Tag Archives: Soundcloud

➤ Kerpow! Splat! Remix wizard Rusty unleashes all barrels on the music industry slackers

Rusty Egan, New Romantics, Blitz Kids, DJ, Kraftwerk, conference, Aston University, Soundcloud , Pop music, EDM, synthesiser,

Jan 2015: Rusty Egan ranting, sorry, lecturing at Aston University

◼ DID ASTON UNIVERSITY KNOW WHAT IT WAS DOING inviting deejay Rusty Egan to talk at an academic conference? The drummer and co-founder of the legendary 80s Blitz Club has dedicated his life to promoting electronic dance music so is uniquely qualified to spout on Germany’s seminal synth band at the world’s first scholarly gathering devoted to Kraftwerk and the Birth of Electronic Music. Conference organiser Dr Uwe Schütte claimed: “They are the most important band in the world in the way they changed music.”

Having been among their early disciples, Rusty was besotted enough to go hunting through Germany in the 70s in search of experiments in synthesised pop. His lifelong mission, he believes today, has shown “how Kraftwerk turned into Planet Rock turned into house music and what we know now as dance music.” He tells how he found the world’s first sampler in a German village called Wächtersbach, spent 12 hours making his first mash-up there and “never got paid for that record, not one dime”.

Rusty Egan, New Romantics, Blitz Kids, DJ, Kraftwerk, Pop music, EDM, synthesiser,

Sampling in Wächtersbach, 1979: ‪Rusty Egan‪ with Ian Tregoning making Wunderwerk with Franz Aumüller‬

Rusty made good with bands such as Rich Kids and Visage, in the face of the fat-cat indolence that prevailed in the torpid British music industry of the 70s, so last month’s platform enabled the now 57-year-old Rusty to settle a few scores by naming and shaming the rip-off merchants who, he says, have nicked his arrangements over the years and never paid a penny for them. By his own account, one of the guilty villains Rusty had paid £500 a day responded to his accusation saying: “Yeah but you should have kept the floppy disk.” Another lesson in the school of hard knocks.

The Aston “lecture” is described by one of the 200 delegates as “more of a comedy routine” and by Rusty himself as “Welcome to my insanity”. It’s now on Soundcloud for all to hear, and is typical of many an hour I’ve spent in Rusty’s kitchen trying to follow his uniquely entertaining stream-of-consciousness which randomly leaps from one story to the next while you work out that 20 years separates them. Early in his talk he says “I’m just mad on sound – it wasn’t a case of double paradiddle” illustrating his point with a beatbox break. So you have often to do a bit of Sherlockian deduction to finish his thoughts for him. His splenetic outbursts and ripe language (parental guidance advised) testify both to his indignation at the greed that characterises sections of the pop fraternity and to his own honesty, which even his friends suspect might be charming naivety.

Here’s his first rant:

In my experience record companies have never ever had any idea about creating music or creative people… I spent years not having any respect whatsoever for any guy in a satin jacket with Ace written on it with a briefcase with tour passes on it, long sideburns, dark glasses and a handlebar moustache, saying “Hi! I’m from your record label”. He was the last guy in the world you wanted to talk to and you had absolutely nothing you wanted to say to him.

VERDICTS BY RUSTY’S FANS AT FACEBOOK

Chi Ming Lai You will be in stitches.
Mat Mckenzie‪ This is a fantastic listen Rusty! ‬
Clive Pierce‪ Bravo… Absolutely riveting.‬
Anver Hanif‪ The knowledge and vision are superb.‬
Derek Quin‪ Rusty, you have been a massive influence on my music heritage. When I heard you speak at Aston it reinvigorated me.
Iris Peters‪ Great fun to listen to.
Jon Lowther‪ You and François Kevorkian defined the evolvement of electronica and the DJ. You have managed to maintain your passion, creativity and faith in an industry that fails. ‬
Mats From‪ I literally LOL’ed many times listening to thi‬s.

Rusty Egan, New Romantics, Blitz Kids, DJ, Kraftwerk, Pop music, EDM, synthesiser,

Kraftwerk’s pioneering drummer Wolfgang Flür: Rusty meets his hero in Dusseldorf more than 30 years after he first went in search of synth. . . “I was 22 when I met Ralf Hütter and Florian Schneider and spent the evening explaining that future clubs will be playing music made by machines – what must they have thought!”

