2022 ➤ Martin Kemp on a life full of love but lacking two vital apologies

Martin Kemp, Spandau Ballet, Los Angeles, pop music, live concerts,

Golden years: Martin Kemp escaping fans after Spandau Ballet played at The Palace, Los Angeles, in 1983

❚ MARTIN IS THE YOUNGER BROTHER of the two Kemps, the good-looking one with the easy charm that has opened doors into a television career that included EastEnders. Gary is the older one with such a strong sense of self that as recently as 2017 it wrecked the last of several reunions for Spandau Ballet, by shedding their talented and popular singer Tony Hadley who now thrives with his own band. In 1978 Gary had invited Martin to learn to play bass then join his former school band the Makers 18 months before it was renamed Spandau Ballet and went on to international success.

Today The Guardian interviews Martin Kemp aged 61 about his third book, Ticket to the World: My 80s Story (HarperCollins £11), which sounds more cosy than you might expect following Kemp’s distressing surgery to remove two brain tumours during the 1990s. He can’t stop telling us how much he loves everybody in his life, even after fist fights with Gary. What does he have to say about why Tony Hadley left the band in 2017, after several previous break-ups? ➢ The interviewer Paula Cocozza reports:

“It’s something that I’d never spoken to him about. But I do feel guilty when I look back.” In the book, Kemp stops short of an apology. “Oh, listen,” he says immediately. “I would apologise to Tony, absolutely, for the way that he was treated. I think it was really poor.”

Why doesn’t he pick up the phone and say all this to Hadley? He really sounds as if he wants to. But he says: “I haven’t spoken to Tony for ages. I reach out to him, but I rarely hear back. I send little messages” – he mimes texting – “if I get two words back, I’m happy.

“Tony is lovely,” he says. “He is a lovely man. I will always, always love him, in the same way I love all the rest of the band. But you drift apart, don’t you?”

Nowhere in the interview does the name of Ross William Wild get mentioned, the singer who succeeded Hadley during 2018 following Martin Kemp’s recommendation, and was silently dumped after a trial series of concerts and subsequently contemplated suicide. When might he, too, expect an apology from the band who blanked him?

Spandau Ballet, Ross William Wild, Gary Kemp, Martin Kemp, Steve Norman, pop music,

October 2018: What proved to be vocalist Ross William Wild’s last outing with Spandau Ballet at the Hammersmith Apollo

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2022 ➤ After the op, Judi Frankland gets her boxing gloves on

Judith Frankland, New Romantics, Blitz Kids, fashion, cancer,

Judi Frankland at home again in Whitley Bay: at rear, the staircase in her bungalow. . . to the fore, Judi in black-and-lime kaftan (“a snip at £10.99 from E-bay”), plus some lippy at last! © Shapersofthe80s

❚ DROPPED IN FOR AFTERNOON TEA THIS WEEK with the lovely Judi Frankland, after a rattlingly fast ride to Newcastle on one of LNER’s new Azuma trains, seemingly built without any detectable suspension. You may recall Judi recently left hospital after a major cancer operation which proved very successful and had her walking 1km a day straight afterwards! She told me: “What an amazing team at the RVI hospital. I cannot thank them enough. They were a proud team and I had plenty of time to watch how brilliant they were with everyone. It makes me emotional to think about them.

“I’ve been told the road to recovery will not be short but with their continued support I will stay positive and, as you can see, I have finally put some lippy on! The question is, Who left the fabulous flowers on the doorstep? I love them and thank you.” Her neighbours in the seaside resort of Whitley Bay lavish attendance and affection on the eccentric woman with vibrant red hair who they know appeared in that David Bowie video for Ashes to Ashes. The rest of us remember her from the Blitz Club’s heyday and her all-black degree-show collection from 1980, the wedding dress from which was worn by clubland leader Steve Strange in that video.

By now I’m sitting on Judi’s sofa where she has thoughtfully supplied a bottle of Merlot to help down my cheese and biscuits, while she slurps some taramasalata aided by two smooth crackers. “You would think I’d eaten a three-course meal quickly, grrr!” No solids is the current rule while she adapts to life without much of a stomach. Ironically, her stomach remains “the size of a football” so, having been forewarned, I’d brought with me supplies of houmous and baba ganoush and tzatziki.

Judi is living now in her late mother’s home which is jam-packed with her own artsy objects and pictures occupying every inch of space, not to mention mum’s Welsh terrier Betty who has quite an appetite for attention and is today a rare breed possibly for that reason. (Runs in the family?) Ironically for a bungalow, a staircase leads to a loft. “That is the stairway to my heaven, my sewing area. When mum was doing her fairs selling antiques she wanted a place to keep her stock so she did a no-frills loft conversion which is now my sewing room, though I’ll not be going up there for a while sadly.”

Judi Frankland 1981: queuing to check her coat behind Nick Trulocke before Spandau Ballet’s Sundown concert. © Shapersofthe80s

Earlier this day a nurse had already visited to whip out a stitch. Judi said: “The nurse is taking the dressing off tomorrow, yikes, but don’t worry I won’t be showing anyone my scar – oh the thought! I can’t go far but I did go to Tesco earlier in my kaftan and compression stockings, very slowly. Hospital just rang to check on me and told me to take it one day at a time. “Dumplings? I pleaded. No not yet she said, ha!” We’re still awaiting results for my lymph nodes. They said it’s going to be a long recovery and as you can imagine I am antsy but doing as I’m told. I’ve been told to get my boxing gloves on and fight so I will do just that. Meanwhile. I’ve spoken with Macmillan, they are wonderful and are in the process of getting me a Macmillan buddy.

