2022 ➤ After the op, Judi Frankland gets her boxing gloves on

Judith Frankland, New Romantics, Blitz Kids, fashion, cancer,

Judi Frankland at home again in Whitley Bay: at rear, the staircase in her bungalow. . . to the fore, Judi in black-and-lime kaftan (“a snip at £10.99 from E-bay”), plus some lippy at last! © Shapersofthe80s

❚ DROPPED IN FOR AFTERNOON TEA THIS WEEK with the lovely Judi Frankland, after a rattlingly fast ride to Newcastle on one of LNER’s new Azuma trains, seemingly built without any detectable suspension. You may recall Judi recently left hospital after a major cancer operation which proved very successful and had her walking 1km a day straight afterwards! She told me: “What an amazing team at the RVI hospital. I cannot thank them enough. They were a proud team and I had plenty of time to watch how brilliant they were with everyone. It makes me emotional to think about them.

“I’ve been told the road to recovery will not be short but with their continued support I will stay positive and, as you can see, I have finally put some lippy on! The question is, Who left the fabulous flowers on the doorstep? I love them and thank you.” Her neighbours in the seaside resort of Whitley Bay lavish attendance and affection on the eccentric woman with vibrant red hair who they know appeared in that David Bowie video for Ashes to Ashes. The rest of us remember her from the Blitz Club’s heyday and her all-black degree-show collection from 1980, the wedding dress from which was worn by clubland leader Steve Strange in that video.

By now I’m sitting on Judi’s sofa where she has thoughtfully supplied a bottle of Merlot to help down my cheese and biscuits, while she slurps some taramasalata aided by two smooth crackers. “You would think I’d eaten a three-course meal quickly, grrr!” No solids is the current rule while she adapts to life without much of a stomach. Ironically, her stomach remains “the size of a football” so, having been forewarned, I’d brought with me supplies of houmous and baba ganoush and tzatziki.

Judi is living now in her late mother’s home which is jam-packed with her own artsy objects and pictures occupying every inch of space, not to mention mum’s Welsh terrier Betty who has quite an appetite for attention and is today a rare breed possibly for that reason. (Runs in the family?) Ironically for a bungalow, a staircase leads to a loft. “That is the stairway to my heaven, my sewing area. When mum was doing her fairs selling antiques she wanted a place to keep her stock so she did a no-frills loft conversion which is now my sewing room, though I’ll not be going up there for a while sadly.”

Judi Frankland 1981: queuing to check her coat behind Nick Trulocke before Spandau Ballet’s Sundown concert. © Shapersofthe80s

Earlier this day a nurse had already visited to whip out a stitch. Judi said: “The nurse is taking the dressing off tomorrow, yikes, but don’t worry I won’t be showing anyone my scar – oh the thought! I can’t go far but I did go to Tesco earlier in my kaftan and compression stockings, very slowly. Hospital just rang to check on me and told me to take it one day at a time. “Dumplings? I pleaded. No not yet she said, ha!” We’re still awaiting results for my lymph nodes. They said it’s going to be a long recovery and as you can imagine I am antsy but doing as I’m told. I’ve been told to get my boxing gloves on and fight so I will do just that. Meanwhile. I’ve spoken with Macmillan, they are wonderful and are in the process of getting me a Macmillan buddy.

“I do believe I’m adopting a different attitude to life that’s more positive and healthy and I intend to make it a very creative one. Can’t wait to be well enough to start sewing.”

Before she went into hospital Judi put out a request for anyone to mix her a CD with their choice of music – “as long as it’s not jazz or Gary Barlow, I’m up for owt!” Lots of nice friends have responded so this week, she says: “I’ve been playing old punk music – that’s my mood right now and thinking of a new punk look for me when I’m finally unleashed on the world again.” Shake Some Action, Judi!

➢ Previously at Shapersofthe80s: 2021, So what’s the Bowie premium as Judi’s Ashes hat goes for sale?

