Category Archives: Film

2020 ➤ Beyond: Learning how to be black and gay and blaze a trail to the future

Shapersofthe80s, black issues, gay issues, film, Beyond, Claire Lawrie,

Beyond director Claire Lawrie, centre: with some of her garrulous cast answering questions after a screening at Central Saint Martins college. (Photo by Shapersofthe80s)

AFTER A STREAM OF EXCLUSIVE SCREENINGS for a poignant and edgy short documentary about growing up black and queer in Seventies Britain, everyone can now view it online. Titled Beyond “There is always a black issue Dear”, the 34-minute film explores black LGBT identities and the ways in which they have influenced the collective history of London’s alternative club, fashion, fine art, dance and music scenes. The cast of ten are long-standing friends of director/photographer Claire Lawrie who helps tell their personal stories when these fans of soul and disco, punks and Blitz Kids found each other’s company in underground clubs.

Over the past year Claire has won a fistful of film-festival awards and, prompted by the coronavirus lockdown, she has posted the full version online, and repeat viewings reward with deeper appreciation. Onetime Blitz Kid Andy Polaris is part of the project and he recalls its origins in this extract from his own website Apolarisview. . .

Black issues, gay issues, film, Beyond, Claire Lawrie,

Photo that inspired the movie Beyond – Click pic to view the film in another window

“To me it’s important now that people
realise that black people were there,
because a lot of the time they
tried to paint us out”
– Andy Polaris

❏ A 2013 exhibition at the V&A museum in London titled Club to Catwalk was instrumental in bringing the collective creative talent of Eighties fashion stalwarts and club luminaries together for a preview party that summer. It was a splendid event, one of the last memorable social events with such a vibrant successful crowd. Among the assembled were Judy Blame, Princess Julia, Andrew Logan, Zandra Rhodes, Body Map, Antony Price, Chris Sullivan and it was the last time I saw Steve Strange (who along with Rusty Egan) had brought us all together at the Blitz Club in 1979.

The visual artist Claire Lawrie was at the V&A and pondered on the omission from the exhibition of gay black talent whose influence had permeated Eighties club culture. Although Jeffrey Hinton’s brilliant cave of projected nightlife photography did feature some of us, Lawrie echoed some of her friends’ frustration that their experience was not reflected in the exhibition. She set about organising an open-call photograph to celebrate a contingent of black talent and arranged for the gathering to be filmed by her friends, Emile Kelly and Kim Mnguni. This was the genesis of something deeper and her award-winning documentary, Beyond “There is always a black issue Dear”, emerged from that event with her as director.

Click any pic of the interviewees to enlarge all in a slideshow

Over the next year Claire arranged interviews with ten of the candidates who were filmed on a shoestring. Contributions of archive footage were given by a long list of talented artists, people who, over the years had collaborated with and who wanted to show their respect and love for the cast. These included Pam Hogg, Dick Jewell, Dave Swindells and Nicola Tyson as well as John Maybury, Derek Ridgers, BodyMap, Devon Buchanon and Rankin.

The film adjusts the colour settings of the standard view of black creative lives when telling the story about club culture and its impact in the UK. Featuring ten black queer voices from the diaspora, born in the late Fifties and Sixties in the UK, Guyana and New York, the documentary delves into personal stories of discovery and eventual self-acceptance, looking back at struggles with identity and family and the wider world. The cast features stylist Frank Akinsete, transgender model Winn Austin, international model Roy Brown, make-up artist Kenny Campbell, choreographer Les Child, clubland pioneer Kenrick Davis and his mother Velma “Vee” Davis, nightclub host Nicky Green, gender-fluid performer Lanah Pellay, composer Robb Scott and myself as an original Blitz Kid turned pop singer.

Roy Brown, Black issues, gay issues, film, Beyond, Claire Lawrie

Roy Brown in 1985: poster boy for the Barbican’s recent exhibition on Masculinities. (Photo: Rotimi Fani-Kayode)

In the mid-Seventies and Eighties the UK’s attitudes to both race and gay issues were particularly brutal, endorsed by the anti-gay policies of Thatcher’s government and tabloid sensationalism regarding anything queer, especially later with the arrival of the Aids epidemic. The Seventies were marred by stereotypes of both marginalised groups, joining the sexist and misogynistic tropes in light entertainment and films which set the tone for how the world viewed us and how we viewed ourselves.

