Category Archives: Clubbing

1980 ➤ Out of the blue, Duran’s first gig pictured at the Rum Runner

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Duran Duran: Who’s who in this debut line-up on 16 July 1980 onstage at the Rum Runner in Birmingham? (More to the point, who actually took this photo?)

❚ NEVER SEEN BEFORE! Or so I thought a few days ago! This superb colour photo of Duran Duran’s debut gig introducing Simon Le Bon on vocals and Andy Taylor on guitar has just been published on Facebook. The band are captured live on 16 July 1980 at Birmingham’s stylish nightspot the Rum Runner and fans have been amazed at a certain blondness and general skinniness of the performers, but after all their average age is only 20. From the left: Yes Simon is blond, yes “Tigger” John Taylor looks truly gangly on bass, yes Andy is in leopard-print pants, and yes Nick Rhodes is playing the Crumar synth at rear. (Drummer Roger Taylor is sadly not visible.)

This sensational picture arrived on the Durantastic World page at Facebook on the 43rd anniversary of the gig and I was one among many fans who had never seen it before. Yet the DW Admin couldn’t say who took it. One follower, Emma Leigh, attributed the image to a photographer who goes only by his Twitter handle @Birmingham_81 (currently unused) and otherwise remains anonymous! Baffled and amazed by suddenly discovering that any photo of Duran’s live debut existed, I embarked on a prolonged Google search.

As the day went on I actually unearthed FOUR photos of that 1980 gig – now published here on this page – which were buried perhaps unsurprisingly in one official Duran website dating from 2015, and another encyclopedic online history of the band in 2018, so all the more puzzling that they haven’t spread widely across social media circles. The best pic, shown here at the top, has sat in DD’s album page at Facebook since 2015, unforgivably dated wrongly to 12 March 1980, months before Le Bon joined the band.

A second pic was also posted by DD at Facebook in 2018 on the correct anniversary of the debut. This is the frontal view in which we can just see Roger on drums, though really too small to enlarge very successfully. Further googling led us through Not Your Mother’s Playlist, a blog by Christina, a 25-year-old pop culture addict from San Francisco who pictured the key photo without comment in 2019, and on to Duran Compilations which uniquely revealed two further pix from DD’s debut in 2018 while showing all four on one page – see below – again without special comment or hint of a source! This website detailing the band’s unofficial history was “compiled and developed by Ansgar Thomann in dedication to the 40th anniversary of Duran Duran’s birth”. He based the anniversary on 1978, when the idea of DD was born!

All four images make a fascinating testament to DD’s sense of style, especially Le Bon. Sad that nobody seems sure who took these landmark photos.

IMAGES SCARCELY SEEN BEFORE – CLICK TO ENLARGE

Core band members had been employed for a year or more around the Rum Runner by its owners, the brothers Michael and Paul Berrow, as bouncers, deejays and glass collectors, while a series of new musicians were tried out and let go.

Cristina’s NYMPL reports: “In 1978, cool kids Nicholas Bates and Nigel Taylor (who would then become Nick Rhodes and John Taylor) handed the Berrows a demo tape for their fledgling band Duran Duran and the rest is history; they held auditions until D-Squared became a full-fledged band with a guitarist and everything, and the Berrows became their managers.”

She adds: “Guitarist Andy Taylor recounts many interesting things in his book Wild Boy (a fantastic read). He talks about the wild behaviour of the club-goers – how flamboyantly they dressed, how behaviour norms didn’t apply and how sex, drugs, and glam rock were paramount. He also talks about the aptly named ‘Sex Offender’s Room’ (‘People weren’t politically correct, then,’ he writes), where the Durans and the Berrows dragged in a nice fluffy bed in a vacant corner, and then would purposefully walk in on one another when they were enjoying the, uh, intimate company of their guests.”

Simon Le Bon told Quietus in 2011: “I had some pretty amazing sex-and-drugs combined occasions. Which, ultimately, were very rock’n’roll. Just thinking back to the Rum Runner, what a place that was for five guys. . . it was probably illegal. In fact, a lot of it was definitely illegal.”

