Tag Archives: David Bowie

2019 ➤ For three nights only, Ziggy’s stylist Freddie stars in his own musical

David Bowie, pop music, Freddie Burretti, costume, designer, modelling,

1973: Stylist Freddie Burretti with David Bowie sporting the boldly striped suit of the moment, designed by Freddie

AND NOW THE MUSICAL. Brace yourselves for Burretti The Man Who Sewed The World, featuring a new band, The Spiders from Bletchley, and starring 40 unpaid local performers at their theatre in the Buckinghamshire town where Freddie Burretti spent his teens as a Mod. You remember: he’s the little-known whizz who designed, if not the red haircut, most of the on-and-off-stage clothes for Ziggy Stardust and is today compared to leaders of British fashion such as Westwood and McQueen. The stage musical is the dream of writer Lee Scriven who remains as infatuated with David Bowie’s early struggle for stardom as the 23-year-old Bowie himself was infatuated with the handsome 19-year-old tailor he met one Sunday in the Sombrero (aka Yours or Mine), London’s trendiest gay disco and celebrity haunt in Kensington.

Paul J Macdonald, Chrysalis Theatre, Bletchley, The Man Who Sewed The World, Freddie Burretti, Lee Scriven, David Bowie, pop music, musical, theatre,

Poster for Lee Scriven’s new musical

Remember too how Bowie had single-mindedly survived nine failed bands during ten years of struggle before Ziggy soared into orbit, and even that took three years to achieve following his first chart hit Space Oddity.

The instant chemistry between Bowie as performer and Freddie as his stylist amounted to what DB called telepathy: “because whatever I think of in my mind, he produces for real”. Freddie had all the flamboyance of a six-foot-tall out gay man in 1970, the first year of gay liberation in the UK. During their intimate four-year partnership, Freddie’s highly sexualised and bravura costumes were like no others in pop.

Much of this was the theme of a biographical movie directed by Scriven four years ago, titled Starman: Freddie Burretti – The Man Who Sewed The World, in which interviews with friends and colleagues pieced together the jigsaw that saw Freddie being invited by Angie Bowie to come to live with her and David at Haddon Hall. As Lee said today, despite various re-edits, potential backers “politely passed” on turning his “demo” version documentary into a feature movie and the result is this new stage musical as a community workshop production aimed at raising money for charity. “Not a West End musical, more a West Bletchley one, like another ‘demo’ version,” he said modestly.

Freddie Burretti, costume, designer, modelling, David Bowie,

1972: Freddie Burretti’s card advertising his talents as a model

Lee has written a script that pays homage to Freddie, captures his teenage growing pains as a homosexual and his escape to London, where he meets the one-hit pop singer. Lee found himself reluctant to put words into the mouth of the future international icon he respectfully calls “Mr Bowie” so instead renamed him Bobby Jones, the only fictitious character in the show. His infatuation is such that he creates a new band in which to showcase Freddie as “the next Mick Jagger”, which proves to be a non-starter. Instead Freddie applies his genius to reinventing Bobby’s own image as a Starman who electrifies the world in 1972 when he reaches Top of the Pops clad in Freddie’s spangly one-piece jumpsuit and confirms his uniqueness as a superstar.

Having changed the show’s title to now emphasise its subject as Burretti himself, Lee said of its origins: “I had to get it out of my system and suddenly realised, Hang on, this is a Billy Elliot story of self-discovery. In fact, the narrative is so strong, it’s like Everybody’s Talking About Jamie [currently running in London] but frankly a lot stronger!”

➢ View Burretti’s designs in the image gallery
for the V&A’s exhibition David Bowie Is

The show is directed by musical polymath Caz Tricks, and embraces sounds of the era such as Desmond Dekker and the Trojan label, and of course some surprising Bowie numbers. Lee recruited “a great little band I’ve worked with” as The Spiders from Bletchley, led by the onetime Stray guitarist Del Bromham, plus choreography from Alex Kent, an Edinburgh Festival veteran, and Jack Sullivan, fresh out of uni. Lee added: “The mood is very Buzzcocks, very edgy.”

Hardly off-stage throughout is local lad Paul J Macdonald in his first gig starring as Burretti. He proves to be an ace dancer – as indeed was Freddie himself who caught many an eye in his white Spandex hotpants on London’s first uplit dancefloor at the Sombrero.

