1966 ➤ The interview that made John Lennon US public enemy number one

Evening Standard,Maureen Cleave, Lennon, interview, More popular than Jesus, How does a Beatle live?

First published in the London Evening Standard, March 4, 1966

Maureen Cleave, 1964, Evening Standard❚ MAUREEN CLEAVE [left] died this week aged 87. She was a long-time colleague and friend who was refreshing to know and a perfectionist at work. She was the author of this landmark piece of journalism in 1966 in which Beatle John Lennon said ironically: “We’re more popular than Jesus now.” Bang in the middle of the Swinging 60s, at the height of Beatlemania, the most successful pop group in history became possibly the most hated. In America’s Bible Belt, outrage sent fans out to burn The Beatles’ records and radio stations round the world banned their music. The Fab Four never played live concerts again.

Maureen had written the first significant critique of the band in the London Evening Standard in February 1963, headlined “Why The Beatles create all that frenzy”. What she identified was the band’s unique stage presence while acknowledging the Liverpudlian scallywags as fresh young jokers in the Max Miller cheeky-chappie mould. This kick-started her career as probably the most clear-sighted interviewer of her generation and her survey in 1966, “How does a Beatle live?” still makes a riveting read as John Lennon guides her through his 22-room home deep in the Surrey banker-cum-oligarch belt…

➢ Read on at Shapers of the 80s:
1966, More popular than Jesus – Maureen Cleave’s full Lennon interview from the Evening Standard in 1966

Beatles, bonfires,More popular than Jesus, 1966

Christian outrage in 1966: public bonfires were organised in Alabama, Texas and Florida to burn The Beatles’ records

➢ If ever a journalist had a quote taken out of context and rehashed evermore, it was Maureen Cleave – The Times obituary, Nov 2021

➢ Once the Beatles had become the most famous entertainers in the world, Cleave witnessed at first hand the destructive force of modern celebrity – Daily Telegraph obituary, Nov 2021

➢ Journalist who was close to the Beatles and known as one of Fleet Street’s most exacting interviewers – Guardian obituary, Nov 2021

MAUREEN FILMED MEETING
BOB DYLAN IN 1965…

…DISCUSSED HERE IN 2000…

Maureen Cleave elaborates on 1965’s interview with Bob Dylan (above), filmed by D A Pennebaker for his documentary Don’t Look Back. The discussion below is extracted from The Bridge, Number 6, Spring 2000 (courtesy of @bob_notes). Click on image to enlarge…

Maureen Cleave, Bob Dylan, Don't Look Back, interview, DA Pennebaker, Matt Tempest, TheBridge

…AND AGAIN IN 2011

Blogger Stephen McCarthy explored this filmed interview with Bob Dylan in the light of his conversion to Christianity in 1978. We see Maureen Cleave ask Dylan: “Do you ever read the Bible?” because she hears echoes of its ideas in so many Dylan songs. Yet Dylan seemed uneager to follow that line of questioning.

McCarthy writes: “Remember now, this was prior to the recording of songs like Highway 61 Revisited which begins with the lines, “Oh God said to Abraham, ‘Kill me a son’. Abe says, ‘Man, you must be puttin’ me on’” … Granted there were allusions to The Bible in earlier songs, such as Gates of Eden etc, but in my opinion, it was fairly perceptive of Maureen Cleave to have discerned the religious thread that could be found woven into many of Dylan’s earliest songs. And it also begs the question, did she somehow instinctively suspect that times they were a-changin’ for Bob Dylan in some sort of spiritual sense?”

MAUREEN RECALLS JOHN AND PAUL IN 2013

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2021 ➤ Steve Norman returns with The Sleevz and a surprise royal send-off!

Sleevz, Pizza Express Live, Steve Norman, pop music, concert

Sleevz live at Pizza Express 2021: L-R, Steve Norman, Sabrina Winter, Jaco Norman and Paul Cuddeford. (Photo: Shapersofthe80s)


Updated on 27 August 2021
❚ AFTER 18 MONTHS OFF-STAGE Spandau Ballet sax player Steve Norman and his own band The Sleevz have returned to what he calls “our fav venue” Pizza Express Live in Holborn, London. On Thursday night and Friday afternoon they played a “festival set” including Spandau’s most popular hit songs, alongside some of Steve’s own tracks and personal favourites. The lineup included his wife Sabrina Winter, his son Jaco Norman, Paul Cuddeford and Joe Bongo Becket.

