INDEX OF ALL 800+ POSTS➢ 2009 till now : Everything at Shapers of the 80s...
Now in our eleventh year.
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MORE INTERESTING THAN MOST PEOPLE’S FANTASIES — THE SWINGING EIGHTIES 1978-1984They didn’t call themselves New Romantics, or the Blitz Kids – but other people did.
“I’d find people at the Blitz who were possible only in my imagination. But they were real” — Stephen Jones, hatmaker, 1983. (Illustration courtesy Iain R Webb, 1983)
“The truth about those Blitz club people was more interesting than most people’s fantasies” — Steve Dagger, pop group manager, 1983
“See David Johnson’s fabulously detailed website Shapersofthe80s to which I am hugely indebted” – Political historian Dominic Sandbrook, in his book Who Dares Wins, 2019
A UNIQUE HISTORY➢ WELCOME to the Swinging 80s
➢ THE BLOG POSTS on this front page report topical updates
➢ ROLL OVER THE MENU AT TOP to go deeper into the past
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❏ Header artwork by Kat Starchild shows Blitz Kids Darla Jane Gilroy, Elise Brazier, Judi Frankland and Steve Strange, with David Bowie at centre in his 1980 video for Ashes to Ashes
VINCENT BACK AT JAZZFM
TOLD FOR THE FIRST TIME
◆ Who was who in Spandau’s break-out year of 1980? The Invisible Hand of Shapersofthe80s draws a selective timeline for The unprecedented rise and rise of Spandau Ballet –– Turn to our inside page
- ➤ The day Harry Evans answered his interview question for me
- 2020 ➤ Saatchi hosts those Gen Z degree shows you missed
- 1980 ➤ Life on Mars as you’ve never heard Bowie before!
- ➤ Farewell Kansai the fashion genius who breathed the same colours as Bowie
- 2020 ➤ Yes, Midge Ure has Fleetwood Mac to thank for his landmark hit Vienna
- 2020 ➤ UK Madheads re-invent the Madness hit Our House
- 2020 ➤ Star drummers salute Ringo Starr in an ear-opening demonstration of his gifts
- 2020 ➤ Vocalist Hadley hammers final nail into the coffin of Spandau Ballet
- 2020 ➤ Gaz still rockin’ those blues a lifetime later
- 1980 ➤ Why Bowie came recruiting Blitz Kids for his Ashes to Ashes video
- 2020 ➤ Singer Ross reveals how Spandau drove him to try ending it all
- ➤ Why every Stephen Jones hat casts its own magic spell
SEARCH our 700 posts or ZOOM DOWN TO THE ARCHIVE INDEX
UNTOLD BLITZ STORIES
✱ If you thought there was no more to know about the birth of Blitz culture in 1980 then get your hands on a sensational new book by an obsessive music fan called David Barrat. It is gripping, original and epic – a spooky tale of coincidence and parallel lives as mind-tingling as a Sherlock Holmes yarn. Titled both New Romantics Who Never Were and The Untold Story of Spandau Ballet! Sample this initial taster here at Shapers of the 80s
CHEWING THE FAT
LANDMARK FAREWELLS. . . HIT THE INDEX TAB UP TOP FOR EVERYTHING ELSE
✱ “I’m not a rock star” Bowie often said – No, David, you were a messiah – Obituaries and key videos on the godlike one
Archive — Many publication dates are arbitrary, so click and take pot luck!
Tag Archives: Vince Clarke
❚ ESSEX BOYS DEPECHE MODE TODAY offer an audio stream exclusively at Facebook as a taster for the release of their newest compilation album titled Remixes 2: 81–11, through Mute Records on June 6. Both of the early members of the band have contributed tracks to the album which covers three decades of music. Songwriter and synth pioneer Vince Clarke, who established DM’s identity in 1981 as the first techno-pop clubbers to break the UK charts, has remixed Behind The Wheel; and Alan Wilder has remixed In Chains. He took Vince’s place in the lineup from 1982, but in 1995 regretfully departed to pursue production and his solo project Recoil.
The mainstays of today’s band remain Dave Gahan (vocalist, who not long ago told Interview magazine “Depeche Mode music somehow appeals to the oddball”), Martin Gore (keyboards, here telling BBC 6Music about the places in the world that were crucial to Depeche Mode’s history — and the problem with the UK), plus Andrew Fletcher (keyboards and on-off manager). Depeche Mode are without doubt one of the greatest of British alternative bands, whose sound and image have grown darker and more provocative with the years. They boast 48 UK hit singles and international album sales said to total 100 million, among which 12 titles were studio recordings and four live.
The new release (left) comes in various formats: a three-disc version holds 37 remixed tracks, while a one-disc version has 13, spanning the decades from the 1981 debut Speak and Spell, through to 2009’s Sounds Of The Universe. Purists will welcome the 6 x 12-inch vinyl LP box set.
See the tracklistings at Depeche Mode’s news page.
❏ Today at Facebook all 3,456,660 fans of the band’s page must have been attempting hear the free stream simultaneously because for a long while it became impossible to join up and listen to the Alex Metric Remix of Martin Gore’s 1989 song Personal Jesus. To ease the pain for DM fans who don’t belong to Facebook, here’s a quick clip:
❏ Update April 4 — Since last Monday 56,290 people have sampled the Alex Metric Remix just mentioned. Today, another track is being streamed free at Facebook from DM’s upcoming album, with more to follow on future Mondays. Here’s a taste of Martin Gore’s 1987 number Never Let Me Down Again in its Eric Prydz Remix:
❏ On May 14 Martin Gore and Andrew Fletcher will be playing DJ sets at Short Circuit which is a two-day celebration at London’s Roundhouse of Mute’s influence as a label, featuring performances, workshops, screenings and installations by its artists who include Erasure and Alison Moyet on the Saturday. Friday May 13 has Mute founder Daniel Miller deejaying as well as Moby, plus Richie Hawtin, Recoil, Nitzer Ebb and other acts.
Here’s a smashing video interview with the co-founder of Depeche Mode at Motherboard.tv
❚ VINCE CLARKE IS A MAN SYNONYMOUS WITH SYNTH POP and a legend in the history of electronic music. He’s famous for founding three of the most popular and lasting musical acts of the 80s: Depeche Mode, Yazoo and Erasure. But his distinct sonic output depends upon another feat: he has spent the past 30 years amassing one of the world’s most impressive collections of rare, “holy grail” analogue synthesizers. In 2004, Clarke left England for the woods of Maine, on the Atlantic coast of the USA, where he constructed for these monolithic machines a temple he calls The Cabin . . .