❏ To which Rusty Egan,Steve’s partner in the Blitz Club and other landmark ventures that helped create the Swinging 80s, replies:
“ For 2 years prior to this unfortunate event Steve and I were embroiled in a public feud. Sadly we did not kiss and make up and I like most people was shocked he left us so young. RIP Steve. I have still got a few things I need to do… will sort that biz out later. ”
Jan 2015: Rusty Egan ranting, sorry, lecturing at Aston University
◼ DID ASTON UNIVERSITY KNOW WHAT IT WAS DOING inviting deejay Rusty Egan to talk at an academic conference? The drummer and co-founder of the legendary 80s Blitz Club has dedicated his life to promoting electronic dance music so is uniquely qualified to spout on Germany’s seminal synth band at the world’s first scholarly gathering devoted to Kraftwerk and the Birth of Electronic Music. Conference organiser Dr Uwe Schütte claimed: “They are the most important band in the world in the way they changed music.”
Having been among their early disciples, Rusty was besotted enough to go hunting through Germany in the 70s in search of experiments in synthesised pop. His lifelong mission, he believes today, has shown “how Kraftwerk turned into Planet Rock turned into house music and what we know now as dance music.” He tells how he found the world’s first sampler in a German village called Wächtersbach, spent 12 hours making his first mash-up there and “never got paid for that record, not one dime”.
Sampling in Wächtersbach, 1979: Rusty Egan with Ian Tregoning making Wunderwerk with Franz Aumüller
Rusty made good with bands such as Rich Kids and Visage, in the face of the fat-cat indolence that prevailed in the torpid British music industry of the 70s, so last month’s platform enabled the now 57-year-old Rusty to settle a few scores by naming and shaming the rip-off merchants who, he says, have nicked his arrangements over the years and never paid a penny for them. By his own account, one of the guilty villains Rusty had paid £500 a day responded to his accusation saying: “Yeah but you should have kept the floppy disk.” Another lesson in the school of hard knocks.
The Aston “lecture” is described by one of the 200 delegates as “more of a comedy routine” and by Rusty himself as “Welcome to my insanity”. It’s now on Soundcloud for all to hear, and is typical of many an hour I’ve spent in Rusty’s kitchen trying to follow his uniquely entertaining stream-of-consciousness which randomly leaps from one story to the next while you work out that 20 years separates them. Early in his talk he says “I’m just mad on sound – it wasn’t a case of double paradiddle” illustrating his point with a beatbox break. So you have often to do a bit of Sherlockian deduction to finish his thoughts for him. His splenetic outbursts and ripe language (parental guidance advised) testify both to his indignation at the greed that characterises sections of the pop fraternity and to his own honesty, which even his friends suspect might be charming naivety.
Here’s his first rant:
“ In my experience record companies have never ever had any idea about creating music or creative people… I spent years not having any respect whatsoever for any guy in a satin jacket with Ace written on it with a briefcase with tour passes on it, long sideburns, dark glasses and a handlebar moustache, saying “Hi! I’m from your record label”. He was the last guy in the world you wanted to talk to and you had absolutely nothing you wanted to say to him. ”
VERDICTS BY RUSTY’S FANS AT FACEBOOK
Chi Ming LaiYou will be in stitches.
Mat Mckenzie This is a fantastic listen Rusty!
Clive Pierce Bravo… Absolutely riveting.
Anver Hanif The knowledge and vision are superb.
Derek Quin Rusty, you have been a massive influence on my music heritage. When I heard you speak at Aston it reinvigorated me.
Iris Peters Great fun to listen to.
Jon Lowther You and François Kevorkian defined the evolvement of electronica and the DJ. You have managed to maintain your passion, creativity and faith in an industry that fails.
Mats From I literally LOL’ed many times listening to this.
Kraftwerk’s pioneering drummer Wolfgang Flür: Rusty meets his hero in Dusseldorf more than 30 years after he first went in search of synth. . . “I was 22 when I met Ralf Hütter and Florian Schneider and spent the evening explaining that future clubs will be playing music made by machines – what must they have thought!”
➢ Update from Spandau Ballet: Legendary deejay and friend of the band Rusty Egan has been confirmed as the support for all of the Soul Boys of the Western World tour UK & Ireland shows
Band Aid 30: Midge Ure yesterday conducting the artists for a new version of the song Do They Know It’s Christmas? Photograph: Band Aid Trust/Brian Aris/Camera Press
◼ TODAY AT 8pm ON THE X-FACTOR BAND AID 30 airs the fourth version of its pop smash hit, Do They Know It’s Christmas? So let’s remember the lifelong contribution of the quietest man in pop, Midge Ure, who is the true brains behind the charity project. As Bob Geldof described him on This Is Your Life: “He’s a great guy, hilariously funny though you wouldn’t know it from his old New Romantic posing. He’s got a great heart and is a great all-round good bloke.”
