Click pic to open the Wham Rap! video in another window … “Man or mouse” Andrew Ridgeley establishes his group’s clubbing credentials in the opening shots of the Wham video by reading my cover story on Club Culture first published in The Face in 1983 and in recent years the No 1 read at Shapers of the 80s!
❚ OVER THE PAST 14 YEARS Shapers of the 80s has received 2.2 million views, according to year-ending stats measured by our host, WordPress. Our 850+ published items total half-a-million words, which is several times more than most books, so it pays to explore the various navigation buttons. Here are the half dozen posts which remained among the most popular with readers during 2022…
Steve Strange in 1982: for ever being filmed at Camden Palace
❏ In the same season that Next opened its first shops in Britain to bring colour to the high street, Steve Strange and Rusty Egan went mainstream with their first mega-club venue for the growing generation of nightlifers who had discovered that dressing up could change your life. On this day in April 1982, Strange & Egan began fronting what became the Camden Palace a couple of nights a week, way north of London’s West End. This huge Edwardian theatre was most famous in the postwar years as BBC radio’s studio for recording the Goon Shows.
Within its first year and open five nights a week, the Palace came to offer easily the best night out in London because, as well as the usual delights, this poser’s paradise won a reputation for offering more. The world’s media and photographers learned this was the fashionable place to find the next big thing and on the crowded stairways here, posing truly began to pay its way…
During 1982 mega-clubs began appearing across the country, from the Hacienda in Manchester to Rock City in Nottingham and the Academy in Bournemouth. Click below to read my report in the Evening Standard nailing how streetwise New Romantic followers set about expressing their inner talents in ways that helped transform rampant unemployment into a jobs market in which the young began to thrive…
First published in the Evening Standard, 11 May 1983
Good times in the Eighties: Olly Alexander fronts the It’s A Sin gang. (Channel 4)
As It’s a Sin is premiered on Channel 4 amid great expectations, Eighties singer Andy Polaris reviews the exuberant five-part TV series. Here’s an extract…
“ ❚ The much-feted writer Russell T Davies broke barriers with the pioneering British TV series Queer As Folk in 1999 and more recently with Cucumber, both lively depictions of gay life in contemporary Britain. Now comes It’s A Sin which focuses on a diverse group of gay friends mostly escaping from the familiar claustrophobia of suburban life (mostly closeted) and attracted to that well-trodden lure of big-city life. We are off to see the wizard, but this time we’re thrown back to 1981, the year of the first recorded British death from Aids at Brompton Hospital in London.
Ritchie (popstar Olly Alexander) is a gauche, attractive, closeted twink leaving home to study law in London, and his send-off from the Isle of Wight is a multi-pack of condoms from his bigoted dad (Shaun Dooley) as they both stress “It’s different on the mainland”. Roscoe (Omari Douglas) is a flamboyant young Nigerian whose strict religious parents are so fraught over his sexual orientation that he bolts defiantly before an intervention. Colin (Callum Scott Howells) leaves the Welsh valleys to lodge with a family and start his apprenticeship with a Savile Row tailor.
It’s A Sin: Lydia West as Jill emerges as the anchor for her hedonistic friends. (Channel 4)
Soon the group become fast friends with Ash (Nathaniel Curtis) becoming Ritchie’s first lover. We follow the group with Ritchie as lynchpin while his horizons broaden along with the thriving bar scene. Casual sex becomes addictive and flashes past in a blaze of encounters against a soundtrack of the hideous but popular Hooked on Classics.
A scene where Ritchie’s pals party at Heaven, the biggest, brand new gay club, was a baptism by sexual freedom for gay men in a pre-internet landscape including myself and friends. (My group Animal Nightlife played early concerts there along with Culture Club, Spandau Ballet and Musical Youth). The scene was blossoming through a whole network of bars and clubs. Safe sex had not yet been advocated, neither had the government’s “Don’t Die of Ignorance” leaflet campaign. It seemed to be abstain or die. Aids awareness was bad for business. As the Eighties proceed in the TV drama each gay character has to deal with the possibility of an early and lonely death if the dreaded health-test proved positive… ” / Continued at Apolarisview
Gay activist as Aids casts its shadow: Olly Alexander as Ritchie in It’s A Sin
GAY TIMES has teamed up with Channel 4 for a series of video conversations between cast members from tonight’s new series It’s A Sin and artists and activists who lived through the decade, offering social and political context to the themes explored in this LGBTQ+ drama from Russell T Davies. . .