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2022 ➤ Steve Norman relives Spandau’s Glory days

Steve Norman, Spandau Ballet, Journeys To Glory Tour, TheSleevz, Pop music, live concerts,

TheSleevz live onstage at Pizza Express Holborn, Steve Norman in banter mode

❚ FOLLOWING ON THE HEELS of last month’s buzzy comeback gigs at the Pizza Express Holborn, sax-player Steve Norman announces dates for his Journeys To Glory Tour with his own band The Sleevz. They will celebrate Spandau Ballet’s debut album from 1981 whose tracks include the band’s first hit single, To Cut A Long Story Short, plus Musclebound, Reformation, The Freeze, Mandolin, Age of Blows, Confused and Toys. At that time Steve was displaying his skills as a guitar-player.

This week Steve declared: “I’ve been reminiscing about last weekend’s Holborn shows. They were two of the most joyful, exciting and yet relaxed gigs that myself and The Sleevz have performed in the past six years that we’ve been together.
I adore this venue as it’s only a stone’s throw from where I lived and grew up. And more and more, the love and participation from the fans, family and friends ensures that the basement remains our spiritual home.”

Not only did he demonstrate his supreme talents on saxophone and percussion, but his performance as lead singer has gained in strength and impact, backed by his very tight band featuring his wife Sabrina on vocals and son Jaco on bass. His medley of pop covers and a second half of Spandau classics all enjoyed fresh energy while, as ever, he shared banter a-plenty with his audience, many of whom he knows by name.

Steve Norman, Spandau Ballet, Journeys To Glory Tour, TheSleevz, Pop music, live concerts,
➢ The Journeys To Glory Tour by TheSleevz offers 14 UK dates between Wokingham 30 Sept and Lancaster on 31 October

Steve Norman, David Johnson,

And after a superb gig at Pizza Express: Yours Truly set upon by an over-enthusiastic Steve Norman

➢ Previously at Shapersofthe80s: 2021, Steve Norman returns with TheSleevz and a surprise royal send-off!

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2022 ➤ Out of chaos comes forth Grace Jones

Grace Jones, Meltdown, Royal Festival Hall

Grace Jones’s finale at Meltdown: 20ft above the stage in Keith Haring printed dress

■ WHAT AN O-T-T SPECTACLE Grace Jones made of her finale last night as the annual Meltdown Festival’s curator over ten days at London’s Royal Festival Hall. Backed by an eight-piece band (which includes her son Paolo), plus a magical accordionist during Libertango, Grace’s own set reached back through her entire catalogue of reggae, dub, soul, new wave, pop and disco. As her supporting act, the evening had showcased the black British singer and percussionist Eska (who Radio 6’s Gilles Petersen has called “one of the most important singers in the UK”).

Grace Jones, Meltdown, Royal Festival Hall

Grace as Meltdown logo

Grace was on-stage for 1h45m while she changed costumes for virtually every number and was visibly fortifying herself during the changes with red wine, an apparent spliff and who knows what else. Let’s face it, at 74 years old, this was a helluva lot of stage minutes to cavort through in her uniquely burlesque style without break!

The show opened to reveal her singing the trip-hop This Is, mounted like a mannequin atop a massive 20ft “dress” bearing a Keith Haring print and wafting as if animated within by vigorous dancing feet. The witty chaos that followed didn’t falter, and never overshadowed the music.

Click any pic below to enlarge all in a slideshow

Telling us “I feel like the wicked witch,” Grace proceeded to destroy two sets of side drums, spin her famous hula-hoop throughout Slave to the Rhythm while tweaking her bare nipples, surf her way up through the stalls during Pull Up To the Bumper buoyed by an eager audience, then returning to the stage to fight her own full-on Hurricane from a wind machine, the whole time proffering her sensually painted torso to us, led by a curiously masculine bulge over the crotch of her black corset. All of which exhausted many among the sell-out standing audience across the generations who had to sit down at frequent intervals to recover their wits.

Grace’s legendary creative chaos endured to the end: the band had taken their bows and exited past the scheduled finish time, when Grace lit a cigarette and told us “I can sing a cappella” only to linger alone to give us La Vie En Rose. Then, er, that done, she walked off. Here’s to Grace’s 75th!