During Spandau’s heyday in the Swinging Eighties, the multi-instrumentalist Steve introduced the saxophone as his signature sound then wrote and played one of the most iconic saxophone solos on the band’s No 1 hit True. Steve toured the globe with Spandau Ballet and in 1985 he appeared at Live Aid at Wembley Stadium.

In 2014 the band released a documentary about themselves and 1980s culture more broadly, Soul Boys of the Western World, followed by the album The Story – The Very Best of Spandau Ballet, and another world tour in 2015. In 2017 Steve started playing solo shows across Europe accompanied by his five-piece band.

➢ Click here for tickets for August 26 (8pm) and
August 27 (1:30pm matinee)

The Sleevz, Pizza Express Live, Steve Norman, pop music, concert

Steve Norman, left, with his band Sleevz: Paul Cuddeford,‪ Sabrina Winter, Joe Bongo Becket, Jaco Norman

friends, Sleevz, Pizza Express Live, Steve Norman, pop music, concert

Steve Norman at Pizza Express 2021: with wives of his schoolfriends in Family Corner. (Photo: Shapersofthe80s)

➢ Previously at Shapers of the 80s: Spandau Ballet’s 2014 comeback with a film of their soul-boy journey through pop

ALSO OUT OF THE BLUE THIS WEEK!

The Band of the Coldstream Guards and the Band of the Scots Guard, Changing the Guard, Gold, pop music

CLICK on this pic to view The Royal Family’s video of Gold being played live on the Forecourt of Buckingham Palace this week

❏ As an amazing coincidence, on Monday the Royal Family’s page at Facebook posted this video of Spandau Ballet’s 1983 hit Gold being played live on the forecourt of Buckingham Palace. Back on duty for the first time since March 2020, we see the State Ceremonial Musicians performing while the daily ceremony of Changing The Guard took place. Here, the Band of the Coldstream Guards and the Band of the Scots Guard combined in a special tribute to the Tokyo 2020 Paralympics which began this week.

Steve Norman commented: “I’m very proud of our Spandau legacy. Almost 40 years on and still going strong. My mum would be so proud. She loved the pomp and ceremony of Changing the Guard. Congratulations to team GB for their Olympic achievements.”

❏ Spandau’s original singer Tony Hadley wrote on Twitter: “So honoured for the Ceremonial Musicians to have done their first performance since March to Gold. What a brilliant job! Many thanks. Tone.”

➢ Steve Norman & The Sleevz play the Wonderhall Festival, Lytham St Annes, Lancs, on Saturday 28th from 2pm onward

➢ Tony Hadley plays Let’s Rock Scotland 2021 on Saturday from noon at Dalkeith Country Park near Edinburgh

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2021 ➤ The man called Seven offers his skills to the next generation of music students

Rock music, education, Business, Seven Webster, IMCP, BA (Hons),

Seven Webster: probably the nicest guy in rock


❚ THE LAST TIME Shapers of the 80s mentioned Seven Webster, we described him as “probably the nicest guy on the entire UK music scene” and it’s with great pleasure we can now reveal his new role championing entrepreneurship in that industry.

He said yesterday: “I am extremely honoured to have been appointed an ambassador for the first ever BA (Hons) Music Business Degree in the UK. Encouraging fresh entrepreneurial spirit is the very essence of what is going to help shape, strengthen and sustain the future of music. To lend my support to future generations of creative like-minded spirits is wonderful.”

Announcing his appointment, The Institute of Contemporary Music Performance (ICMP) declared: “Seven is a successful and well-respected music industry professional, who has worked across various parts of the sector. The kind of entrepreneurial spirit he embodies is at the heart of our course and his insight and experience will be an invaluable asset for our students.

“His 7pm Management company has launched and managed the careers of numerous established top 40 artists and DJs over the last 30 years. This includes the likes of superstar DJs Sasha, John Digweed and Carl Cox through to the multi-million selling singer-songwriter Dido and rock band Skindred.”

Other ventures have included running music publishing companies and organising live music events. In 2015 which Seven described as “a very buoyant time for rock”, people were actively signing rock acts and wielding what he believed was “a cumulative fist”.

