Category Archives: Media

➤ Sotheby’s first David Bowie art auction raises twice the expected total sales figure

Frank Auerbach, Sotheby’s, Bowie/Collector, auction

At Sotheby’s Bowie/Collector auction tonight: the pop star’s favourite painting, Frank Auerbach’s portrait Head of Gerda Boehm, eventually went for went for £3.35m. (Screengrab from Sotheby’s live webcast)

PART 1 OF THE BOWIE/COLLECTOR SALE saw its 47 modern and contemporary artworks raise £24m tonight – just over twice the total of top prices estimated by Sotheby’s the auctioneer in advance. So the “Bowie premium” added to market prices for the privilege of owning a memento of the pop icon’s personal collection averaged 105% (with wild extremes either side).

Bowie/Collector, Sothebys, Frank Auerbach

Bowie’s inspiration: Auerbach’s Head of Gerda Boehm (Sotheby)

Most suspenseful bidding came for Bowie’s favourite painting, the Frank Auerbach portrait that the pop star said set his mood every day when he rose: Head of Gerda Boehm was estimated at best to sell for £500k but eventually went for £3.35m when a new bidder popped up at the £2m mark and staged a fight to the end.

As might have been expected, two Jean-Michel Basquiat works went for roughly two-thirds more than best estimates – £2m for an Untitled collage and £6.2m for his large acrylic Air Power. The final lot, a Damien Hirst spin painting on which Bowie collaborated, sold for £625k (top estimate £350k). Hirst’s other work, Untitled Fish For David, 1995, sold for £150k (top estimate £60,000).

Sadly the handful of works that didn’t even reach their low estimates included an exquisite Wyndham Lewis collage, a Paolozzi bronze, a rich Picabia portrait in oil, and a Bomberg townscape in oil. Among many moments of high-speed amusement that enlivened the event was the auctioneer’s unique pronunciation of Lytton Strachey’s name, which suggested this was the first time he’d come across it.

➢ Two more sales of 300 artworks owned by Bowie continue at Sotheby’s London through Friday, live online

➢ Previously at Shapersofthe80s: Bowie’s passionate eye for art proves to be not bad at all

➢ Previously at Shapersofthe80s: Bowie’s taste in art: respectable, with bargains to be had at Sotheby’s auction

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2016 ➤ On film: two electrifying hours of The Beatles as they’ve never been seen and heard

The Beatles, Eight Days a Week, Ron Howard, documentary, film, Paul McCartney, Ringo Starr, John Lennon, George Harrison, Swinging Sixties, live concert, vintage, pop music, Shea Stadium, touring,

Pristine footage: The Beatles play Shea Stadium in August 1965. (Image: SubaFilms)

LAST NIGHT AT A LONDON CINEMA I saw the most exciting live pop concert since the same band played live in the Swinging Sixties. Ron Howard’s new Beatles documentary, Eight Days A Week about the touring years 1963-66, is a sensational feast of long-lost performance footage that confronts us with the Fab Four’s raw onstage energy and pounding tempo – the audio as gorgeously restored as the images. This two-hour celebration of Beatle genius goes behind the clichés of hysteria to give us Access All Areas. It delivers one revelation after another, from Paul’s “Oh-my-God” moment when Ringo joined the band, to the jaw-dropping recording of a top-ten single in 90 minutes of studio time, to their 1964 triumph for civil rights when the band refused to tour in the US until audience segregation was abandoned at their venues.

New interviews from Ringo Starr and Paul McCartney keep dropping gems of insight about this the most commercially successful group in pop history, while vintage footage does as much justice to lippy John Lennon and “quiet” George Harrison who are no longer with us.

Throughout this joyous moptops-into-men odyssey we’re wide-eyed at the sheer cheek of these multimedia superstars, aged between 19 and 22, who created their own interview style by pinging back witty ad-libs to questions from the world’s media. The downside was mass hysteria from teenaged babyboom fans laying siege to hotels and airports where they repeatedly overwhelmed police and security on an often scarifying scale.

Beatle albums sat at No 1 in the charts for 20 to 30 weeks at a time – more No 1 albums than any other musical act. Their 20 No 1 hit singles on the Billboard Hot 100 chart remain unchallenged.

The Beatles, Eight Days a Week, Ron Howard, documentary, film, Paul McCartney, Ringo Starr, John Lennon, George Harrison, Swinging Sixties, live concert, vintage, pop music, Shea Stadium, touring,

Ron Howard with Paul and Ringo this week: “I love this photo that was taken yesterday at Abbey Road Studios in historic Studio 2 while we were promoting The Beatles: Eight Days a Week”

Everything The Beatles did was without precedent. Among their innovations they launched arena rock and at Shea Stadium Howard’s doc ensures that we hear George’s guitar chords above the screaming audience of 55,000 fans. As a shock reminder of Sixties technology, Vox had built three new amps for the Beatles, each souped up to 100 watts (!!!) specially for touring America, their output being relayed via microphones to feed the stadium’s tinny loudspeaker system!!!

