Category Archives: History

➤ Sullivan & Elms relive their clubland double act

Chris Sullivan, Robert Elms, talk, Standard Hotel, London, history, nightlife, memories

Ribald and passionate: Sullivan and Elms capping each other’s stories with gusto

CATCH UP ON TWO CLUBLAND WAGS Chris Sullivan and Robert Elms, who sat on a pair of wonky stools in public last summer and entertained an invited crowd as each capped the other’s stories. Both are renowned for having shaped the style revolution of the Swinging Eighties and their subject was the ever-changing face of London.

Writer/artist Chris Sullivan is nominally a Welshman who revealed roots that led to a grandfather who’d been a bouncer at the capital’s Windmill Theatre, while BBC London broadcaster Robert Elms is a paid-up Cockney in all but the Bow Bells bit, with a mum who was a clippie on the buses at age 15.

➢ Tune into Portobello Radio for Sullivan & Elms
at 11am on Sunday 31 May, and again for a repeat
on Wednesday and Friday 3+5 June at 7pm

2020 ➤ And now Bowie pays the ultimate tribute to Little Richard

obituaries, rock-n-roll, gay issues, Little Richard,

Little Richard in 1957: So many saxophones in the band that Bowie as a child went out and bought his own

➢ When rock-n-roll legend Little Richard died
this week at the age of 87, the official David Bowie
website published this tribute…

“Some cat was layin’ down some rock n roll…” The young David Jones soaked up influences like a dry sponge and he found the music and attitude of Little Richard, among others, inspirational to say the least. As a 15-year-old in 1962, Jones saw Little Richard live for the first time and then again the following year with The Rolling Stones as one of the support acts. He listed the 1959 album, The Fabulous Little Richard, among his favourite 25 for a Vanity Fair feature in 2003.

Little Richard, David Bowie

Bowie’s own Star Pic of Little Richard: described as his most treasured possession (© The David Bowie Archive)

Here’s Bowie talking in 1991: “I sent away for a photograph of Little Richard when I was seven years old, it was called Star Pic and it took eight weeks to arrive and when it arrived it was torn… and I was absolutely broken-hearted. The first record I think I bought was called I Got It, which he later re-wrote as She’s Got It. And ever since I saw that photograph, I realised he had so many saxophones in his band. So I went out and bought a saxophone intending that when I grew up I’d work in the Little Richard band as one of his saxophonists. Anyway it didn’t work out like that, but without him I think myself and half of my contemporaries wouldn’t be playing music.”

We’ll leave you with a Tweet posted by David’s son, Duncan Jones: “From what my dad told me about his love of this legend growing up, it’s very likely he would not have taken the path he did without the huge influence of Little Richard. One of the highest of the high. Enjoy whatever’s next, Superstar.”

CLICK PIC TO VIEW 1991 VIDEO OF BOWIE
PRAISING RICHARD & RICHARD IN FULL FLOW

Little Richard, David Bowie,obituaries, rock-n-roll,video,interview

Bowie and Richard 1991: click pic to view video interviews in a new tab

Little Richard , biography , rock-n-roll,

Excerpt from Charles White’s authorised biography, The Life and Times of Little Richard: The Quasar of Rock (Harmony Books, Sept 1984)

➢ Elsewhere at Shapers of the 80s:
Nailing the maverick talents of Little Richard, king of rock-n-roll – the Maureen Cleave interview 1985

Little Richard ,obituaries, rock-n-roll, gay issues, bbc, interview, video,Ray Connolly,

Richard meets Connolly: Click on pic to run BBC video in a new tab

❏ ABOVE: In one of his first TV appearances, the Evening Standard’s Ray Connolly interviews rock-n-roll’s irrepressible icon Little Richard for Late Night Line-up in 1972. “I used to be an opera singer, Oh-ooohhhhhh!” (© Posted by BBC Archive)

SELECTED TRIBUTES

Little Richard , obituaries, rock-n-roll, gay issues,

Little Richard in 1971: “his queerness made him dynamic”

➢ Little Richard’s queer triumph – The legend himself sometimes sought to distance himself from the LGBTQ community but his queerness is what made him a dynamic performer – by Myles E. Johnson in The New York Times, 10 May 2020

➢ Prime force of rock-n-roll who made an explosive impact with songs such as Tutti Frutti, Good Golly, Miss Molly, Lucille and Long Tall Sally – by Michael Gray in The Guardian, 10 May 2020

➢ Too black, too queer, too holy: why Little Richard never truly got his dues – How did a turbaned drag queen from the sexual underground of America’s deep south ignite rock-n-roll? We unravel the mystery behind Little Richard’s subversive genius – by Tavia Nyong’o in The Guardian, 12 May 2020

