Tag Archives: album

2017 ➤ His name is Prince and his London tribute is downright spunky

Prince Rogers Nelson, exhibition, The O2, London, music videos, My Name Is Prince, pop music,costumes, guitars

Prince exhibition: chain-hat to conceal his identity in The New Power Generation and lyrics for We Want 2 Let the Funk Unwind (Getty)

Hold your breath! An exhibition that could so easily have been a lightweight commercial ripoff about the myth of Prince Rogers Nelson proves to be a surprisingly affecting tribute. Scores of artefacts have been loaned out for the first time direct from Paisley Park, Prince’s lush Minnesota estate, in a dazzling rush of bling and sentiment for My Name is Prince, his official exhibition which runs in London for the next ten weeks.

It seems a strange idea to visit seven galleries packed with video screens and to stand clad in earphones watching them play out the most vibrant highlights from the American pop icon’s uniquely anarchic imagination. Yet the very impact of so many screens disseminating so much talent only magnifies the intensity of the moment.

This one-man band’s genius is all too evident in every direction you look. In turns, you’re gasping at the audacity of Dirty Mind, smiling at the ingenuity of Sign ‘o’ the Times and shedding tears of envy for his sheer virtuosity in While My Guitar Gently Weeps.

Above all, the entire immersive experience is very, very lovesexy. The attention Prince lavished on his many lubricious costumes is revealing: so many apparently plush brocade garments are woven on light see-through black mesh that reveal the sinewy muscles of his tiny but taut 5ft frame within.

Prince the dandy also took any opportunity to shed his garments and flash his intimate zones, including his bare buttocks in orgiastic videos such as Gett Off, shot amid scantily clad girls and boys (“23 positions in a one-night stand”) at the 1991 MTV awards. Indeed one of the exhibition’s biggest draws is the video for Thieves in the Temple, from the 1990 Graffiti Bridge album, in which cutaway jeans reveal his bum and thighs and bouncing crotch capped with a glittering gold lamé jockstrap, in some of the most frenetic team dancing ever in high heels. The choreography is shamelessly horny.

The sheer range of Prince’s musical gifts during a 40-year career is well recognised – 70 albums, 2,000? songs, an Oscar, a Golden Globe, eight Grammies, 100 million records sold, and a ranking at No 28 among Rolling Stone’s 100 Greatest Artists of All Time. But to assemble in a three-dimensional venue 200 tangible examples of his workaholic creativity as an all-round showman results in an affectionate multi-media tribute. For us to devour the close-up detail in his guitars, his hand-written notes and drawings, and his jewelled accessories becomes a truly moving privilege. And for a fan, the power of his achievements is reaffirmed as you bask in his subversive glow.

➢ The official exhibition My Name Is Prince runs from October 27 until January 7, 2018 at London’s O2

Prince Rogers Nelson, exhibition, The O2, London, music videos, My Name Is Prince, pop music,costumes, guitars

Prince exhibition: stage costumes from his Purple Rain tour (Getty)

Prince Rogers Nelson, exhibition, The O2, London, music videos, My Name Is Prince, pop music,costumes, guitars

Prince exhibition: bass guitar that inspired his trademark Cloud and diamond-studded cane from 2015

PRINCE’S PURPLE REIGN STILL EXERTS
ITS PULLING POWER

London’s Eighties pop star Andy Polaris visits the Prince exhibition to assess the enduring impact of the black performer who in his day challenged the norms of sexuality and race. . .

➢ Visit Andy’s own website Apolarisview for his full review
– here’s a brief taster:

The first time Prince triggered my radar was a review in the music press of his concert at the Lyceum in London 1981, part of his Dirty Mind tour. He was featured in the accompanying review wearing a trench coat covering a lithe brown body and wearing black briefs and leggings, topped by his mop of black hair and pretty face. I was miffed to have missed his only show but before the internet niche events could slip by easily without social media to flag them up.

It was obvious from the start that this was a black artist who, despite the flamboyance of disco/funk stage-wear and album covers, was taking it a little bit extra with some sexual ambiguity. The lyrics of the funky album track Controversy (a bass-driven early dance-floor favourite) set the tone:

I just can’t believe all the things people say
Controversy
Am I black or white? Am I straight or gay?
Controversy

I was fascinated to see the parade of Prince’s petite outfits complete with matching coloured heeled boots that covered Purple Rain, his purple metallic frock coat through to a crystal-encrusted cane and Balmain waistcoat he wore for W magazine. The materials are colourful, sheer and shimmering and in some cases boldly designed. He wasn’t interested in the toxic masculinity that permeates so many black artistes, one of the reasons he flew the freak flag for those who were not interested in paying £50 to see artists dressed in denim and T-shirts. . . / Continued at Andy’s own website