This lack of representation and role models forced us to create our own image during our teens, which in some cases was defiantly camp. Instead of allowing bullies to mock us, we accentuated certain behaviour, not just as a direct challenge to the heteronormative majority but against the conservative oppression in society.

Music and fashion were an escape from small-mindedness and even as early teens we were exploring alternatives and the fashionable disco and punk clubs were our laboratories of choice. . . / Continued at Apolarisview

➢ All about the making of Beyond “There is always
a black issue Dear”

➢ Interview with director Claire Lawrie: “These were
people that I looked up to and admired”

➢ On video – Beyond Q&A by RankinFilm after
the July 2019 screening at his studio

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➤ Those ‘things’ Blade Runner’s Hauer had seen…

THE DUTCH ACTOR BEST KNOWN for his role in the 1982 film Blade Runner, has died aged 75, CBS News reports today. Rutger Hauer played the murderous replicant Roy Batty on a desperate quest to prolong his artificially shortened life in post-apocalyptic, 21st-century Los Angeles. Only two years ago director Ridley Scott revealed that Hauer himself wrote his anti-hero’s much-quoted “I’ve Seen Things” soliloquy for his dying moments. The rain-soaked Batty looked back over his extraordinary existence, saying: “All those moments will be lost in time. Like tears in rain. Time to die.”
➢ Rutger Hauer, Blade Runner star, dies at 75 – CBS News

➢ Rutger Hauer obituary in Rolling Stone

DIRECTOR SCOTT ON HOW IT CAME ABOUT

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2019 ➤ Lawrie’s Eleven talk candidly of being young black and gay in ways many of us never knew

Black issues, film, Vogue Fabrics Dalston, Beyond There’s always a black issue Dear,Claire Lawrie,

Discussion following Beyond at Vogue Fabrics Dalston: around Claire Lawrie wearing white), Andy Polaris, Roy Brown, David Holah, Iain R Webb, Greg Davis. (Photo Shapersofthe80s)


WELL THAT WAS A HILARIOUS BOUT OF GAY BANTER following the first community screening of director Claire Lawrie’s Iris prize-winning short documentary featuring eleven highly individual creatives telling their stories about growing up black and queer in 1970s and 80s Britain. Thursday’s screening at Vogue Fabrics Dalston of Beyond “There’s always a black issue, Dear” was as moving and thoughtful as it was entertaining. Joining Claire in Thursday’s follow-on discussion were some of its stars, Frank Akinsete, Andy Polaris, Roy Brown and Winn Austin, plus David Holah, Iain R Webb, Greg Davis, Shaun Cole and other individualists who made their mark before and during Margaret Thatcher’s regime.

Navigating their gender-fluid youth in this period of cultural and political turbulence saw the protagonists tackling things their own way. London’s alternative nightclub scene provided sanctuary for disco to meet soul and punks  to become Blitz Kids. As fierce LGBTQ trailblazers, the cast recount vivid memories which tell of singular determination and of resisting definition, through dance, art, fashion and music and seeing their ideas appropriated by the mainstream. The film acknowledges the importance of family, whether as parents or a group of like-minded friends. “You needed somewhere to go where you felt good about yourself,” and in the post-punk moment that meant Soho nightclubs such as Crackers and Billy’s.

Black issues, film, Vogue Fabrics Dalston, Beyond There’s always a black issue Dear,Claire Lawrie,

Claire Lawrie with guests outside Vogue Fabrics Dalston: Frank Akinsete, Pippa Brooks, Winn Austin. (Photo Andy Polaris)

In Thursday’s discussion Frank said that race itself wasn’t the issue, simply feeling “weird”. Within black circles the choice was also between reggae or soul, Andy said on today’s Robert Elms show on BBC Radio London: “The power of the film is not just about gay or straight, black or white – we were all rejects from some type of conservatism and we came together in a safe space where we could explore ourselves.”

Also on the Elms show, Claire said the film started with Les Childs being in Lindsay Kemp’s company in the mid-70s (he later worked with Michael Clark and choreographed for the Pet Shop Boys) and goes through to 1991 and the Michael and Gerlinde Costiff club Kinky Gerlinky. Claire added: “London is another star of this film – we all moved to London to be individual.”