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DuranCompilations pulls out the plums, 2018: two more new images to make four DD debut pix scarcely ever seen

Once the 1980 line-up was finalised, it then took DD another six months as the club’s house band before landing a contract with EMI. During this time London’s New Romantic heroes Spandau Ballet notched their first chart single before year’s end. In February 1981 DD’s first single Planet Earth charted at number 12 with the phrase “New Romantic” unsubtly woven into the lyrics, while cool London bands refused to subscribe to the term.

Both Spandau and DD followed the image-conscious practice of pioneering stylish music videos with savvy directors such as Russell Mulcahy and Godley & Creme, which fuelled the British invasion of the US by British bands just as MTV was launched in August 1981. The first person we see in Duran’s first video, Planet Earth, is Roger Taylor who also told Quietus: “I think [director] Russell Mulcahy had a bit of a crush on me: ‘OK, get your shirt off, you’re the first one, lie back’.”

Perry Haines, ex-Blitz Kid, producer and first editor of i-D, told me in 1982: “Duran Duran were destined to be mass market. I styled their first photo session in Milton Keynes in frilly Axiom shirts with bolero jackets and silk Antony Price suits. It was a street-level look with the cut and style of Antony.”

Rolling Stone magazine recorded the brothers’ ambition: “They said, We want a good-looking poser band. . . somewhere between Chic and the Sex Pistols.”

COMMENTS AT DW FACEBOOK THIS WEEK:

Bill Rosich: The 16 July set list was: 1, I Feel Love; 2, Girls on Film; 3, Amy a-Go-Go (later Rio); 4, Night Boat; 5, Tel Aviv; 6, Late Bar; 7, Secret Success.
James Barr: It’s funny, but they’re basically in the exact same stage arrangement that they remain in to this day: Simon out front with John on his right and Andy (or the guitar player) on Simon’s left. Nick is then back and to the left and Roger back and to the right.
Lance Lowe: Was there. I played bongos for 5 minutes. It was a jazz dance night. Paul Berrow asked me to stand behind the bongos with the rest of the band for press shots at the Rum Runner. I just wanted to dance to music by Lonnie Liston Smith.

➢ Durantastic World page at Facebook

➢ Previously at Shapersofthe80s: 1981, Birth of Duran’s Planet Earth

New Romantics, Swinging 80s, Birmingham, Duran Duran, Rum Runner,

A broody looking Duran Duran en route to stardom: the band pose outside the glam entrance to the Rum Runner nightspot

➢ Previously at Shapersofthe80s: 2023 ➤ Celebrating Kahn and Bell’s role at the centre of Brummie fashion
➢ 1981, Inside the Rum Runner nightclub – by the people who were there

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2023 ➤ Celebrating Kahn and Bell’s role at the centre of Brummie fashion

Birmingham, fashion, nightlife, exhibition, Swinging 80s, Kahn&Bell, Paul Edmond,

Kahn & Bell in their heyday, photographed by Paul Edmond

❚ IT’S GOOD TO SEE how trendsetters in Birmingham have been reminding the world of the city’s reputation for creativity. Only last December people with long memories succeeded at finally getting a blue plaque erected on the site of the legendary nightspot, the Rum Runner, birthplace of the international supergroup Duran Duran during the Swinging 80s, and a vital platform for Annie Lennox, Fine Young Cannibals, Dexys, Fashion and Sigue Sigue Sputnik.

No less famous than the Rum Runner were Jane Kahn and Patti Bell, the fashion duo with their boutique at 72 Hurst Street from 1976 to 1986, which became an epicentre for the alternative music and fashion scene. Their penchant for fantasy and theatricality found them designing hand-made clothing for Duran Duran, the dance group Shock and even Eurovision winners Bucks Fizz. One of their models who worked in the shop as a teenager was the local drag legend Twiggy.

