2022 ➤ Finally, a blue heritage plaque to honour the Rum Runner

heritage plaque, Richard Whittingham, DJDick, Birmingham, nightlife, Swinging 80s, Rum Runner,

At the unveiling: Richard Whittingham beside the new plaque. (Photo by Adam Regan)

❚ NOT ONLY WAS A PLAQUE unveiled this month before the Lord Mayor of Birmingham to underline the importance of its key nightclub during the Swinging 80s, namely the Rum Runner. . . But the star of the occasion was clearly its deejay, judging from the immediate stream of affection from fans and friends that is appearing online alongside his bearded photo at the event, now aged 62. They said he’d flown in from Lapland especially.

At the age of 19 Richard Whittingham – aka, DJDick – was one of Britain’s most savvy club deejays, reading the tastes of Britain’s second largest city and trying to broaden them to embrace the new dance music like Duran Duran’s which was rapidly filling the post-punk vacuum. For my Nightlife column in the magazine New Sounds New Styles, Dick told me back then: “I’ve been trying to break the funk here for ages but nobody’s into it. The customers aren’t into it and the owners aren’t into anyone taking over their own night. I’m just buying the funk for the day when I have more freedom.”

Click any pic to enlarge:

He found all the glamorous dressing up led by Birmingham’s Kahn & Bell boutique crazily entertaining,  but he admitted what so many clubbers in the Eighties also did about not feeling safe on the streets. When the BBC’s One Show asked in 2011 what he would have worn at the Rum Runner, he replied: “Zoot suits, the odd frilly shirt, winklepickers of course – I had to hide them, to take them out of the house in a bag, and then put them on, because my mother thought they were trouble shoes.” [See interview in video clip below.] Today Dick describes himself as a carpenter and joiner, though he still deejays for occasional events.

Also at the plaque’s preview for the Lord Mayor of Birmingham, Councillor Maureen Cornish, and members of the sponsoring charity the Birmingham Civic Society, we see many local characters pictured at Facebook’s website The Rum Runner – Birmingham, which curiously fails to identify anybody by name! We’ve already guessed that the bearded one is DJDick. Another in the green coat caught wielding a mic and parting the curtains has to be Paul Berrow, one of the brothers who owned the Rum Runner, formerly of Wandering Star Pictures and Tritec Music in the Eighties.

The new plaque is attached to a modern building called Rum Runner Works, set back off Broad Street where the entrance once stood, today located between the  Solomon Cutler pub and the Walkabout sports bar. In the Eighties the council planned to turn Birmingham into a major conference city with developments including the ICC and Symphony Hall. The Rum Runner was demolished in 1987 to make way for the Hyatt Regency Hotel, which opened in summer 1990.

Click any pic to enlarge:

➢ Visit The Rum Runner – Birmingham website at Facebook

Photos displayed here were taken by Neil Drakeford, Debra Warren and Adam Regan who said: “Lovely to see this legendary Brummie club getting a much-deserved blue plaque. The club launched so many careers but none more relevant to me than this great man” [DJdick].

LISTEN TO DJDICK LIVE AT THE RUM RUNNER:

DJDick, 1983, RumRunner, live music,
At Dick Whittingham’s website we can listen to two recordings of him deejaying at the Rum Runner in 1983. These were donated on his 40-something birthday by Mark “Mack” McDonald, an old friend from way back.

VIEW THE BBC ONE SHOW FROM 2011:

➢ Previously at Shapersofthe80s:
1981, Birth of Duran’s Planet Earth

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2022 ➤ Snatch your own Rondo moment at Sullivan’s solo show

Chris Sullivan, Cuts Soho, exhibition, portraits, painting,
❚ HOW CAN ANYONE RESIST Chris Sullivan’s quirky, cheeky take on Vorticism in his personal caricatures and portraits? “I’ve always been a big fan of George Grosz,” says the legendary Wag club host who first showed his painterly skills on the record-sleeves for his band Blue Rondo a la Turk back in the Eighties and more recently has returned to producing fine art (never forget he set out at St Martin’s School). This week he has a lively solo exhibition showing in Soho, at Cuts in Frith Street, on top of which he’s hosting a vodka & gin sponsored soiree tomorrow Wednesday 7th to shift his catalogue – and all are welcome.