➢ How Little Richard changed the world: The legacy of the singer, who died last week, goes beyond music and helped change our attitudes to race, sex and class – by Daniel Finkelstein in The Times, 12 May 2020

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➤ Stoppard’s superlative new play is a tearjerker echoing his own roots

Theatre, reviews, history, 20th century, London, Leopoldstadt, Tom Stoppard, Patrick Marber,

Iconic poster for Leopoldstadt the play: a 19th-century grandchild learns the new mathematics by playing with a cat’s cradle, emblem of cross-generational connections. (Photography Seamus Ryan; design Bob King Creative)

TOM STOPPARD’S MOST PERSONAL PLAY YET opened this week in London and detonated a mighty thunderclap of profound drama. I was not alone with tears streaming down my face when the curtain fell at Wyndham’s Theatre and many of us sat in our seats stunned. Heavens, even our greatest living playwright himself admits he has sat sobbing in the stalls during previews, as he did while writing the final scenes. “Nothing I have written has had that effect on me,” Stoppard told Radio 4’s Front Row on Tuesday about the play that proves more heart-wrenching than any of his previous 30.

Theatre, reviews, history, London, Leopoldstadt, Tom Stoppard, Patrick Marber,

Another gifted collaboration: Marber and Stoppard in rehearsal

Though named after Leopoldstadt, the poor Jewish district of Vienna, the play is set on the posh side of town. It is monumental in scale and epic in emotion. Its ensemble of 40 accomplished actors headed by Adrian Scarborough, Faye Castelow, Caroline Gruber and Ed Stoppard (yes, son) explore the traditions and fortunes of an extended cosmopolitan family through the first five decades of 20th-century history, made flesh with more harrowing detail and revealing dialogue than most of us could imagine or would want to when the jackboot of the Third Reich arrives. While a clock ticks loudly.

Untypically for Stoppard we hear less of his usual glittering wit and fewer laughs, while those that spasmodically do surface reflect Vienna’s intellectual achievements in art, maths, music and Dr Freud’s new-fangled psychoanalysis.

A glimpse of wit from the play: “Today’s modern is tomorrow’s nostalgia: we missed Mahler when we heard Schoenberg”

The bedrock is memory. Questions are raised about identity and heritage in a city and an era when Jews and Catholics happily inter-marry. Director Patrick Marber illuminates the interwoven branches of family trees as deftly as he did with the preposterous though mostly real life stories of Lenin, Joyce and Tzara that made his 2016 revival of Stoppard’s Travesties its wittiest production yet.

Theatre, reviews, history, 20th century, London, Leopoldstadt, Tom Stoppard, Patrick Marber,

Leopoldstadt the play: Jewish and Catholic families celebrate Christmas in the Vienna of 1899

Leopoldstadt is the nearest thing to tragedy written by the 82-year-old playwright. It also features himself in the character Leo who is aged 24 in the final scene set in 1955, a caricature of English privilege who has grown up in Britain, having arrived at age eight, as Stoppard did, after being whisked away from the Nazis in Czechoslovakia where he had been born Tomas Straussler. His four grandparents all died in concentration camps, though Stoppard only discovered his Jewish heritage relatively late in life owing to his mother’s reluctance to revisit the past.

The play has been years in gestation and might possibly be Stoppard’s last. For its eloquence, prescience, intimacy and empathy, it will stand as a gloriously moving testament to his humanity.

➢ Leopoldstadt runs at the Wyndham’s theatre, London, until 13 June

➢ John Wilson interviews Stoppard for Radio 4’s Front Row, 11 Feb

Theatre, reviews, history, 20th century, London, Leopoldstadt, Tom Stoppard,

At the premiere of Leopoldstadt: Sir Tom Stoppard and wife, Sabrina Guinness

REVIEWS THE MORNING AFTER

➢ Director Patrick Marber has knitted Tom Stoppard’s putative swan song into a compelling whole – reviewed at Theartsdesk

➢ Stoppard’s family portrait is an elegiac epic – reviewed in The Guardian

➢ Stoppard’s new masterwork is an early contender for play of the year – reviewed in the Evening Standard

➢ Raising the emotional voltage, the dramatist puts a version of himself on stage – reviewed in The Observer

➢ Stoppard delivers an unforgettable play from the heart – reviewed in the Telegraph

➢ Stoppard’s supremely moving new play – reviewed in The Stage

➢ A master playwright finds urgent lessons for the present in the past of a Viennese family – reviewed in the New York Times

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➤ Thanks, Steve, for my invitation to the Swinging 80s

Blitz Kids, New Romantics, Observer Music Magazine, Derek Ridgers,Spandau Ballet, Steve Dagger, Steve Strange, Tipping points,London, Media, Politics, Pop music, Swinging 80s,,

The Observer Music Magazine, Oct 4, 2009. Pictures © by Derek Ridgers

40
YEARS
ON

ALSO THE FIFTH ANNIVERSARY
OF STEVE STRANGE’S DEATH

WHEN MY PHONE RANG IN JANUARY 1980, little did I realise its message meant: “Put out the cat. You’re coming to the party of your life.” The voice on the other end spoke without pausing: “My name’s Steve Strange and I run a club called the Blitz on Tuesdays and I’m starting a cabaret night on Thursdays with a really great new band…. they combine synthesised dance music for the future with vocals akin to Sinatra, they’re called Spandau Ballet and they’re going to be really big. . .”

