Tag Archives: David Bowie

2023 ➤ Bowie anniversaries: One fan’s teenage love remains undimmed

David Bowie, 1976, Man Who Fell to Earth, pop music, films, anniversary, birth, death,

Bowie’s new look for 1976 when he became The Man Who Fell to Earth, here in a Haywain shirt. Photographed by Steve Schapiro and published on the cover of the Sunday Times Magazine

David Robert Jones
8 January 1947 – 10 January 2016

Every January, two dates stir the souls of Bowie fans: the 8th being his birthday and the 10th the day he died. On the seventh anniversary of his death, Eighties Blitz Kid and pop singer ANDY POLARIS recalls the dramatic influence Bowie had on his early teens in the way that his fan base would also be galvanized by his art to inspire their own creative dreams. This extract comes from a much longer piece at his own website Apolarisview.wordpress.com … Andy writes:

Much has been written about Bowie’s Starman performance in 1972. I had begun a fascination with his image a little earlier after the Melody Maker interview, thanks to an older teenager who also had the album, Hunky Dory.

I began to spend the little pocket money I had on buying all the magazines and music papers that featured him, especially on the cover. Fab 208, PopSwop, Music Star, Music Scene and Jackie thankfully were relatively cheap and I began my scrapbook collection. Ziggy Stardust with his bold make-up and glamorous wardrobe (courtesy of Freddie Burretti and Kansai Yamamoto) was unlike anything seen before and blurred the line between sexes. This beautiful creature offered a world of possibilities to this youth already bored with football and the teenybop fandom that dominated our era. Clothes, style, identity – normal teenage rites of passage – all took on a greater importance over the next few years but now helped define a more alternative journey.

Seeking out Bowie’s references in lyrics opened a new door to imagination. His creative output eased my inner void of loneliness and probably kick-started my interest in science-fiction. Humdrum suburbia was replaced by the magical worlds of Alfred Bester, Philip K Dick, George Orwell and Robert Heinlein to a soundtrack of Ziggy Stardust, Aladdin Sane and Diamond Dogs.

Scissors, Pritt Stick or Gloy Gum and a large desk were my 1970s iPad, and all that were needed, as I lovingly read and then pasted articles onto A4 note paper into a hard grey binder. This became a ritual that continued for my teenage life. I never liked to create collages because I hated cutting up articles too much and words were equally important. What Bowie was saying or what people were saying about him seemed as important as the visuals. That shape-shifting style (musically and visually) meant I never got bored and felt that I evolved along with him, my anticipation becoming almost tangible with news of a new release or a TV appearance…

➢ Read Andy’s full article on Bowie: First anniversary of his death and my teenage love is undimmed

Andy Polaris , Billy's club, Derek Ridgers, nightlife

Future singer Andy Polaris and Sue at Billy’s in 1978. (Photograph © by Derek Ridgers)

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➤ Hottest Shapers during 2022

Andrew Ridgeley , Wham Rap, video, Face magazine, Club Culture,

Click pic to open the Wham Rap! video in another window … “Man or mouse” Andrew Ridgeley establishes his group’s clubbing credentials in the opening shots of the Wham video by reading my cover story on Club Culture first published in The Face in 1983 and in recent years the No 1 read at Shapers of the 80s!

❚ OVER THE PAST 14 YEARS Shapers of the 80s has received 2.2 million views, according to year-ending stats measured by our host, WordPress. Our 850+ published items total half-a-million words, which is several times more than most books, so it pays to explore the various navigation buttons. Here are the half dozen posts which remained among the most popular with readers during 2022…

➢ Photos inside the Blitz Club, exclusive to Shapers of the 80s

FACE No 34,club culture ➢ 69 Dean Street and the making of UK club culture – evolution of the once-weekly party night (1983)

➢ Why Bowie recruited Blitz Kids for his Ashes to Ashes video in 1980 from the club-night founded by Steve Strange and Rusty Egan

➢ 20 gay kisses in pop videos that made it past the censor

➢ First Blitz invasion of the US —
Spandau Ballet and the Axiom fashion collective take Manhattan by storm (1981)

NYC,Axiom,Melissa Caplan, Sade, Elms, Tony Hadley, Ollie O'Donnell

At the Underground club in NYC 1981: Melissa Caplan rehearses Bob Elms, Mandy d’Wit and Sade Adu for the Axiom runway show. Right, Ollie “the snip” O’Donnell goes to work on singer Tony Hadley’s hair. Photographed by © Shapersofthe80s

➢ Posing with a purpose at the Camden Palace — power play among the new non-working class (1983)

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2021 ➤ So what’s the Bowie premium as Judi’s Ashes hat goes for sale?