➢ Previously at Shapersofthe80s – Prince RIP: ‘A funny cat’ and ‘sole authentic genius’ of the 1980s

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➤ “How it should be” bombshell from Hadley to Spandau

Tony Hadley, Lorraine Kelly , Spandau Ballet, reunion, bombshell

Spandau Ballet singer Tony Hadley talking to Lorraine today. (Picture: Rex Shutterstock/ITV)

◼ METRO REPORTS TONY HADLEY talking to Lorraine Kelly today on ITV: “Spandau’s on hold, that’s kind of one of the reasons I did the jungle [TV show],” Tony said of the 80s chart-toppers. With the 2015 world tour ending only recently, he admitted that a future reunion shouldn’t be ruled out. “We’re really great friends and we’ll get back together every three or four years – which is how it should be.”

Which is how it should be !!!

➢ Lorraine Kelly full interview at ITV with video clip from Shake Up the Happiness

➢ Tone’s solo Christmas Album features 16 festive classics with that suave Hadley flavour, priced from £8.99 through the retailer of your choice

➢ Spandau fans have been here before. Read Tony’s equivalent bombshell from 2011

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➤ Thanks to Neil McCormick for the only Bowie Blackstar review we need to read

Blackstar, album, David Bowie, jazz, pop music, video,Johan Renck , reviews,

Late-life melancholy with jazzy modulations: Bowie in messianic mode in the video for the album’s title track Blackstar

➢ With an album as rich and strange as Blackstar, Bowie is well and truly back from beyond, reports Neil McCormick, Daily Telegraph music critic, 18 December 2015:

For his 27th studio album, has Bowie gone jazz? On first listens to Blackstar, released on 8 January, Bowie’s 69th birthday, it certainly sounds like rock’s oldest futurist has dusted down his saxophone. They are tooting, parping, wailing and gusting all over the place, occupying rhythmic, atmospheric and lead parts, with guitars and keyboards intermingling in a weave of supporting roles.

Donny McCaslin, David Bowie, jazz, Lazarus, Blackstar

Donny McCaslin: Bowie’s new-found friend

The saxophone was Bowie’s first instrument, which he started learning in his pre-teens inspired by a bohemian, jazz-loving elder half-brother, Terry Burns. Bowie once said that, aged 14, he couldn’t decide if he wanted “to be a rock’n’roll singer or John Coltrane”. Even in his rise to rock fame, Bowie remained a creature of the jazz age, at least in the sense of the boundary-crashing freedom that characterises his work.

A new single, Lazarus, released today, may kick off in the vague realm of contemporary music, with spectral guitar and stuttering rhythms calling to mind the young British trio the xx, but it is not long before those saxophones are sighing and the beat is fragmenting. Just about holding it together are the familiar tones of Bowie’s teeth-gritted, tight-chested whisper of a vocal, proclaiming it is This way or no way / You know I’ll be free / Just like that bluebird / Now ain’t that just like me? Sure sounds like jazz to me. . .

What Bowie has created with this hardcore jazz crew, though, is not something any jazz fan would recognise and is all the better for it. At its best, free jazz is amongst the most technically advanced and audacious music ever heard but it can be uncompromisingly difficult to listen to for the non-aficionado. The improvisational elements that make it so gladiatorial and hypnotic live can make it over complex and inaccessible on record. Bowie’s intriguing experiment has been to take this wild, abstract form and try to turn it into songs. Blackstar is an album on which words and melody gradually rise from a sonic swamp to sink their hooks in. It is probably as close as free jazz has ever got to pop. . . / Read the full review at Telegraph online

◼ IN AN UNNERVING SIMULATION OF BOWIE’S VOICE, the star of Bowie’s new musical Lazarus, Michael C. Hall, sings its title track for the CBS Late Show (below) the day it is released as a single. The maestro himself is watching the show at home in his armchair. How meta-modern is that?!

➢ Bowie fulfills his jazz dream – Listen to an NPR Music interview with the two main characters who accompany Bowie on this new adventure in music – his longtime friend and producer Tony Visconti and his new-found friend/saxophonist and band leader Donny McCaslin.

