Category Archives: Pop music

➤ Thanks, Steve, for my invitation to the Swinging 80s

Blitz Kids, New Romantics, Observer Music Magazine, Derek Ridgers,Spandau Ballet, Steve Dagger, Steve Strange, Tipping points,London, Media, Politics, Pop music, Swinging 80s,,

The Observer Music Magazine, Oct 4, 2009. Pictures © by Derek Ridgers

MARKING THE FOURTH ANNIVERSARY
OF STEVE STRANGE’S DEATH

WHEN MY PHONE RANG IN JANUARY 1980, little did I realise its message meant: “Put out the cat. You’re coming to the party of your life.” The voice on the other end spoke without pausing: “My name’s Steve Strange and I run a club called the Blitz on Tuesdays and I’m starting a cabaret night on Thursdays with a really great new band…. they combine synthesised dance music for the future with vocals akin to Sinatra, they’re called Spandau Ballet and they’re going to be really big. . .”

➢ Click through to continue reading Yours Truly’s eye-witness account of Spandau Ballet, the Blitz Kids and the birth of the New Romantics at The Observer Music Magazine

➢ Elsewhere at Shapers of the 80s:
The Invisible Hand of Shapersofthe80s draws a selective
timeline for the break-out year of 1980

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➤ Four years on: How the Blitz Kids paid magnificent tribute to Steve Strange

On the fourth anniversary of Steve Strange’s passing
(not to mention the 40th anniversary of his Tuesday club-night
opening at the Blitz), how better to remember the man who revolutionised London nightclubbing than with the massive collection of tributes assembled here at Shapers of the 80s
from every significant Blitz Kid the day after Steve died…

1978, when Steve Strange teamed up with Rusty Egan (Photo © Fin Costello/Redferns)

1978, when Steve Strange met Rusty Egan. (Photo © Fin Costello/Redferns)

➢ Previously at Shapers of the 80s:
Read the fulsome tributes to Steve paid by the Blitz Kids here after his sudden death in 2015

Brief tasters. . .
Original Blitz Club deejay Rusty Egan said: “I’m very, very sad and down tonight because I’ve lost an old friend. We had our disagreements but we did have a decade of the best times that anybody could ever have wished for. We made some amazing music, some amazing parties, clubs and fun and friends. Underneath it all he was a good soul. Steve, I’m so sorry I didn’t get a chance to say I still love you.”

Chris Sullivan, who ran Soho’s Wag Club: “We were both flamboyant club-running Welsh dandies but were never rivals. Steve had too much dignity for that. We were friends and remained so for the rest of his life. And I can say that Steve, despite quite a few hard years, never lost that that spark, humour or joie de vivre, was forever stylish and was always a pleasure to see.”

Princess Julia, writer and deejay: “Getting dressed up, going out and getting noticed… Steve was head of a subculture the likes of which perhaps we will never see again.”

Kim Bowen, stylist, onetime Queen of The Blitz: “Rushing enthusiasm, involving everyone, creating insane parties going round and round on the Circle Line. Some truly bad outfits (his not mine.) Shockingly, ‘Kim, will you be my official girlfriend?’ ”

And many, many more delicious anecdotes…

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➤ Sullivan the wag changes hats at the touch of his paintbrush

Chris Sullivan, Swinging Eighties, Carioca, Blue Rondo a la Turk, Wag Club

Carioca then and now: left, the cover for Chris Sullivan’s band’s 1982 single Carioca and, right, his new upfront reworking for 2019

Chris Sullivan,Leah Seresin, caricature,

Leah Seresin and mum Deirdre, newly painted by Sullivan

WHO IS CHRIS SULLIVAN THIS WEEK? That all-round creative dynamo who drove much of the Swinging Eighties and ran the influential Wag club for 19 years epitomised that New Romantic era by declaring “One look lasts a day”. Suddenly he is enjoying another creative spurt. Fans will have noticed a series of bold and comic painted caricatures of his friends appearing on Facebook this month. As affectionate portraits they speak for themselves. But then last week he posted one called Carioca, inspired directly by the 12-inch single sleeve for his band Blue Rondo a la Turk. It was included in their album Chewing The Fat which dates from 1982.

Fans will also recall that Sullivan as vocalist not only put the band together as a septet of crazy soul-jazz-Latin musicians on a 0-to-10 sliding scale of eccentricity – where all of them scored at least an 11 – that won them a £500k contract with Virgin. He also painted every one of their vinyl record sleeves in his own playful version of cubism. So here above we can now compare his restrained vamp Carioca from 1982 with her current rather more in-your-face madame for 2019. So what’s this all about, Chris?

Bear in mind Sullivan was one of that gang of St Martin’s heroes who put London clubs such as the Blitz, Beat Route and the Wag on the map from 1980 on, and had studied first on the college’s fashion course, then switched to fine art. I am off to Soho to find out and will be reporting back. . .

