Tag Archives: Tony Hadley

2021 ➤ Steve Norman returns with The Sleevz and a surprise royal send-off!

Sleevz, Pizza Express Live, Steve Norman, pop music, concert

Sleevz live at Pizza Express 2021: L-R, Steve Norman, Sabrina Winter, Jaco Norman and Paul Cuddeford. (Photo: Shapersofthe80s)


Updated on 27 August 2021
❚ AFTER 18 MONTHS OFF-STAGE Spandau Ballet sax player Steve Norman and his own band The Sleevz have returned to what he calls “our fav venue” Pizza Express Live in Holborn, London. On Thursday night and Friday afternoon they played a “festival set” including Spandau’s most popular hit songs, alongside some of Steve’s own tracks and personal favourites. The lineup included his wife Sabrina Winter, his son Jaco Norman, Paul Cuddeford and Joe Bongo Becket.

During Spandau’s heyday in the Swinging Eighties, the multi-instrumentalist Steve introduced the saxophone as his signature sound then wrote and played one of the most iconic saxophone solos on the band’s No 1 hit True. Steve toured the globe with Spandau Ballet and in 1985 he appeared at Live Aid at Wembley Stadium.

In 2014 the band released a documentary about themselves and 1980s culture more broadly, Soul Boys of the Western World, followed by the album The Story – The Very Best of Spandau Ballet, and another world tour in 2015. In 2017 Steve started playing solo shows across Europe accompanied by his five-piece band.

➢ Click here for tickets for August 26 (8pm) and
August 27 (1:30pm matinee)

The Sleevz, Pizza Express Live, Steve Norman, pop music, concert

Steve Norman, left, with his band Sleevz: Paul Cuddeford,‪ Sabrina Winter, Joe Bongo Becket, Jaco Norman

friends, Sleevz, Pizza Express Live, Steve Norman, pop music, concert

Steve Norman at Pizza Express 2021: with wives of his schoolfriends in Family Corner. (Photo: Shapersofthe80s)

➢ Previously at Shapers of the 80s: Spandau Ballet’s 2014 comeback with a film of their soul-boy journey through pop

ALSO OUT OF THE BLUE THIS WEEK!

The Band of the Coldstream Guards and the Band of the Scots Guard, Changing the Guard, Gold, pop music

CLICK on this pic to view The Royal Family’s video of Gold being played live on the Forecourt of Buckingham Palace this week

❏ As an amazing coincidence, on Monday the Royal Family’s page at Facebook posted this video of Spandau Ballet’s 1983 hit Gold being played live on the forecourt of Buckingham Palace. Back on duty for the first time since March 2020, we see the State Ceremonial Musicians performing while the daily ceremony of Changing The Guard took place. Here, the Band of the Coldstream Guards and the Band of the Scots Guard combined in a special tribute to the Tokyo 2020 Paralympics which began this week.

Steve Norman commented: “I’m very proud of our Spandau legacy. Almost 40 years on and still going strong. My mum would be so proud. She loved the pomp and ceremony of Changing the Guard. Congratulations to team GB for their Olympic achievements.”

❏ Spandau’s original singer Tony Hadley wrote on Twitter: “So honoured for the Ceremonial Musicians to have done their first performance since March to Gold. What a brilliant job! Many thanks. Tone.”

➢ Steve Norman & The Sleevz play the Wonderhall Festival, Lytham St Annes, Lancs, on Saturday 28th from 2pm onward

➢ Tony Hadley plays Let’s Rock Scotland 2021 on Saturday from noon at Dalkeith Country Park near Edinburgh

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2020 ➤ Premiering tonight: Spandau’s Parade tour from the Swinging 80s

Blitz Kids, New Romantics, pop music, Swinging 80s, Spandau Ballet, Parade World Tour,

Spandau Ballet in 1985: dressed to impress for their Parade World Tour

❚ THIS WEEK 40 YEARS AGO Spandau Ballet’s first single peaked at No 5 in the UK chart three weeks after its release and exactly one year after the unknown band’s debut at the legendary Blitz Club. More amazingly, in their first year Spandau had been booked to play live on only 10 occasions (two of those on TV, the last being Top of The Pops)! That’s how sudden was their rise during 1980. That’s how phenomenal was their fan base powered by the New Romantics movement.

40
YEARS
ON

Tonight at 8pm GMT the band celebrate by premiering online the video Rockpop In Concert which evokes the Parade Tour of 1984-85, their biggest globally, launched with five nights in Tokyo and its UK leg culminating in December 84 with six nights at Londons Wembley Arena (one more than Duran Duran achieved). These were Spandaus international glory years, fronted by the dazzling vocals of Tony Hadley. This rare 45-minute video captures their taste for flamboyant designer-fashion in their performance at Dortmund’s Westfalenhalle arena, filmed for the German TV show Rockpop and aired in January 1985.

