Category Archives: Pop music

2011 ➤ Heaven 17 remind us how electronic music can send the soul soaring!

Glenn Gregory ,Martyn Ware ,Heaven 17 ,Radio Ditto,webcast,Roundhouse,Music of Quality and Distinction Live

Glenn Gregory and Martyn Ware: sharing their favourite electronica on web radio. Picture by Mike Prior

❚ SPOTTY TEENAGERS DIDDLING WITH TWO FINGERS. Electronic music has usually had a dourly downbeat image for most of us. Synths in bedsits, and all that. Yet the tunes of our youth are the spark that fuel our creative adventures. That’s the inspirational notion behind a new monthly radio show titled Music for… Growing Up To, compiled by Glenn Gregory and Martyn Ware of Heaven 17 for Radio Ditto. Drawing from their own idiosyncratic record collections and their undiminished curiosity, these electronic pioneers of the early 80s — founders of The Human League who broke away in 1980 — will also be scanning the web for new discoveries in a segment they call Found on Soundcloud. And, they say, anybody can also submit their own new tunes for the webcast.

➢ Tune in now to Martyn & Glenn’s Music for… Growing Up To,
at ditto.tv/musicfor

All of which is by way of a trailer for their British Electric Foundation’s two-day festival, Music of Quality and Distinction Live, at London’s Roundhouse venue in the autumn. They were encouraged by the full houses during Heaven 17’s Penthouse and Pavement 30th anniversary tour last year, built around what many of us regard as the most progressive album of 1981. Playing synthesisers live onstage seldom offers the most dramatic of experiences. Yet, despite the  pretentiously named BEF, their original production company, Heaven 17’s imaginatively presented tour generated a real party atmosphere thanks to exceptional supporting musicians and innovative digital light displays — rather more than you’d expect from paunchy veterans standing at keyboards, and a darn sight more good-humoured than some recent po-faced electro-revivals. From Soul Warfare and Let’s All Make A Bomb to Fascist Groove Thang, Ware & Gregory’s rebel anthems lent themselves to enthusiastic singalongs.

Heaven 17, album ,The Luxury Gap ,electro-pop ➢ The Roundhouse celebration of seminal electronic music from the past 30 years consists of a major concert each night. Friday October 14 sees a live premiere of Heaven 17’s top-ten album The Luxury Gap from 1983… October 15 will be BEF’s first live show featuring guest vocals from Elly Jackson (LaRoux), Green Gartside (Scritti Politti), Shingai Shoniwa (Noisettes), Boy George (Culture Club), Midge Ure (Ultravox), Andy Bell (Erasure), Sandie Shaw, Polly Scattergood and Kim Wilde.

➢ Other summer festival gigs by Heaven 17 — brilliantly backed by Billie Godfrey, Asa Bennett, Joel Farland being dynamite on LinnDrums, Julian Crampton being a god on bass and Me’sha Bryan — include Coventry, Sheffield, London, Whitstable, Perth and Nottingham.

Glenn Gregory, Martyn Ware, Heaven 17,Penthouse and Pavement, 30th anniversary, tour

H17’s Penthouse and Pavement tour 2010: bright lights and sexy music

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1981 ➤ Hot days, cool nights, as Blue Rondo join the new Brits changing the pop charts

Blue Rondo à la Turk , pop music, 1981

Blue Rondo’s official debut in Chelmsford, June 1981: Moses Mount Bassie, Christos Tolera and Chris Sullivan front the seven-piece. Photograph © Shapersofthe80s

◼ “GET IN THE BACK OF THE VAN,” I was told on this day 30 years ago. “You’re coming for a ride.” Graham Ball was a club host empowered to open the trendiest of doors in Soho, so “No thanks” was not an option. “I’ve got a new band to show you. And you’re not quite going to believe what you’ll hear and see.” He was, apparently, now also a manager. We arrived in blisteringly hot sunshine at a characterless modern pub in Chelmsford, Essex, well away from Soho clubland, and there of course were the rest of The Firm — the handful of sharp young dudes at least half the age of the grunters who dominated the pop industry, all being groomed by Spandau’s 23-year-old Steve Dagger to inherit the mysteries of management for a new generation of bands.

