◼ RECORD PRODUCER TREVOR HORN – who helped shape the sounds of such 80s acts as ABC, Grace Jones, Pet Shop Boys and Frankie – last night shared five keys to being a successful pop artist. During the repeat of The Secret Science of Pop on BBC4 he said:
1 – Be able to write or have access to the best material.
2 – Have a really great voice, across two octaves.
3 – Have personal charm and charisma.
4 – Be physically and mentally strong.
5 – And, you’ve got to want it.
All of which made a deal more sense than the deluded “scientist” – a professor at London’s Imperial College who doesn’t deserve to be named! – who attempted to analyse success in the pop charts of the past 50 years by deconstructing thousands of hit tunes note by note. Nothing he proposed made any sense at all and after wasting 60 minutes of our time he shamelessly admitted he had “singularly failed” to out-flank Horn.
As compensation, Horn’s production team shared quite a lot of their intuitive magic in perhaps 15 of those minutes. Shame the whole documentary wasn’t about them instead.
Eric the robot, then and now: Emerging from the workshop in 1928, left, and today on gleaming display in London’s Science Museum. His former tight-lipped expression has been enlivened with spiky teeth by his builder Giles Walker
◼ MEET ERIC, BRITAIN’S FIRST ROBOT, built in 1928 and reincarnated as this full-size working replica by London’s Science Museum in a preview of next year’s blockbuster exhibition on 500 years of robotics. Within a decade of the word robot being coined in Karel Čapek’s 1920 play R.U.R. (Rossum’s Universal Robots), the 6ft-tall Eric toured the world as superstar but four years later he suddenly vanished. More than 800 backers of the museum’s Kickstarter campaign funded an Eric lookalike to be recreated by artist and robot builder Giles Walker. The new Eric has now joined the permanent collection and you can see him on static display until 30 November, though he’s giving three animated demos daily as a sparky mechanical person. Free.
The world’s first robots: in Čapek’s play R.U.R. of 1921
Originally built by Captain W.H. Richards & A.H. Reffell to stand in for the Duke of York and open a model engineers exhibition, Eric was everything we now imagine a robot to be: humanoid, metallic and able to talk, though he moved only in limited ways, standing and sitting and moving his limbs. Giles Walker’s reincarnation maintains Eric’s primitive charm but has added some sleek touches, such as flexible elbows. The original had 35,000 volts sparking through his lips as he spoke. Today Giles has given Eric LEDs flashing across some spiky teeth instead, which is “a lot safer”.
Of the insides, he adds: “I’ve converted what was originally a load of pulleys and electromagnets into a digital system.” This makes Eric a very modern old robot, despite the verdict of TV star John Barrowman when Eric appeared on BBC TV’s One Show last week. He thought Eric looked like “an older-type cyberman”. Actually, John, the truth is probably the exact opposite: that Doctor Who’s cybermen were inspired by the Eric of the 1920s.
Pristine footage: The Beatles play Shea Stadium in August 1965. (Image: SubaFilms)
◼ LAST NIGHT AT A LONDON CINEMA I saw the most exciting live pop concert since the same band played live in the Swinging Sixties. Ron Howard’s new Beatles documentary, Eight Days A Week about the touring years 1963-66, is a sensational feast of long-lost performance footage that confronts us with the Fab Four’s raw onstage energy and pounding tempo – the audio as gorgeously restored as the images. This two-hour celebration of Beatle genius goes behind the clichés of hysteria to give us Access All Areas. It delivers one revelation after another, from Paul’s “Oh-my-God” moment when Ringo joined the band, to the jaw-dropping recording of a top-ten single in 90 minutes of studio time, to their 1964 triumph for civil rights when the band refused to tour in the US until audience segregation was abandoned at their venues.
New interviews from Ringo Starr and Paul McCartney keep dropping gems of insight about this the most commercially successful group in pop history, while vintage footage does as much justice to lippy John Lennon and “quiet” George Harrison who are no longer with us.
Throughout this joyous moptops-into-men odyssey we’re wide-eyed at the sheer cheek of these multimedia superstars, aged between 19 and 22, who created their own interview style by pinging back witty ad-libs to questions from the world’s media. The downside was mass hysteria from teenaged babyboom fans laying siege to hotels and airports where they repeatedly overwhelmed police and security on an often scarifying scale.
Beatle albums sat at No 1 in the charts for 20 to 30 weeks at a time – more No 1 albums than any other musical act. Their 20 No 1 hit singles on the Billboard Hot 100 chart remain unchallenged.
Ron Howard with Paul and Ringo this week: “I love this photo that was taken yesterday at Abbey Road Studios in historic Studio 2 while we were promoting The Beatles: Eight Days a Week”
Everything The Beatles did was without precedent. Among their innovations they launched arena rock and at Shea Stadium Howard’s doc ensures that we hear George’s guitar chords above the screaming audience of 55,000 fans. As a shock reminder of Sixties technology, Vox had built three new amps for the Beatles, each souped up to 100 watts (!!!) specially for touring America, their output being relayed via microphones to feed the stadium’s tinny loudspeaker system!!!
