Tag Archives: US tour

2017 ➤ Touring USA Tony Hadley admits his flabber has never been so gasted

US tour, pop music, Tony Hadley, California, Wembley Arena, dates, split, Spandau Ballet, New Romantics,

Hadders in California: flabbergasted while relaxing in the sunshine

WHEN 105.7 SAN DIEGO RADIO ASKED this week for a scoop about his recent split from Spandau Ballet, singer Tony Hadley relaxing by the bay said: “It’s a bit tricky at the moment. I’m about as flabbergasted and shocked as everybody else. It wasn’t my intention to quit the band, but I was put in a position where I really had no option but to formally leave. We’ll be announcing something pretty soon which will clarify exactly why”. . . Meanwhile on his band’s US tour, “We never stop partying. Some bands are really boring and go to bed with a cup of cocoa after the show. Me and the rest of the boys and Lily our percussionist we’re quite happy to have a bit of a laugh.” No cocoa after the show? “No! A glass of vino collapso, I call it.”

Tony Hadley and his band are headlining the Lost 80s Live tour through Aug-Sept 2017. Returning to Portsmouth 12 Sept, Blackburn 29 Sept, Chile 4 Nov, later to top the bill at Wembley’s SSE Arena for the Let’s Rock Christmas Retro Show also starring Kim Wilde, Nik Kershaw, Go West, Nick Heyward, T’Pau and others tbc.

pop music, Tony Hadley, split, Spandau Ballet, Twitter
➢ Previously at Shapersofthe80s:
So who can fill Tony Hadley’s big Ballet shoes?

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2016 ➤ Shakespeare announces tour dates for US comeback

William Shakespeare, First Folio, US tour, Folger

400th anniversary of William Shakespeare’s death: the Folger Shakespeare Library in Washington, DC, owns 82 copies of his First Folio! (Photo: Folger)

➢ 400 years after his death, Shakespeare’s First Folio goes on tour, NPR reports:
One of the world’s most precious volumes starts a tour on Monday, in Norman, Okla. The Folger Shakespeare Library in Washington, DC, is sending out William Shakespeare’s First Folio to all 50 states to mark the 400th anniversary of the bard’s death. Published seven years after he died, the First Folio is the first printed collection of all of Shakespeare’s plays. Of approximately 750 copies of the First Folio that were printed, 233 survive. The Folger has 82 of them — the largest collection in the world. . . / Continued at NPR online

“The Folger has 82 First Folios” !!!

➢ Dates for the year-long touring exhibit of the First Folio from coast to coast

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2015 ➤ Pitch now to make a video for Duran’s slinky come-back party single

Pressure Off, Paper Gods, Duran Duran, album, video,UK tour, US tour

Duran reignited for 2015: Roger Taylor drums, John Taylor bass, Nick Rhodes keyboards, Simon Le Bon vocals. (Photograph by Stephanie Pistel)

◼ FILM-MAKERS AND CREATIVE TYPES, Duran Duran are talking to you! Deadline for pitching your treatment to make a new lyric video is Sunday 28 June. When they threw out a free-for-all invitation in 2011, dozens of brilliant music videos resulted from people adapting classic Duran tracks. Now DD are trying something similar for their single Pressure Off, the first from a new album, in another video collaboration with Genero TV – click now to apply.

In September, after a gap of nearly five years, the former house band of the Brummie Rum Runner club’s New Romantic scene launch a new studio album – Paper Gods, their 14th. As part of a recording deal with Warner Bros Records, the album starts the next chapter in the Duran story, and features a host of A-list collaborators who include Nile Rodgers, Mark Ronson, Mr Hudson, Janelle Monáe, John Frusciante, Kiesza and Davide Ross.