Burretti: The Man Who Sewed The World runs at the Chrysalis Theatre, Milton Keynes MK15 9JY on May 16–18, 2019. Tickets cost £15 by calling 0333 666 3366 or by booking online here

Paul J Macdonald, Chrysalis Theatre, Bletchley, The Man Who Sewed The World, Freddie Burretti, Lee Scriven, musical, theatre,

2019: Paul J Macdonald playing Freddie Burretti in The Man Who Sewed The World

➢ Previously at Shapers of the 80s: Burretti movie adds an epic and essential chapter to the Bowie story

➢ Previously at Shapers of the 80s: A feast of Bowie-ana
served in waffeur-thin slices – Any Day Now,
Kevin Cann’s new book about Bowie

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1967 ➤ Secret of how Scott Walker achieved a new adult voice as he went solo

Obituaries, tributes, interview, Scott Walker, pop music,

Scott Walker in 1970: still transitioning from pop idol to icon

ONE OF THE MOST RESPECTED singers of our age died on Friday in London aged 76: the US-born Noel Scott Engel, who became a British citizen in 1970.

I interviewed him as Scott Walker in 1967 at the very moment he was transitioning from teen idol into a more serious solo icon with his first album Scott, released in September and featuring the brilliant rendering of Brel’s angsty songs My Death and Amsterdam. For him the last straw had been to appear that April in the Walker Brothers trio on the Sunday-night TV variety show hosted by Bob Monkhouse at the London Palladium, and on viewing it Scott decided to split. Among his solo moves that December he released as his first single the risqué Jackie, from the new album Scott 2 (another Brel co-composition with louche themes that caused the BBC to ban it from airplay). As it headed up the UK pop chart, we met during rehearsals for Scott’s appearance on a TV Christmas special at ABC’s Teddington studios.

He lived in Marylebone at the time, had split from the Brothers (who were not actually blood brothers), gone into a monastery to study Gregorian chants and then set about starting an idiosyncratic solo career. He hated both the idea of being a pinup and his all too evident “pop-star” good looks. His most startling admission to me was that he was drinking “a bottle of wine and a bottle of Scotch a day” – in order to coarsen his baritone voice, he said! Scott recorded four seminal albums, Scott 1 to 4 and then disappeared.

In 1984 came Climate Of Hunter, the first of an experimental and challenging series of albums over many years, with titles such as Tilt 1995, The Drift 2006 and Bish Bosch 2012. All of them broke the rules of regular music and back in the day I listened to each album twice and remain gobsmacked today. (There’s a great video clip, shown above in the 30th Century Man trailer, of a percussionist punching a side of raw pork to achieve the exact kind of thwack Scott sought for the song Clara on The Drift.)

In recent years Scott could often be seen in my local supermarket in west London doing the shopping with his partner Beverly. Older and gaunter, he pulled his baseball cap down over his face but it was quite obvious to perhaps six other shoppers marking him that we knew who he was and as respectful fans we kept our distance. Scott is survived by his daughter, Lee, his granddaughter, Emmi-Lee, and Beverly.

BOWIE 1997: “MY IDOL SINCE I WAS A KID”

➢ Rock enigma Scott Walker dies aged 76 – BBC obituary

➢ Scott Walker, experimental pop hero – Guardian obituary by Ben Beaumont-Thomas

Obituaries, tributes, interview, Scott Walker, pop music, Jarvis Cocker

Scott Walker with Jarvis Cocker in 2017: a rich conversation about Scott’s life and times ensued (BBC)

➢ The Songs of Scott Walker – watch for this programme to become available at BBC iPlayer: Jarvis Cocker welcomes Scott Walker back to the Sunday Service ahead of the late-night BBC Prom celebrating his music, which took place at the Royal Albert Hall on Tuesday 25 July 2017. Includes the moment Walker made David Bowie cry on air.

➢ 30 Century Man (2007), directed by Stephen Kijack: Comprehensive survey of Scott’s life from his early days as a jobbing bass player on the Sunset Strip in which he describes his “lost years” in terms of creativity. Premiered at the 2006 London Film Festival followed by the 2007 Berlin International Film Festival. Available from Amazon on Blue-Ray and DVD.

➢ Previously at Shapers of the 80s: The on-off brotherly rivalry that drove John and Scott Walker apart

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➤ Bowie TV trilogy triumphs thanks to candour and a few tears

David Bowie,pop music, TV documentary, review,

Bowie’s search for identity: the hippy look for the Hunky Dory sleeve 1971 and red-haired alien for Space Oddity 1972. (Photos by Brian Ward and Mick Rock)

WHAT AN EYE-OPENER! Nine failed bands in ten years of struggle before David Bowie emerged as a star. “He was no Marcel Marceau,” said his mentor and lover Lindsay Kemp of David’s attempts at mime. Saturday’s TV doc Bowie Finding Fame directed by Francis Whately was chock-full of jaw-droppingly frank evaluations by all his pals and workmates from his earliest days in music. Among the kindest was his girlfriend in 1968 Hermione Farthingale who said: “He was actually 21 and looked about eight. . . He wasn’t lost, but he wasn’t found either”. For 90 minutes Bowie’s own voiceover was disarmingly full of insight too and this episode, the third in Whately’s consummate trilogy for the BBC, proved probably the‬ most moving of all.