It is a breath-taking source of inspiration to know that during The Beatles’ far from meteoric early years, this Liverpudlian band of brothers had played at least 456 live gigs before signing their recording contract with EMI. Yes, 456 !!! With that amount of practice, it should be no surprise to find that their legacy amounts to 237 original compositions – songs which most people on the planet can hum, while the most radical among them personify the Sixties counterculture. As the best-selling band in history, the Fabs revolutionised all of music for ever.

Howard’s previous reality epics include the wonderful Apollo 13 and the gripping joust, Frost/Nixon. This week he told The Guardian: “I began to think of the Beatles story as like Das Boot: they’re in it together, they have each other, they know what their objective is, but, y’know, it’s a dangerous world out there.”

WHAT THE PRESS ARE SAYING

➢ Ron Howard trashes the idea that there’s nothing new to say about the Beatles – The Guardian:
This is about the Beatles as live phenomenon, and the fact that their music was all the more remarkable because it had to be heard above the scream – that ambient sound of sex, excitement and modernity, mixed in with a thin chirrup of press envy. The scream was an important part of it. . . an almost unbroken four-year, semi-improvised multimedia performance for which there was no pre-existing template – not simply the music but the giant public spectacle and public scrutiny.

➢ 10 Things we learned from Eight Days a Week
– Rolling Stone:

In February 1964, the band and their entourage occupied nearly the entire 12th floor of the Plaza NYC, including the 10-room presidential suite. But despite the space, the four friends retired to smaller quarters. “The four of us ended up in the bathroom just to get a break from the incredible pressure,” Starr says.

➢ “We were force-grown, like rhubarb,” says John Lennon
– Daily Telegraph:

The film shrewdly draws a line between the Beatles’ mischievous sense of humour and their long-time producer George Martin’s earlier life recording alternative comedy. Martin had worked with the Goons, an enormous influence on the band’s growing lyrical eccentricity in that period, as well as their off-the-cuff ribbing of strait-laced reporters.

REMASTERED UK FOOTAGE, MANCHESTER 1963

Previously at Shapers of the 80s:

➢ No wonder The Beatles changed the shape of music after 456 sessions practising in public

➢ 1963, With The Beatles the day Kennedy was shot: “The second house was distinctly more subdued”

➢ 1966, More popular than Jesus: the fascinating Lennon interview in full

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2016 ➤ Van Jones reveals Prince’s humanitarian activities to CNN

➢ American political activist and friend reveals extent of Prince’s philanthropy on CNN – reported at Bring Me The News:

Stories about the Purple One’s generosity are starting to emerge in the days following his death, with his close friend Van Jones lifting the curtain on his humanitarian endeavours in an interview with CNN (which you can watch above).

Prince, YesWeCode

July 2014: Prince at the #YesWeCode Launch, at Essence Music Festival

As a practising Jehovah’s Witness, Jones says, Prince was “not allowed to speak publicly about any of his good acts” but Jones felt that now was the time people knew more about his charitable giving over the years.

Chief among the projects he helped fund is #YesWeCode, an initiative led by Jones aiming to teach 100,000 low-income, urban youths learn how to code to help them get jobs in the tech world. Jones says 15 major technology companies now work with “kids in the hood” to help them break into Silicon Valley through the project.

According to the L.A. Times, Jones said the inspiration for the idea came following the Trayvon Martin verdict, with Prince saying to Jones: “Every time people see a young black man wearing a hoodie, they think, he’s a thug. But if they see a young white guy wearing a hoodie they think, oh that might be Mark Zuckerberg. That might be a dot-com billionaire” . . . / Continued online

➢ Elsewhere at Shapersofthe80s:
Prince ‘A funny cat’ and ‘sole authentic genius’ of the 1980s

➢ Elsewhere at Shapersofthe80s:
Prince’s raunchy earliest videos and his last

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➤ Come on, Davie Jones – it’s time you cheered us all up

David Bowie, tributes, rock music,TV, YouTube,interviews, funny,quotations

David Bowie telling a tall tale on TV: “He had seven daughters and seven sons. . .”

Self-reinvention is my middle name.
Ah, Benny Hill’s on. Excuse me.
Shush, I know that one. I can’t remember the title.

Don’t start. “Clean your desktop up!”
The things I could tell you!
I’m gonna get older and older and NEVER stop singing.

Shall I do Marcel Marceau?
Cashmere, cashmere!
I’m a bit of a Sunday futurist, you know.

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Bowie: “He collapsed” at his last public appearance

David Bowie, Lazarus, final appearance,death, Ivo van Hove

David Bowie’s last appearance in public, attending the premiere of his musical Lazarus in New York on Dec 7… Its director Ivo van Hove has told The Times: “I could see the tears behind his eyes because he was not a man to show off his emotions. He was really deep in fear.” Photo © Vantagenews

➢ BBC coverage in full

➢ Bowie collapsed backstage during his final public appearance despite fans saying he looked fit – The Sun

➢ Bowie obituary at The Guardian: “The world is never short of self-absorbed would-be artists, but Bowie was able to break out and become the first misfit megastar. That undoubtedly had a good deal to do with talent.”

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