Tag Archives: electronic music

➤ Thief duo take a trip into the 90s

Fin Munro, Charlotte Mallory, electronic music, pop, Thief, concert, review, London, Hoxton Bar

Thief in Hoxton: languid romance from vocalist Charlotte Mallery. (Photography Shapersofthe80s)

❚ A DECADE SHIFT HAS MOVED Thief’s sound into another era of Britpop. Wednesday’s live set of half a dozen numbers at the Hoxton Bar and Grill suggests that the electro duo’s early 80s vibe has acquired the garagey feel of the 90s, while still evincing languid romance.

Mesmeric hints of Sade layered with essence of Massive Attack result in laid-back electronic lounge music with kickin’ beats and bleeps. The single Friend Lover becomes a mildly melancholy love song as delivered by its lyricist, drama-studies graduate Charlotte Mallory, yet it is propelled by the optimistic harmonics and percussion of Fin Munro, keyboardist, deejay, producer and London club-host. As they told radio deejay Gary Crowley in an interview last month, their songwriting partnership pursues the themes of soul and emotion, complicated feelings and unrequited love.

An EP is planned for release within the next couple of months. Meanwhile catch Thief again on Thursday Jan 30 at The Notting Hill Arts Club.

Fin Munro, Charlotte Mallory, electronic music, pop, Thief, concert, review, London, Hoxton Bar,

Thief in Hoxton: electronics by Fin Munro, vocals by Charlotte Mallery. (Photography Shapersofthe80s)

➢ Listen to Thief interviewed by 80s pathfinder Gary Crowley – Tuesdays at 7pm on Amazing Radio (not forgetting his Music Machine, Saturdays at 6pm on BBC London)

➢ Fin Munro interviewed at Farah, Feb 6:
We’re a two piece, Charlotte sings and I play the music. We’ve been influenced by bands like Sade, Everything but the Girl, but also more recent acts like SBTRKT, James Blake and Purity Ring. We’re an electronic band but we definitely have influences of soul and R&B in our songs… / Continued online

➢ Charlotte Mallory blogging at Huffington Post, Feb 6:
Fin and I first met at a house party four years ago. He’d just been to see The XX at Maida Vale studios earlier that day, so was feeling musically inspired to start something new. Although we didn’t form Thief that year, we began sending each other music we liked and kept in contact while I was studying at Sussex Uni in Brighton and he was DJing and running club nights in London… / Continued online

FRIEND LOVER AT SOUNDCLOUD

Don’t Let Go (En Vogue Cover) AT SOUNDCLOUD


➢ Previously at Shapersofthe80s: Fin Munro plunges into love and takes a walk on the wild side

➢ Thief at Facebook

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2011 ➤ Heaven 17 remind us how electronic music can send the soul soaring!

Glenn Gregory ,Martyn Ware ,Heaven 17 ,Radio Ditto,webcast,Roundhouse,Music of Quality and Distinction Live

Glenn Gregory and Martyn Ware: sharing their favourite electronica on web radio. Picture by Mike Prior

❚ SPOTTY TEENAGERS DIDDLING WITH TWO FINGERS. Electronic music has usually had a dourly downbeat image for most of us. Synths in bedsits, and all that. Yet the tunes of our youth are the spark that fuel our creative adventures. That’s the inspirational notion behind a new monthly radio show titled Music for… Growing Up To, compiled by Glenn Gregory and Martyn Ware of Heaven 17 for Radio Ditto. Drawing from their own idiosyncratic record collections and their undiminished curiosity, these electronic pioneers of the early 80s — founders of The Human League who broke away in 1980 — will also be scanning the web for new discoveries in a segment they call Found on Soundcloud. And, they say, anybody can also submit their own new tunes for the webcast.

➢ Tune in now to Martyn & Glenn’s Music for… Growing Up To,
at ditto.tv/musicfor

All of which is by way of a trailer for their British Electric Foundation’s two-day festival, Music of Quality and Distinction Live, at London’s Roundhouse venue in the autumn. They were encouraged by the full houses during Heaven 17’s Penthouse and Pavement 30th anniversary tour last year, built around what many of us regard as the most progressive album of 1981. Playing synthesisers live onstage seldom offers the most dramatic of experiences. Yet, despite the  pretentiously named BEF, their original production company, Heaven 17’s imaginatively presented tour generated a real party atmosphere thanks to exceptional supporting musicians and innovative digital light displays — rather more than you’d expect from paunchy veterans standing at keyboards, and a darn sight more good-humoured than some recent po-faced electro-revivals. From Soul Warfare and Let’s All Make A Bomb to Fascist Groove Thang, Ware & Gregory’s rebel anthems lent themselves to enthusiastic singalongs.

Heaven 17, album ,The Luxury Gap ,electro-pop ➢ The Roundhouse celebration of seminal electronic music from the past 30 years consists of a major concert each night. Friday October 14 sees a live premiere of Heaven 17’s top-ten album The Luxury Gap from 1983… October 15 will be BEF’s first live show featuring guest vocals from Elly Jackson (LaRoux), Green Gartside (Scritti Politti), Shingai Shoniwa (Noisettes), Boy George (Culture Club), Midge Ure (Ultravox), Andy Bell (Erasure), Sandie Shaw, Polly Scattergood and Kim Wilde.

➢ Other summer festival gigs by Heaven 17 — brilliantly backed by Billie Godfrey, Asa Bennett, Joel Farland being dynamite on LinnDrums, Julian Crampton being a god on bass and Me’sha Bryan — include Coventry, Sheffield, London, Whitstable, Perth and Nottingham.

Glenn Gregory, Martyn Ware, Heaven 17,Penthouse and Pavement, 30th anniversary, tour

H17’s Penthouse and Pavement tour 2010: bright lights and sexy music

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