Assembling an assortment of instruments onstage were five, six, no, seven of the most variegated musicians you felt might belong in a special institution for their own safety. I had been invited to write the first piece about the craziest combo  inspired by London’s Blitz Club, which had closed the previous autumn, and by this summer they were but one among the slipstream of bands erupting on London’s burgeoning nightlife scene. From their opening vocals — “Oo-oo, aa-aa, mm-mm ah!” — Blue Rondo à la Turk were sensational, and my review appeared in the second issue of New Sounds New Styles. It took only three months before Rondo signed a deal and charted in November.

➢ Read that first review of Blue Rondo as they create a buzz with their new Latin sounds — from NSNS August 1981

This was the summer
of New Romance

Spandau Ballet, Ultravox, Duran Duran, 1981

Leaders of the Romantics in 1981: Spandau Ballet, Ultravox, Duran Duran

ON THIS DAY in 1981 the UK charts were bursting with the new generation of image-conscious British groups who whose linking of soul and electro-pop were to change the style and the rhythm of pop charts for ever. . .

Ultravox were enjoying their fifth hit single All Stood Still.
Linx were enjoying their third hit Throw Away the Key.
Spandau Ballet were enjoying their double-sided third hit single, Muscle Bound/Glow. At Easter they had also signalled their new funky direction by introducing Chant No 1, which would become London’s clubbing anthem and reach No 2 later this summer.
Duran Duran were enjoying their second hit Careless Memories.
Orchestral Manoeuvres in the Dark were enjoying their second hit Messages.
Japan were charting with The Art of Parties.
Landscape were charting with Norman Bates.
Shalamar (with honorary Brit and body-popping pioneer Jeffrey Daniel) were charting with A Night to Remember.

➢ Elsewhere at Shapers of the 80s: 100+ acts who set the style for the new music of the 1980s

Light of the World were charting with I’m So Happy.
Imagination were charting with their debut Body Talk.
The Human League entered the charts on this day with Empire State Human.
Depeche Mode’s second single New Life was soaring towards No 11.
Visage’s second hit single had just fallen out of the chart.
❏ Likewise Heaven 17’s debut Fascist Groove Thang.
❏ Likewise Altered Images’ debut Dead Pop Stars.
❏ Likewise Level 42 with their second hit, Love Games.
❏ And the honorary Brit, Kid Creole, was heading into the charts with his Coconuts and their debut single, Me No Pop I — a compulsively danceable new sound on Antilles introduced to London last year by i-D co-editor Perry Haines.

New Romantics, bands, Swinging 80s,Japan the band, pop music, Depeche Mode, Altered Images

Going Romantic in 1981: Japan the band, Depeche Mode, Altered Images

Oh, and two nights earlier at Le Beat Route I’d snapped the new boy in George O’Dowd’s life enjoying their first date. Nobody dreamt that George and Jon Moss would one day be putting together their own band.

♫ VIEW fine Northern Soul footwork from Rondo mentalists in this performance of Me and Mr Sanchez shot at the Venue in London:
+++

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2011 ➤ When Shirl asked Peps if she fancied an arena tour, Peps said to Shirl, Why not?

❚ ON THE EVE OF THE HERE & NOW TOUR, Shirlie Kemp from 80s pop duo, Pepsi & Shirlie, talks to Vanessa about reuniting with Helen “Pepsi” DeMacque after 20 years — and why the reunion took so long. Answer: “Because when I had my daughter I realised that was all I wanted. I had a beautiful husband, Martin Kemp, a beautiful baby, and I wasn’t going to risk losing that.” Shirlie (née Holliman) also recalls how she joined Wham! as a backing singer to two of her former schoolmates, Andrew Ridgeley and George Michael. When Pepsi & Shirlie went their own way in 1986 their debut single Heartache went to No 2 in the UK singles chart and the American dance chart.

➢ The Here and Now 10th anniversary seven-city tour runs June 24–July 2, 2011, taking in Birmingham’s LG and London’s O2. Starring Boy George, Jason Donovan, Jimmy Somerville, Belinda Carlisle, Midge Ure, Pepsi & Shirlie and A Flock of Seagulls

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➤ Aside from the freaks, George, who else came to your 50th birthday party?

❚ YES, OF COURSE SHAPERSOFTHE80s was at the fruit-cakiest party of the summer, and we can offer a selection of pix not widely seen in the tabloids.

