Tag Archives: Ross William Wild

➤ Hadley v Spandau: Whose superb band is paying tribute to the other?

Tony Hadley, pop music, Lily Gonzalez, London Palladium, Talking to the Moon, UK tour,

The Hadley Band: making magic at the London Palladium

WHEN IS A TRIBUTE BAND NOT A TRIBUTE BAND? And what is it paying tribute to? Tribute to the first band, or to the singer, or to the songs?

When the star vocalist from the band that’s being tributed jumps ship to lead his own new team of musicians, does he become a tribute to himself? When half his live playlist consists of songs written for the first band, he is clearly paying tribute both to those songs written for him and to that band who made them chart hits half a lifetime ago in the Swinging 80s.

This is the conundrum that the former Spandau Ballet vocalist Tony Hadley found himself enacting last week as he sang to a sell-out audience at the UK’s most prestigious home of live entertainment, the London Palladium. His evident pleasure on-stage paid tribute to the songs written for his rich baritone voice and which fit him like favourite gloves. For a full two hours Tony gave a relaxed performance, smiling, waving and calling out to fans in the audience of 2,300.

It was a blast! But why should hearing Hadley in full fig at the mighty Palladium come as a culture shock? After all, his last tour fronting Spandau Ballet only four years ago revealed that the voice was growing magnificent in its maturity. For his own reasons he parted with his band of schoolmates a year ago. When his seven-date Talking to the Moon tour reached London, his presence dominated the stage, and he paced to all sides to josh with the audience and got on down miming to the drums, just as he once did alongside Spandau’s John Keeble.

The fact is that Hadley’s voice was very much the signature of the Spandau sound for 38 years. His former bandmates have recruited Ross Wild as their new vocalist and hit the road with their Next Line tour, also this month. So, with Ross having had to learn the entire repertoire of old hits, does all this now mean that he and the original musicians in Spandau have become the tribute band?!?!

Fans of both factions have been very vocal on social media: Tony’s claimed that his voice has taken the Spandau brand with it into the very tight Tony Hadley Band. At the Palladium, we heard familiar Spandau classics fizzing with new energy and melodic detail – numbers such as Chant No 1 and Only When You Leave moved along at a pace. An acoustic version of I’ll Fly For You delivered quite an electric treat as a seated duet with percussionist Lily Gonzalez.

In the Spandau camp, supporters have welcomed Ross as a rejuvenating new broom after seeing how he has raised the Ballet boys to fighting form. Though his voice has surprising range, it’s his lighter register that has woven gentle poetry into the more emphatic lyrics, for example, in Through the Barricades.

What we can say with confidence is that suddenly Britain boasts two superb bands at the heights of their powers, both refreshing a back catalogue that was in need of new life. If you like this blue-eyed soul music, you have more choice than ever now to enjoy it. And on Monday Spandau gives Ross his big chance to win over more fans at the huge Apollo Hammersmith, as he has already done at five concerts in Italy and Holland.

Tony Hadley, pop music, London Palladium, Talking to the Moon, UK tour,

Hadley at Palladium: fluffing the lyrics to Chant No 1

MEANWHILE BACK AT HIS PALLADIUM TRIUMPH. . .

❏ Big Tone took care not to spoil the genial mood with any remarks about splitting from Spandau – except laughing loudly after forgetting the words during a high-octane version of Chant No 1, then after finishing Highly Strung, just shrugging “I still don’t know what it’s about”. To Cut A Long Story Short was first to get the mums and dads to their feet. Despite Tony describing the many white-haired couples as “blokes dragged along by wives”, many of those men were happily rocking on their feet and mouthing the lyrics. During Spandau’s chart-topping True, Tony merely pressed the right button to initiate a very funny singalong by everyone present.