7pm Management, Swinging 80s, Rock music, Seven Webster, Geschlechts-Akt, Padded Cell, nightclubbing,

Seven Webster when we first met, 1983 at the Padded Cell… and as guitarist in postpunk band Geschlechts-Akt, 1984


His outfit launched a new music conference at the Rich Mix Cultural Foundation in Shoreditch. RockComm London described itself as “the first UK-based international rock music conference aiming to unite everyone from labels, publishers, managers, distributors, agents, promoters, manufacturers, digital aggregators, the lot”. RockComm was as an appetiser for the UK’s biggest rock music event, the Download Festival.

Seven is one of a seemingly small band of brothers who is determined to assert his creative ideals. He draws on a lifelong love of music, saying “it’s my heart and soul”, having kicked off playing guitar in a post-punk band called Geschlechts-Akt (a messy German mouthful meaning Sex Act). He is also intensely sociable and has a quip ready to account for most eventualities. As he told us at the age of 20: “I just hate staying in. I’ll go to ice-cream and jelly parties, anything.”

➢ IMCP breaks the news of Seven’s appointment

➢ Previously at Shapers of the 80s: 2015, Seven’s easy stages – from jelly parties to saviour of the rock scene

➢ Previously at Shapers of the 80s:
1983, Deciphering the code of the Padded Cell

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2021 ➤ New photos to rekindle the spirit of Brummie icons Kahn and Bell

Fashion, Swinging 80s, Gary Lindsay-Moore, Kahn & Bell, Birmingham Rag Market, Damien,

Photographed by Gary Lindsay-Moore for his show It’s Not Unusual: Damien models a vintage Kahn and Bell dress


❚ ART PHOTOGRAPHER Gary Lindsay-Moore was a teenager when he caught the bus from Tamworth to Birmingham city centre to search out a boutique he had been hearing rumours about. Heading on to Hurst Street, he stepped into the emporium created by designers Patti Bell and Jane Kahn – and discovered a whole new world.

“I had no money,” he says, “but went in and there was Patti although I didn’t know it was Patti at the time. I just saw this seven-foot Amazon with massive blonde spiked hair, a massive set of heels and leather and chains. And it was ‘Oh, my goodness, this is amazing’. I felt I’d found my cultural home – this was the kind of excitement I was looking for. The significance for me was profound.”

Together, in the late Seventies, Kahn and Bell revolutionised the city’s fashion scene. They were at the vanguard of punk and new romanticism, creating hand-made clothes for a host of pop icons including Birmingham’s own Duran Duran, Eurovision winners Bucks Fizz and music and dance group Shock.

Talked of as Birmingham’s Vivienne Westwood, Kahn and Bell gave people the opportunity to dress to express. And now, 45 years after their shop opened in 1976 in the city’s emerging Gay Quarter, Gary is paying homage to their innovation with a photography exhibition featuring some of their original flamboyant clothing. The exhibition is called It’s Not Unusual as a nod to Patti’s close relationship with music stars of the era including her friendship with singer Tom Jones.

Gary set about capturing the spirit of experimentation and freedom which Kahn and Bell encapsulated in a series of new images of their creations worn by some equally dramatic models. Between July 27–30 the free show runs at Birmingham’s Rag Market, where Patti also ran a stall.

i-D Magazine,Fashion, Swinging 80s, Gary Lindsay-Moore, Kahn & Bell, Birmingham Rag Market,

Kahn and Bell profiled in i-D Magazine No 5, while Shock’s Tik & Tok are seen modelling


One challenge lay in the clothes themselves. “A minor issue was that all these clothes were quite small, like sizes six or eight,” Gary says. “A lot of the photography I do is about body positivity, acceptance and individuality and I didn’t want to just use a skinny model. I wanted people who were modelling them to have the Kahn and Bell spirit.”

Gary tracked down local models with an individual sense of flair including some of the region’s best-known drag artists such as Birmingham’s Twiggy, who had a personal reason for wanting to be involved, having worked for Kahn and Bell in the past.

“I’m not trying to update pictures of Kahn and Bell which already exist,” Gary says. “It’s about putting my spin on the show, so all the models I’ve pictured did their own make-up although we talked about it beforehand to make sure it reflected the make-up of the time. There is lots of make-up, glitter and stick-on gemstones. They all look amazing.”