K&B have been described as Birmingham’s equivalent to Vivienne Westwood and the New Romantic magazine New Sounds New Styles observed in 1981: “When similarities to London designers were seen in their collections it was considered that Birmingham had copied London.” This was by no means the case. Duran’s photographer Paul Edmond preferred to describe Patti and Jane as “the queen and princess of the Birmingham New Romantic scene… Patti was the Vivienne Westwood, with Jane as Zandra Rhodes. Jane was perhaps slightly more refined in her fashion design and Patti was the more outrageous one, the most outgoing”.

Even so, in 2006, Duran’s Nick Rhodes created the compilation album Only After Dark to celebrate the music played at the Rum Runner, and lamented with hindsight: “Allegedly this was the UK’s second city, but you couldn’t help but wonder at the gaping disparity with the capital. If this was the second city, what might life be like in the thirteenth?”

Click any pic to enlarge as a slideshow:

In tribute to the iconic designers, an exhibition titled “It’s Not Unusual: a photographic homage to Kahn & Bell” has being curated by the National Trust with input from local photographer Gary Lindsay-Moore, at a quaint terrace of restored shops known as the Back to Backs Museum in Hurst Street. It opens on 9 June though visiting hours are very confusing on the B2B’s complex website so better ring for specific information, as booking seems necessary.

Today no less than in the Eighties, Brum remains Britain’s “second city”, as a focus for a population of more 4 million people in the wider West Midlands, the largest metropolitan county outside the capital. Its fashionable Digbeth scene has been compared to London’s Shoreditch. Likewise Brindleyplace, the Hurst Street village and Broad Street, where a Brummie version of Hollywood’s Walk of Fame once saw large brass stars set into the pavements on both sides honouring local showbiz heroes and institutions. Sadly, this year I counted only a handful remaining. The whole of Broad Street was resurfaced in the recent extension of the metro tram route westwards and most of the brass plates in the Walk of Stars were ripped out.

If we feel rightly sentimental about our past so that a gilded statue of those industrial pioneers Boulton, Murdoch and Watt stands prominently on Broad Street only yards away from the Black Sabbath Bridge – recently renamed after the local rock band – why are David Bintley, Jeff Lynne, the Birmingham Royal Ballet and the Aston Villa Team of ’82 among the only star names to remain embedded in the pavements? To have lost the Walk of Stars as mementoes of the city’s history is a crying shame.

Birmingham, fashion, nightlife, exhibition, Swinging 80s, Walk of Stars, Aston Villa Team of 82,

One of the few surviving brass stars still visible in Broad Street’s Walk of Stars, this one a tribute to Aston Villa FC

➢ It’s Not Unusual exhibition runs 9 June-17 Dec, at B2B Museum at 61 Hurst Street, Birmingham, B5 4TE

Birmingham, fashion, nightlife, exhibition, Swinging 80s, Rum Runner,

The blue plaque finally awarded to the site of the Rum Runner nightclub in Birmingham

Updated 23 July 2023… NEW SOUNDS, NEW STYLES is a live panel discussion just announced for Friday 25 August at 6.30pm in the Birmingham Back to Backs at £5 per ticket. Linking with the museum’s exhibition on Kahn and Bell, this event will explore the culture of the punk and New Romantic scenes in Birmingham in the late 1970s and 80s. The discussion will be chaired by Jez Collins of Birmingham Music Archive and panel guests will include Carl Phillips, Dylan Gibbons and Carol Maye.