It is a breath-taking source of inspiration to know that during The Beatles’ far from meteoric early years, this Liverpudlian band of brothers had played at least 456 live gigs before signing their recording contract with EMI. Yes, 456 !!! With that amount of practice, it should be no surprise to find that their legacy amounts to 237 original compositions – songs which most people on the planet can hum, while the most radical among them personify the Sixties counterculture. As the best-selling band in history, the Fabs revolutionised all of music for ever.
Howard’s previous reality epics include the wonderful Apollo 13 and the gripping joust, Frost/Nixon. This week he told The Guardian: “I began to think of the Beatles story as like Das Boot: they’re in it together, they have each other, they know what their objective is, but, y’know, it’s a dangerous world out there.”
WHAT THE PRESS ARE SAYING
➢ Ron Howard trashes the idea that there’s nothing new to say about the Beatles – The Guardian: “ This is about the Beatles as live phenomenon, and the fact that their music was all the more remarkable because it had to be heard above the scream – that ambient sound of sex, excitement and modernity, mixed in with a thin chirrup of press envy. The scream was an important part of it. . . an almost unbroken four-year, semi-improvised multimedia performance for which there was no pre-existing template – not simply the music but the giant public spectacle and public scrutiny. ”
➢ 10 Things we learned from Eight Days a Week
– Rolling Stone: “ In February 1964, the band and their entourage occupied nearly the entire 12th floor of the Plaza NYC, including the 10-room presidential suite. But despite the space, the four friends retired to smaller quarters. “The four of us ended up in the bathroom just to get a break from the incredible pressure,” Starr says. ”
➢ “We were force-grown, like rhubarb,” says John Lennon
– Daily Telegraph: “ The film shrewdly draws a line between the Beatles’ mischievous sense of humour and their long-time producer George Martin’s earlier life recording alternative comedy. Martin had worked with the Goons, an enormous influence on the band’s growing lyrical eccentricity in that period, as well as their off-the-cuff ribbing of strait-laced reporters. ”
“ Stories about the Purple One’s generosity are starting to emerge in the days following his death, with his close friend Van Jones lifting the curtain on his humanitarian endeavours in an interview with CNN (which you can watch above).
July 2014: Prince at the #YesWeCode Launch, at Essence Music Festival
As a practising Jehovah’s Witness, Jones says, Prince was “not allowed to speak publicly about any of his good acts” but Jones felt that now was the time people knew more about his charitable giving over the years.
Chief among the projects he helped fund is #YesWeCode, an initiative led by Jones aiming to teach 100,000 low-income, urban youths learn how to code to help them get jobs in the tech world. Jones says 15 major technology companies now work with “kids in the hood” to help them break into Silicon Valley through the project.
According to the L.A. Times, Jones said the inspiration for the idea came following the Trayvon Martin verdict, with Prince saying to Jones: “Every time people see a young black man wearing a hoodie, they think, he’s a thug. But if they see a young white guy wearing a hoodie they think, oh that might be Mark Zuckerberg. That might be a dot-com billionaire” . . . / Continued online
❏ To which Rusty Egan,Steve’s partner in the Blitz Club and other landmark ventures that helped create the Swinging 80s, replies:
“ For 2 years prior to this unfortunate event Steve and I were embroiled in a public feud. Sadly we did not kiss and make up and I like most people was shocked he left us so young. RIP Steve. I have still got a few things I need to do… will sort that biz out later. ”
MORE INTERESTING THAN MOST PEOPLE’S FANTASIES — THE SWINGING EIGHTIES 1978-1984
They didn’t call themselves New Romantics, or the Blitz Kids – but other people did.
“I’d find people at the Blitz who were possible only in my imagination. But they were real” — Stephen Jones, hatmaker, 1983. (Illustration courtesy Iain R Webb, 1983)
“The truth about those Blitz club people was more interesting than most people’s fantasies” — Steve Dagger, pop group manager, 1983
An “invaluable website” — historian Dominic Sandbrook, 2012
A UNIQUE HISTORY
➢ WELCOME to the Swinging 80s ➢ THE BLOG POSTS on this front page report topical updates ➢ ROLL OVER THE MENU AT TOP to go deeper into the past ➢ FOR NEWS & MONTH BY MONTH SEARCH, see the sidebar below
❏ Header artwork by Kat Starchild shows Blitz Kids Darla Jane Gilroy, Elise Brazier, Judi Frankland and Steve Strange, with David Bowie at centre in his 1980 video for Ashes to Ashes
TOLD FOR THE FIRST TIME
◆ Who was who in Spandau’s break-out year of 1980? The Invisible Hand of Shapersofthe80s draws a selective timeline for The unprecedented rise and rise of Spandau Ballet –– Turn to our inside page
SEARCH our 700 posts or ZOOM DOWN TO THE ARCHIVE INDEX
NEWS — OLD FACES, NEW MIXES FOR THE 20-TEENS
✱ Prima occasione di vedere Ross Wild on-stage in Europa! – First chance to see Ross Wild in Europe! Spandau Ballet introduce their new singer in three Italian shows 23–25 Oct in Milan, Rome and Padova. . . also two in the Netherlands, 27 Oct Utrecht, 28 Oct Tilburg. . . In London a one-off concert is booking now for Apollo Hammersmith on 29 Oct, via Spandau Ballet tickets
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✱ For Dazed’s summer issue, its cover brings together “the characters making Britain truly great in 2018” over the heading Youth Is Revolting. So what’s the white-haired little old lady doing down front in the blue shirt that’s too big for her?