There’s another screening tonight (6 July) at the Conduit club in Mayfair as part of BlackOut’s starry Pride programme (tickets via Eventbrite) and again on 23 July at Manchester Pride, with another hopefully in Liverpool.

➢ Tickets may still be available for tonight’s 6pm screening of Beyond plus a discussion to launch BlackOut UK’s fund-raising appeal at the Conduit Club, W1S 2YQ

radio, Andy Polaris, interview , Claire Lawrie

Andy, Bob and Claire at BBC Radio London

➢ Andy Polaris and Claire Lawrie talk about Beyond on today’s Robert Elms show at BBC Radio London

➢ A new documentary finally gives credit to the black queer people who built British nightlife – Andy Polaris writes about Beyond: There’s always a black issue Dear at GQ online

TRAILER for BEYOND

➢ More about the film Beyond

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➤ Bowie TV trilogy triumphs thanks to candour and a few tears

David Bowie,pop music, TV documentary, review,

Bowie’s search for identity: the hippy look for the Hunky Dory sleeve 1971 and red-haired alien for Space Oddity 1972. (Photos by Brian Ward and Mick Rock)

WHAT AN EYE-OPENER! Nine failed bands in ten years of struggle before David Bowie emerged as a star. “He was no Marcel Marceau,” said his mentor and lover Lindsay Kemp of David’s attempts at mime. Saturday’s TV doc Bowie Finding Fame directed by Francis Whately was chock-full of jaw-droppingly frank evaluations by all his pals and workmates from his earliest days in music. Among the kindest was his girlfriend in 1968 Hermione Farthingale who said: “He was actually 21 and looked about eight. . . He wasn’t lost, but he wasn’t found either”. For 90 minutes Bowie’s own voiceover was disarmingly full of insight too and this episode, the third in Whately’s consummate trilogy for the BBC, proved probably the‬ most moving of all.

And today comes a thorough and informative appreciation of this the latest landmark documentary about Bowie’s early life in a review published by Andy Polaris, Eighties singer with Animal Nightlife, at his website APolarisView. As a fan utterly in thrall at a formative age to Bowie’s charisma, Andy brings personal insights to the final doc, which follows on from David Bowie: Five Years (2013) and The Last Five Years (2017), both being repeated live tonight from 11.15pm (despite the confusion in newspaper listings guides), and subsequently viewable on iPlayer.

Andy also adds further essential points of reference to the Bowie story omitted from the new biopic, possibly because, as its series consultant and Bowie chronicler Kevin Cann has explained this week, the production team ultimately had to exclude masses because of time limitations: “Sadly there are a few fabulous interviews we made that we couldn’t fit in – all important in their own way. . . At one point we had close on a three-hour edit. We were basically overwhelmed with options at times – and that’s exactly why future generations, I’m sure, will never be bored of this man’s immense talent. He will never cease to impress.” Another gem they discovered was the complete Russell Harty TV interview from 1973: “. . . the whole Bowie section, interview and song performances. Even though ITV erased their original master a year or two after original broadcast, the recording we have still belongs to them, so its immediate future is yet to be decided.”

➢ Meanwhile here’s an excerpt from Andy’s blog
APolarisView where he reviews Saturday’s superb doc,
Finding Fame, which starts in the mid-Sixties:

Swinging 80s, Andy Polaris,TV review, David Bowie Finding Fame,,singer,pop music,

Polaris: surprised

I came away admiring Bowie more as an artist due to his single-minded pursuit to achieve his goal and establish a career in the arts. Eleven years (which brought massive cultural changes generally) and nine different bands failed to launch his career. With such limited rewards most people would have fallen at the second or third hurdle and contemplated a different choice of career. A lot of the bands I had heard of, but the film surprised me by exhuming the music of Riot Squad (a name sounding more like a later oi/skinhead band) where he spent eight weeks as their singer in 1967.

Bowie learned quickly to jettison anyone or thing that stood in the way of his mission and made sure that he was front and centre of the action. Early associates talk of how he was the driving force behind stage performances, style and presentation and how to stand out from the crowd.

