Tag Archives: Andy Polaris

2026 ➤ Sunday at 6pm: Share your grief over Finbar Sullivan

Primrose Hill, Leah Seresin, Chris Sullivan, Finbar Sullivan, murder, fighting

❚ IMPOSSIBLE to imagine how many tears have been shed in the past three weeks since the violent murderous death of Finbar Sullivan on his 21st birthday while testing his new camera in broad daylight on grassy Primrose Hill. The park was packed with families enjoying the warm weather and affords one of the most inspiring vistas of the London skyline.

Our hearts go out to Fin’s parents Leah Seresin and Chris Sullivan, two of the stars of the Eighties New Romantic subcultural movement, both of whom I met in 1980 while reporting their innovative activities which recharged Britain’s ailing youth culture.

Leah is the daughter of famed cinematographer Michael Seresin and was a backing singer in Andy Polaris’s band Animal Nightlife. The dynamic and witty Chris has lit so many fuses as leader of the latin band Blue Rondo a la Turk, while hosting several new Soho club-nights, notably the Wag for 19 years, that he remains one of the few original Shapers of the 80s, who inspired my website carrying that name.

JOIN THE FUND-RAISERS

Lifelong Sullivan friend Christos Tolers writes: Fin was the anchor in his world and to see it taken away so suddenly, without warning, has been one of the most heart-breaking things I’ve been witness to in my life. It’s with love and an overwhelming sense of powerlessness that I write this. But we do what we can… There is a Gofundme page set up to help with costs for an appropriate send-off for Finbar. Here is the link –
gofund.me/5defbb114

Seven men have now been arrested for initiating the gruesome savagery on 7 April that caused Fin’s death on Primrose Hill, and some await charging at the Old Bailey. Sky News reports how “he was surrounded and subjected to a relentless barrage of kicks and stamps. Another male produced a knife and stabbed Finbar at least twice, with one wound to his thigh proving fatal. Paramedics rushed to the scene but could not save him”. Police investigations continue thanks to the number of mobile phone videos and CCTV clips that captured the chaos, one of which silenced an entire court. The Metropolitan Police forensics lab also managed to recover dozens of images from Fin’s badly damaged camera.

Fin’s parents Leah and Chris celebrating his birthday… On 7 April he was stabbed to death on Primrose Hill. [Family handout]

Chris has endured indescribable grief and anger while insisting on defending his son’s reputation as a video-maker – I was shocked to see one photograph of Dad sobbing so deeply as to reduce me too to tears. Amid the trauma he immediately initiated a charity fund-raiser to promote a violence-free society. The incident has raised questions about safety in public parks after dark, even in seemingly affluent or well-patrolled areas of north London. This new fund has raised an amazing £30,000+.

This Sunday Chris has announced a 6pm balloon send-off for Fin on Primrose Hill to honour his life. All friends and sympathisers are welcome to this vigil (see poster above).

HELP THE INVESTIGATORS

The police continue to ask anyone with relevant information to contact the force on 101, quoting reference 6448/07 April.

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2024 ➤ Andy Polaris reminds us of Quincy Jones’s legacy as a titan of 20th-century showbiz

Tribute, concert review, Quincy Jones, Michael Jackson, Grammy awards,

1984: Quincy Jones with Michael Jackson at the 1984 Grammy Awards, where they won eight

❚ The cross-cultural pioneer Quincy Jones died this week
aged 91 in Los Angeles. In tribute, we republish Andy Polaris’s appreciation of his genius when he brought a huge
orchestra to London’s O2 arena on 25 Jun 2019…

Excerpt from the review at the Polaris music blog: Quincy Jones Jr is a titan of 20th-century entertainment whose creative talent has spanned decades as composer, multi-instrumentalist, singer-songwriter, arranger, producer and publisher. He has received the most Grammy nominations, a staggering 80, and won 28, plus seven Oscar nominations, and a Jean Hersholt Humanitarian award in 1996 amongst other industry accolades. He has worked with superstars from Aretha Franklin, Frank Sinatra, Count Basie, Miles Davis, Dizzy Gillespie to Michael Jackson. In 2018 a Netflix film Quincy won the Critics Choice Documentary award.

As a teenage prodigy Quincy Jones had been tutored by Ray Charles and mentored by Count Basie, by 19 was touring Europe with Lionel Hampton for three years, at 24 studied at the feet of the godlike Nadia Boulanger in the American School at Fontainebleau, and soon after became a troubleshooting vice-president for Philips Records of Holland.

This week [in 2019] sees the 10th anniversary of Michael Jackson’s death and despite the controversy and those clamouring on social media to cancel his music, the audience at this O2 concert showed that, whatever your feelings, it’s nigh on impossible to crush the joyous memories and mood of his repertoire. In addition, we were treated to the formidable playlist of our youth unfolding before our ears thanks to the savvy musicianship of the band and huge orchestra, which even included a harp, all conducted and hosted by Jules Buckley… / Review continued at Apolarisview

➢ Guardian obituary: Quincy Jones was the first black composer to find acceptance in Hollywood and won 28 Grammys

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2023 ➤ One savvy fan rates Kid Creole’s London extravaganza

Kid Creole, Coconuts, August Darnell, Boisdale restaurant, London, concert, Andy Polaris,

Backstage after the London show: Animal Nightlife’s singer Andy Polaris meets August Darnell to thank him for a lifetime of inspiration

Not only a handshake and a hug for Andy Polaris from the showman that is August Darnell, but now a taster from his review of the evening in Canary Wharf…