Boy George, 50th birthday,Jon Moss, Barbara Moss,

That Man in the Middle: George O’Dowd celebrates his 50th birthday with former Culture Club drummer and father of three children, Jon Moss and his wife Barbara at Tuesday’s party. © Dave Benett/Getty

Boy George, 50th birthday, Dinah O'Dowd

That Boy with his doughty mum: Dublin-born Dinah O’Dowd is still up for a party at 71 even after bringing up George and five other children! She spilt the beans in her own book Cry Salty Tears (Arrow Books 2007). Spot the marzipan chameleon. © Dave Benett/Getty

➢ The Daily Mirror said it was “camper than Christmas at Louie Spence’s house”
➢ The Sun dubbed it a “bonkers bash” in print and “wacky” online
➢ Holy Moly called it “a terrifyingly horrid looking party”

❚ BRITAIN’S BIGGEST-SELLING PAPER, The Sun, couldn’t have been more shocked by Boy George’s 50th birthday party when 1,500 guests crowded into two of the largest nightclubs — Lightbox and Fire — set in railway arches at the heart of London’s gay village, across the River Thames and upstream. The area became infamous for 200 years as the Vauxhall Gardens, a fabled pleasure-seekers’ amusement park which opened in the 17th century and closed only in the 19th. It was deliberately sited outside London’s city limits and also its by-laws, so that Fielding’s novel Tom Jones immortalised the gardens as a place “where people come to undo others — and others come to be undone”.

This morning’s Sun spluttered: “As well as a host of transvestites, George, sporting a black top hat, was joined by a selection of PVC-clad ghouls and other creepy-looking creatures, some clad in bondage gear. One man even had his head fixed inside a bird cage.” A “source at the party” — with this phrase The Sun was distancing itself from the unimaginable goings-on — reported : “It wasn’t for the faint-hearted. Some of the outfits were a little weird.”

Shapersofthe80s can’t compete with the selection of frenzied ghouls pictured in The Sun and other tabloids, largely because we were idling in the quiet outdoor tents and feeling our age with some of the original Blitz Kids a couple of years older than George, the baby of his clubbing generation. We had a good dinner first and arrived when the weirdness was in full swing, genuinely surprised that, despite the ravages of 30 years, a sizeable contingent of ex-Blitz Kids had turned up out of loyalty to Britain’s chief genderbender. The keener ones showed up on time to get their faces into the early-edition pap pix, though a lot of cool people didn’t. For many, the prospect of a free bar 8–10pm didn’t provide the bait it once would have done.

Boy George, 50th birthday,Holly Johnson

That Boy with Holly Johnson: the vocalist with 80s shock-band Frankie Goes to Hollywood is today a painter whose work has been exhibited at the Tate Liverpool. © Chris Jepson

Boy George, 50th birthday,Emma Woollard , Jeremy Healy

Among George’s guests: artist Emma Woollard and Jeremy Healy, formerly half of 80s pop duo Haysi Fantayzee, today a prominent club deejay who also provides music for fashion shows — until recently John Galliano’s. © Dave Benett/Getty

Cameron Jones, Roman Kemp, Boy George, 50th birthday, Paradise Point

That Man in the Middle: his two gorgeous companions are budding stars from London’s new livepop band Paradise Point, singer Cameron Jones with bass player and former schoolmate Roman (son of Martin) Kemp. © Getty Images

Relaxing at last into middle age, the very Blitz Kids who perfected the idea of “Your Look” while shaping the Swinging 80s left the showing off to the kids at the party who thrill to dress as an inflatable rubber sex doll, or to attach to their naked vital parts every toy and fruit that drag acts have been dangling before all-male audiences at the nearby Royal Vauxhall Tavern since World War Two.

The notion of originality seems strangely lost on today’s drag queens and seven-foot tall trannies whose platform boots clomp through every poser nightclub in town as they push their way, as if by right, to the front of every bar queue. (And manage not to catch the barman’s eye. How does that work?) Back in the mists of New Romance, in 1979, the oldtimers each established their own Look not only to gain them admission to the Blitz Club but to personify their individual attitude. And after “the party that lasted four years”, dressing up as a nightly competition lost its novelty. By the mid-80s each Blitz Kid had arrived at a visual brand statement that had or would launch their careers and more or less last them for life… a personalised image that declared self-evidently I am a Serious Professional and This Is What I Do: I am Urban Deejay, I am Pop Stylist, I am Comic Relief Wannabe, I am Wideboy Producer, I am Dior’s Next Choice, I am Westwood Trainwreck, Pop Art Object, Rock Idol, Mockney Wag, or Sex on a Stick (for eternity, I hope).