Equally impressive was the other half of his set-list which showcased his own consummate solo album Talking to the Moon and other covers. Tone’s giant cadences were most assured on vibrant numbers such as Tonight Belongs to Us, and Every Time, and Skin Deep, and several poignant songs that seemed to echo his own independence: Unwanted, and Take Back Everything, and What Am I? – not forgetting his classy closing number, Sinatra’s That’s Life.

On every level of presentation and execution, the Hadley show was superlative. He was utterly at ease fronting his supporting musicians, each of whom found plenty of sequences to let their individual virtuosity shine. For the record it’s right that they should share the credit for a magnificent evening of sheer music: Tim Bye on drums, Phil Taylor on keyboard, Phil Williams on bass, Richard Barratt on guitar, Simon Willescroft on saxophone, Lily Gonzales on percussion and backing vocals. Tributes all round, in fact!

Tony Hadley, pop music, Lily Gonzalez, London Palladium, Talking to the Moon, UK tour,

Hadley at Palladium: mums and even dads on their feet for Big Tone


➢ Tony Hadley makes further UK appearances in the Stepback The 80s Tour with Bonnie Tyler, Chesney Hawkes, and ABC – and on next year to Holland

➢ Previously at Shapers of the 80s:
2017, Tony Hadley pulls the plug on Spandau Ballet

➢ Previously at Shapers of the 80s:
2018, Dad band Spandau preen with pride for Ross their newly adopted son

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➤ How one fan came 11,000 miles for those Spandau smiles

Rebecca Slight, Spandau Ballet, Ross William Wild, Gary Kemp,pop music, tour dates, Fabrique Milano,

Spandau Ballet play Fabrique Milano on Tuesday: Rebecca Slight’s up-close photo of Ross William Wild and Gary Kemp

THE PICTURE ABOVE CAPTURED Spandau Ballet’s return to live performance in Milan this week. It was taken by New Zealander Rebecca Slight who flew 11,000 miles to London to crash with her sister who lives here, then immediately flew off to Milan for the band’s opening gig in its Next Line tour. Talk about super fandom, because she’s also booked in for the big London gig on Monday.

Rebecca tells Shapersofthe80s: “I’m lucky to have the world’s most tolerant husband at home who totally understands. I bought a ticket to Hammersmith while casually chatting to him in the kitchen – he had no idea what I was up to. Lucky he loves me! Milan was not originally in the plan but then my sister suggested the short flight since I had already come so far. And thanks to the beauty of the internet, I had friends in Italy to meet.”

What impressed her most about Spandau’s comeback performance? “The camaraderie, the smiles, the ease with which Ross Wild has fitted into the group. The whole band look so happy, especially Steve who was bouncing around like a little kid! Ross has an amazing stage presence and fabulous vocal range. The sound is a bit rockier and it has a freshness in it that just invigorated the crowd in Milan.”

She adds that she’s a bit gutted she couldn’t get here early enough to see Tony Hadley’s Palladium show but she’s off to Nottingham for the Stepback the 80s concert tomorrow so will see Big Tone singing there. “Totally wish I was seeing more of Spandau’s European gigs but I’ll still be meeting up with my favourite Spandettes at Hammersmith before heading home next week to real life in Glen Eden.”

Real life for Rebecca involves being a seemingly sensible married middle-aged suburban mum and hospital lab technician – “yeah but running away from my responsibility at home to hobnob with the 80s stars of my youth!” She does have previous: last May she hopped over to London to catch Steve Norman and his band, hence the selfie also pictured here. “His shows in May were sublime,” Rebecca says. “Steve is a gent and his girlfriend Sabrina is an angel.”

Steve Norman,Rebecca Slight, selfie, pop music, London

Previous form: New Zealander Rebecca Slight’s selfie taken with Steve Norman last May in London

❏ Odd tickets are still available at £43 and £68 for Spandau Ballet on Monday at London’s Apollo Hammersmith through Spandau’s own store.