And today comes a thorough and informative appreciation of this the latest landmark documentary about Bowie’s early life in a review published by Andy Polaris, Eighties singer with Animal Nightlife, at his website APolarisView. As a fan utterly in thrall at a formative age to Bowie’s charisma, Andy brings personal insights to the final doc, which follows on from David Bowie: Five Years (2013) and The Last Five Years (2017), both being repeated live tonight from 11.15pm (despite the confusion in newspaper listings guides), and subsequently viewable on iPlayer.

Andy also adds further essential points of reference to the Bowie story omitted from the new biopic, possibly because, as its series consultant and Bowie chronicler Kevin Cann has explained this week, the production team ultimately had to exclude masses because of time limitations: “Sadly there are a few fabulous interviews we made that we couldn’t fit in – all important in their own way. . . At one point we had close on a three-hour edit. We were basically overwhelmed with options at times – and that’s exactly why future generations, I’m sure, will never be bored of this man’s immense talent. He will never cease to impress.” Another gem they discovered was the complete Russell Harty TV interview from 1973: “. . . the whole Bowie section, interview and song performances. Even though ITV erased their original master a year or two after original broadcast, the recording we have still belongs to them, so its immediate future is yet to be decided.”

➢ Meanwhile here’s an excerpt from Andy’s blog
APolarisView where he reviews Saturday’s superb doc,
Finding Fame, which starts in the mid-Sixties:

Swinging 80s, Andy Polaris,TV review, David Bowie Finding Fame,,singer,pop music,

Polaris: surprised

I came away admiring Bowie more as an artist due to his single-minded pursuit to achieve his goal and establish a career in the arts. Eleven years (which brought massive cultural changes generally) and nine different bands failed to launch his career. With such limited rewards most people would have fallen at the second or third hurdle and contemplated a different choice of career. A lot of the bands I had heard of, but the film surprised me by exhuming the music of Riot Squad (a name sounding more like a later oi/skinhead band) where he spent eight weeks as their singer in 1967.

Bowie learned quickly to jettison anyone or thing that stood in the way of his mission and made sure that he was front and centre of the action. Early associates talk of how he was the driving force behind stage performances, style and presentation and how to stand out from the crowd.

Whately’s biopic marks the first time I can remember hearing about the inspiration for Letter to Hermione (a beautiful song on Space Oddity) in a filmed interview where his former girlfriend talks candidly about their love affair and the aftermath of their break-up. In a rare moment of personal confession it reveals the crushing effect it had on David at the time and he wanted her to forever realise the hurt. . . / Continued at APolarisView

➢ Bonus clips at the BBC’s programme website:
Of the surplus footage researched for Finding Fame, Kevin Cann reports that My Death survives in full, as does the whole interview. As also does probably 90% of the 1970 Glastonbury set. “Just in case you haven’t seen them, here are some of the brief edits that came out along the way. There are many more and I hope, over time, more is made available.”

WHAT THE TV CRITICS SAID OF FINDING FAME

➢ “Whately arguably does get closer to who the flesh and blood David Jones really was than anyone has previously, largely thanks to securing interviews with an elusive cousin and a just as elusive first love” – The Arts Desk

➢ “Still think of Bowie as the last word in cool? You’ve obviously forgotten his novelty single about gnomes, his dire mime days… and his cover of Chim Chim Cher-ee” – Guardian TV review

➢ “The BBC’s ‘talent selection group’ had dismissed Bowie as ‘devoid of personality’ (ah, the irony). Yet Bowie doubled down and worked harder” – The Times review

➢ “One of the most miraculous things about Bowie is that he didn’t wind up as a drama teacher in Bromley” – Sunday Times Culture

➢ “Fascinating insight into the young singer’s quest for fame and his evolutionary struggle to burst out of suburbia” – The Telegraph review

➢ View David Bowie: Five Years (2013) at the iPlayer

➢ View David Bowie: The Last Five Years (2017) at the iPlayer

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➤ V&A celebrates Steve Strange as the poser who put the pazazz into 80s nightlife

Blitz Kids, New Romantics, fashion, pop music, Swinging 80s, archive, nightlife, Steve Strange, Keith Lodwick, lunchtime lecture, V&A museum,

Giving this week’s V&A Lunchtime Lecture, May 2018: Curator Keith Lodwick in full flow. . . On-screen, Bowie’s Pierrot costume displayed in the V&A’s 2013 exhibition Bowie Is, with Steve Strange and other Blitz Kids pictured in Bowie’s Ashes to Ashes video in 1980

80S POP-STAR FRIENDS OF STEVE STRANGE turned out this week for a unique event at the V&A, the UK’s premier museum of art and design. The weekly Lunchtime Lecture was titled Steve Strange: From Blitz Club to Top of the Pops, and was delivered by Keith Lodwick, curator of Theatre and Screen Arts, to an audience that included singer Clare Grogan, ABC’s Martin Fry and his wife Julie, Jennie Matthias from The Belle Stars and Fifi Russell from Yip Yip Coyote. Steve’s mother Gillian Harrington and his sister Tanya had travelled from Wales with PR Amanda Lloyd to attend the occasion with other family members.