Also marking their 40th anniversary, Spandau have released a choice new compilation album titled 40 Years – The Greatest Hits, as a triple CD set and as double vinyl LPs.

Sax-player Steve Norman says: “I hadn’t heard these mixes for almost 40 years. I’d actually forgotten that we did two 12-inch mixes of ‘Story’. The band’s energy is all over it, which is how I remembered it sounding.” In a promo vid drummer John Keeble notes: “Oh, and I’ve got a credit for backing vocals… about time too!”

➢ Watch tonight’s streaming of Spandau’s Rockpop In Concert video at You Tube: 4 December 8PM GMT / 12PM PST / 3PM EST. The show will continue streaming for the next 48 hours

➢ Order Spandau’s new album 40 Years – The Greatest Hits, plus new items of merch

➢ View Spandau’s first appearance on Top Of The Pops playing To Cut a Long Story Short, on 13 Nov 1980

➢ Previously at Shapersofthe80s:
1980, The Invisible Hand of Shapersofthe80s accounts for the unprecedented rise and rise of Spandau Ballet

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2020 ➤ Vocalist Hadley hammers final nail into the coffin of Spandau Ballet

Tony Hadley , Martin Kemp, Gary Kemp, Rhys Thomas, BBC2, Spandau Ballet, mockumentary,

From last night’s Sun Online

Tony Hadley, Martin Kemp, Gary Kemp, Rhys Thomas, BBC2, Spandau Ballet, mockumentary,

In The Kemps spoof TV doc: this portrait was supposedly painted by Gary Kemp (BBC)

❚ ANOTHER SUN EXCLUSIVE WENT ONLINE simultaneously with last night’s TV “mockumentary” about the Kemp brothers of Spandau Ballet, The Kemps: All True. It saw brothers Martin and Gary mock themselves and featured a portrait supposedly painted by Gary Kemp of Hadley with red eyes, red horns and fangs. Their former singer who reported quitting three years ago declared that he’d rather watch Broadchurch than their TV show. The Sun Online reports Hadley as saying:

Tony Hadley , singer, pop music,

Big Tone: “I’m done.” (Photo: Rex)

I wasn’t approached and would not have anything to do with it. I’m done. They want me back for good but it ain’t going to happen. I’d rather be happy on my own than be in that band again. If they want another lead singer, that’s their choice. But if you want to hear those songs sung by the original singer then you can only really see one bloke – and that’s me.

The Sun reports Hadley’s reaction to the Kemps using their hit Gold last month for a cheesy TV advert for the washing powder Bold. It saw Gold’s lyrics changed to “Bold”:

It’s embarrassing. I posted a social media disclaimer saying, ‘This was nothing to do with me’. Gary wrote Gold. It’s anthemic. When I sing it live, the audience sing back. To change the title is just weird. I thought it was in bad taste.

➢ View The Kemps: All True at BBC iPlayer

➢ Previewed at Shapers of the 80s:
2020, Knife-edge TV doc shows Kemp tongues firmly in their cheeks

➢ Previously at Shapers of the 80s:
2017, Tony Hadley pulls the plug on Spandau Ballet – but the band will rise from the dead

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➤ Singer Tony Hadley wins royal gong for his services to charity

Tony Hadley, TH Band, pop music, Spandau Ballet, New Year Honour, MBE, singer

Tony Hadley MBE, still on-stage at 59 and proud of his work ethic

◼ THE POP SINGER TONY HADLEY, who came to fame fronting Spandau Ballet in the 1980s, has been appointed an MBE (Member of the Order of the British Empire) in the 2020 New Year honours list. The annual awards recognise the outstanding achievements of individuals across the UK population and two other pop stars named included activist Sir Elton John who was made a Companion of Honour (CH) for services over five decades to music and to charity. The singer and actress Olivia Newton-John was raised from OBE to DBE (Dame Commander of the Most Excellent Order of the British Empire) for services to charity, to cancer research and to entertainment.

Big Tone, aka Anthony Patrick Hadley, was honoured for charitable services to Shooting Star Chase Children’s Hospice Care, which provides palliative care to families with children who are not expected to reach the age of 19 because of illness, genetic conditions or incurable disease.

Trust executive vice-president Karen Sugarman tweeted this week: “I cannot be more thrilled or proud that at last @TheTonyHadley has been recognised in the Queen’s #NewYearHonours for his charitable work. We were privileged to nominate him @SSChospices for his work as Vice-President. Congratulations Tony on your MBE from us all.”