Steve Strange, Judith Frankland, Blitz Kids, fashion, Ashes to Ashes, David Bowie, pop video,

Bowie’s Ashes to Ashes video 1980: Steve Strange at left and Judi Frankland at right, wearing the hat going for auction on 7 December. (Video © 1983 Jones Music / EMI Records Ltd)

Updated on 6 December 2021

❚ A FAMOUS OWNER can certainly bestow prestige on a work of art. Indeed when Bowie’s own contemporary art collection went for auction at Sotheby’s in 2016 there was an online frenzy to snap up most of the 147 items – at prices which were mostly two to four times greater than the auctioneer’s top estimates. Some artists managed to attract TEN TIMES their top asking price, specifically Picasso, Kokoschka, Gill, Alexander Mckenzie, David Jones, Stephen Finer, Clive Shepherd, Eric Heckel, Johann Garber, Ivon Hitchens, Maurice Cockrill.

You could call those sizeably inflated extra costs a “Bowie premium” and a lot of people were prepared to pay hair-raising prices depending on their determination to own a piece of Bowie’s legacy.

Step forward Steve Strange, or rather since Steve is sadly no longer with us, step forward fashion designer Judi Frankland, one of the wildest of clubland’s Blitz Kids, best known for some of her fab 1980 degree collection immortalised in Bowie’s Ashes to Ashes video. There, Steve Strange sports more than one hat, most famously the ornate veiled head-dress made of stiffened lace on a metal frame by Stephen Jones, worn with Judi’s black wedding dress in long shots. But he also sports another smaller, snugger hat in certain chorus close-ups on the beach and later in the studio.

➢ Previously at Shapers of the 80s:
1980, Bowie recruits Blitz Kids
for his Ashes video

This titfer had initially been thought to be the one described today by a London auctioneer as a “wide pleated chiffon band and large taffeta bow to rear”, which is being offered for sale on 7th December for £200-£300. Designed by Judi to coordinate with her degree-show collection, the hat was, she says, made by Fiona Dealey and Richard Ostell together in the days when student pals helped out on each other’s major collections. Both of them boast significant reputations today.

An initial description and provenance had been provided by the seller, who is not known to Judi. Since first posting, however, the auctioneer initiated a long phone conversation on Monday with Judi, from which it turns out that the hat for sale was worn by Judi herself in the video as the bow arrangement at rear had originally stood high in the air, whereas today it is folded flat. So two or even three price premiums come into play here to determine the market value of this chic little titfer 40 years after Judi designed it. For making it famous, a Bowie premium of two to four times the estimated price, would bump its worth up to, say, £900; plus a Steve Strange premium for sporting Judi’s collection in the Ashes video shoots. And now perhaps a Frankland premium too!

Judith Frankland, Blitz Kids, fashion, Ashes to Ashes, Kerry Taylor Auctions,

Former Blitz Kid Judi Frankland: Her latest voile and taffeta creation with capelets is crowned with a hat of maribou feathers… Right, her 1980 hat for sale with chiffon band and taffeta bow, photographed by Kerry Taylor Auctions

So what is a Steve Strange premium worth? Remember that other auction last March when Auction Antiques in Exeter sold an Issey Miyake suit belonging to David Bowie, which he supposedly discarded in the Blitz Club after burning it with a cigarette (yet the date cited, 1982, was long after the Blitz had closed!)? Steve Strange took it home and following his death in 2015 it was inherited by his long-time friend Jayce Lewis who subsequently offered it for sale via Auction Antiques who reckoned it could fetch an estimated £10,000-£15,000. Trouble was, in this sale there were so few bids that it yielded only £8,000, which you could interpret as the “Strange premium” proving to be more like a forfeit of 36%. Apply that to Judi’s hat and its possible worth comes down to around £576. Which is better than nothing, obvs. Now we hear that absent-minded Judi herself sported the hat in Ashes to Ashes, so we really ought to sprinkle some Frankland stardust on the price so let’s say it’s worth £700 to a buyer!