The talk traced Strange’s flamboyant life from Wigan Casino, through glam-rock and punk, to hosting a landmark club-night at Billy’s jointly with deejay Rusty Egan, then another at the Blitz in 1979–80. This was the club-night that Band Aid organiser Midge Ure has described as “the beating heart of the electronic dance music that led the 1980s.”

Strange said of his strict admissions policy on the door: “I wanted creative-minded pioneers who looked like a walking piece of art.” Indeed, the club became Strange’s own catwalk for sporting outrageous outfits by both the leading designers of the day and London’s budding fashion students. Lodwick said: “He once told a journalist ‘I am on stage 24 hours a day’. Steve, who died in 2015, remains one of the enduring figures of the New Romantic period.”

Click any pic below to view larger in a slideshow

Lodwick reminded us of the pop pantheon Strange was joining at the museum when he extended “a huge thank-you to Gill, Tanya and Amanda for being a link in the chain that enabled the V&A to acquire Steve’s archive and costumes two years ago. The family donated mainly clothes from the 2000s – including designs by Vivienne Westwood and Alexander McQueen. Steve’s costumes join those worn by Sandie Shaw, the Beatles, Mick Jagger, Marc Bolan, Jimmy Page, Elton John and Adam Ant.”

We watched two video clips which underlined Strange’s obsession with image-making: the music video for his band Visage’s hit Fade to Grey in which he is transformed into a snake; and a documentary in which milliner Stephen Jones suggests that berets he made for both Strange and for the Princess of Wales coupled them “as a fashion force together”.

Lodwick concluded: “Steve’s legacy will live on for being central to re-energising the club scene in London – pushing forward electronic music, fashion, photography and pop.”

➢ Elsewhere at Shapersofthe80s: Strange days, strange nights – first report on the Blitz from Yours Truly in 1980

➢ Elsewhere at Shapersofthe80s:
2015, Original Blitz Kids say farewell to Steve Strange – read exclusive tributes to the King of the Posers

➢ Read the story of Spandau Ballet, the Blitz Kids and the birth of the New Romantics at The Observer, by Yours Truly

Blitz Kids, New Romantics, fashion, pop music, Swinging 80s, archive, nightlife, Steve Strange, Keith Lodwick, lunchtime lecture, V&A museum,

At this week’s V&A talk: Some of the women in Steve Strange’s life. . . From the left, sister Tanya Harrington, Monica Towner, Rachelle Boyle, Eve Ferrett, Kimbo at centre next to Steve’s mum Gill, Jennie (Belle Stars) Matthias (almost hidden at back), Wendy Tiger, Alison Graham, Amanda Lloyd far right

➢ Talks, lectures, conversations and pop-up events at the V&A

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➤ Glimpses into the minds of Bowie and his photographer

David Bowie ,Barrie Wentzell,Lucy Bell gallery , photography, limited edition, rock music,exhibition, collecting

David Bowie shot in 1972: Six playful frames from the 20 on the 20×24-inch sheet by Barrie Wentzell / RockArchive in the Contacts exhibition


THE CONTACTS EXHIBITION shows off a unique collection of never before seen contact sheets by some of the world’s greatest music photographers. The contact sheet is the photographer’s first look at what they have captured on camera, printed directly from the negatives or roll of film in the era before digital. One sheet might contain 30 shots taken in succession and thus gives an intimate glimpse into a photographer’s working process and editing choices while also sharing candid moments when an off-guard star is caught larking about.

The exhibition makes a trip worthwhile to St Leonards on Sea in East Sussex where all the prints at the Lucy Bell gallery are for sale. We see enlarged contact sequences of David Bowie, Bob Dylan, Bob Marley, Oasis, Joy Division, Iggy Pop, Tom Waits taken by renowned photographers such as Jill Furmanovsky, Barrie Wentzell, Don Hunstein, Michael Putland, Carinthia West, Michael Putland, Andrew Catlin, Matt Anker, Colin N Purvor and Brian Duffy.

➢ Contacts runs at the Lucy Bell gallery in St Leonards on Sea until 29 May 2018

➢ Bob Marley, Björk and David Bowie as you’ve never seen them – reviewed by Sam Wolfson in The Guardian

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