➢ Previously at Shapersofthe80s: 1980, One week in the private worlds of the new young when London blazes with creativity

➢ Previously at Shapersofthe80s: How three wizards met at the same crossroad in time – an inside scene-setter on the forces shaping the Swinging Eighties

RUSTY’S LATEST ELECTRONIC MIX

➢ Update from Spandau Ballet: Legendary deejay and friend of the band Rusty Egan has been confirmed as the support for all of the Soul Boys of the Western World tour UK & Ireland shows

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➤ Thief duo take a trip into the 90s

Fin Munro, Charlotte Mallory, electronic music, pop, Thief, concert, review, London, Hoxton Bar

Thief in Hoxton: languid romance from vocalist Charlotte Mallery. (Photography Shapersofthe80s)

❚ A DECADE SHIFT HAS MOVED Thief’s sound into another era of Britpop. Wednesday’s live set of half a dozen numbers at the Hoxton Bar and Grill suggests that the electro duo’s early 80s vibe has acquired the garagey feel of the 90s, while still evincing languid romance.

Mesmeric hints of Sade layered with essence of Massive Attack result in laid-back electronic lounge music with kickin’ beats and bleeps. The single Friend Lover becomes a mildly melancholy love song as delivered by its lyricist, drama-studies graduate Charlotte Mallory, yet it is propelled by the optimistic harmonics and percussion of Fin Munro, keyboardist, deejay, producer and London club-host. As they told radio deejay Gary Crowley in an interview last month, their songwriting partnership pursues the themes of soul and emotion, complicated feelings and unrequited love.

An EP is planned for release within the next couple of months. Meanwhile catch Thief again on Thursday Jan 30 at The Notting Hill Arts Club.

Fin Munro, Charlotte Mallory, electronic music, pop, Thief, concert, review, London, Hoxton Bar,

Thief in Hoxton: electronics by Fin Munro, vocals by Charlotte Mallery. (Photography Shapersofthe80s)

➢ Listen to Thief interviewed by 80s pathfinder Gary Crowley – Tuesdays at 7pm on Amazing Radio (not forgetting his Music Machine, Saturdays at 6pm on BBC London)

➢ Fin Munro interviewed at Farah, Feb 6:
We’re a two piece, Charlotte sings and I play the music. We’ve been influenced by bands like Sade, Everything but the Girl, but also more recent acts like SBTRKT, James Blake and Purity Ring. We’re an electronic band but we definitely have influences of soul and R&B in our songs… / Continued online

➢ Charlotte Mallory blogging at Huffington Post, Feb 6:
Fin and I first met at a house party four years ago. He’d just been to see The XX at Maida Vale studios earlier that day, so was feeling musically inspired to start something new. Although we didn’t form Thief that year, we began sending each other music we liked and kept in contact while I was studying at Sussex Uni in Brighton and he was DJing and running club nights in London… / Continued online

FRIEND LOVER AT SOUNDCLOUD

Don’t Let Go (En Vogue Cover) AT SOUNDCLOUD


➢ Previously at Shapersofthe80s: Fin Munro plunges into love and takes a walk on the wild side

➢ Thief at Facebook

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➤ A pregnant silence over Bryan Ferry’s next tour

Jazz Age, CD, album,Bryan Ferry Orchestra, UK tour, dates
❚ CONFUSINGLY FOR ROXY MUSIC FANS a UK tour 2013 has been announced under the title of An Evening With Bryan Ferry, pretty much simultaneously with the release of The Jazz Age, an album played by the newly convened Bryan Ferry Orchestra. Familiar tunes include Virginia Plain and Do the Strand among 13 tracks which are all rendered as instrumentals only. It celebrates Ferry’s four decades as an icon of the music scene … Scott Fitzgerald described the sound of the Gatsby era as “yellow cocktail music” and, 80 years on, Ferry reimagines his best known songs performed by a swing orchestra from the Roaring Twenties. Vintage microphones and a bass sax in place of a double bass conspire to create an authentic sound, but without one breath of Ferry’s voice. “I am the Diaghilev figure, directing not playing,” he says. Whether next autumn’s 21-date tour will feature any vocals – or even require his presence on stage – is as yet unknown!

♫ HEAR JAZZ AGE TRACKS AT SOUNDCLOUD


❏ Includes recent Radio 4 interview: “I’ve been listening a lot to 20s music, King Oliver, Louis Armstrong, early Duke Ellington. It’s quite raw, but very passionate and dynamic music.”