Whately’s biopic marks the first time I can remember hearing about the inspiration for Letter to Hermione (a beautiful song on Space Oddity) in a filmed interview where his former girlfriend talks candidly about their love affair and the aftermath of their break-up. In a rare moment of personal confession it reveals the crushing effect it had on David at the time and he wanted her to forever realise the hurt. . . / Continued at APolarisView

➢ Bonus clips at the BBC’s programme website:
Of the surplus footage researched for Finding Fame, Kevin Cann reports that My Death survives in full, as does the whole interview. As also does probably 90% of the 1970 Glastonbury set. “Just in case you haven’t seen them, here are some of the brief edits that came out along the way. There are many more and I hope, over time, more is made available.”

WHAT THE TV CRITICS SAID OF FINDING FAME

➢ “Whately arguably does get closer to who the flesh and blood David Jones really was than anyone has previously, largely thanks to securing interviews with an elusive cousin and a just as elusive first love” – The Arts Desk

➢ “Still think of Bowie as the last word in cool? You’ve obviously forgotten his novelty single about gnomes, his dire mime days… and his cover of Chim Chim Cher-ee” – Guardian TV review

➢ “The BBC’s ‘talent selection group’ had dismissed Bowie as ‘devoid of personality’ (ah, the irony). Yet Bowie doubled down and worked harder” – The Times review

➢ “One of the most miraculous things about Bowie is that he didn’t wind up as a drama teacher in Bromley” – Sunday Times Culture

➢ “Fascinating insight into the young singer’s quest for fame and his evolutionary struggle to burst out of suburbia” – The Telegraph review

➢ View David Bowie: Five Years (2013) at the iPlayer

➢ View David Bowie: The Last Five Years (2017) at the iPlayer

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2018 ➤ The Spandau show must go on and Oh, the Wild voice! Oh, the Wild biceps!

TABLOIDS GET THEIR MAN: ROSS WILLIAM WILD
HERE SINGING The Show Must Go On, 2012

➢ A talented Elvis impersonator has been brought in to sing Spandau Ballet’s hits like True and Gold – Daily Mirror

Spandau Ballet, vocalist, Ross William Wild, Martin Kemp,

Spandau’s new boy Ross William Wild met Martin Kemp when they both appeared in Million Dollar Quartet

The identity of the new Spandau vocalist has been cracked: He is a 30-year-old former Aberdeen Grammar School pupil, born in February 1988, whose original name is Ross William Davidson. He has a sister Lucy Indiana Wild living in Canada (and it’s sheer coincidence that today he has a friend called Will Davidson). Ross trained for the stage at Aberdeen Youth Music Theatre from the age of 10, and then studied Musical Theatre at Glasgow Academy of Music Theatre Arts.

➢ “We first noticed he had such a fantastic singing voice when his voice was starting to develop” – Evening Express

Ross William Wild , Spandau Ballet, vocalist,

Spandau’s new boy Ross William Wild with Nile Rogers at Abbey Road Studios this year – at Instagram

✭ His first instrument was guitar when he was 8 and the first chords that he struck were the blues chords.

✭ Describes himself as musician, singer, actor, writer and adventurer. Tweeted that he enjoyed the Charles II: Art and Power exhibition at The Queen’s Gallery.

Spandau Ballet, vocalist, Ross William Wild

Spandau’s new boy Ross William Wild – at Twitter

✭ In 2016 he released his debut solo album Wild Tracks which includes songs written with Trisha Ward.

✭ In 2016 Ross played Elvis Presley in the hit West End musical Million Dollar Quartet and shared the stage with Martin Kemp when he took over the role of record producer Sam Phillips who discovered Presley.

✭ Above, Ross featured as the popular and handsome Daniel in the raunchy 2011 film Downing, where he has sex scenes with a woman and a man. He speaks with a clear Scottish accent.

➢ Hunky Ross regularly shows off “his honed physique in saucy social media selfies” – according to The Mail

Spandau Ballet, vocalist, Ross William Wild

Spandau’s new boy Ross William Wild on holiday in Barcelona – from Instagram

➢ Wild has trained in kickboxing and taekwondo at a high level since the age of 15 – The Sun

➢ View Wild’s selfies at Instagram
➢ Follow the new Spandau singer at Twitter

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