Category Archives: Pop music

➤ Bowie’s “lost” Jean Genie from 1973 to be aired on Top of the Pops this week

David Bowie, Jean Genie, Top of the Pops, Mick Ronson,video,John Henshall,

1973 revisited: Bowie and Ronson singing Jean Genie in the "lost" Top of the Pops performance. (Videograb © BBC, courtesy of John Henshall/Bowie.net)

❚ HOT NEWS OF A CHRISTMAS TREAT for Bowie fans. They have waited for almost 40 years to see his only Top of the Pops performance of The Jean Genie with The Spiders from Mars in January 1973 — shirtless, though clad in an open satin jacket. The tape was long thought to have been wiped or lost.

However a former BBC cameraman recently discovered that he possessed the only broadcast-quality copy in pristine condition, and today Bowie Wonderworld announced that entertainment boss Mark Cooper has arranged to have it included in this Wednesday’s 90-minute collection of classic Christmas hits (TOTP2, 7.30pm). The intention had been to unveil the clip in the BBC4 documentary Tales of Television Centre in the New Year, but enthusiastic fans persuaded him to bring forward its screening, even though you won’t see the track listed in the online billings.

As executive producer of Top Of The Pops 2, Cooper said: “I can’t imagine what other piece of TOTP from the early 70s would be as extraordinary a find.”

Bowie’s performance of The Jean Genie was recorded on Jan 3, 1973 and transmitted the following day for the first and only time. The “lost” recording — copy on 2-inch broadcast videotape — was screened last week at the NFT’s Missing Believed Wiped event. BowieNet’s news editor enthused: “A shirtless David looks amazing as he shakes maracas and blows on the harmonica. It’s clear David and the Spiders were at their peak when this video footage was shot, just a few days before David’s 26th birthday.”

Andy Barding, another privileged witness, added: “The first screening of the newly rediscovered clip of Bowie, Ronson, Woodmansey and Bolder performing The Jean Genie on Top of the Pops saw a packed National Film Theatre struck agog at the majesty of Ziggy in action: in pristine, full-colour TV quality. David, with deep-red hair, shaved brows and bafflingly wide trousers, looked every inch the epitome of what we recall as glam.”

➢ Read Barding’s full appreciation of the lost clip at BowieNet

David Bowie, Jean Genie, Top of the Pops, Mick Ronson,video,John Henshall

TOTP 1973: Jean Genie viewed through John Henshall’s innovative fish-eye lens. (Videograb © BBC, courtesy of John Henshall/Bowie.net)

The Jean Genie single had been released in November 1972, and the January 4 transmission on the BBC’s flagship pop show boosted it to peak at Number 2 in the UK singles chart. The track was remixed for Bowie’s sixth album Aladdin Sane in April 1973 which divided critics over his genius. The Jean Genie surfed in on the inspirational wave caused by the arrival of Ziggy Stardust and the Starman in July 1972, when Bowie’s Top of the Pops appearance years later passed into legend as the glam-rock moment that shaped the imaginations of a teen generation who were to become the popstars of the 80s.

➢ Update Dec 21: Bowie’s friend Wendy Kirby spots herself dancing in Jean Genie for the first time

➢ Glitter versus Glam and where to draw a line – naff blokes in Bacofoil versus starmen with pretensions

TV INNOVATOR WHO SAVED THE KEY RECORDING

❏ The retired cameraman John Henshall, now 69, has been speaking of how he came to own the footage of David Bowie’s Jean Genie which was thought to be lost. In the early 70s, long before the days of digital effects, Henshall ran a company called Telefex which made star filters, multi-image prisms, fish-eye lens attachments, kaleidotubes and picture rotators. Encouraged by TOTP producer Johnnie Stewart, he used the fish-eye to create the optical effects seen in the Bowie recording.

David Bowie, Jean Genie, 1973, Top of the Pops,video,John Henshall ,Mick Woodmansey

Cameraman caught on camera: John Henshall seen in Studio 8 just beyond drummer Mick Woodmansey during the Jean Genie recording. (Videograb © BBC)

Afterwards he asked Stewart for a personal copy on 2-inch tape to include in his company’s showreel.