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✱ Duraniversary! Careless Memories of Duran Duran, the debut album by the English new wave/synthpop band was released worldwide on EMI Records on 15 June 1981
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✱ Johnny Marr gets magical with his new album. Recorded with his band in Manchester at his Crazy Face studios, Call The Comet introduces 12 tracks and is out now. The third solo record from the ex-Smiths guitarist follows 2013’s critically acclaimed The Messenger and 2014’s Playland, both of which made the UK top 10. Marr says: “Call The Comet is set in the not-too-distant future and is mostly concerned with the idea of an alternative society. It’s my own magic realism.” Update: 11 new live shows added
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✱ On sale now, ex-Spandau singer Tony Hadley’s Talking To The Moon UK tour, seven venues 8–17 October 2018 including The London Palladium. . . View Tone’s first YouTube music video – for his new single Tonight Belongs To Us, from new album Talking To The Moon, named album of the week 17 June on BBC Radio2 … Hadley’s events list gives his live dates through 6 July Chilfest at Tring, Herts, for An Evening with Hadley and his Orchestra, to 80s/90s Forever in Southend on 26 August, and many more to Stepback! 80s Christmas Concert 22 Dec in Coventry
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✱ 35 Years of No Parlez – Paul Young’s 16-date autumn tour from 29 Sept, Hastings to London Palladium 24 Oct
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✱ Jeff Young on Jazz FM recently made the new 18-track Siren his album of the week. Superbly crafted by Londoner Robb Scott, with strong supporting lineup, for the Expansion label. Soul Brother Records says: “A collection of classy soul/jazz grooves on that has jazz at its heart but with some superb soulful brushstrokes applied.” Purchase directly from the artist’s store
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✱ The 2018 Love Supreme Jazz Festival features George Clinton, Parliament and Funkadelic, not to mention 30 other acts. Nr Lewes, Sussex, 29 June–1 July
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✱ The Cure’s Robert Smith has hand-picked 30 all-time favourite artists for the refurbished South Bank Centre’s 25th Meltdown Festival, 15-24 June 2018. Acts include Death Cab For Cutie, Maybeshewill, Suzanne Vega, Frightened Rabbit, Sigur Ros singer Jónsi, The Joy Formidable and more
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✱ Heaven 17 promise a spectacular celebration tour of The Luxury Gap for 10 dates 9 Nov–8 Dec from Northampton, via London 30 Nov to Sheffield. They say their 1983 album is “a sly, post-modern, critique of modern society and has never been so necessary”
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✱ Steve Norman and his live band visit The Acapela Studios Cardiff 27 July, with new material… Also hometown gig live at The Old Market in Hove 8 Sept
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✱ Spandau’s Martin Kemp is performing his deejay set, spinning classics from the 80s, at all three Rewind Festivals: Perth 20–22 July; Cheshire 3–5 Aug; Henley-on-Thames 17–19 Aug
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✱ One Nation Under the Groove – Wag club legend Chris Sullivan now resident on Fridays at Mau Mau, 265 Portobello Road “which looks like a New York rhythm ’n’ blues soul bar.” Playing rare funk and disco from the likes of Mantus, Father Time,The Kinsman Band plus Parliament, Bohannon and Larry Young – sample him at Mixcloud. . . Sullivan’s book Rebel Rebel, “a riotous history of people and things that broke the mould”, is due from Unbound in September
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✱ Haircut’s singer Nick Heyward is touring the UK through June for 13 dates until Tring Chilfest in July, then on to Japan
✱ If you thought there was no more to know about the birth of Blitz culture in 1980 then get your hands on a sensational new book by an obsessive music fan called David Barrat. It is gripping, original and epic – a spooky tale of coincidence and parallel lives as mind-tingling as a Sherlock Holmes yarn. Titled both New Romantics Who Never Were and The Untold Story of Spandau Ballet! Sample this initial taster here at Shapers of the 80s
LANDMARK FAREWELLS. . . HIT THE INDEX TAB UP TOP FOR EVERYTHING ELSE