“I do believe I’m adopting a different attitude to life that’s more positive and healthy and I intend to make it a very creative one. Can’t wait to be well enough to start sewing.”

Before she went into hospital Judi put out a request for anyone to mix her a CD with their choice of music – “as long as it’s not jazz or Gary Barlow, I’m up for owt!” Lots of nice friends have responded so this week, she says: “I’ve been playing old punk music – that’s my mood right now and thinking of a new punk look for me when I’m finally unleashed on the world again.” Shake Some Action, Judi!

➢ Previously at Shapersofthe80s: 2021, So what’s the Bowie premium as Judi’s Ashes hat goes for sale?

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2022 ➤ Steve Norman relives Spandau’s Glory days

Steve Norman, Spandau Ballet, Journeys To Glory Tour, TheSleevz, Pop music, live concerts,

TheSleevz live onstage at Pizza Express Holborn, Steve Norman in banter mode

❚ FOLLOWING ON THE HEELS of last month’s buzzy comeback gigs at the Pizza Express Holborn, sax-player Steve Norman announces dates for his Journeys To Glory Tour with his own band The Sleevz. They will celebrate Spandau Ballet’s debut album from 1981 whose tracks include the band’s first hit single, To Cut A Long Story Short, plus Musclebound, Reformation, The Freeze, Mandolin, Age of Blows, Confused and Toys. At that time Steve was displaying his skills as a guitar-player.

This week Steve declared: “I’ve been reminiscing about last weekend’s Holborn shows. They were two of the most joyful, exciting and yet relaxed gigs that myself and The Sleevz have performed in the past six years that we’ve been together.
I adore this venue as it’s only a stone’s throw from where I lived and grew up. And more and more, the love and participation from the fans, family and friends ensures that the basement remains our spiritual home.”

Not only did he demonstrate his supreme talents on saxophone and percussion, but his performance as lead singer has gained in strength and impact, backed by his very tight band featuring his wife Sabrina on vocals and son Jaco on bass. His medley of pop covers and a second half of Spandau classics all enjoyed fresh energy while, as ever, he shared banter a-plenty with his audience, many of whom he knows by name.

Steve Norman, Spandau Ballet, Journeys To Glory Tour, TheSleevz, Pop music, live concerts,
➢ The Journeys To Glory Tour by TheSleevz offers 14 UK dates between Wokingham 30 Sept and Lancaster on 31 October

Steve Norman, David Johnson,

And after a superb gig at Pizza Express: Yours Truly set upon by an over-enthusiastic Steve Norman

➢ Previously at Shapersofthe80s: 2021, Steve Norman returns with TheSleevz and a surprise royal send-off!

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2022 ➤ Out of chaos comes forth Grace Jones

Grace Jones, Meltdown, Royal Festival Hall

Grace Jones’s finale at Meltdown: 20ft above the stage in Keith Haring printed dress

■ WHAT AN O-T-T SPECTACLE Grace Jones made of her finale last night as the annual Meltdown Festival’s curator over ten days at London’s Royal Festival Hall. Backed by an eight-piece band (which includes her son Paolo), plus a magical accordionist during Libertango, Grace’s own set reached back through her entire catalogue of reggae, dub, soul, new wave, pop and disco. As her supporting act, the evening had showcased the black British singer and percussionist Eska (who Radio 6’s Gilles Petersen has called “one of the most important singers in the UK”).

Grace Jones, Meltdown, Royal Festival Hall

Grace as Meltdown logo

Grace was on-stage for 1h45m while she changed costumes for virtually every number and was visibly fortifying herself during the changes with red wine, an apparent spliff and who knows what else. Let’s face it, at 74 years old, this was a helluva lot of stage minutes to cavort through in her uniquely burlesque style without break!

The show opened to reveal her singing the trip-hop This Is, mounted like a mannequin atop a massive 20ft “dress” bearing a Keith Haring print and wafting as if animated within by vigorous dancing feet. The witty chaos that followed didn’t falter, and never overshadowed the music.

Click any pic below to enlarge all in a slideshow

Telling us “I feel like the wicked witch,” Grace proceeded to destroy two sets of side drums, spin her famous hula-hoop throughout Slave to the Rhythm while tweaking her bare nipples, surf her way up through the stalls during Pull Up To the Bumper buoyed by an eager audience, then returning to the stage to fight her own full-on Hurricane from a wind machine, the whole time proffering her sensually painted torso to us, led by a curiously masculine bulge over the crotch of her black corset. All of which exhausted many among the sell-out standing audience across the generations who had to sit down at frequent intervals to recover their wits.

Grace’s legendary creative chaos endured to the end: the band had taken their bows and exited past the scheduled finish time, when Grace lit a cigarette and told us “I can sing a cappella” only to linger alone to give us La Vie En Rose. Then, er, that done, she walked off. Here’s to Grace’s 75th!

Grace Jones, Meltdown, Royal Festival Hall

Grace Jones at Meltdown: backed by her eight-piece band

➢ Read Andy Polaris’s expert review of Grace’s triumphant return to the London stage – at his blog Apolarisview

➢ Previously at Shapers of the 80s:
2011, Mother of all disco divas Grace fans her hurricane

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