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➤ Milan says Ciao to snazzy Ross now fronting the flash dads of Spandau Ballet

Spandau Ballet, Ross William Wild, Martin Kemp, John Keeble, Fabrique Milano, pop music, interviews, tour dates

Last night at Fabrique Milano: singer Ross William Wild fronts the new Spandau line-up, alongside Martin Kemp and John Keeble

LAST NIGHT FIVE STARS WERE REBORN. Spandau Ballet returned to the international tour circuit with a long nostalgic set for an audience of 3,000 in Milan’s vast Fabrique music space. For their rebirth in fashion-conscious Italy, the leaders of the UK’s New Romantics movement during the Swinging 80s pulled out the stops: the dads flaunted floral beach shirts and zhooshy silky jackettis. Up front, their new boy-wonder vocalist Ross William Wild – recruited from Britain’s stage-musical circuit at the appetising age of 30 – dressed both down in Ts with street-cred ripped jeans and up in skimpy black leatherette. All radiated evident joy to be back onstage in this handful of dates titled The Next Line to test the temperature for bigger plans next year.

Tonight they play Rome, then Padua, Utrecht and Tilberg, then home on Monday facing a 3,600 audience at London’s Apollo Hammersmith where tickets at £57 and £155 are still available through Spandau’s own store.

Monday’s event Backstage Live presented by Pips Taylor will be streamed online from 19:45 to 20:30 GMT via YouTube and Facebook. Fans are invited to suggest funny and creative questions to put to the band by emailing in advance to nick [at] moonlightmile.co.uk

Spandau Ballet, Fabrique Milano, pop music, interviews, tour dates, Steve Norman , Gary Kemp

Looking sharp at Fabrique Milano: Steve Norman and Gary Kemp

Spandau Ballet, Fabrique Milano, pop music, interviews, tour dates, Steve Dagger

Milan last night: Manager Steve Dagger adds to the smiles all round after the Spandau Ballet tour launch. Front right is keyboardist Toby Chapman

Spandau Ballet,pop music, interviews, tour dates, Ross Wild, John Keeble

Wherrrrre’s Johnny? Missing from available Milan photos, Spandau drummer John Keeble – pictured instead in rehearsals with his new bro Ross. Plus the playlist

ROSS TELLS ALL IN RECENT INTERVIEWS

❏ In a frisky chat with Graham Norton on Radio2 [from 2h04], Ross told listeners that singer Tony Hadley’s exit leaves “an awesome legacy” but it wasn’t just a matter of him playing a role as Hadley: “As a kid, all I wanted to be was lead singer of a band. It’s liberating now to just be myself and sing as me.”

❏ Pre-show buzz included this lively and reflective interview with Ross and Steve Norman [above] for FaceCulture in Holland, plus a massive picture splurge on Spandau in The Sun last Friday:

Guitarist Gary Kemp insists the band are stronger after surviving Tony Hadley quitting as lead singer. Brother Martin adds: “We should be so lucky to play together and have that opportunity. In the end, we’re a family. We might be a dysfunctional family, but whose isn’t?”

Tony may no longer be part of Spandau’s plans but they insist they are all back on good terms, with Tony also recently making contact after a bereavement within Steve’s family. Steve says: “He was straight on the phone and that cut through everything. None of the grievances came into it. We’re old mates. . . / Continued at Sun online

Bang Bang Romeo, Spandau Ballet, pop music, interviews, tour dates,

Bang Bang Romeo who are supporting Spandau’s gigs: vocal powerhouse Anastasia Walker, Ross Cameron (guitars) and Richard Gartland (drums)

❏ “An absolute honour” – so say Yorkshire’s female-fronted soul rockers Bang Bang Romeo who will be supporting Spandau in Holland, as well as in London on the 29th. The trio represent a strong voice for the LGBT community.

