Tag Archives: Chris Sullivan

2026 ➤ Seven definitive books about the 80s subcultural revolution in the UK

Derek Ridgers, Stephen Jones, Robert Elms, Paul Simper, Graham Smith, Chris Sullivan, Midge Ure, David Johnson, New Romantics, Shapersofthe80s,

❚ All you need to know about the New Romantics
revolution of the 1980s is covered in each of these
books which is definitive in its own way. . .

* 78-87 LONDON YOUTH, by Derek Ridgers (Damiani, 2013) – Generous and compassionate straight-up photography at the street level of daily life captures the “looks” that set people apart.

* SOUVENIRS, by Stephen Jones (Rizzoli International, 2016) – Pictures of his playful and compelling hats accompany the life story of milliner Stephen Jones, from St Martin’s School of Art to every key designer runway over four decades.

* BLITZ, The club that created the 80s, by Robert Elms (Faber & Faber, 2025) – “Unofficial catalogue” for the Blitz Club exhibition in September 2025 at London’s Design Museum, according to its curator. The time-travel broadcaster and writer Elms was a key influencer when individualism redefined nightclubbing.

* POP STARS IN MY PANTRY, by Paul Simper (Unbound, 2017) – The columnist and TV writer Simper stumbled across an early Spandau Ballet gig to become an essential part of the British pop scene ever since. He had his own crack at the charts in the ill-fated disco duo Slippry Feet.

* WE CAN BE HEROES: London Clubland 1976-1984, by Graham Smith and Chris Sullivan (Unbound 2011) – The most personal gallery by photographer Smith in an elegant hardback, with insightful text throughout by club host Sullivan, a key Shaper of the 80s who ran the Wag for 18 years and charted with his band Blue Rondo a la Turk.

* If I was…, by Midge Ure (Virgin Books, 2004&5) – This remains a superb and frank autobiography by the weathervane of synth-pop who helped shape the British New Wave with Ultravox as probably the first active player of a synth among any of his clubbing pals. He earned an OBE for being half the brains behind Band Aid’s smash hit for charity in 1984, Do They Know It’s Christmas? the song that became, for 13 years, the biggest selling UK single of all time.

* NIGHTLIFE REBELS: How New Romantics Ignited the 80s, by David Johnson, featuring photographs by Derek Ridgers (self-published, 2025) – Two seasoned eye-witnesses watched Britain’s young ignite a glittering subcultural revolution… As a Fleet Street journalist I explored their intriguing carnival of style-setting cults across Britain, Paris and New York, while straight-up photographer Derek Ridgers captured the libertines in their dark dens, illustrating many of my own reports in The Face mag’s early years. . . Our elegant illustrated hardback NIGHTLIFE REBELS celebrates the 19-year-old hedonists who insisted “One look lasts a day” while becoming the latest British pop stars with more acts in the US Billboard charts than the 1960s ever achieved. Featuring unseen pictures, stats, a unique timeline and Who Really Was Who. . . “Some nights it was like walking into Hieronymus Bosch’s Garden of Earthly Delights,” says Ridgers. And Johnson: “The whole spectacle shouted newness. This chapter was about youthful talent and personal success, not about worshipping rock gods in a stadium.”

[ Order through my online address
nightlife.rebels [a t] shapersofthe80s.com
]

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2026 ➤ Sunday at 6pm: Share your grief over Finbar Sullivan

Primrose Hill, Leah Seresin, Chris Sullivan, Finbar Sullivan, murder, fighting

❚ IMPOSSIBLE to imagine how many tears have been shed in the past three weeks since the violent murderous death of Finbar Sullivan on his 21st birthday while testing his new camera in broad daylight on grassy Primrose Hill. The park was packed with families enjoying the warm weather and affords one of the most inspiring vistas of the London skyline.

Our hearts go out to Fin’s parents Leah Seresin and Chris Sullivan, two of the stars of the Eighties New Romantic subcultural movement, both of whom I met in 1980 while reporting their innovative activities which recharged Britain’s ailing youth culture.

Leah is the daughter of famed cinematographer Michael Seresin and was a backing singer in Andy Polaris’s band Animal Nightlife. The dynamic and witty Chris has lit so many fuses as leader of the latin band Blue Rondo a la Turk, while hosting several new Soho club-nights, notably the Wag for 19 years, that he remains one of the few original Shapers of the 80s, who inspired my website carrying that name.

JOIN THE FUND-RAISERS

Lifelong Sullivan friend Christos Tolers writes: Fin was the anchor in his world and to see it taken away so suddenly, without warning, has been one of the most heart-breaking things I’ve been witness to in my life. It’s with love and an overwhelming sense of powerlessness that I write this. But we do what we can… There is a Gofundme page set up to help with costs for an appropriate send-off for Finbar. Here is the link –
gofund.me/5defbb114

Seven men have now been arrested for initiating the gruesome savagery on 7 April that caused Fin’s death on Primrose Hill, and some await charging at the Old Bailey. Sky News reports how “he was surrounded and subjected to a relentless barrage of kicks and stamps. Another male produced a knife and stabbed Finbar at least twice, with one wound to his thigh proving fatal. Paramedics rushed to the scene but could not save him”. Police investigations continue thanks to the number of mobile phone videos and CCTV clips that captured the chaos, one of which silenced an entire court. The Metropolitan Police forensics lab also managed to recover dozens of images from Fin’s badly damaged camera.