➢ Buy NSNS tickets from Birmingham Back to Backs

Birmingham, fashion, nightlife, exhibition, Swinging 80s, Kahn&Bell, Back-to-Backs Museum, National Trust,

Hurst Street’s terrace of vintage shops now home to the National Trust’s Back to Backs Museum in Birmingham

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1983 ➤ A True romance aboard Spandau’s triumphal Thames riverboat

Spandau Ballet,1983, tour, Gary Kemp

Spandau over Bournemouth, 1 April 1983: Gary Kemp teases the screamers at the Good Friday show in the Pavilion Theatre. © Shapersofthe80s

40
YEARS
ON

❚ YES IT’S 30 40 YEARS SINCE Spandau Ballet scored their only No 1 chart hit single with True, coinciding with their epic “Spandau Over Britain Tour”. By May 3, True the album reached No 1, while the single remained at No 1 as well. The band’s official website is celebrating with a month of recollections from 1983 and asking UK fans to offer their own memories. Naturally Shapersofthe80s was there on the waterfront and has a few inside stories of its own.

The month-long tour ended in triumph at London’s Royal Festival Hall 30 years ago today, on Friday April 29, because True hit the top spot in the UK singles chart and the night before Spandau topped the bill on Top of the Pops – only two weeks after its release. After the London gig there followed a right old knees-up for friends and family aboard a Thames riverboat. As it cast off Shapersofthe80s was onboard and snapped a True romance as Steve “Spiny” Norman took to the dance floor with bass-player Martin Kemp, while Steve’s mum Sheila tried to muscle in. Here are our snaps, never seen before.

CLICK ANY PIC TO LAUNCH CAROUSEL
AND NAME THE FACES:

The band’s third album True, produced by Tony Swain and Steve Jolley, had preceded the tour and was to yield several chart hits across the world, Gold among them. The tour moved on to Europe in the summer and to North America in the autumn, when Shapersofthe80s will have some wild eye-witness scenes to report – laters…

➢ May 1 update: all five members of Spandau Ballet have agreed to an individual ‘TRUE’ Twitter Q&A session with fans, according to the official Spandau website – Q&A sessions start at 8pm (BST) on the official Spandau Twitter account, not their personal accounts, as follows: Gary May 3, Martin May 6, John May 7, Steve May 9, Tony tbc.

➢ 30th anniversary interview with Gary Kemp
at UK Official Charts website

The Observer OMM Oct 4, 2009

The Observer Music Monthly Oct 4, 2009

HOW IT ALL BEGAN FOR
THE ANGEL BOYS

➢ Read the story of Spandau Ballet,
the Blitz Kids and the birth of the New Romantics
in my feature at The Observer

➢ Photographer Neil Matthews, another friend of Spandau from their earliest days, has been celebrating with an exhibition of his popstar photos titled My 80s Through the Lens, at The Great British Restaurant, 14 North Audley Street, London W1K 6WE. All images can be viewed online and are for sale in limited editions printed on smart archival paper. As well as Spandau, his subjects include Bananarama, Blue Rondo, Bauhaus, Haysi Fantayzee, Malcolm McLaren, The Jam, Nick Heyward, Bow Wow Wow and more.

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➤ Hottest Shapers during 2022

Andrew Ridgeley , Wham Rap, video, Face magazine, Club Culture,

Click pic to open the Wham Rap! video in another window … “Man or mouse” Andrew Ridgeley establishes his group’s clubbing credentials in the opening shots of the Wham video by reading my cover story on Club Culture first published in The Face in 1983 and in recent years the No 1 read at Shapers of the 80s!

❚ OVER THE PAST 14 YEARS Shapers of the 80s has received 2.2 million views, according to year-ending stats measured by our host, WordPress. Our 850+ published items total half-a-million words, which is several times more than most books, so it pays to explore the various navigation buttons. Here are the half dozen posts which remained among the most popular with readers during 2022…

➢ Photos inside the Blitz Club, exclusive to Shapers of the 80s

FACE No 34,club culture ➢ 69 Dean Street and the making of UK club culture – evolution of the once-weekly party night (1983)

➢ Why Bowie recruited Blitz Kids for his Ashes to Ashes video in 1980 from the club-night founded by Steve Strange and Rusty Egan

➢ 20 gay kisses in pop videos that made it past the censor

➢ First Blitz invasion of the US —
Spandau Ballet and the Axiom fashion collective take Manhattan by storm (1981)