Today he is an expert in digital imaging, who pioneered the now ubiquitous lightweight television camera mounted on a long boom arm that we see sweeping above artist and audience at concerts. He also directed photography on hundreds of early music videos for artists including Paul McCartney, Kate Bush, Blondie and Elton John.

Henshall only discovered how “rarer than rare” the clip was when he mentioned it in a radio interview. He said: “I couldn’t believe that I was the only one with it. I thought you wouldn’t be mad enough to wipe a tape like that. They’d been looking for it for years.”

➢ Listen to John Henshall telling Malcolm Boyden at BBC Radio Oxford about how he saved the Bowie tape

➢ Update Dec 21: Finally, the BBC Six o’Clock News gets round to its own report on John Henshall’s prize discovery

➢ View the Jean Genie video on the BBC iPlayer until New Year’s Eve

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➤ Taste Masters throw another party to show Cowell there’s real music up North

Taste Masters 3 , Laboratory Project, Fac251, albums, live concert,Saturday Night Gym Club,

Electronics: Saturday Night Gym Club

Taste Masters 3 , Laboratory Project, Fac251, albums, live concert,Twin Planets

New wave: Twin Planets

❚ THE PRESTON-BASED Laboratory Project is “a utopian vision” as an antidote to the reign of Simon Cowell’s production-line X-Factor performers. The label and studio aims to support artists with integrity, skill and soul to break into the music industry. A new album Taste Masters 3 is being launched tomorrow, Dec 17, at Manchester’s Fac251 venue with seven acts from the north-west promoting the album release on Jan 1.

Shapersofthe80s featured the Lab and its founder Tony Rigg when an earlier album Taste Masters 2 launched last spring, presenting Dresden, The Salford Jets, China White, Jimmy Docherty, Antistar, Super 8 Cynics … Last autumn the original album Taste Masters 1 included Drama King, Evenhand, Fez, Helvelyn 2, Osiris — both albums are still available for download.

Taste Masters 3 , Laboratory Project, Fac251, albums, live concert,Pangaea

Contemporary rock: Pangaea

The Laboratory project is promoting tomorrow’s showcase as a “World Class Live Music Event” featuring these acts:

Taste Masters 3 , Laboratory Project, Fac251, albums, live concert, MC Tunes, Salford Jets,  Saturday Night Gym Club, Two Weeks Running, Twin Planets, Pangaea, Drew Smith  ➢ MC Tunes — seminal British rap artist performing hits and new material

➢ Salford Jets — hard-hitting punk flavoured rock from the Mancunian institution founded 1976

➢ Saturday Night Gym Club — electronic story-telling from Radio 1 favourites

➢ Two Weeks Running — epochal guitar music at its finest

➢ Twin Planets — alternative/ new wave future classics

➢ Pangaea — fusing classic and contemporary rock since 2009

➢ Drew Smith — unplugged acoustic musical delights

Taste Masters 3 , Laboratory Project, Fac251, albums, live concert,Two Weeks Running

Guitar champs: Two Weeks Running

➢ Taste Masters 3 album launch party, Dec 17 from 7.30pm at Fac251, Princess Street 
Manchester, 
M1 7EN. Tickets £6 at Factory website

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2011 ➤ Party of the year recreates the Swinging 80s at the legendary Beat Route (down, down past the Talk of the Town)

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Graham Smith,Chris Sullivan, photography, books,youth culture, We Can Be Heroes , Swinging 80s,Beat Route, clubbing

Le Beat Route recreated for one night only: One of our heroes, MC Sullivan, sharing the best sounds in London last night

Beat Route, nightclubbing,We Can Be Heroes, books

2011 and it’s Thursday night Beat Route! The same underground club emanating a spookily familiar spirit of place

❚ WITHOUT DOUBT the party of the year filled the former Beat Route, Soho, last night as photographer Graham Smith and writer Chris Sullivan launched their photobook We Can Be Heroes, which is winging its way from printers to the lucky buyers who invested in the first edition. Smith and Sullivan became crucial to leading and documenting the explosion of Eighties club culture in London. Le Beat Route, founded in November 1980 by crimper Ollie O’Donnell and stylist Steve Mahoney with Fidel Castro fan Steve Lewis as its deejay, became the cool Friday-nighter that served the post-Blitz crowd for the next three years while the scene moved gradually overground.

