Tag Archives: Barry Cain

2015 ➤ Hot revelations from the Flexipop book party

Flexipop, pop music, London, Swinging 80s, books,Barry Cain, Tim Lott, Red Gallery

Flexipop founders: Tim Lott and Barry Cain at Red Gallery last night. (Photographed by © Shapersofthe80s)

◼ THREE DECADES AFTER the maverick monthly music magazine Flexipop closed, guilty names were named during last night’s book launch at Shoreditch’s coolest new venue, the Red Gallery. During a Q&A with the mag’s founders Barry Cain and Tim Lott, they confessed that the three most difficult artists to deal with in those heady days of Britain’s burgeoning pop scene were. . . [X-Factor-style pause] . . . Tears for Fears and . . . Paul Weller and . . . the American new-wave band Blondie! Lott tactlessly remarked that what surprised him most was that singer Debbie Harry had “a huge head out of all proportion with her body” – which clearly means he really had a thing about blondes.

Whinging hosts apart, guests at their party were distinctly more polite. Generating tidal waves of affection was the original 2 Tone rude girl Pauline Black, who was happy to chat about this summer’s new album titled Subculture 36 years after her band The Selecter set out, having survived two splits and reunions, and now poised for a UK tour. . . Exchanging gossip beneath the “Free hugs” notice we found veteran 80s popsters Christos Tolera (Blue Rondo à la Turk) and Phil Bloomberg (Polecats). . . Catching up on the music du jour were the gifted jazzer Mark Reilly (Matt Bianco, still going strong and knocking out albums every few years) and the ubiquitous Andy Polaris (Animal Nightlife, long defunct) who these days injects magic into the windows of the UK’s trendiest Oxfam in Dalston. . .

Click any pic below to launch slideshow


Powering through the crowd was photographer Neil Mackenzie Matthews, eager to push his exhibition of pop-star photos printed on smart Somerset paper and selling at very affordable prices. He produced some flopsy-bunny big ears which apparently was the prop he invited stars of the 80s to wear in front of his camera. We saw immortalised on a poster the playful chanteuse Toyah Willcox, though Neil recalled how, despite having bought the ears as a gift for the precious Ian McCulloch of Echo and The Bunnymen (geddit?), he refused outright to see their entertainment value.

It was Flexipop’s belief that all celebs should be humiliated at every turn. As further proof, souvenirs of the magazine’s heyday were visible everywhere, including a blown-up cartoon strip satirising Marc Almond as a “sex dwarf” and Dave Ball his partner in Soft Cell as a beer-swilling “mega-hunk”. Writs for libel were due to be served at midnight.

Flexipop’s trademark plastic 7-inch discs were being dispensed free, after unsold supplies were recently unearthed in Cain’s mum’s garage – and “still playable”, assuming you have a wind-up gramophone.

Apparently Paul Weller couldn’t get along to the party as he was collecting some award as Modest Mod-father of Them All.

➢ The big public Flexipop! book launch party
for charity starts at 7.30pm tonight 25 Sept at the Red Gallery, London EC2A 3DT – tickets £20 at door

FRONT PAGE

2015 ➤ Brace positions! Flexipop aims to drag us all back in time

Flexipop, pop music, London, Swinging 80s, books, Glen Matlock

80s survivor: Glen Matlock, bass guitarist in the original Sex Pistols line-up, relishes Flexipop-the-book-of-the-mag

◼ THE MOST RAUCOUS OF ALL 80S POP MAGS was Flexipop, dedicated to pricking pomposity and kicking the egos of the jumped-up nobodies shrewd enough to bunk into the UK pop charts for the obligatory two singles – and an album if they had the staying power – such was the state of the geriatric music industry bequeathed by the 70s, the decade of corporate megagroups.

The unashamedly puerile Flexipop was unleashed “like an explosion in a paintball factory” by two ex-Record Mirror journalists, Tim Lott and Barry Cain, designed “by a chimp” so it claimed, and determined to put the larks back into pop, in contrast to the earnest Baudrillard-heavy NME. It ran for three years from Dec 1980 and now it’s back with revengeance as The-Book-of-the-Mag, being launched tomorrow by invitation, and for J Public at a charity bash with bands on Friday.

Flexipop, pop music, London, Swinging 80s, books,

Now The-Book-of-the-Mag

According to the Flexipop manifesto, 35 years ago “a golden future beckoned and our hearts beat to a fusion of punk, soul, Motown, new wave, new romantic, rock’n’roll and reggae”. Its verdict on the 80s was “a haphazard, ludicrous mish mash of genius. Such a moment required a haphazard, ludicrous mish-mash of genius to reflect it all”.

Though the rest of us had rather higher standards and wrote eloquent essays in praise of the new “pure pop” that was creating world-beating British supergroups, Flexipop insisted in dragging us all down into the gutter to enjoy its unique view of the stars.

Its big draws were zany photo stories and a thin plasticky 7-inch flexi-disc featuring an exclusive track from a major chart act taped to the cover of every issue. Many of them are collector’s items today, such as Adam and the Ants doing A.N.T.S. to the tune of YMCA. Guests to the party will receive an original flexi-disc and a copy of the magazine (presumably unsolds stashed in a warehouse for three decades).

Flexipop, pop music, London, Swinging 80s, books,

Madness songwriter Lee Thompson photographed by Neil M Matthews for Flexipop – for sale at the 2015 book launch party

➢ The big public Flexipop! book launch party starts at 7.30pm Friday 25 Sept at the Red Gallery, London EC2A 3DT. The Flexipop! photographer Neil M Matthews exhibits his iconic 80s photos, while three intrepid bands attempt to recreate the hysteria of the 80s. Tickets £20 available online and on door. The event is in aid of the Teenage Cancer Trust and the National Foundation for Youth Music.

➢ The first Flexipop! book launch party is an invitation-only event at the Red Gallery on 24 Sept that will include the official launch of the book and a limited edition Flexipop! photo/poster exhibition by Neil Mackenzie Matthews.

➢ Previously at Shapersofthe80s: When new media meant a bendy Flexipop freebie

FRONT PAGE