The brightest and the most single-minded Blitz Kids always will embody Essence of Glamour — subtle, immaculate, witty, first. (Just look at the picture of Julia below!) They still populate the two core tribes, the Exquisites or the Peculiars. By their Themness shall they be identified. All respect to Peter York, whose definitive essay on Them appeared in Harpers & Queen as long ago as 1976, and should be required reading for anybody who isn’t, well, Homer Simpson.

Boy George, 50th birthday,Pepsi DeMacque,Martin Kemp, Steve Strange, Shirlie Holliman

Among George’s guests: Pepsi (DeMacque) & Shirlie (Holliman, today Mrs Kemp) flank actor and Spandau Ballet bassist Martin Kemp, and Steve Strange, former Blitz Club host who made his reputation in the 80s by changing his clothes daily. © Dave Benett/Getty

Boy George, 50th birthday, Princess Julia, Julia Fodor, Jeffrey Hinton

Among George’s guests: former Blitz Kids (and indeed Blitz coatcheck girl) the immaculate Princess Julia and the ever-scruffy Jeffrey Hinton, both today leading club deejays in the UK and abroad. © Shapersofthe80s

The arch-poser Christos Tolera facebooked after George’s party: “Well that was fun… It was like being in the 80s but without the carnage… Never have I seen so many old people looking so good.” And indeed it did seem that even Steve Strange — especially Steve Strange — had applied five times the Essex-Girl minimum of bronzer to create this season’s visage.

What was mildly heart-warming on Tuesday was to realise that who turned up was itself confirmation of the bonds of friendship within the Blitz camp. Yet the apprehension in the air was palpable as pleasantries were shared. One or two did cut the others dead. Over three decades, there have been fallings-in-love and fallings-out… recriminations and insults and envy as people stumbled through life’s great obstacle course… Many have succumbed to temptations that only will-power and time can heal. Some discovered that dreadful experiences can enrich the soul, others that to scratch a lover is to find a foe… Peter Ustinov believed: “Friends are not necessarily the people you like best. They are merely the people who got there first.” We are where we are. Would old romantics really want it any other way?

Boy George, 50th birthday,Sue Tilley,Stephen Linard, Les Child

Among George’s guests: designer and former Blitz Kid Stephen Linard, the biographer of Leigh Bowery and Lucian Freud model Sue Tilley, with dancer Les Child who has choreographed countless pop promos and tours since the 80s. © Shapersofthe80s

Boy George, 50th birthday,Stephen Jones, Judith Frankland

Among George’s guests: celebrated milliner Stephen Jones with his tie being worn on an unusually rakish tilt, meets up for the first time in decades with Judith "Ashes to Ashes" Frankland whose pink crimped hair seems inspired by Bette Davis as Baby Jane. © Alice Shaw

❏ NAMECHECKS — Amid the trannies at the party (deciphering genders proved quite a challenge at times) were a few genuine female celebs such as designers Pam Hogg, Judith Frankland, Stevie Stewart, singers Beth Ditto, Sonique Clarke, Pepsi & Shirlie, author Sue Tilley, artist Emma Woollard, heiress Daphne Guinness, promoter Rose Turner, deejay Princess Julia and broadcaster Janet Street Porter, whose landmark TV documentary 20th-Century Box put the Blitz Club obsessives on the media map in 1980…

Non-transvestite males included ex-Culture Club members Jon Moss, Mikey Craig, musicians Holly Johnson, Martin Kemp and son Roman, singer Cameron Jones, choreographer Les Child, milliners Stephen Jones and Philip Treacy, stylist Judy Blame, model Luke Worrall, restaurateur Paul Murashe, deejays Fat Tony, Rusty Egan, Jeremy Healy, Jeffrey Hinton, Mark Moore, Brandon Block, designers Rifat Ozbek, David Holah, Stephen Linard, impresario Phil Polecat… Who didn’t we see in the crowd?