Fin’s parents Leah and Chris celebrating his birthday… On 7 April he was stabbed to death on Primrose Hill. [Family handout]

Chris has endured indescribable grief and anger while insisting on defending his son’s reputation as a video-maker – I was shocked to see one photograph of Dad sobbing so deeply as to reduce me too to tears. Amid the trauma he immediately initiated a charity fund-raiser to promote a violence-free society. The incident has raised questions about safety in public parks after dark, even in seemingly affluent or well-patrolled areas of north London. This new fund has raised an amazing £30,000+.

This Sunday Chris has announced a 6pm balloon send-off for Fin on Primrose Hill to honour his life. All friends and sympathisers are welcome to this vigil (see poster above).

HELP THE INVESTIGATORS

The police continue to ask anyone with relevant information to contact the force on 101, quoting reference 6448/07 April.

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2024 ➤ Chris Sullivan re-lives Blue Rondo’s second album at a Soho party

1980s, pop music, Blue Rondo a la Turk, Chris Sullivan, Bees Knees and Chicken Elbows, Masked Moods, Cherry Red Records,

Click on image to treat yourself to this audio track at YouTube, Masked Moods (Long Version)

❚ MOST OF US have fond memories of Blue Rondo a la Turk, the seven-piece jazz/salsa band created by Chris Sullivan in 1981 and their first album Chewing the Fat, which I still consider the most original album of 1982. This yielded two chart singles, Me and Mr Sanchez and Klactoveesedstein. But after the band split and reformed as a trio named Blue Rondo who eventually released a second album in 1984, Bees Knees and Chicken Elbows, not many of us can recall many of its singles apart from Slipping Into Daylight.

Deep breath… Tonight Sullivan throws a party in Soho to celebrate this album’s re-issue by re-release by Cherry Red Records in a two-CD box, the second CD featuring Rondo’s previously unreleased tracks.

➢ Visit tonight’s party 9pm-1am at the Century club Soho,
63 Shaftesbury Avenue, London, W1

Blue Rondo a la Turk

Rondo live, Jun 21, 1981: early try-out at a Chelmsford pub. Photography © by Shapersofthe80s

➢ Previously at Shapersofthe80s: Read my own account of Rondo’s birth as a seven-piece band, from New Sounds New Styles in 1981

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2022 ➤ Snatch your own Rondo moment at Sullivan’s solo show

Chris Sullivan, Cuts Soho, exhibition, portraits, painting,
❚ HOW CAN ANYONE RESIST Chris Sullivan’s quirky, cheeky take on Vorticism in his personal caricatures and portraits? “I’ve always been a big fan of George Grosz,” says the legendary Wag club host who first showed his painterly skills on the record-sleeves for his band Blue Rondo a la Turk back in the Eighties and more recently has returned to producing fine art (never forget he set out at St Martin’s School). This week he has a lively solo exhibition showing in Soho, at Cuts in Frith Street, on top of which he’s hosting a vodka & gin sponsored soiree tomorrow Wednesday 7th to shift his catalogue – and all are welcome.

I must of course declare an interest. A few years back Chris was fundraising for his book Rebel Rebel and first prize for the top donation was to have your portrait painted by Chris so I jumped at that. The result, after a lo-o-o-o-ng gestation period, proved compelling. More the rebel Bomberg than Grosz and utterly F.A.B. Never look for flattery in a good portrait, though many friends have said “He’s caught the eyes very well” and who am I to disagree?

➢ Urban Heads & Other Images by Chris Sullivan,
at Cuts 41 Frith Street, W1

➢ Previously at Shapersofthe80s: 2019, My own Rondo moment immortalised by Sullivan, the grand Wag of Soho

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➤ Sullivan & Elms relive their clubland double act

Chris Sullivan, Robert Elms, talk, Standard Hotel, London, history, nightlife, memories

Ribald and passionate: Sullivan and Elms capping each other’s stories with gusto

CATCH UP ON TWO CLUBLAND WAGS Chris Sullivan and Robert Elms, who sat on a pair of wonky stools in public last summer and entertained an invited crowd as each capped the other’s stories. Both are renowned for having shaped the style revolution of the Swinging Eighties and their subject was the ever-changing face of London.

Writer/artist Chris Sullivan is nominally a Welshman who revealed roots that led to a grandfather who’d been a bouncer at the capital’s Windmill Theatre, while BBC London broadcaster Robert Elms is a paid-up Cockney in all but the Bow Bells bit, with a mum who was a clippie on the buses at age 15.

➢ Tune into Portobello Radio for Sullivan & Elms
at 11am on Sunday 31 May, and again for a repeat
on Wednesday and Friday 3+5 June at 7pm