NYC,Axiom,Melissa Caplan, Sade, Elms, Tony Hadley, Ollie O'Donnell

At the Underground club in NYC 1981: Melissa Caplan rehearses Bob Elms, Mandy d’Wit and Sade Adu for the Axiom runway show. Right, Ollie “the snip” O’Donnell goes to work on singer Tony Hadley’s hair. Photographed by © Shapersofthe80s

➢ Posing with a purpose at the Camden Palace — power play among the new non-working class (1983)

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2022 ➤ Finally, a blue heritage plaque to honour the Rum Runner

heritage plaque, Richard Whittingham, DJDick, Birmingham, nightlife, Swinging 80s, Rum Runner,

At the unveiling: Richard Whittingham beside the new plaque. (Photo by Adam Regan)

❚ NOT ONLY WAS A PLAQUE unveiled this month before the Lord Mayor of Birmingham to underline the importance of its key nightclub during the Swinging 80s, namely the Rum Runner. . . But the star of the occasion was clearly its deejay, judging from the immediate stream of affection from fans and friends that is appearing online alongside his bearded photo at the event, now aged 62. They said he’d flown in from Lapland especially.

At the age of 19 Richard Whittingham – aka, DJDick – was one of Britain’s most savvy club deejays, reading the tastes of Britain’s second largest city and trying to broaden them to embrace the new dance music like Duran Duran’s which was rapidly filling the post-punk vacuum. For my Nightlife column in the magazine New Sounds New Styles, Dick told me back then: “I’ve been trying to break the funk here for ages but nobody’s into it. The customers aren’t into it and the owners aren’t into anyone taking over their own night. I’m just buying the funk for the day when I have more freedom.”

Click any pic to enlarge:

He found all the glamorous dressing up led by Birmingham’s Kahn & Bell boutique crazily entertaining,  but he admitted what so many clubbers in the Eighties also did about not feeling safe on the streets. When the BBC’s One Show asked in 2011 what he would have worn at the Rum Runner, he replied: “Zoot suits, the odd frilly shirt, winklepickers of course – I had to hide them, to take them out of the house in a bag, and then put them on, because my mother thought they were trouble shoes.” [See interview in video clip below.] Today Dick describes himself as a carpenter and joiner, though he still deejays for occasional events.

Also at the plaque’s preview for the Lord Mayor of Birmingham, Councillor Maureen Cornish, and members of the sponsoring charity the Birmingham Civic Society, we see many local characters pictured at Facebook’s website The Rum Runner – Birmingham, which curiously fails to identify anybody by name! We’ve already guessed that the bearded one is DJDick. Another in the green coat caught wielding a mic and parting the curtains has to be Paul Berrow, one of the brothers who owned the Rum Runner, formerly of Wandering Star Pictures and Tritec Music in the Eighties.

The new plaque is attached to a modern building called Rum Runner Works, set back off Broad Street where the entrance once stood, today located between the  Solomon Cutler pub and the Walkabout sports bar. In the Eighties the council planned to turn Birmingham into a major conference city with developments including the ICC and Symphony Hall. The Rum Runner was demolished in 1987 to make way for the Hyatt Regency Hotel, which opened in summer 1990.

Click any pic to enlarge:

➢ Visit The Rum Runner – Birmingham website at Facebook

Photos displayed here were taken by Neil Drakeford, Debra Warren and Adam Regan who said: “Lovely to see this legendary Brummie club getting a much-deserved blue plaque. The club launched so many careers but none more relevant to me than this great man” [DJdick].

LISTEN TO DJDICK LIVE AT THE RUM RUNNER:

DJDick, 1983, RumRunner, live music,
At Dick Whittingham’s website we can listen to two recordings of him deejaying at the Rum Runner in 1983. These were donated on his 40-something birthday by Mark “Mack” McDonald, an old friend from way back.

VIEW THE BBC ONE SHOW FROM 2011:

➢ Previously at Shapersofthe80s:
1981, Birth of Duran’s Planet Earth

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