More exclusive pix are coming on Shapersofthe80s.com once I can wade through the many brilliant soundbites offered by everybody out last night to celebrate the Swinging 80s…

➢ Although the first edition of We Can Be Heroes
has sold out, a special clothbound edition is now on sale
for £35, plus a Deluxe edition for £350, at the
Unbound Publishing website

Beat Route, nightclubbing,Graham Smith, Chris Sullivan,We Can Be Heroes

Thursday night Beat Route! Hosts, authors and 80s deejays Graham Smith and Chris Sullivan

Beat Route, nightclubbing,We Can Be Heroes,1980s, Steve Lewis, Jay Strongman

Thursday night Beat Route! Seminal club deejays of the 80s Steve Lewis and Jay Strongman

Beat Route, nightclubbing,Lesley Chilkes, Boy George, David Holah,We Can Be Heroes

Thursday night Beat Route! Lesley Chilkes, Boy George, David Holah

[ Exclusive party pix courtesy of sandromartini.com ]

Graham Smith,Chris Sullivan, photography, books,youth culture, We Can Be Heroes , Swinging 80s,Beat Route, clubbing

TNBR! Last night’s other chief hero hosting the party of the photobook of the 80s — snapper Graham Smith and his lovely wife Lorraine (Northern Soul veterans, both)

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➤ The true story of how love helped Gary Kemp write the next line

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❚ WHY DID MUSICIAN GARY KEMP find it so “hard to write the next line” in the biggest smash hit love-song of his career? He was not hobbled by writer’s block, but was tongue-tied in admiration of a “wee Celtic pixie” who sang in a Scottish pop group and starred in the hit British romantic movie of 1981.

At exactly the moment his band Spandau Ballet were desperately trying to rescue their flagging fortunes in 1982, Gary was smitten with the pretty girl. The trouble was that she had two other rivals vying for her affections. Honour required discretion, and his love remained unspoken while the three admirers stood hopefully in line. When his beloved gave Gary a book as a gift, suddenly its “words bubbled up inside, percolating through me”, he said years later. He knew he had to send them back to her in a song “so she’d know it was about her” and for double measure added the tell-tale line “I want the truth to be said”.

books, Lyrics of Gary Kemp,Lyric Book Company,

As it happens the Spandau songwriter has recently published an 88-page coffee-table book, titled The Lyrics of Gary Kemp from Lyric Book Company

Gary pretty much identified his never-to-be sweetheart in the autobiography, I Know This Much, published in 2009, where he convincingly dovetailed the one-sided romance with a sequence of other events to account for the genesis of his band’s first No 1 hit, True. In the light of which, perhaps fans can better relish the song-words, when they are re-published this week in a book titled The Lyrics of Gary Kemp.

The very keen will want to invest in the special limited edition signed personally by Kemp and available exclusively through his own website Garykemp.com. The collection represents a songwriting career that has spanned four decades.

All the lyrics from all his songs for Spandau Ballet, plus his solo album Little Bruises, make up this anthology of 60 tales of love, loss and of course London… from growing up in Soho in the 1970s (Chant No1) to the entirely autobiographical 1983 hit about unrequited love (True) through to bittersweet reflections on life (An Inexperienced Man, the solo single in a Celtic groove, released in 1995).