Chris Sullivan,caricature, Soho, beats, art,

Sullivan caricatures: A pair of what the painter calls Beat Peeps from Eighties New York

STEPPING OUT TO CARIOCA ON
THE ITV SHOW RAZZMATAZZ 1982

➢ Elsewhere at Shapers of the 80s:
Yours truly writes the first magazine feature about Blue Rondo a la Turk as they created a new buzz with Latin sounds and an extreme suited dude look – from New Sounds New Styles in August 1981

➢ Razzmatazz, the weekly pop show beamed out to 6 million ITV viewers from Tyne Tees TV in Newcastle

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➤ Magical glimpses into the unreal world of pop photographer Peter Ashworth

photography, Swinging 80s, pop music, exhibition, Mavericks, Peter Ashworth, Annie Lennox, John Lydon, Corinne Drewery, Blitz Kids,Lever Gallery,

Peter Ashworth seen between his portraits of Annie Lennox in the Eurythmics shot at Bagley’s Warehouse for the cover of issue 42 of The Face in 1983; and John Lydon in PiL 1987, referencing Friedensreich Hundertwasser’s colourful paintings. (Photographed by Shapersofthe80s)

PETER ASHWORTH’S PIONEERING IMAGES detonate a superlative flashback to the vibrant 1980s music scene with his Mavericks exhibition of magically unreal, sometimes surreal photographs of pop stars from Tina Turner, Mari Wilson and Swing Out Sister to Soft Cell, Frankie Goes to Hollywood, Associates and the Clash hitmen.

Most of the richly detailed photos are familiar as mood-board sleeves for hit albums and singles, capturing attitude and style and helping build the legend of “An Ashworth Snap”, as a Mari Wilson lyric dubbed them. All push photographic innovation to the hilt which is better appreciated in the room viewing these printed enlargements made from superb digital files than on the web. The room is Clerkenwell’s Lever Gallery and this is amazingly Ashworth’s first solo show‬, curated by @duovision_arts.

Thursday’s nostaliga-drenched preview proved a time-warp gathering of many leading faces plucked from fabled nightclubs (Eve Ferret, Mark Moore), fashion cliques (Iain R Webb, Greg Davis) and the music biz (Glen Matlock, Andy Polaris). More updates to follow…

photography, Swinging 80s, pop music, Corinne Drewery, exhibition, Mavericks, Peter Ashworth, Lever Gallery,

80s clubland regulars gather for a selfie with Corinne Drewery, ex-St Martin’s singer with Swing Out Sister, who were gigging in London last week too. Pic © Corinne.


➢ Mavericks by Peter Ashworth runs at the Lever Gallery, Goswell Road, EC1V 7HD, Tues–Sun until 8 December. All prints are for sale.

➢ Peter Ashworth’s own website

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➤ How one fan came 11,000 miles for those Spandau smiles

Rebecca Slight, Spandau Ballet, Ross William Wild, Gary Kemp,pop music, tour dates, Fabrique Milano,

Spandau Ballet play Fabrique Milano on Tuesday: Rebecca Slight’s up-close photo of Ross William Wild and Gary Kemp

THE PICTURE ABOVE CAPTURED Spandau Ballet’s return to live performance in Milan this week. It was taken by New Zealander Rebecca Slight who flew 11,000 miles to London to crash with her sister who lives here, then immediately flew off to Milan for the band’s opening gig in its Next Line tour. Talk about super fandom, because she’s also booked in for the big London gig on Monday.

Rebecca tells Shapersofthe80s: “I’m lucky to have the world’s most tolerant husband at home who totally understands. I bought a ticket to Hammersmith while casually chatting to him in the kitchen – he had no idea what I was up to. Lucky he loves me! Milan was not originally in the plan but then my sister suggested the short flight since I had already come so far. And thanks to the beauty of the internet, I had friends in Italy to meet.”

What impressed her most about Spandau’s comeback performance? “The camaraderie, the smiles, the ease with which Ross Wild has fitted into the group. The whole band look so happy, especially Steve who was bouncing around like a little kid! Ross has an amazing stage presence and fabulous vocal range. The sound is a bit rockier and it has a freshness in it that just invigorated the crowd in Milan.”

She adds that she’s a bit gutted she couldn’t get here early enough to see Tony Hadley’s Palladium show but she’s off to Nottingham for the Stepback the 80s concert tomorrow so will see Big Tone singing there. “Totally wish I was seeing more of Spandau’s European gigs but I’ll still be meeting up with my favourite Spandettes at Hammersmith before heading home next week to real life in Glen Eden.”

Real life for Rebecca involves being a seemingly sensible married middle-aged suburban mum and hospital lab technician – “yeah but running away from my responsibility at home to hobnob with the 80s stars of my youth!” She does have previous: last May she hopped over to London to catch Steve Norman and his band, hence the selfie also pictured here. “His shows in May were sublime,” Rebecca says. “Steve is a gent and his girlfriend Sabrina is an angel.”

Steve Norman,Rebecca Slight, selfie, pop music, London

Previous form: New Zealander Rebecca Slight’s selfie taken with Steve Norman last May in London

❏ Odd tickets are still available at £43 and £68 for Spandau Ballet on Monday at London’s Apollo Hammersmith through Spandau’s own store.

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