hats, Judith Frankland, Blitz Kids, fashion, Ashes to Ashes, David Bowie, pop video,

The Frankland hat for sale in 2021: here in the bonfire scene in Ashes to Ashes

Kerry Taylor Auctions in London sells vintage fashion worn by such celebs as Princess Di and Amy Winehouse. And next week they’re selling Judi’s long-lost hat as Lot 155A in their Passion for Fashion sale. The website tells a tale of its current owner Roz Corrigan wearing it on the eve she met her future husband. Aw, sweet.

Dear old Judi can’t even remember how the hat vanished from her Cranley Gardens flat way back when. “I have no doubt it’s my hat,” she tells me, having seen the photos online. “It was possibly crushed in my wardrobe as I was as bad as Steve was with my frocks.” She recalls how her sensational black wedding dress had returned from the seaside video location covered in mud and make-up and vanished into the recess Steve Strange called his wardrobe, never to be seen again. She adds however: “That hat would never have stood a chance of surviving if it had stayed with me and not been given away.”

➢ The Kerry Taylor auction Passion for Fashion starts at 1pm on Tue, 7th Dec 2021, both in Bermondsey (booking essential) and online

UNCANNILY AS PREDICTED HERE,
JUDI’S HAT GOES FOR £700

Updated on 7 December 2021
❏ The hat-trick of hot names Bowie/Strange/Frankland meant that during a speedy round of intense bidding at today’s international online auction, Judi’s chiffon-taffeta number hit exactly the hammer price of £700 which we predicted yesterday. So well done Ms Frankland for beating the auctioneer’s mid-point estimate by 280% !!! In real money the hammer price grosses up to £1,050 after premium and VAT are added.

Coincidentally, in this Kerry Taylor auction of 265 fashion items from many nations and periods, among the household names selling either side of Judi’s 1980 hat, about 30 items performed remarkably well. Four garments bearing the 1970s Biba label sold for about four times their top estimates, as did an Ossie Clark/Celia Birtwell chiffon dress. Half a dozen Vivienne Westwood outfits (Pirates/Punkature) went for at least twice their estimates amid fiercely competitive bidding, while a sensational Issey Miyake moulded breastplate from 1980 clocked £32,000. What proved shockingly disappointing was to see a string of striking John Galliano skirts and jackets from around 1986-88 only just hit their estimates, while one delicious woollen pouch dress from his Forgotten Innocents collection on offer for £10,000 failed to reach its reserve with a bid of “only” £7,500, so remains unsold!

Michael Reason, Melbourne Museum, fashion, collector,

Michael Reason: who placed the top bid for Judi Frankland’s 1980 hat at auction this week

AND THE WINNER IS
MICHAEL IN MELBOURNE

Updated on 9 December 2021
❏ So now we know who won Judi Frankland’s chiffon-taffeta titfer in Tuesday’s auction. Michael Reason posted his comment (below) glowing with pride at now owning a talisman from Bowie’s Ashes to Ashes video, “which has meant so much to me since I first saw it as a gay teenager in the 1980s”. We’ve been hearing more about him…

Michael grew up in Tasmania, moved to Melbourne to study and is today the Curator of Leisure and Social Spaces at Melbourne Museum. Because Australia’s time difference placed the auction in the early hours, he says, “I almost didn’t bother staying up, as I had this feeling that such an iconic piece of fashion/music history would command a four-figure sum. I mean, what else is ever going to turn up from the Ashes to Ashes video? The ‘David Bowie is’ exhibition came to Melbourne in 2015, just before he died, and the Pierrot suit was featured, but I’ve never seen anything else.

“I was actually more excited that the hat was worn by Judith in the video, rather than Steve Strange, as I’ve always admired her work. I’m sure it will end up in an appropriate gallery one day, but I will certainly enjoy it until then.”

