera in his sights.

The irony was that by the next year Wham! were pushing a glossy brand of unashamedly “pure pop” that was so new, the debut single Wham Rap! failed to chart when released that June – the BBC declined to playlist the number partly because of its “anti-social” lyrics. After a touch of retuning, four months later Wham! released Young Guns (Go For It!)  and this time their hedonistic attitude – mixing humour with social conscience – clicked with the clubland audiences that were growing all over Britain.


A lucky break got them onto Top of the Pops in November when the group came as a shock to the eyeballs. The vocal foursome were immaculately rehearsed. Chinese-slippered George held himself like a star, bare-chested and sporting a leather waistcoat while Andrew and backing singers Shirlie Holliman and Dee C Lee stepped out with panache, all fully choreographed down to their finger-points and slippered toe-points. Then whoosh. Wham! rocketed to No 3 in the UK singles chart in December, the next three singles all made the Top 10, and the Bushey boys graduated to the international A-Team of British superstars. The next four years turned out 25 million albums and 15 million singles and scored four US number one hit singles.

It was evidently an advantage that all four members of Wham! had emerged as faces among London’s clubland soul tribes, the dance-crazy cognoscenti who banished rock from the singles charts during 1980-81 and provided an eager audience for new music. Some of them can be seen in the music video for Young Guns shot by Tim Pope at the glitzy Churchill’s club in Piccadilly.


Pop journalist about town Paul “Scoop” Simper recalls first meeting Wham! in autumn 1982 while working for Melody Maker. In his forthcoming autobiography, Pop Stars in My Pantry, he writes:

George told me: “I loved dancing at Le Beat Route. Nobody gave a fuck who I was so you could throw yourself around. If Shirlie was with me we’d really do that pair dancing. It was cool. We’d always make a bit of space and really show off.”

There’s footage from a BBC Nationwide report on the club which appears in Spandau Ballet’s Soul Boys of the Western World movie showing a bearded, curly-haired George in an alarmingly orange suit slap bang in the middle of the dancefloor [pictured at top] from a time when he was still in a ska band called The Executive, before Le Beat Route’s playlist helped transform them into Wham!

“Andrew and I were at Le Beat Route when Andrew started going ‘Wham! Bam! I am a man!’’ and doing this terrible rap,” said George. “It was supposed to be funny. But that’s where he had the idea.

➢ Read Simper’s full chapter on George at Unbound, the publisher’s website, and pre-order your copy of PSIMP

It was the Beat Route itself – actually, its Caribbean beach decor – which was to inspire George’s song Club Tropicana and for more than two years O’Donnell’s Friday-nighter set the benchmark for the coolest sounds anywhere in Soho with 22-year-old deejay Steve Lewis ruling the turntables.

➢ INSIDE: CONTINUE READING MORE CLUBLAND
TRIBUTES FOR GEORGE MICHAEL

On an inside page, Soho’s young guns remember their pals in Wham! – led by…

Paul McKee, admin for Soul Boys Soul Girls at Facebook – “RIP George Michael – A regular at our clubs Le Beat Route, Wag, Bogarts and many others. Easy to forget now the impact Wham Rap! Had. It was not out of place at the time in 1983 when the likes of Funkapolitan, Spandau Ballet, Culture Club, who all came from our clubs, began producing great club records, as the Soul Boys and Soul Girls sound and styles began to change. When Wham! performed Young Guns on TOTP with that dance routine, we all noted some of those little moves he used, we’d witness at a club at any given weekend. Without doubt one of the greatest soul voices and songwriters this country has ever produced. He liked to club like the rest of us, George was one of us.”


➢ Previously at Shapersofthe80s:
Britain stunned by sudden death of George Michael, our biggest pop superstar of the 80s

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➤ The original Wag sets the scene for Club to Catwalk at the V&A

Wag club, Soho, clubbing , Swinging 80s, Chris Sullivan ,Ollie O’Donnell

The Wag, for 19 years the coolest nightspot in Soho: its suave doorman Winston is flanked by co-hosts Chris Sullivan and Ollie O’Donnell. © Shapersofthe80s

➢ The July issue of High Life magazine celebrates the launch next week of the Club to Catwalk exhibition in the V&A fashion gallery – Longtime Wag club host Chris Sullivan recalls the unbridled creativity, outrageous abandon and downright cheek of London in the 80s …

It was 27 April 1985 and the opening party for the second floor of the Wag Club – the nightspot I founded and ran in Soho – was in full, unrestrained swing. Fuelled by the unlimited free bar, the place was totally off the hook, the crowd dressed to the nines in their own inimitable fashion – pirates, preachers, punks and picture-postcard peaches – throwing themselves about with Bacchanalian abandon to a soundtrack as arcane and varied as they were.

Club to Catwalk, exhibition, London, Fashion,1980s, V&A High jinks indeed, yet looking around I realised that we as a group had come of age, were taken seriously and that this moment was ours. George Michael danced next to Siobhan of Bananarama overlooking Sade who nodded to the music in front of Suggs and Martin Kemp. Over the way, John Galliano camped it up alongside Leigh Bowery, Judy Blame, Boy George and one of the scene’s most innovative dressers and designers, Stephen Linard, while behind them stood Steve Strange and Princess Julia chatting to Vivienne Westwood… / Continued at High Life

➢ Club to Catwalk: London Fashion in the 1980s runs at the Victoria & Albert Museum, July 10–Feb 16, 2014. Featuring more than 85 outfits, it showcases new looks from the decade’s most experimental designers and some remarkable photography from back in the day

on video: five shapers still going strong

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1983 ➤ Who’s who in the New London Weekend

By the summer of ’83, a new pop establishment ruled the mainstream music charts while a new executive ruled London’s burgeoning clubbing scene after dark. Meet the jacks and jokers who fronted the capital’s hottest nightclubs

➢➢ Click here to read Who’s who

Wag club, White Trash, Mud Club, Tasty Tim, Dirtbox,The Face magazine, Swinging 80s,Camden Palace,Batcave

First published under the monthly Nightlife tag in The Face, July 1983

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