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2012 ➤ Boogie on down, Your Maj, with three British maestros of the club mix

❚ A RIGHT ROYAL Diamond Jubilee knees-up courtesy of London clubland’s star deejays still going strong after 30 years . . .

Chris Sullivan, youth culture, Swinging 80s,Beat Route, clubbing

2011, Le Beat Route recreated for one night only: MC Sullivan sharing his sounds

Dj chris sullivan GROOVALICIOUSMIXaiff

“I guess it might be called of groovy disco funk” x 1h 16m


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Le Palace, Paris 1982: Egan aloft, Strange below. Photographed © by Shapersofthe80s

RUSTY EGAN 2012-03-01 Enjoy the silence

Claptone, Deep Mind, Jessica 6, Villa Nah, New Order and more x 60m


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Grace Jones, Mark Moore, Royal Albert Hall, Hurricane

2010: look who got to go back stage – photo courtesy of himself © Mark Moore

Mark Moore 13-5-12 Very Beautiful Lips Mix

“Mixed live on machines but not by machines. I left a couple of (tiny) mistakes on. I like the flaws. A flaw is what makes something beautiful truly interesting” x 62m

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2011 ➤ Heaven 17 remind us how electronic music can send the soul soaring!

Glenn Gregory ,Martyn Ware ,Heaven 17 ,Radio Ditto,webcast,Roundhouse,Music of Quality and Distinction Live

Glenn Gregory and Martyn Ware: sharing their favourite electronica on web radio. Picture by Mike Prior

❚ SPOTTY TEENAGERS DIDDLING WITH TWO FINGERS. Electronic music has usually had a dourly downbeat image for most of us. Synths in bedsits, and all that. Yet the tunes of our youth are the spark that fuel our creative adventures. That’s the inspirational notion behind a new monthly radio show titled Music for… Growing Up To, compiled by Glenn Gregory and Martyn Ware of Heaven 17 for Radio Ditto. Drawing from their own idiosyncratic record collections and their undiminished curiosity, these electronic pioneers of the early 80s — founders of The Human League who broke away in 1980 — will also be scanning the web for new discoveries in a segment they call Found on Soundcloud. And, they say, anybody can also submit their own new tunes for the webcast.

➢ Tune in now to Martyn & Glenn’s Music for… Growing Up To,
at ditto.tv/musicfor

All of which is by way of a trailer for their British Electric Foundation’s two-day festival, Music of Quality and Distinction Live, at London’s Roundhouse venue in the autumn. They were encouraged by the full houses during Heaven 17’s Penthouse and Pavement 30th anniversary tour last year, built around what many of us regard as the most progressive album of 1981. Playing synthesisers live onstage seldom offers the most dramatic of experiences. Yet, despite the  pretentiously named BEF, their original production company, Heaven 17’s imaginatively presented tour generated a real party atmosphere thanks to exceptional supporting musicians and innovative digital light displays — rather more than you’d expect from paunchy veterans standing at keyboards, and a darn sight more good-humoured than some recent po-faced electro-revivals. From Soul Warfare and Let’s All Make A Bomb to Fascist Groove Thang, Ware & Gregory’s rebel anthems lent themselves to enthusiastic singalongs.

Heaven 17, album ,The Luxury Gap ,electro-pop ➢ The Roundhouse celebration of seminal electronic music from the past 30 years consists of a major concert each night. Friday October 14 sees a live premiere of Heaven 17’s top-ten album The Luxury Gap from 1983… October 15 will be BEF’s first live show featuring guest vocals from Elly Jackson (LaRoux), Green Gartside (Scritti Politti), Shingai Shoniwa (Noisettes), Boy George (Culture Club), Midge Ure (Ultravox), Andy Bell (Erasure), Sandie Shaw, Polly Scattergood and Kim Wilde.

➢ Other summer festival gigs by Heaven 17 — brilliantly backed by Billie Godfrey, Asa Bennett, Joel Farland being dynamite on LinnDrums, Julian Crampton being a god on bass and Me’sha Bryan — include Coventry, Sheffield, London, Whitstable, Perth and Nottingham.

Glenn Gregory, Martyn Ware, Heaven 17,Penthouse and Pavement, 30th anniversary, tour

H17’s Penthouse and Pavement tour 2010: bright lights and sexy music

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