Midge: “There’s no doubt the early 80s was a golden age of music made by real popstars who created themselves. It was more than just padded shoulders and asymmetrical haircuts. It was a pivotal moment in our cultural history when new tech mixed with new ideas to create something really good. All in the pressure cooker environment that was the Blitz club”
Visage Mk 1: Rusty Egan, Steve Strange and Midge Ure in 1978 searching for sounds and styles
There goes her bob: editor Anna Wintour gets dowsed. Click pic to view video at Vogue
◼ WHO WOULD HAVE PREDICTED the stern-faced Vogue editor-in-chief Anna Wintour would have played ball with the #icebucketchallenge sweeping America to raise funds for the ALS charity? Well, having been dared to get freezing-wet by her daughter Bee Shaffer, here’s the proof that Anna and her immaculately coiffed bob are good sports. The big question: Will the wet look make it to the September issue?
Following the rules of the challenge, La Wintour obligingly nominated Roger Federer, tennis champion, and Dominic West, star of the TV drama series The Wire, to get themselves dowsed within 24 hours.
However, before either of them could muster enough supermarket ice-cubes, zat crazee Froggy, Jean Paul Gaultier, led the charge for the international brigade of couturiers. (So far fashion had been represented only by models such as Cara Delevingne and Suki Waterhouse.) Here is JP being given the big freeze by some handpicked hunk in speedos…
❏ Fabulous fashion footnote: You have until Monday 25 August to catch the extraordinary and witty retrospective of JPG’s madcap couture creations in The Fashion World of Jean Paul Gaultier at London’s Barbican Art Gallery: 165 cutting-edge garments that boggle the imagination, up close and theatrically displayed in a touring exhibition from the Montreal Museum of Fine Arts.
No, not JPG himself sporting a mink Marinière, and greeting us in English and French. This is one of many custom-made mannequins at London’s Barbican exhibition, brought flirtatiously to audio-visual life by the UBU/Compagnie de création of Montreal and Jolicoeur International of Quebec. Photographed by Shapersofthe80s
❏ iPAD, TABLET & MOBILE USERS PLEASE NOTE — You may see only a tiny selection of items from this wide-ranging website about the 1980s, not chosen by the author. To access fuller background features and site index either click on “Standard view” or visit Shapersofthe80s.com on a desktop computer. ➢ Click here to visit a different random item every time you click
➢ Choose “View full site” – then in the blue bar atop your mobile page, click the three horizontal lines linking to many blue themed pages with background article
MORE INTERESTING THAN MOST PEOPLE’S FANTASIES — THE SWINGING EIGHTIES 1978-1984
They didn’t call themselves New Romantics, or the Blitz Kids – but other people did.
“I’d find people at the Blitz who were possible only in my imagination. But they were real” — Stephen Jones, hatmaker, 1983. (Illustration courtesy Iain R Webb, 1983)
“The truth about those Blitz club people was more interesting than most people’s fantasies” — Steve Dagger, pop group manager, 1983
PRAISE INDEED!
“See David Johnson’s fabulously detailed website Shapers of the 80s to which I am hugely indebted” – Political historian Dominic Sandbrook, in his book Who Dares Wins, 2019
“The (velvet) goldmine that is Shapers of the 80s” – Verdict of Chris O’Leary, respected author and blogger who analyses Bowie song by song at Pushing Ahead of the Dame
“The rather brilliant Shapers of the 80s website” – Dylan Jones in his Sweet Dreams paperback, 2021
A UNIQUE HISTORY
➢ WELCOME to the Swinging 80s ➢ THE BLOG POSTS on this front page report topical updates ➢ ROLL OVER THE MENU at page top to go deeper into the past ➢ FOR NEWS & MONTH BY MONTH SEARCH scroll down this sidebar
❏ Header artwork by Kat Starchild shows Blitz Kids Darla Jane Gilroy, Elise Brazier, Judi Frankland and Steve Strange, with David Bowie at centre in his 1980 video for Ashes to Ashes
VINCENT ON AIR 2024
✱ Deejay legend Robbie Vincent has returned to JazzFM on Sundays 1-3pm… Catch Robbie’s JazzFM August Bank Holiday 2020 session thanks to AhhhhhSoul with four hours of “nothing but essential rhythms of soul, jazz and funk”.
TOLD FOR THE FIRST TIME
◆ Who was who in Spandau’s break-out year of 1980? The Invisible Hand of Shapersofthe80s draws a selective timeline for The unprecedented rise and rise of Spandau Ballet –– Turn to our inside page
SEARCH our 800 posts or ZOOM DOWN TO THE ARCHIVE INDEX
UNTOLD BLITZ STORIES
✱ If you thought there was no more to know about the birth of Blitz culture in 1980 then get your hands on a sensational book by an obsessive music fan called David Barrat. It is gripping, original and epic – a spooky tale of coincidence and parallel lives as mind-tingling as a Sherlock Holmes yarn. Titled both New Romantics Who Never Were and The Untold Story of Spandau Ballet! Sample this initial taster here at Shapers of the 80s
CHEWING THE FAT
✱ Jawing at Soho Radio on the 80s clubland revolution (from 32 mins) and on art (@55 mins) is probably the most influential shaper of the 80s, former Wag-club director Chris Sullivan (pictured) with editor of this website David Johnson
LANDMARK FAREWELLS. . . HIT THE INDEX TAB UP TOP FOR EVERYTHING ELSE