August Darnell is the real deal and the soul survivor of the band Kid Creole and the Coconuts that has evolved over the years from its original cast in the early 80s but wisely maintained its winning formula… At a club night in London’s Canary Wharf his talented musicians provided the muscular sound, the perfect funky backbone which was always a key element of their success. Straight out the gate the Coconuts came to slay with well executed dance moves, while a physical aerobic workout combined with vocal prowess to result in a remarkable feat. I can only think of the Ikettes with Tina Turner who shared these onstage dynamics. My enthusiasm for this dazzling choreography – created by founder member Adriana Kaegi – is fired by the sheer inventiveness at the beating heart of the band… On stage tonight we heard Broadway Rhythm, Animal Crackers and Flip Flop and Fly but of course the loudest cheers were for the hits Stool Pigeon and Annie I’m Not Your Daddy. Both are mini musical masterpieces that buoyed up the audience with more snazzy footwork and infectious brass…

➢ Click to continue reading at Apolarisview

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2023 ➤ Kid Creole returns to Britain with that vintage Darnell bazzazz

❚ ONE OF THE GOD-LIKE SHAPERS of the new music of the Eighties was playing live in London this week and afterwards we met again for the first time since 1981. He is August Darnell, aka Kid Creole frontman of the Coconuts, and when I remarked on what a vital conduit he had provided between New York, London and Paris assisting the exchange of new indie bands, no-wave dance music and other strange flavours on Michael Zilkha’s ZE Records label, he was flattered to be remembered that way. Yes they were fertile times, he agreed, as post-punk pop, disco, funk, dub and Latin all collided with artsy pretension spiced with irony. He loved that rules were being broken.

In 1980 Darnell became a producer at ZE and his collaborations boosted the careers of James Chance, Cristina, Was (Not Was), Don Armando’s Second Avenue Rhumba Band and Material, while introducing the category of “Mutant Disco”. The edgy compilation album bearing that name distinctly helped to make ZE “the most fashionable label in the world” in the opinion of The Face magazine by 1982. Woodwork squeaks and out come the freaks!, according to Was (Not Was).

Click any pic to enlarge in slideshow:

Darnell had set out in 1974 writing lyrics with the funky Dr Buzzard’s Original Savannah Band in which vibraphone player Andy Hernandez was known as his “trusty sidekick” Coati Mundi. Hernandez served as Darnell’s on-stage comic foil, as well as his musical director and arranger. Their first hit single on RCA was Cherchez La Femme with Cory Daye the lead vocalist. The album went gold and the band was nominated for Best New Artist in the Grammy awards.

In 1980 he formed his own band as Kid Creole and the Coconuts, his style as lounge-lizard vocalist being defined by a Latinised Cab Calloway type in a zoot suit and broad-brimmed hat, alongside “Sugar-Coated” Coati Mundi in a line-up of instrumentalists and singing dancers. Sire released the Coconuts album, Fresh Fruit in Foreign Places, in June 1981, while the next album in May 1982 was boosted by its instant appeal in the UK under the title Tropical Gangsters. The LP hit number three, and three singles – I’m a Wonderful Thing Baby, Stool Pigeon and Annie I’m Not Your Daddy – made the Top Ten.

As a dynamic live act with unique visual appeal, the Coconuts toured the world, confirming Darnell as a respected composer, arranger and producer. They recorded 11 albums and scored more hit singles including Dear Addy, Endicott, The Sex of It, and My Male Curiosity.

And now here were many of those familiar strains being given brilliant new life on-stage at the Boisdale restaurant in Canary Wharf this week, thanks to a powerful seven-piece band and three slinky dancers. Of course August Darnell was showing his age – heavens, aren’t we all these days? Despite which, his generous set was driven by his own rich voice and every ounce of sheer bazzazz. There was no beating Don’t Take My Coconuts!

➢ Previously at Shapersofthe80s: 2012, Mutant Disco update

New York, Jim Fouratt, Kid Creole, Coconuts, August Darnell, 1981,

New York, May 1981: When I first met August Darnell, here with Jim Fouratt, promoter of the Spandau Ballet/Axiom gig and fashion show at the Underground club. (Photo © Shapersofthe80s)

Michel Esteban, Michael Zilkha, ZE Records,

Michael Zilkha and Michel Esteban: in 1978 founders of the record label combined their initials to make ZE and based themselves in both New York and Paris

➢ Previously at Shapersofthe80s:
1981, 21 Blitz Kids take Manhattan by storm with a fresh fashion show and the live new sound of London

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2023 ➤ Siouxsie live at Troxy burns bright as Morticia

Andy Polaris, reviews Siouxsie Sioux, live concert, Troxy, Banshees, Goth,

Having a blast: Siouxsie Sioux at Troxy, London, jaunty and relaxed and chatty. (Photograph by James Watkins)

➢ At his own website Andy Polaris reviews Siouxsie live at London’s refurbed Troxy, after ten years away. . .

There was definitely an air of expectation awaiting the return of Siouxsie Sioux live in London after a ten-year hiatus. . . Dressed in baby-blue flowing light bodysuit with voluminous sleeves, pussy bow and flared, long hair streaked with grey, this was Morticia in unexpected cocktail glamour mode. The fashion belied the opening which was the gates of hell grind ‘Night Shift’ with uncompromising refrain guaranteed to throw any new fans in the deep end (visit the live album Nocturne 1983 if you need an introduction) but sated the appetite of the rest of us.

We took a trip through both the Banshees’ back catalogue and tracks from Siouxsie’s solo album Mantaray and work with Budgie and The Creatures. What was engaging about this evening was how jaunty and relaxed she was on this surprise return to the live stage, more chatty than I can ever remember and because she was having a blast so were we. This osmosis between audience and artist galvanised her performance. . . that unwavering support from fans and how songs reignite so many potent memories of past teenage lives and how these songs signposted myriad experiences. . . / Continued at apolarisview

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