Boy George, 50th birthday, Stevie Stewart, David Holah

Among George’s guests: ex-Blitz Kids Stevie Stewart and David Holah, the clubland designers behind the funkiest, trippiest label of the 80s, Bodymap. © Shapersofthe80s

Boy George, 50th birthday,Alice Shaw, Eve Ferret

Among George’s guests: Alice (fromthepalace) Shaw, lifelong pal of George who campaigned to find witnesses to this year’s assault on nightowl Philip Sallon, seen with Blitz Club cabaret star Eve Ferret, who recently returned to the boards in London’s West End. © Alice Shaw

Boy George, 50th birthday,Slippry Feet,Jody and Bayo

Among George’s guests: Emma, Jody and Bayo, the dancing feet behind the Most Promising Cabaret Act of 1989, Slippry Feet, and still bringing laughter to, er, millions. © Shapersofthe80s

Boy George, 50th birthday,Christos Tolera ,Judith Frankland

Among George’s guests: former Blitz Kids, painter Christos Tolera, who once sang with Blue Rondo à la Turk, and fashion designer Judith Frankland, who appears in Bowie’s Ashes To Ashes video and in the header to this website. © Shapersofthe80s

➢ Interview: Boy George hits the big Five-0 and says, yes, he has ‘lots of regrets’

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2011 ➤ Boy George hits the big Five-0 and he now says, yes, he has ‘lots of regrets’

Boy George , 50th birthday,interview, Here And Now 2011,

Boy George at home: 50-up but when will he stop pouting?

❚ ON TUESDAY JUNE 14 George O’Dowd celebrates his 50th birthday with a few select friends at the Vauxhall nightspot, The Lightbox. Yesterday an interview in the Daily Mail reunited him with Spencer Bright, the co-writer of his 1995 autobiography Take It Like A Man, which proved more cringingly honest and fuller of nasty settlings of scores than any popstar in their right mind should attempt. For that reason it was — and remains — a compulsively readable milestone in the endurance course that is Boy George’s life.

In recent years, interviews have been marred by self-serving psychobabble and improbable mysticism, but yesterday’s talk with Spencer Bright finds George momentarily on a more even keel. Finally, finally, Spencer elicits an astonishing confession from him: “Now, I can actually say that I do have lots of regrets.”

Boy George, 1987, Gabor Scott

“Junkie George”: Gabor Scott’s © 1987 photograph

George had always been among the more highly visible of London’s style-setting Blitz Kids. By the mid-80s he had become one of the biggest popstars of the decade and his “blue-eyed reggae” band Culture Club was among Britain’s half-dozen New Romantic supergroups dominating world pop charts during the second British invasion of the US. Culture Club’s first two singles Do You Really Want to Hurt Me? and Karma Chameleon reached No 1 in several countries during 1982–83, and the band won a Grammy Award in 1984.

After four albums, songwriting had made George a millionaire several times over but he had also fallen prey to heavy drugs and at the age of 25 his band dumped him. He began squandering his life away, as outlined in Ex-jailbird George here at Shapersofthe80s, and fully documented at Wikipedia. A much sanitised account of his teen years was broadcast last year as the TV drama Worried About The Boy, after which ex-Blitz Kids gave their verdicts at Shapersofthe80s.

➢ IN YESTERDAY’S DAILY MAIL, SPENCER BRIGHT WRITES:

At one point it didn’t seem as if Boy George would make it much past his 25th birthday. Yet here he is, about to celebrate his 50th next Tuesday, and the transformation from the boy popstar to man seems astonishing. No one could be more pleased than me. George and I have a long history, from the days when, as a newspaper reporter, I used to follow him on the club and music scenes. In the early 1990s I helped him write his autobiography Take It Like A Man. We’ve been through a lot together. The book took four-and-a-half years, with much shouting and screaming, mostly from him at me, and moments where he’d crack me up so much I could hardly stand up.

GEORGE IS DESCRIBED AS A SOUGHT-AFTER DJ, PRODUCER, SONGWRITER AND PERFORMER:

People know me recently for lots of drama. For being arrested and going to prison. I’ve got my work cut out to remind them what I actually do.

The Mail interview airs various optimistic hopes which, for somebody with George’s track record, are a hostage to fortune. After claiming to have kicked many of his vices, we’re told he gave up smoking cigarettes six weeks ago — but ask any smoker how many times that gets said in a lifetime! “There are hopes of soon working with top producer Mark Ronson on a record with a reunited Culture Club, and an arena world tour next year.” But no mention of how his criminal records will bar entry into a significant number of countries.

GEORGE CONCLUDES:

I’ve never been a bad person and always had quite good morals. I cherish the moderate life now: I don’t want drama or complication.

➢ Read the full Daily Mail interview with Boy George dated June 9

➢ George performs with other 80s stars in the 2011 Here And Now summer tour from June 17. The single Sunshine Into My Life by Funkysober featuring Sharlene Hector, written and produced by Boy George, is out now on his own label, VG Records

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