Twiggy Boutique, minidress, fashion, Dolce & Gabbana, Joanna Lumley, Michael Reason,auctions,

Garments previously bought at auction by collector Michael Reason: Twiggy Boutique duck-egg blue synthetic minidress, 1967-70; and Dolce & Gabbana floral print jacket worn by Joanna Lumley as Patsy in TV’s Absolutely Fabulous in 2000. Photography courtesy of Kerry Taylor Auctions

As a lover of fashion and design, Michael adds: “Our sister organisation, the National Gallery of Victoria, collects more internationally, and with a narrower definition of fashion. I recently donated two items to them, a Vivienne Westwood toile dress and a Twiggy Boutique mini-dress.” He also acquired through Kerry Taylor Auctions a floral print D&G jacket worn by Patsy in three episodes of Ab Fab, Patsy’s D&G shoes and fishnet stockings from another, plus Anne’s costume from Little Britain.

Recently he has been working with Australian fashion designer Jenny Bannister, “known for her interest in upcycling and trashion”, he says, with much of her clothing now part of his Museum’s collection.

Best news of all, Michael adds: “I was thinking that I’d look at having Judith’s bow unstitched, to try and restore its original silhouette. I’m sure it could be done without causing damage.” It’s a proposal Judi greets with delight: “I hope Michael does put the bow right. Why on earth anyone stitched it flat, I don’t know. The silhouette is what made it so fabulous.”

➢ Previously at Shapers of the 80s: The Blitz Kids WATN? No 37, Judith Frankland
➢ Previously at Shapers of the 80s: Judith Frankland as queen
of the Bowie girls

➢ Previously at Shapers of the 80s: 2011, A swelle hello from upstart Judith

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2021 ➤ Who can identify the face in this Bowie painting up for auction next week?

David Bowie, Cowley Abbott, discovery, Dead Heads,auction, paintings,

David Bowie’s collage DHead XLVI: portrait of an unidentified person… and the characteristic Bowie signature on the back

Updated on 25 June 2021
❚ A PAINTING BY SUPERSTAR DAVID BOWIE was found last summer in a thrift store for household goods and bought for just five dollars. Today it was put up for auction online and its top estimate of £7,200 was soon exceeded by four times that amount [19 June update]! After more than a week of bidding it sold on 24 June for £63,269 – a nine-fold increase on the upper estimate. The Canadian auction house hosting the online sale has not been able to identify the subject who is likely to have been among Bowie’s circle of friends during the Ziggy Stardust era as well as the mid-1990s when the painting was made. Take a guess and mail contact [a t] shapersofthe80s.com if you know who the friend might be. (Early guesses by a former UK Blitz Kid include Dana Gillespie and Lindsay Kemp – the gender of the subject is ambiguous.)

➢ Toronto’s local newspaper BayToday reports on
how the bargain was discovered. . .

Jeff Turl writes It’s every bargain hunter’s dream… paying next to nothing but scoring big time. The buyer picked up the treasure, left in a pile of discarded goods in a thrift store, for just $5. The painting is valued at $12,000 (£7,200 GBP), its upper estimate, at Cowley Abbott’s International Art Online Auction from June 15-24.

The painting is titled, D Head XLVI and is a small 24.8 x 20.3 cm acrylic and computer collage on canvas, dated 1997. “The consignor of the painting was astonished upon viewing a label which read David Bowie and realized it was the signature of the artist inscribed on the reverse,” says Andrea McLoughlin, Cowley Abbott spokeswoman. The painting’s female owner has not been identified.

David Bowie, Cowley Abbott, discovery, Dead Heads,auction, paintings,

Bowie’s DHead XLVI as Lot 27 in the Cowley Abbott sale – its top estimate well exceeded within four days

“Many people may not know that Bowie enjoyed painting, and between 1994 and 1997 he created a series of approximately 45 works on canvas which he titled Dead Heads (or D Heads), each with a different non-sequential Roman numeral,” explains McLoughlin. “The sitters ranged from band members, friends and acquaintances and there were also some self-portraits. It has been suggested that, for some of these important paintings, Bowie drew inspiration from the Ziggy Stardust era. With long hair and a pronounced profile, this energetic and enigmatic portrait is truly a rare representation from a celebrated artist.”