➢ Nov 23, more background revelations in Rolling Stone – “We were listening to a lot of Kendrick Lamar,” says producer Tony Visconti. “The goal was to avoid rock & roll”

➢ PLUS: The Blackstar album reviewed track by track by Neil McCormick

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2015 ➤ Weird and wonderful new Bowie – his Blackstar man is set to blow our minds

David Bowie, pop music, video, Blackstar, starman, album, Johan Renck

Blackstar: Bowie being messianic and ghoulish

◼ SET ASIDE 10 MINUTES AND HOLD YOUR BREATH. David Bowie’s first video for his January album is titled in plain English Blackstar, though the album itself is titled ★ following the Princely principle of symbols. The video is ghoulish, disturbing, eerie, messianic, ritualistic, jazzy, baffling – and a little mousey. His tale of a starman’s legacy out there in a faraway galaxy is musically immaculately orchestrated and makes compelling viewing and listening. It will have the geeks mining for references in its overwrought and folksy narrative. A momentarily real-world Bowie actually thumbs his nose at us singing “You’re the flash in the pan/ I’m the great I am!” yet the overall gist seems relentlessly morbid and we’re not helped by not being able to catch crucial lyrics, which for a music video is a drawback.

Directed by the Swedish music video maestro Johan Renck and premiered last night on Palladia TV, it’s unlike anything you’ve seen before. Natch.

➢ Blackstar is also pre-bookable on vinyl

David Bowie, pop music, video, Blackstar, starman, album, Johan Renck

➢ Nov 23: “We were listening to a lot of Kendrick Lamar,” says producer Tony Visconti. “The goal was to avoid rock & roll” – Rolling Stone reveals all about ★ the album

➢ “As a taster for the forthcoming album, it works perfectly” – Alex Petridis reviews the single Blackstar in The Guardian:

The influence of latterday Scott Walker still appears to be making itself felt in the lyrics – they’re elliptical, filled with images of fear and death (“Take your passport and shoes and your sedatives”) and clearly just waiting to be unpicked by the more dedicated Bowiephile – but the music drifts episodically: from an ambient opening to vocals floating mournfully over a jerkily propulsive drum pattern and synthesisers squelching in vaguely acid houseish style to a sax solo to a beautiful, slow middle section with both a lovely melody and electronically-treated backing vocals. . .

David Bowie, pop music, video, Blackstar, starman, album, Johan Renck

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2015 ➤ Pitch now to make a video for Duran’s slinky come-back party single

Pressure Off, Paper Gods, Duran Duran, album, video,UK tour, US tour

Duran reignited for 2015: Roger Taylor drums, John Taylor bass, Nick Rhodes keyboards, Simon Le Bon vocals. (Photograph by Stephanie Pistel)

◼ FILM-MAKERS AND CREATIVE TYPES, Duran Duran are talking to you! Deadline for pitching your treatment to make a new lyric video is Sunday 28 June. When they threw out a free-for-all invitation in 2011, dozens of brilliant music videos resulted from people adapting classic Duran tracks. Now DD are trying something similar for their single Pressure Off, the first from a new album, in another video collaboration with Genero TV – click now to apply.

In September, after a gap of nearly five years, the former house band of the Brummie Rum Runner club’s New Romantic scene launch a new studio album – Paper Gods, their 14th. As part of a recording deal with Warner Bros Records, the album starts the next chapter in the Duran story, and features a host of A-list collaborators who include Nile Rodgers, Mark Ronson, Mr Hudson, Janelle Monáe, John Frusciante, Kiesza and Davide Ross.

➢ Previously at Shapersofthe80s:
2011, Ten killer videos made as tributes
to Duran’s return to creativity

Duran Duran,Pressure Off, Janelle Monae,pop music

Pressure Off features Janelle Monáe

“We found a whole new level of inspiration on this album,” says the band’s keyboardist and aesthetic overlord, Nick Rhodes. “We were talking the other day about artists that have been around for a long time – our contemporaries and some older ones, and there’s only a handful of the latter now, still out there playing shows. And we were saying, ‘What albums did they make this far down the line that we own?’ And that was a difficult one.”

DD seem convinced that this album will be one of the most visceral and daring of their career. A senior editor at Yahoo Music has already given Pressure Off a rave review, saying: “The sexy, slinky, all-around groovy party track is the legendary group’s best single in years. . . The remix-ready cut sounds fresh and modern, even as it traffics in D2’s tried-and-true signature sounds: super-Chic chickenscratch guitars, thick ’n’ gooey basslines, sassy soul-sister backup vocals, irresistibly effervescent chants.” Listen now at YouTube and you decide (no prizes for linking the cocktail of images with DD classic hits). Pre-order Duran Duran’s Paper Gods on iTunes and get an instant download of Pressure Off.

➢ Duran Duran 2015 tour dates at their own website – The four-man Duran line-up is set to headline at Bestival, in the UK, in September, and a trickle of European tour dates kicked off this week in Barcelona and The Hague, following up with the US and UK before climaxing in December.

➢ Previously at Shapersofthe80s:
1981, Birth of Duran’s Planet Earth — when other people’s faith put the Brummies into the charts

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