BMI MillionAir, awards, True, Del Bryant, Gary Kemp, Spandau Ballet

Spandau Ballet’s Gary Kemp and BMI President and CEO Del Bryant: at the 2011 BMI London Awards in October, Kemp received a BMI MillionAir award for the song True. (Photo by Brian Rasic)

Kemp is widely acknowledged as one of Britain’s finest songwriters, and won this year’s prestigious BMI Multi Million Award for True after it notched up 4 million radio plays in the US — a significant achievement for a song released in the 1980s — partly because it embodied enough of “the sound of my soul” to be played on black stations too. The song was written on his bed in his parents’ north London house at the age of 22, while he competed with his mum’s vacuum cleaner. At the awards ceremony, he said he’d never imagined True going on being used in films and TV shows as different as The Simpsons, Modern Family and Ugly Betty.

“If you can write one song that’s still being played 28 years later, you’re lucky! We were playing at a time when a lot of people only bought records, they didn’t buy computer games. Music is much more important to that generation.”

The 88-page coffee-table book, The Lyrics of Gary Kemp, is presented bound in a cloth cover, and the first 250 will be personally autographed.

➢ A regular hardback edition of The Lyrics of Gary Kemp (from The Lyric Book Company Ltd) is also available through Amazon

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2011 ➤ The Hadley bombshell no Spandau Ballet fan will welcome

Tony Hadley,Richie Barrett , O2 World, Hamburg ,Back to the 80s ,concert, live,pop music,

Onstage last Thursday in Hamburg: Tony Hadley with guitarist Richie Barrett and drummer John Keeble. (Photo by RTN)

❚ WE HAVE HEARD ONLY HINTS SO FAR. But today singer Tony Hadley posted a link at Facebook that leaves no doubt. When you click through to photos of his performance in Hamburg last Thursday, a stark message is attached. “Spandau Ballet got together for the last time in 2009/2010 for a farewell world tour.” Nobody in the Spandau circle has yet used the words “last time” and “farewell”. Tactfully they allow us to believe that the future is a place where anything might still be possible. Hadley’s bel canto baritone voice was the most identifiable part of the supergroup’s musical signature in the 80s, and there’s nothing the band’s fans want more than to hear him singing again with his onetime schoolmates.

On Thursday and Friday, Hadley as solo performer was one of five British acts rostered for the Back to the 80s live gigs in Hamburg and Berlin. Above, we see him raising a storm onstage with Richie Barrett, the guitarist in the permanent band that has accompanied him as a singer for 13 years. Behind them on drums we see John Keeble, also a founder member of Spandau.

Heaven 1980: only Spandau's tenth live date soon after their first single had reached No 5 in the UK chart. Tony was still smoking as he sang in those days. Photographed © by Shapersofthe80s

And when the Hamburg concert pictures were published on Friday by the German RTN news agency, this report accompanied them:
Hamburg — Konzert mit Musiklegenden der 80er Jahre war Tony Hadley am 1. Dezember 2011 in der o2 World Hamburg zu sehen. Tony Hadley sorgte mit Spandau Ballet und Songs wie True, Gold oder Only When You Leave für unverwechselbaren Sound und echte Ohrwürmer.

Anfang der 90er Jahre startete Tony Hadley seine Solokarriere. Spandau Ballet taten sich 2009/2010 für einen Abschieds-Welttournee letztmalig zusammen.

The brutal second paragraph translates into English as:

At the beginning of the 90s Tony Hadley began his solo career. Spandau Ballet got together for the last time in 2009/2010 for a farewell world tour.

The two key words in German are more explicit than anything Hadley has issued before about past and future… letztmalig means bluntly “for the last time”. And Abschied undeniably means “farewell, leave-taking, parting”, and in a military context is used to describe an officer who is being retired.

This statement from the Hadley camp removes any ambiguity that lingered in an interview he gave in August, following his first American solo tour. Remember, an argument over royalties split Spandau Ballet asunder in 1990, until they agreed to reunite and tour in 2009. In August the singer said: “It was only ever meant to be a one-off. At the moment there aren’t plans to do Spandau again. You could be waiting 20 years.” Well, now we know that means for ever.

➢ August’s bombshell as Hadley unwinds after US solo tour

➢ Spandau Ballet’s final furlong: the Reformation tour ends at Newmarket racecourse

ONCE MORE — JOHN KEEBLE’S FAMOUS
LAST WORDS AT NEWMARKET IN 2010. . .

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