➢ Previously at Shapers of the 80s:
2018, At Ross’s showcase debut, dad band Spandau preen with pride for their newly adopted son

➢ Previously at Shapers of the 80s:
2018, Shock claims about the secret role of Shapers of the 80s in the rise and rise of Spandau Ballet

➢ Elsewhere at Shapers of the 80s:
1980, Who was really who in Spandau’s break-out year, penned by the Invisible Hand of Shapers of the 80s

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2018 ➤ Dad band Spandau preen with pride for Ross their newly adopted son

pop music, media, rebirth, Ross William Wild, Spandau Ballet, concert, spandauballetlive, Subterania,

A confident debut with Spandau Ballet: Ross William Wild at Subterania last night

pop music, media, rebirth, Ross William Wild, Spandau Ballet, concert, spandauballetlive, Subterania,

Ross William Wild’s debut with Spandau Ballet: from left, Martin, Ross, Steve and Gary

AND WHAT TOUR DE FORCE the entire band made of Spandau Ballet’s rebirth last night to showcase their new singer Ross William Wild who effortlessly filled the space onstage vacated by Tony Hadley. At the age of 30 Aberdeen-reared Ross could easily be the son of any of the Spandau dads around him, yet he had infused new energy into them to inspire one of the tightest all-round performances in recent years. He embodies all a lead singer should: energy, confidence, instantly likeability and a strong singing voice that almost never sounds like his predecessor.

Ross was announced by the tabloids as an Elvis Presley impersonator so it was a relief that this is not what we saw or heard: in fact the inflexions in his singing voice do reflect his principal experience in musical theatre, most recently in The Million Dollar Quartet, The Witches of Eastwick, and We Will Rock You. And though in the Noughties he was the lead singer in a nu-metal band called Lethal Dosage, Ross performs with shoulders, arms, hips, feet – in fact, his entire body just as you’d expect in a stage musical.

pop music, media, rebirth, Ross William Wild, Spandau Ballet, concert, spandauballetlive, Subterania,

Spandau’s rebirth set list

From Spandau’s nostalgically involved opening hit Through the Barricades, Ross made each of the set’s 13 hit numbers his own (with almost as many changes of shirt!).

Spotlit on a darkened stage, his first three minutes were a vocal slow-burn alongside a masterly Gary Kemp on solo guitar. It was a daring move to persuade us to listen. By the second line, as he gave vibrato to the lyric, Ross was evidently “feeling strong”, and from here on he introduced us to his voice in gentle stages, slowly raising the temperature, until the pause. . . Then: bam-bam! Keeble’s drums announced the bombast of Barricades proper, and Ross let rip to command centre-stage, amid the familiar Spandau front-line on vocals. They climaxed with a big sound in an intimate clubby space, up close to 500 of their fans. What a statement of intent!

HEAR ROSS’S FIRST VERSE OF ‘BARRICADES’


Ross excelled in another emotional classic Only When You Leave, had the audience eating out of his spiralling hand for Round and Round, pogoing through Lifeline, and by the encore the hot summer’s evening had him stripped down to a vest as he gloriously re-energised To Cut a Long Story Short to sound like a brand-new number. Amazingly, at the bar afterwards, Ross said he was intrigued by its lyrics since he first heard this hit from 1980, but read none of Gary Kemp’s meaning into it or the lyrical quotation it contains. He imagines it is set in the first world war trenches and reflects the strange solitude of the soldier.

➢ Click to hear Rusty Egan’s 2h16m deejay set
recorded live at the Subterania Club before
Spandau Ballet’s rebirth concert

The band’s families and friends turned out along with veteran Blitz Kids and Beat Routers (smashing to see you again, genial doorman Ollie O’Donnell) who could all be seen grooving to Rusty Egan’s unique mixes at the after-party. Sentimental as ever, Martin Kemp had announced from the stage that last night’s venue, Subterania beneath Westway at Portobello Road, was chosen because in its days as Acklam Hall community centre, the original Spandau lineup had played a benefit there under their early name, Gentry, on Saturday 24 February 1979. In the after-bash I recognised the curly-haired photographer Denis O’Regan who was at work with his camera. Spookily I’d just posted one of his seminal band images here at Shapersofthe80s on my own tribute revisit to 1980 when Denis had posed the band in his studio and uplit them to create the dramatic shot of Spandau which became the expressionist motif of their live performance that spring at the Scala Cinema.