Comparing notes: Omari Douglas and Andy Polaris in conversation for Gay Times
❏ “People forget how homophobic and racist it was in the 80s. People would actually say to you bluntly ‘You’re going to die of Aids – this is going to happen to you.” So says Andy Polaris – Eighties pop-singer with Animal Nightlife – to Omari Douglas, star of It’s A Sin. Omari plays a character called Roscoe who is forced to leave home when he’s 17 and his family finds out he is gay. The character quickly finds his tribe and a new group of friends who support each other during the decade that revealed the horrors of a new deadly virus. ➢ Click to watch Omari and Andy’s conversation at Gay Times
Hedonism in Heaven: Olly Alexander on the dancefloor in It’s A Sin
Russell T Davies has given us iconic television shows such as Queer As Folk, Years & Years, Banana, Cucumber, A Very English Scandal, and more. Set during the 80s, his new queer drama It’s A Sin has a soundtrack (guided inevitably by Murray Gold) that evokes the youth, vibrancy and gay sensibility of the era – big electronic anthems that have stood the test of time and changed the musical landscape.
Asked for an iconic tune that he loved, singer-actor Olly Alexander chose for his ambitious and complex character who leads the show Hungry Like The Wolf by Duran Duran. Omari chose Respectable by Mel and Kim, saying: “I just went through a phase of being completely obsessed with them.”
❚ It’s A Sin starts today 22 January at 9pm on Channel 4, with all episodes available immediately after on All 4.
TRAILER PLUS DISCUSSION
❏ At YouTube, the BFI organised a 40-minute panel discussion on It’s A Sin, hosted by comedian Matt Lucas with guests Russell T Davies, exec producer Nicola Shindler, director Peter Hoar, Channel 4 head of drama Caroline Hollick, and from the cast Olly Alexander, Keeley Hawes, Omari Douglas, Callum Scott Howells, Lydia West and Nathaniel Curtis. The trailer for the series precedes the discussion.
Ribald and passionate: Sullivan and Elms capping each other’s stories with gusto
◼ CATCH UP ON TWO CLUBLAND WAGS Chris Sullivan and Robert Elms, who sat on a pair of wonky stools in public last summer and entertained an invited crowd as each capped the other’s stories. Both are renowned for having shaped the style revolution of the Swinging Eighties and their subject was the ever-changing face of London.
Writer/artist Chris Sullivan is nominally a Welshman who revealed roots that led to a grandfather who’d been a bouncer at the capital’s Windmill Theatre, while BBC London broadcaster Robert Elms is a paid-up Cockney in all but the Bow Bells bit, with a mum who was a clippie on the buses at age 15.
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MORE INTERESTING THAN MOST PEOPLE’S FANTASIES — THE SWINGING EIGHTIES 1978-1984
They didn’t call themselves New Romantics, or the Blitz Kids – but other people did.
“I’d find people at the Blitz who were possible only in my imagination. But they were real” — Stephen Jones, hatmaker, 1983. (Illustration courtesy Iain R Webb, 1983)
“The truth about those Blitz club people was more interesting than most people’s fantasies” — Steve Dagger, pop group manager, 1983
“See David Johnson’s fabulously detailed website Shapers of the 80s to which I am hugely indebted” – Political historian Dominic Sandbrook, in his book Who Dares Wins, 2019
“The (velvet) goldmine that is Shapers of the 80s” – Verdict of Chris O’Leary, respected author and blogger who analyses Bowie song by song at Pushing Ahead of the Dame
“The rather brilliant Shapers of the 80s website” – Dylan Jones in his Sweet Dreams paperback, 2021
A UNIQUE HISTORY
➢ WELCOME to the Swinging 80s ➢ THE BLOG POSTS on this front page report topical updates ➢ ROLL OVER THE MENU at page top to go deeper into the past ➢ FOR NEWS & MONTH BY MONTH SEARCH scroll down this sidebar
❏ Header artwork by Kat Starchild shows Blitz Kids Darla Jane Gilroy, Elise Brazier, Judi Frankland and Steve Strange, with David Bowie at centre in his 1980 video for Ashes to Ashes
VINCENT ON AIR 2022
✱ Deejay legend Robbie Vincent returned to JazzFM on Sundays 1-3pm in 2021… Catch Robbie’s JazzFM August Bank Holiday 2020 session thanks to AhhhhhSoul with four hours of “nothing but essential rhythms of soul, jazz and funk”.
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UNTOLD BLITZ STORIES
✱ If you thought there was no more to know about the birth of Blitz culture in 1980 then get your hands on a sensational book by an obsessive music fan called David Barrat. It is gripping, original and epic – a spooky tale of coincidence and parallel lives as mind-tingling as a Sherlock Holmes yarn. Titled both New Romantics Who Never Were and The Untold Story of Spandau Ballet! Sample this initial taster here at Shapers of the 80s
CHEWING THE FAT
✱ Jawing at Soho Radio on the 80s clubland revolution (from 32 mins) and on art (@55 mins) is probably the most influential shaper of the 80s, former Wag-club director Chris Sullivan (pictured) with editor of this website David Johnson
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