In 2017 Hadley tweeted that, due to circumstances beyond his control, he was no longer a member of Spandau Ballet. Having met during their teens at Dame Alice Owen’s grammar school in North London, the band first split in 1990 and worked together during two year-long reunions in 2009 and 2014. At the age of 59, he is the first among them to be honoured with an award from the sovereign.

Great Yorkshire Brewery, Tony Hadley, Gold, lager, pop singer,

Tony Hadley in 2014: developing a lager called Gold with the Great Yorkshire Brewery

Tony’s father, Patrick Hadley, worked as an electrical engineer for the Daily Mail, and his mother, Josephine, worked for the local health authority. He is proud of his work ethic, which he says was instilled into him from a young age by his parents. In 2011 he said in an interview with The Daily Telegraph: “Since leaving school I’ve never been unemployed or claimed benefits. My Spandau days didn’t make me rich, or as well-off as people might think. What I was earning went towards buying a lovely family home in Muswell Hill and bringing up my three children. In fact, 2008 was my best-ever earning year. At that point we were doing in excess of 220 shows a year.”

Of the 1999 dispute with Spandau’s Gary Kemp, which resulted in Hadley, John Keeble and Steven Norman suing for royalties, he said: “Spending 23 days in the High Court was a strain and an expensive way to learn about the law. It cost me hundreds of thousands.”

Later, in 2006 Hadley became a co-owner of the Red Rat Craft Brewery which produced Hadley’s Blonde. The business closed in 2013, after which he became associated with The Great Yorkshire Brewery, which issued a lager called Gold and a pale ale called Moonstone IPA. This association has since ended.

These days Tony is a regular live performer with his own line-up, the TH Band who in 2018 gave a superlative performance at the London Palladium. Shapersofthe80s reported: “His evident pleasure on-stage paid tribute to the songs written for his rich baritone voice and which fit him like favourite gloves. We heard familiar Spandau classics fizzing with new energy and melodic detail – numbers such as Chant No 1 and Only When You Leave moved along at a pace. Equally impressive was the other half of his set-list which showcased his own consummate solo album Talking to the Moon and other covers.”

Tony Hadley, pop music, TH Band, London Palladium, Talking to the Moon, UK tour,

Tony Hadley and his band: making magic at the London Palladium, October 2018

➢ 2020, Hadley’s busy New Year kicks off with February
dates in the Far East and Australia

➢ Previously at Shapers of the 80s:
2018, Hadley v Spandau – Whose superb band is paying
tribute to the other?

➢ Previously at Shapers of the 80s:
2017, Tony Hadley pulls the plug on Spandau Ballet

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1979 ➤ Spandau’s manager Steve Dagger tells of two offers to sign his band at their debut

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Spandau Ballet’s debut beneath festive bunting: left, Steve Strange in PX frills introduces the new band at the Blitz Christmas party in December 1979… Tony Hadley supercool in collar, tie, waistcoat and overcoat, Martin Kemp in jaunty trilby with Steve Norman beyond. Dagger’s blog seems unaware of these photos and after seeing them here at Shapersofthe80s, Gary Kemp recalls “being terrified while playing the little Yamaha CS-10, that we wouldn’t get away with it. Apart from many of the songs that made up our first album we also played Iggy Pop’s Fun Time and On Her Majesty’s Secret Service”

On the 40th anniversary of Spandau Ballet’s debut
performance at London’s Blitz club spearheading
the post-punk new wave, the band’s manager
Steve Dagger publishes his eye-witness account…

❏ On the 5th of December 1979, Spandau Ballet was born. After a year in metamorphosis and following a successful preview show two weeks before at Halligan’s rehearsal studios, when they were named by journalist and broadcaster to be, Robert Elms, Spandau Ballet emerged onto the stage and into the world at the Blitz on the occasion of Steve Strange and Rusty Egan’s Christmas party in 1980 [1979 surely – Ed].

Much has been written about the Blitz and its extraordinary position as a cultural funnel at the beginning of the 80s. But Spandau Ballet’s two performances there and subsequent meteoric rise to success did much to drive this tiny club and its spectacular cliental [clientele? – Ed] into the headlines and its ethos into popular culture and serve as the template to the 80s.

What happened that night?

No band had played before at a Steve Strange/Rusty Egan event, so the audience was not used to seeing live music in this context. Music was normally provided by Rusty Egan’s DJing, an extraordinary montage of epic electronica which seemed to give a tantalizing glimpse of a future we were all going to take part in.

How would “Spandau Ballet” be received? The preview show had gone incredibly well, so a handful of our friends and key faces on the scene had seen the band already, liked them and spread the word. But it was an impossibly cool crowd. Whether they were fashion students, artists, embryonic designers, wannabe writers, film directors or just London’s coolest of the cool night people, they all had an opinion of themselves and everything else.