➢ Click through to continue reading Yours Truly’s eye-witness account of Spandau Ballet, the Blitz Kids and the birth of the New Romantics at The Observer Music Magazine

➢ Elsewhere at Shapers of the 80s:
The Invisible Hand of Shapersofthe80s draws a selective
timeline for the break-out year of 1980

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➤ Second time unlucky as fire ravages former Camden Palace nightspot

Koko, Camden Theatre, Camden Palace, nightclubbing, music venue, fire, architecture, Music Machine,

Koko nightclub ablaze last night: 60 firefighters extinguished the flames within five hours

TWICE IN 40 YEARS Camden Town’s most renowned theatre has been set ablaze. Last night the 119-year-old former Royal Camden Theatre, currently known as the nightclub Koko, burst into flames at about 9pm during the course of renovation work. Video footage showed giant flames devouring its historic copper dome. London Fire Brigade reported 30% of the roof to be alight and despatched eight fire engines and 60 firefighters to tackle the inferno.

The venue was also damaged by fire during its last gasp as the post-punk Music Machine, soon after a Theatre of Hate gig in December 1980. Subsequent restoration saw it reopen in 1982 renamed the Camden Palace as Steve Strange and Rusty Egan made this the flagship for their New Romantic movement when they took it mainstream. Madonna played her first London date there by Rusty’s invitation.

Click any pic below to enlarge all in a slideshow

The rave scene saw Camden Palace through its second decade until it closed in 2004. Koko emerged after major refurbishment of its richly ornate interior by new owners who established a cool reputation for live music and with clubbing capacity for 1,500 people. However during further refurbishment in September 2018 surveyors deemed the building unsafe so the venue was forced to close.

Theatre historian Matthew Lloyd reports: “As of 2017 the theatre was to undergo a full restoration, including the replacement of the cupola on the roof. The Hope and Anchor at the back of the theatre was projected to become a boutique hotel at the same time, and would be a part of the whole complex, including a restaurant on the roof.” This £40-million state-of-the-art redevelopment was scheduled to finish in April this year but the latest fire is likely to impose a delay.

Opened in 1900 by the celebrated actress Ellen Terry, the theatre has enjoyed a dozen or so reincarnations as playhouse, music-hall and until 1940 as the Hippodrome and Gaumont cinemas. In 1945 the BBC revived the Camden Theatre name as its studio for recording variety shows and most famously The Goon Show (1951-60), starring Spike Milligan, Harry Secombe and Peter Sellers. Their Last Goon Show of All was recorded for radio and television at the studio in 1972, the year the building was awarded a Grade II listing. It had lain empty for several years and faced demolition, so the listing at least postponed that fate. English Heritage drew attention to the original architecture by W.G.R. Sprague, celebrated for his many West End theatres: a pillared façade “in baroque pastiche style”, and cantilevered dress circle and balcony with plaster work by Waring & Gillow in a mixture of baroque and rococo ornament.

Let’s hope Koko’s owners can wave a wand to revive the lustre of this iconic play-place.

➢ More about the Camden Theatre at Matthew Lloyd’s wide-raging history site named after his great grand-father Arthur Lloyd

POSTSCRIPT IN THE TIMES

➢ Another iconic building wrecked by fire during renovations – Richard Morrison in The Times’s arts column writes on 10 Jan 2020:
It’s striking how often historic buildings go up in smoke when there is renovation work happening, as there was at Koko… Recent examples are the 2018 fire that ripped through Charles Rennie Mackintosh’s superb Glasgow School of Art building as a £36-million restoration was being completed after a fire in 2014. Incredulous MSPs of all parties asked a series of questions that mostly cannot be answered… And the fire that devastated Note-Dame in Paris… rebuilding doesn’t appear to be going smoothly either… / Continued online

Koko, Camden Theatre, Camden Palace, nightclubbing, music venue, fire, architecture, Music Machine,

Steve Strange in 1982: invariably being filmed at Camden Palace

➢ Previously at Shapers of the 80s:
1983, Posing with a purpose at the Camden Palace

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