Category Archives: Media

2018 ➤ First glimpse of the Spandau new boy

Spandau Ballet, vocalist, new boy, pop music

Here he is: Spandau Ballet – The Next Line 6.6.18 – trailer posted at YouTube at 10:25am today… That haircut looks promising

➢ View today’s Spandau Ballet tease trailer for your first glimpse of their new vocalist

➢ Previously at Shapers of the 80s: awaiting the bombshell

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1980 ➤ Day Four of Terry Smith’s unseen photos inside the Blitz Club – exclusive

Nik & Trick Photo Services, Folkestone

A New Romantics keynote was your invented image: startling make-up and a towering hat complete Blitz superstar Peter Probert’s wicked witch of the west

➢ DAY FOUR:
CLICK HERE TO VISIT OUR
GALLERY OF TEN MORE FAB IMAGES
OF THE BLITZ CLUB IN 1980

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EVEN AMONG THE UK ROCK PRESS, few of its music historians have conceded that the New Romantics amounted to an ambitious subculture that changed the rules of the game – largely because the rockists completely missed the boat by idolising guitar idols, never went to nightclubs, and what’s more, couldn’t dance.

The most audible consequence of the clubbing underground was to fundamentally change the rhythm of the pop singles charts within a year – from the rock guitar to the bass-and-drum, namely, to dance music. After 1981 scarcely any significant new rock groups made the singles charts, only the old dinosaurs, if at all. Rock was relegated to the album chart and new dance-music stars such as Madonna and Prince transformed the pop music of the new decade.

The other New Romantics keynote was the central role of image with the dawn of MTV as a platform for music videos. A band became the leaders of fashion, while their style-conscious nightlife followers collaborated in promoting them through the clubbing grapevine. As synth-pop pioneers during 1980 Spandau Ballet pushed a button for the fashion-conscious young. They were signalling that the language of pop called for new styles as much as new sounds.

During the first five years of the decade, more than 100 “image bands” and acts entered the UK charts – most of them new, led in the South-East by Ultravox, Linx, Spandau Ballet, Visage, Landscape, Depeche Mode, Kid Creole, Blue Rondo a la Turk. Many more emerged from clubland across the UK: Duran Duran, Soft Cell, Heaven 17, Altered Images, Imagination, Eurythmics, Thomas Dolby, ABC.

During Spandau’s North American tour in November 1983, alongside their hit True among the Billboard Top 40 singles in the USA, there were 17 other British bands – more than the Swinging 60s ever knew. Insolence and narcissism lit a torch that led a generation of school-leavers through what threatened to be Britain’s dark age of unemployment. As clubs became workplaces and nightlife the essential engine of cultural evolution, they liberated music, design and, especially, ambition for the young.

➢ Previously at Shapers of the 80s:
Spandau Ballet create a new template for pop success

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➤ Whither Spandau? Expect a bombshell today!

Spandau Ballet , pop music,Gary Kemp, Martin Kemp, John Keeble, Steve Norman

Face wanted in the Spandau Ballet lineup: from left, Gary Kemp, Martin Kemp, John Keeble, Steve Norman. Might the new singer even be female? (Er, no.)

EXPECT A NEWS TSUNAMI TODAY when Spandau Ballet, the New Romantic heroes of the 80s, announce who is going to replace the finally departed Tony Hadley as their singer. AND the date of their first gig together as a revitalised new line-up.

A shortlist of hot tips for the Spands’ new voice was discussed at Shapersofthe80s last summer. Since then we’ve learnt that he/she is not going to be an old 80s has-been. So who’s still in the frame for the key job without which Spandau’s legacy will remain all behind them? Could it really be Brandon Flowers who is known to have discussed a future with Spandau? Or Will Young whose recently acclaimed stage experience in Cabaret might bring a fresh note of theatre to Spandau performances?

Or could it be one of these burgeoning young talents?

* George Maguire, recently touring as Marc Bolan, who also won the Olivier Award for the Best Actor in a Supporting Role in a Musical in 2015?

* Rami Malek, the 36-year-old star of Mr Robot?

* Layton Williams, who stole all the curtain calls as Angel in Rent, the touring musical?

* Mo Adeniran, the 21-year-old former hotel worker whose show-stopping performance of Iron Sky wowed judges in the blind auditions on The Voice UK?

* Giles Terera, the British actor and musician best known for originating the character of Aaron Burr in the London production of Hamilton for which he won the 2018 Olivier Award for Best Actor in a Musical?