The usual crowd was supplemented by a sprinkling of older cognoscenti, a Chelsea crowd who had become aware of the Blitz scene. The likes of Keith Wainwright, uber-cool hairdresser of Smile; artist Dougie Fields to name but a few, plus some musicians who had been drawn to the Blitz. Richard Burgess of Landscape (Spandau Ballet producer to be), Midge Ure of Ultravox and Billy Idol, Steve Severin of Siouxsie and the Banshees and Marco Pirroni of Adam & The Ants.

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Spandau Ballet’s second Blitz date, January 1980, despite Dagger’s belief on his blog that this pic shows the band’s debut. Most are sporting bow ties – Gary Kemp on synth at left, Tony Hadley as vocalist, with Steve Norman and Martin Kemp on guitars held high in their anti-rock stance. Churchill gazes out from his photo on the rear wall

So the battle lines were drawn and into the valley [of] death… Actually, the band were much less nervous than they had been for the preview show and also excited about playing in “their” club. When Rusty’s music stopped and they got onto the tiny stage there was a degree of anticipation and curiosity. I think the band realised collectively it was now or never and they seized the moment and started to play confidently and with a bit of swagger. Some of the audience danced, some applauded but almost everyone watched.

Tony sang brilliantly. The set which included most of the songs on “Journeys to Glory” fitted the club. Spandau Ballet fitted the club. “To Cut a Long Story” sounded like a massive hit.

Halfway through the set I was feeling quietly confident and was standing by the mixing desk next to the sound engineer when I became aware of a man standing next to me. He spoke to me.
“Who is this band?”
“It’s Spandau Ballet,” I said.
The new name sounded f*cking great.
“Which record label are they signed to?”
“They aren’t signed.”
“Who is their manager.”
“I am,” I said proudly.
“Well I am Chris Blackwell and I own Island Records, and I would like to sign them.”

First gig as Spandau Ballet… 5-0 up. Another man approached me. He was Danny Goodwin from Peninsula Music Publishing. He wanted to sign them too.

Spandau Ballet, Blitz Club, New Romantics, Steve Strange, London, Heritage award,The band finished their set. I could not wait to go backstage into the tiny dressing room to talk to them. We had all worked very hard for this moment. They were about to become a very important band. The only band that could play in the Blitz. The most important club in the world at that time. Everyone in the Blitz that night was hugely complimentary and positive about them.

We owned the space, we had claimed it. We were about to go through the looking glass and our lives were never going to be the same. The next day, I spoke to Chris Blackwell on the phone and arranged to meet him in a pub. He was softly spoken, charming and very cool. He owned the coolest record label in the world – Bob Marley, Roxy Music, Traffic, Free, Spencer Davis – and he wanted to sign Spandau Ballet. Now. He even gave me a list of lawyers he recommended to act for the band.

It all felt a little strange but somehow like it was all supposed to happen like this. I felt unbelievably relaxed and comfortable, empowered, and the band very confident, entitled energised. Uncrowned Princes of pop culture all of a sudden. We turned him down. But that is another story.

© Steve Dagger
First published today at Spandau Ballet’s website

➢ Previously at Shapers of the 80s:
1980, Strange days, strange nights, strange people

Spandau Ballet,Evening Standard, Blitz Club, New Romantics, Steve Strange

Steve Strange’s first interview with the Evening Standard, 24 Jan 1980, telling us of Spandau Ballet’s second performance that day

RARE VIDEO OF THE BLITZ A-BUZZ:


❏ You won’t find much authentic filmed footage inside the Blitz Club because so little exists and many posts claiming to show the Blitz at YouTube do not. The brief but glorious clip we see above captures the visual excess of its dancefloor in Spandau Ballet’s 2014 biopic Soul Boys of the Western World. The interiors come from Lyndall Hobbs’ short doc about London tribes called Steppin’ Out, shot in the summer of 1979. The first half-minute here comes from a TV report showing Blitz Kids gathering outside Sloane Square underground station to celebrate Steve Strange’s 21st birthday on a Circle Line train on 28 May 1980. We hear Martin Kemp voicing the sequence which zooms in on him at 23 seconds. The black-and-white stills collaged into the segment are Shapersofthe80s originals, and the closing seconds are from LWT’s 20th-Century Box.

Spandau Ballet, Blitz Club, New Romantics, Heritage award,

Heritage award from the Performing Rights Society: In September 2014 Spandau Ballet returned to the site of the Blitz Club to see a plaque installed remembering their debut. The club’s original neon sign was also present for the photoshoot

SPANDAU RECALL THE BLITZ IN 2014:

➢ Previously… 1980, The Invisible Hand of Shapersofthe80s
draws a selective timeline for the unprecedented
rise and rise of Spandau Ballet

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