➢ Previously at Shapersofthe80s:
2011, Ten killer videos made as tributes
to Duran’s return to creativity

Duran Duran,Pressure Off, Janelle Monae,pop music

Pressure Off features Janelle Monáe

“We found a whole new level of inspiration on this album,” says the band’s keyboardist and aesthetic overlord, Nick Rhodes. “We were talking the other day about artists that have been around for a long time – our contemporaries and some older ones, and there’s only a handful of the latter now, still out there playing shows. And we were saying, ‘What albums did they make this far down the line that we own?’ And that was a difficult one.”

DD seem convinced that this album will be one of the most visceral and daring of their career. A senior editor at Yahoo Music has already given Pressure Off a rave review, saying: “The sexy, slinky, all-around groovy party track is the legendary group’s best single in years. . . The remix-ready cut sounds fresh and modern, even as it traffics in D2’s tried-and-true signature sounds: super-Chic chickenscratch guitars, thick ’n’ gooey basslines, sassy soul-sister backup vocals, irresistibly effervescent chants.” Listen now at YouTube and you decide (no prizes for linking the cocktail of images with DD classic hits). Pre-order Duran Duran’s Paper Gods on iTunes and get an instant download of Pressure Off.

➢ Duran Duran 2015 tour dates at their own website – The four-man Duran line-up is set to headline at Bestival, in the UK, in September, and a trickle of European tour dates kicked off this week in Barcelona and The Hague, following up with the US and UK before climaxing in December.

➢ Previously at Shapersofthe80s:
1981, Birth of Duran’s Planet Earth — when other people’s faith put the Brummies into the charts

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➤ A Duranie showers praise on Spandau’s Soul Boys gig in Los Angeles

Spandau Ballet , Soul Boys of the Western World, US Tour, pop music, Blitz Kids, New Romantics, Swinging 80s,

Streaming live: old romantics Spandau Ballet paying the Wiltern, Los Angeles, on Sunday night. Screengrab © Yahoo/Live Nation

➢ VIEW Yahoo’s online stream of Spandau Ballet’s Sunday concert at Wiltern Theatre in Los Angeles (initially on a continuous loop but later reduced to clips)

➢ Update 28 Jan: View Spandau Ballet’s number Only When You Leave from Yahoo’s stream of last Sunday’s concert at Wiltern Theatre

Spandau Ballet , Soul Boys of the Western World, US Tour, pop music,
➢ Oh the irony! At the ultimate Duran Duran fansite, Rhonda reviews Spandau Ballet live in Los Angeles 2015

I have to give Spandau credit: they are the real deal. They PLAY… and any backing used is incredibly minimal compared to many other bands. Tony Hadley has a better voice live than nearly any vocalist I’ve ever heard, and I’m sure the Jack he used for toasting the audience does nothing to hurt him, either. I can’t really say enough about Tony’s vocal talent OR the rest of the band. Steve Norman is a sax GOD, not to mention a world-class percussionist, of course Gary and Martin Kemp are the backbone of the band along with John Keeble on drums.

There was something really heartwarming as I watched fans scream with glee as Tony broke into Chant No 1 (I Don’t Need This Pressure On) or the way the entire audience sang True with the band. . . As we waited in line outside, I halfway listened as the people in back of us talked about the trek they were making to follow the band on their tour across the country, and how they talked about members of the band as though they were old friends. It reminded me so much of the “relationship” Duran fans have with the band. As much as we might be different – Spandau fans and Duran fans – we’re really the same. . . / Continued online at the Daily Duranie

Spandau Ballet,Daily Duranie , Soul Boys of the Western World, John Taylor, Martin Kemp

Duranspan or is it Spanduran? The New Romantics John Taylor and Martin Kemp in 1985

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2015 ➤ So no pressure then, as Spandau’s world tour kicks off


◼ “WHAT A GREAT WAY TO START A WORLD TOUR!” a beaming Steve Norman told the audience in San Francisco last night. “Thank you so much.” Spandau Ballet kicked off their 41-date Soul Boys of the Western World Tour at the 2,300-seat Warfield, built as a plush crimson vaudeville theatre in the 1920s, the same venue they played on their last US visit 31 years ago. And judging from the singalong audible on YouTube videos posted by fans, the night sounded a success.