Verdicts from the band on their young vocalist are breathless. Gary Kemp said: “Ross’s great talent and passion has given us the confidence to continue.” Drummer John Keeble who drove the show with his usual percussive enthusiasm said: “I bonded with Ross over our mutual love of rock music. He may have come up through the theatres but he loves bands like Tool.” Steve Norman added: “He’s also a right nice bloke. We struck lucky.” [I often wonder whether Steve realises just how richly musical his own sax playing is! Ben Webster will be smiling benignly at this.]

pop music, media, rebirth, Ross William Wild, Spandau Ballet, concert, spandauballetlive, Subterania, Jaco Norman,

At the after-party: Ross William Wild shares song-writing ambitions with Steve Norman’s son Jaco

pop music, media, rebirth, Ross William Wild, Spandau Ballet, concert, spandauballetlive, Subterania, Steve Dagger

Patrolling the audience during Spandau’s rebirth gig: their trusty manager Steve Dagger evidently chuffed to bits at their new singer

➢ Previously at Shapers of the 80s: The Spandau show must go on and Oh, the Wild voice!

➢ More Spandau Ballet at Twitter where a one-off concert is now booking for Apollo Hammersmith on 29 October

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2018 ➤ The Spandau show must go on and Oh, the Wild voice! Oh, the Wild biceps!

TABLOIDS GET THEIR MAN: ROSS WILLIAM WILD
HERE SINGING The Show Must Go On, 2012

➢ A talented Elvis impersonator has been brought in to sing Spandau Ballet’s hits like True and Gold – Daily Mirror

Spandau Ballet, vocalist, Ross William Wild, Martin Kemp,

Spandau’s new boy Ross William Wild met Martin Kemp when they both appeared in Million Dollar Quartet

The identity of the new Spandau vocalist has been cracked: He is a 30-year-old former Aberdeen Grammar School pupil, born in February 1988, whose original name is Ross William Davidson. He has a sister Lucy Indiana Wild living in Canada (and it’s sheer coincidence that today he has a friend called Will Davidson). Ross trained for the stage at Aberdeen Youth Music Theatre from the age of 10, and then studied Musical Theatre at Glasgow Academy of Music Theatre Arts.

➢ “We first noticed he had such a fantastic singing voice when his voice was starting to develop” – Evening Express

Ross William Wild , Spandau Ballet, vocalist,

Spandau’s new boy Ross William Wild with Nile Rogers at Abbey Road Studios this year – at Instagram

✭ His first instrument was guitar when he was 8 and the first chords that he struck were the blues chords.

✭ Describes himself as musician, singer, actor, writer and adventurer. Tweeted that he enjoyed the Charles II: Art and Power exhibition at The Queen’s Gallery.

Spandau Ballet, vocalist, Ross William Wild

Spandau’s new boy Ross William Wild – at Twitter

✭ In 2016 he released his debut solo album Wild Tracks which includes songs written with Trisha Ward.

✭ In 2016 Ross played Elvis Presley in the hit West End musical Million Dollar Quartet and shared the stage with Martin Kemp when he took over the role of record producer Sam Phillips who discovered Presley.

✭ Above, Ross featured as the popular and handsome Daniel in the raunchy 2011 film Downing, where he has sex scenes with a woman and a man. He speaks with a clear Scottish accent.

➢ Hunky Ross regularly shows off “his honed physique in saucy social media selfies” – according to The Mail

Spandau Ballet, vocalist, Ross William Wild

Spandau’s new boy Ross William Wild on holiday in Barcelona – from Instagram

➢ Wild has trained in kickboxing and taekwondo at a high level since the age of 15 – The Sun

➢ View Wild’s selfies at Instagram
➢ Follow the new Spandau singer at Twitter

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