“I like pictures that work with sub-levels, so I’ve included some references people might spot. Patti and I are both big fans of the film Blade Runner and in one of my favourite scenes in that film there are lots of mannequins so I’ve added mannequins to some of the pictures as a tribute.

“I’m going to be there in the Rag Market and am happy to chat to people, especially those who don’t already know Kahn and Bell who can ask questions and then do a bit of research themselves. We have so much information at our fingertips now but 45 years ago it was all word of mouth.”

Gary has created a book around the project and has already presented Patti with her copy as a recent birthday present.

Birmingham, Fashion, Swinging 80s, Kahn & Bell,

Kahn and Bell in their early years, courtesy of Patti’s son Dylan Gibbons


➢ Prints of his images will also be available to buy on Gary’s website

❚ It’s Not Unusual runs July 27–30, 9am–5pm, at St Martin’s Rag Market, Edgbaston Street, Birmingham B5 4RB (tel 0121 464 8349)

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2021 ➤ Who can identify the face in this Bowie painting up for auction next week?

David Bowie, Cowley Abbott, discovery, Dead Heads,auction, paintings,

David Bowie’s collage DHead XLVI: portrait of an unidentified person… and the characteristic Bowie signature on the back

Updated on 25 June 2021
❚ A PAINTING BY SUPERSTAR DAVID BOWIE was found last summer in a thrift store for household goods and bought for just five dollars. Today it was put up for auction online and its top estimate of £7,200 was soon exceeded by four times that amount [19 June update]! After more than a week of bidding it sold on 24 June for £63,269 – a nine-fold increase on the upper estimate. The Canadian auction house hosting the online sale has not been able to identify the subject who is likely to have been among Bowie’s circle of friends during the Ziggy Stardust era as well as the mid-1990s when the painting was made. Take a guess and mail contact [a t] shapersofthe80s.com if you know who the friend might be. (Early guesses by a former UK Blitz Kid include Dana Gillespie and Lindsay Kemp – the gender of the subject is ambiguous.)

➢ Toronto’s local newspaper BayToday reports on
how the bargain was discovered. . .

Jeff Turl writes It’s every bargain hunter’s dream… paying next to nothing but scoring big time. The buyer picked up the treasure, left in a pile of discarded goods in a thrift store, for just $5. The painting is valued at $12,000 (£7,200 GBP), its upper estimate, at Cowley Abbott’s International Art Online Auction from June 15-24.

The painting is titled, D Head XLVI and is a small 24.8 x 20.3 cm acrylic and computer collage on canvas, dated 1997. “The consignor of the painting was astonished upon viewing a label which read David Bowie and realized it was the signature of the artist inscribed on the reverse,” says Andrea McLoughlin, Cowley Abbott spokeswoman. The painting’s female owner has not been identified.

David Bowie, Cowley Abbott, discovery, Dead Heads,auction, paintings,

Bowie’s DHead XLVI as Lot 27 in the Cowley Abbott sale – its top estimate well exceeded within four days

“Many people may not know that Bowie enjoyed painting, and between 1994 and 1997 he created a series of approximately 45 works on canvas which he titled Dead Heads (or D Heads), each with a different non-sequential Roman numeral,” explains McLoughlin. “The sitters ranged from band members, friends and acquaintances and there were also some self-portraits. It has been suggested that, for some of these important paintings, Bowie drew inspiration from the Ziggy Stardust era. With long hair and a pronounced profile, this energetic and enigmatic portrait is truly a rare representation from a celebrated artist.”

Paintings by the late music icon are rarely seen at auction, with the most recent sale of artwork from the D Head series fetching $32,000 USD ($38,861CDN) at an auction in the United Kingdom in 2016… / Continued at Baytoday.ca

➢ Cowley Abbott’s International Art Online Auction
ran from June 15–24 when bidding for Lot 27, Bowie’s DHead XLVI, closed at 02:15 PM EDT. The painting achieved an astonishing $108,120 CDN (£63,269 GBP). This echoes Sotheby’s 2016 sale of Bowie’s own modern art collection, when most established artists’ prices were inflated by a substantial “Bowie premium”.

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