I must of course declare an interest. A few years back Chris was fundraising for his book Rebel Rebel and first prize for the top donation was to have your portrait painted by Chris so I jumped at that. The result, after a lo-o-o-o-ng gestation period, proved compelling. More the rebel Bomberg than Grosz and utterly F.A.B. Never look for flattery in a good portrait, though many friends have said “He’s caught the eyes very well” and who am I to disagree?

➢ Urban Heads & Other Images by Chris Sullivan,
at Cuts 41 Frith Street, W1

➢ Previously at Shapersofthe80s: 2019, My own Rondo moment immortalised by Sullivan, the grand Wag of Soho

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➤ Rusty Egan: next stop, St Leonards-on-Sea?

Rusty Egan

Egan onstage at the Palladium in 2019: video grab by Willy Billiams

David Johnson, editor of Shapersofthe80s, writes:

❚ OVER THE PAST COUPLE OF WEEKS the musician Rusty Egan has aimed a stream of potentially defamatory abuse against me publicly online and in emails, questioning my motives as a journalist, all fuelled by his imagination rather than fact.

In order to protect my professional reputation in the eyes of colleagues in the national media, I had, in correspondence with him and his manager David Japp of Lookbook Ltd, demanded Egan withdraw his accusations and apologise by midday today. A simple apology at Facebook would avoid consequent legal action via the courts, yet no such undertaking has been received. Both men have rejected my emails, while Egan has blocked me at Facebook.

Never mind… We’ve had a glorious bright autumn morning here in London with the trees finally stripped of their canopies and the grass bright green underfoot… So it would be a shame to spend another penny on this dismal dispute. Contrary to his recent observations, Egan’s contribution to the Eighties as a clubland innovator is well documented here on this website. As for recent years, let’s say that recollections differ, and you can gauge for yourself his progress on his page at Wikipedia.

Only the other day he was feeling wistful about taking a comfy retirement in St Leonards-on-Sea with a Rusty dog for company. Who knows…?

➢ Previously at Shapersofthe80s: 2013 – Visage: out of the 80s frying pan into the 21st-century fire

➢ Previously at Shapersofthe80s: 2019 – Ever wondered how Rusty Egan does what he does?

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2022 ➤ Martin Kemp on a life full of love but lacking two vital apologies

Martin Kemp, Spandau Ballet, Los Angeles, pop music, live concerts,

Golden years: Martin Kemp escaping fans after Spandau Ballet played at The Palace, Los Angeles, in 1983

❚ MARTIN IS THE YOUNGER BROTHER of the two Kemps, the good-looking one with the easy charm that has opened doors into a television career that included EastEnders. Gary is the older one with such a strong sense of self that as recently as 2017 it wrecked the last of several reunions for Spandau Ballet, by shedding their talented and popular singer Tony Hadley who now thrives with his own band. In 1978 Gary had invited Martin to learn to play bass then join his former school band the Makers 18 months before it was renamed Spandau Ballet and went on to international success.

Today The Guardian interviews Martin Kemp aged 61 about his third book, Ticket to the World: My 80s Story (HarperCollins £11), which sounds more cosy than you might expect following Kemp’s distressing surgery to remove two brain tumours during the 1990s. He can’t stop telling us how much he loves everybody in his life, even after fist fights with Gary. What does he have to say about why Tony Hadley left the band in 2017, after several previous break-ups? ➢ The interviewer Paula Cocozza reports:

“It’s something that I’d never spoken to him about. But I do feel guilty when I look back.” In the book, Kemp stops short of an apology. “Oh, listen,” he says immediately. “I would apologise to Tony, absolutely, for the way that he was treated. I think it was really poor.”

Why doesn’t he pick up the phone and say all this to Hadley? He really sounds as if he wants to. But he says: “I haven’t spoken to Tony for ages. I reach out to him, but I rarely hear back. I send little messages” – he mimes texting – “if I get two words back, I’m happy.

“Tony is lovely,” he says. “He is a lovely man. I will always, always love him, in the same way I love all the rest of the band. But you drift apart, don’t you?”

Nowhere in the interview does the name of Ross William Wild get mentioned, the singer who succeeded Hadley during 2018 following Martin Kemp’s recommendation, and was silently dumped after a trial series of concerts and subsequently contemplated suicide. When might he, too, expect an apology from the band who blanked him?

Spandau Ballet, Ross William Wild, Gary Kemp, Martin Kemp, Steve Norman, pop music,

October 2018: What proved to be vocalist Ross William Wild’s last outing with Spandau Ballet at the Hammersmith Apollo

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