Paintings by the late music icon are rarely seen at auction, with the most recent sale of artwork from the D Head series fetching $32,000 USD ($38,861CDN) at an auction in the United Kingdom in 2016… / Continued at Baytoday.ca

➢ Cowley Abbott’s International Art Online Auction
ran from June 15–24 when bidding for Lot 27, Bowie’s DHead XLVI, closed at 02:15 PM EDT. The painting achieved an astonishing $108,120 CDN (£63,269 GBP). This echoes Sotheby’s 2016 sale of Bowie’s own modern art collection, when most established artists’ prices were inflated by a substantial “Bowie premium”.

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2020 ➤ Farewell Daniella, the girl who inspired Ziggy’s fiery hair

Daniella Parmar, David Bowie

Daniella Parmar, stylistic inspiration for Bowie. . . She became part of David’s 1971 entourage and is seen here with him during one of his rare visits to the Blitz Club in late ’79. David wears a Modern Classics jumpsuit by Willy Brown, as featured on the cover of his Feb ’80 single Alabama Song, which had as its B-side an acoustic version of Space Oddity recorded in Dec ’79. Choreographer and co-director of Bowie concerts, Toni Basil, was also sitting to David’s left. (Photo: Robert Rosen)

❚ THE TEENAGED GIRL who inspired David Bowie to give Ziggy Stardust livid red hair died this month from cancer at her home in Worthing. Daniella Parmar belonged to the circle of “piss-elegant champagne-drinking” young night-owls who Bowie met with his wife Angie at London’s Sombrero nightclub in 1971. During this Hunky Dory period he was wearing the Mr Fish man-dress and had long cascades of blond hair.

The pals included “fun-loving glamour girl” Wendy Kirby and her flatmate Freddie Burretti (Bowie’s handsome costume designer, who went on to create Ziggy’s exotic and sexual one-piece outfits). Daniella was of Indian extraction and noted for her emphatic eye make-up and top-to-toe style with special focus on her hair – in 2002 Bowie confirmed that its constantly changing colour had convinced him “of the importance of a synthetic hair colour for Ziggy”.

Wendy says: “We were the ‘young dudes’ who shaved off our eyebrows just for camp, because you could paint them on higher up — that gave us a strange unearthly look which David adopted. He was always open to suggestions and went through our wardrobes like a magpie!”

Freddi Burretti, Daniella Parmar

Melody Maker Awards, October 1973: Daniella Parmar with Freddie Burretti, who collected the award for Bowie. (Photo: Kevin Cann collection)

The Ziggy Stardust tour was already on the road when Bowie decided on the dramatic change of hairstyle. On 17 March 1972 they were to play at the Town Hall in Birmingham when a photographer called Mick Rock turned up to interview Bowie. They hit it off so well he soon became his official photographer. Kevin Cann’s seminal account of Bowie’s early life, Any Day Now, recalls that crucial day. . .

For the show his hair has been dyed light red and styled by Suzi Fussey, but David tells Rock he is going to make his hair ‘even redder’. Swayed by his Sombrero friend Daniella’s use of different hair dyes, not long after the Birmingham performance David shows Fussey the exact tone he desires in a photograph of model Marie Helvin in a recent fashion magazine. Fussey applies a bright red colour-fast dye and spikes the crown with Guard, a strong setting lotion. The Ziggy hairstyle is born.

Daniella became an intimate member of the Bowie household, playing nanny to their son Zowie, and shared the Bowies’ last Christmas party in Britain before they departed for the USA in March 1974.

One of Daniella’s last public outings was in 2015 at the premiere of Lee Scriven’s film titled Starman: Freddie Burretti – The Man Who Sewed The World. She died a fortnight ago on 3 November and friends report that the funeral chapel was decorated with pictures of her with David.

Daniella Parmar , Wendy Kirby, David Bowie

Recording Jean Genie for Top of the Pops, 1973: Bowie and Mick Ronson on-stage with support team of Wendy Kirby and Daniella Parmar at left. (BBC)

➢ Previously at Shapers of the 80s:
2010, Kevin Cann’s book – A feast of Bowie-ana
served in waffeur-thin slices

➢ Previously at Shapers of the 80s:
2011, I danced in Bowie’s Jean Genie video but
have never seen it, says his friend Wendy

➢ Previously at Shapers of the 80s:
2015, Burretti movie adds an epic and essential
chapter to the Bowie story

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