Grace Jones, Meltdown, Royal Festival Hall

Grace Jones at Meltdown: backed by her eight-piece band

➢ Read Andy Polaris’s expert review of Grace’s triumphant return to the London stage – at his blog Apolarisview

➢ Previously at Shapers of the 80s:
2011, Mother of all disco divas Grace fans her hurricane

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2022 ➤ Spandau seek your help to create a major new showcase

Spandau, New Romantics, pop music, New York City, 1981

Spandau in New York City 1981: were you there and do you have any memorabilia?

■ THE FIRST NEW BAND out of Eighties clubland to score a chart hit are planning a celebration of those early formative years when the world called them the leaders of the New Romantics.

Today Spandau Ballet – all now in their sixties – announced “a major career-defining project” and appealed to fans for help. The band invites everyone who attended any of their performances between 1979 and 1981 to send in memorabilia such as flyers, posters, tickets, video or film footage of Spandau Ballet, onstage and off. For example, these would include their appearances at London’s Blitz Club, Mayhem Studios, Scala Cinema, HMS Belfast, their first Top of the Pops, Birmingham’s Botanical Gardens, Tiger Bay Cardiff, Heaven and the Sundown in London, Exeter Bowl Bournemouth, Le Palace in Paris, the Underground Club in New York, the Ku Club in Ibiza or the Much More in Rome.

Likewise, send them your memories of the pace-setting dance-led clubs during those years, such as Billy’s, the Blitz, Rum Runner, Le Beat Route, Le Kilt, Club for Heroes, Danceteria, the Voodoo Club, or from 1982 the Camden Palace and the Wag club. Again, memorabilia that captures the fashions and the atmosphere is welcomed.

➢ Click to visit Spandau’s special website for
submissions and more information

➢ Previously at Shapers of the 80s:
1980, Steve Strange’s call to join the party

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1982 ➤ When fans first screamed for Spandau and two climbed up to their window

Spandau Ballet, Blitz Kids, New Romantics, Liverpool Empire, 1982, Diamond Tour, fans,

8 May, 1982: Now identified! A teenage fan shins the drainpipe at the Liverpool Empire giving access to Spandau Ballet’s dressing room on their first nationwide tour with the Diamond album. Snapped by © Shapersofthe80s

40
YEARS
ON

■ THE YEAR WAS 1982. Spandau’s seventh single Instinction had put them on Top of the Pops during Easter week and sales were rocketing. The night of May 8, towards the end of Spandau’s first nationwide tour, with stand-up comedian Peter Capaldi in support, has become known as The Return of the Scream. The moment the house lights dimmed, a mighty roar lifted the roof off the Empire, the city’s legendary music venue. It didn’t stop for 75 minutes. The band hadn’t heard anything so intense and were visibly shaken when they came offstage. Guitarist Gary Kemp said in disbelief: “I had to stop playing. I couldn’t hear my own monitor.”
➢ Click through to read all about 8 May 1982 – the return of The Scream to British pop

Yes says Jan: that’s me shinning up
the drainpipe in 1982

■ A 30 YEAR-OLD MYSTERY HAS BEEN SOLVED. At the climax to Spandau Ballet’s first national tour in 1982 fan mania broke out on a level comparable to the 1960s. When their single Instinction crashed into the UK charts with freshly injected energy from producer Trevor Horn, three extra tour dates were added in May. After the show in Liverpool, the creative birthplace of British pop music, a crowd of about 500 fans mobbed the stage door at the fabled Empire theatre. A shadow had only to fall across the band’s dressing room window for screams to erupt in the street. Two girls then decided to shin the drainpipe and beat the window with their handbags until they were let in…

➢ Click through for more about the girls who entered Spandau’s dressing room via the window

Spandau Ballet, Blitz Kids, New Romantics, Liverpool Empire, 1982, Diamond Tour, Martin Kemp, fans, Gary Kemp,Steve Norman, Tony Hadley, Peter Capaldi

Inside the Liverpool Empire, May 8, 1982: fans shocked security staff with the roar that greeted Spandau Ballet. Photograph by © Shapersofthe80s

➢ 1982, How Spandau put Peter Capaldi on the road
to play the new Doctor Who

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