Two more dates complete the California leg of the tour this weekend, much to the disappointment of fans in other parts of the US and Canada whose bookings were cancelled at short notice last week and rescheduled into April and May. Many had planned to fly in from other states and even other countries to attend. One Canadian diehard who had bookings for five concerts told us: “If I had known all this, I would have gone to London to catch the UK start in March.”

Spandau Ballet , Soulboys of the Western World, US Tour,The band assure Shapers of the 80s that this decision had been taken by their American promoter. Last night sax player Steve Norman said: “I do understand that some people were put out, to say the least. Please give my apologies. It is a real shame.”

As for returning to the Warfield, Steve said: “It was an awesome night, felt like a second coming for all present. The energy in the room was electric. I guess expectations were high seeing as we hadn’t performed in the US for so long. But American fans are loyal and they made sure it was one of the most enjoyable Spandau shows of all time. I’m so looking forward to the LA gig tognight.”

Fans beyond California have a small compensation: Yahoo’s live online stream tomorrow night from the Wiltern Theatre concert in Los Angeles at 8.45pm (PT), and viewable thereafter on a seemingly indefinite loop 24/7.

First night at the Warfield: Click any pic to launch slideshow


➢ The first review is in from Jim Harrington
of Bay Area News Group:

The synthesizer and saxophone soared. Saccharine ballads and slick pop anthems were in ample supply. Folks dressed up like Crockett and Tubbs from Miami Vice. There was an old-school MTV sheen to the entire production. Most important of all, the lead singer’s hair was perfect. Man, I love the 80s.

And it felt like I got a second helping of the decade at The Warfield, courtesy of 80s hitmakers Spandau Ballet. . . The show was mostly about celebrating the past. Yet, the group also gave us reason to believe that Spandau Ballet might have a promising future … / Continued online


➢ Steven Gdula in awe at the Warfield
for Dinosaur magazine:

The first seven songs included three new compositions, plus past hits Highly Strung, Only When You Leave and Round and Round. The performances were winning. At times blistering, even. So much so that my old indifference to latter-day Spandau Ballet compositions was replaced with more than just respect. I was in awe. Tony Hadley’s voice fits him better than ever at this point in his life, and his comfort level shows. His phrasings were sophisticated, sometimes lingering behind the beat, sometimes anticipating it, sounding every bit like the soul or jazz crooners he’s emulated. And when he allowed his voice to soar, no roof could have sealed it in. Steve Norman’s sax rides were likewise unstoppable, often to the point of competing with Hadley’s voice in the mix. The Kemp brothers — Martin on bass and Gary on guitar — were tight and musically stylish without being flashy, and John Keeble’s muscular drumming kept driving it all forward. . . / Continued online


➢ New dates for Spandau Ballet’s North America live tour – starting 23–25 Jan in California but with other US and Canada concert dates rescheduled for April–May. Click through for complete list of world tour dates 2015.

Spandau Ballet , Soulboys of the Western World, US Tour, NYC, SiriusXM,

At SiriusXM radio on Wednesday: Spandau Ballet studio session for coast-to-coast satellite broadcast. Photograph by Richard Blade

Spandau Ballet , Soulboys of the Western World, US Tour, Steve Norman, John Keeble, Tony Hadley, ,

Keeble, Hadley and Norman, 2015: grabbing a proper pint at the Belmont on La Cienega in Los Angeles. (Tweeted by Steve Norman)

UPDATE: AT THE WILTERN, LOS ANGELES


➢ Lina Lecaro is seduced for the LA Weekly:
The band’s first proper Los Angeles show in three decades did not go unnoticed. It sold out the Wiltern Theatre, and a second night was added. Saturday, the first of the weekend shows, the “boys” of Ballet had something to prove to LA and they did, bestowing their mostly thirty-and-fortysomething fan base with a set that was near perfection sound-wise and as visually appealing as anything they did back in their 80s heyday. And yes, by visually appealing we mean they still look good. Real good. . . / Continued online

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