* Martin Lewis, who sang Gold brilliantly in Stars in Their Eyes?

* Adam J Bernard, who won Best actor in a supporting role in a musical for Dreamgirls at the Savoy Theatre?

* Tyrone Huntley, 2016 winner of the Standard’s Emerging Talent Award, also nominated for Best Supporting Actor in a Musical for his Judas in Jesus Christ Superstar at Regent’s Park Open Air Theatre?

The choice is yours! Sorry, no it’s not. The choice is Spandau’s. And he’s already been hired!

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➤ Day Three of Terry Smith’s unseen photos inside the Blitz Club – exclusive

Nik & Trick Photo Services, Folkestone

The two Welsh soul-boys, one straight, one gay, who shaped the future of 80s clubland: Chris Sullivan went on to run Soho’s Wag club for 19 years… And Steve Strange, whose Blitz legacy landed him and deejay Rusty Egan the mighty Camden Palace in 1982

➢ DAY THREE:
CLICK HERE TO VISIT OUR
GALLERY OF TEN FAB NEW IMAGES
OF THE BLITZ IN 1980

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◼ IN 1980 THE BLITZ CLUB ENTERED its second year: here was your invitation to the Swinging 80s, where daily life would never sound or feel the same again. Paris and New York had taken the cultural lead during the recessionary 70s; now London was to become the creative powerhouse as Britain rode out dark times and its youth culture leapt back into the world spotlight.

In February 1979, the axis of Steve Strange as Tuesday-night greeter and Rusty Egan as deejay had graduated from Billy’s in Soho to the Blitz in Covent Garden. This was a bar decorated with Second World War austerity that was thought to echo the down at heel 70s: bare floorboards, gingham tablecloths, hanging lights with dusty enamel shades, framed pictures of our wartime leader Churchill.

In the post-punk no-wave vacuum, the Blitz’s manager, Brendan Connolly, had been struggling to promote intimate cabaret, and the dressy crowd fostered at Billy’s were cabaret incarnate. Nevertheless it took a full year before the new spirit of optimism expressing itself through fashion caught the attention of the savvy media which in April 1980 included photographer Terry Smith shooting for TIME magazine.

Now in retirement, Terry has exhumed rolls of his film and chosen the best of his colour slides for Shapers of the 80s to publish exclusively. Earlier this week we unveiled 20 of his choice images inside the Blitz and today we showcase a further ten. More to follow on Tuesday.

➢ Previously at Shapers of the 80s:
Days 1 & 2 of Terry’s Blitz pix in colour

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1980 ➤ Unseen photos inside the Blitz Club, exclusively at Shapers of the 80s

Nik & Trick Photo Services, Folkestone

Never before published: Steve Strange, co-founder with deejay Rusty Egan of the legendary Tuesday night at the Blitz in London

➢ DAY ONE:
CLICK HERE TO VISIT OUR
GALLERY OF TEN FAB IMAGES
OF THE BLITZ IN COLOUR

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AN ENORMOUS NEW CACHE of photographs of the Blitz Club in colour has been discovered from the spring of 1980 when the UK media started to take an interest in the Tuesday-night antics of the nightlife posers at Covent Garden’s Blitz Club. They were to become celebrated as the Blitz Kids by some and as New Romantics by others. Until this moment it has been easy to count the number of surviving professional pictures ever taken inside the Blitz during its 20-month life – all of them in black-and-white – and the total doesn’t even approach 100.

Now a call to Shapers of the 80s by the British photographer Terry Smith has unearthed probably 300 more images, commissioned by Time magazine. Many of them are in glorious colour, shedding extra light on the creativity of the night-owls who were in the throes of transforming the fashion and pop landscape of Britain in the Swinging 80s.

Shapers of the 80s today showcases the first of four batches of Terry’s pictures capturing the Blitz in colour, while a selling exhibition of his black-and-white images is preparing to open on 7 June in St Leonards-on-Sea.

➢ Terry Smith/Blitz and Pieces: Unseen Blitz Club Pictures
& 80s Bands runs 7 June–21 July 2018 at Lucy Bell Gallery,
St Leonards-on-Sea, East Sussex TN38 0EJ.
Preview 7 June, 6-8pm

Nik & Trick Photo Services, Folkestone

Blitz Club 1980: Can you name these early New Romantics in the frilly-shirt posse?

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