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MORE INTERESTING THAN MOST PEOPLE’S FANTASIES — THE SWINGING EIGHTIES 1978-1984They didn’t call themselves New Romantics, or the Blitz Kids – but other people did.
“I’d find people at the Blitz who were possible only in my imagination. But they were real” — Stephen Jones, hatmaker, 1983. (Illustration courtesy Iain R Webb, 1983)
“The truth about those Blitz club people was more interesting than most people’s fantasies” — Steve Dagger, pop group manager, 1983 ........................................................................ “See David Johnson’s fabulously detailed website Shapersofthe80s to which I am hugely indebted” – historian Dominic Sandbrook, 2019
A UNIQUE HISTORY➢ WELCOME to the Swinging 80s
➢ THE BLOG POSTS on this front page report topical updates
➢ ROLL OVER THE MENU AT TOP to go deeper into the past
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❏ Header artwork by Kat Starchild shows Blitz Kids Darla Jane Gilroy, Elise Brazier, Judi Frankland and Steve Strange, with David Bowie at centre in his 1980 video for Ashes to Ashes
TOLD FOR THE FIRST TIME
◆ Who was who in Spandau’s break-out year of 1980? The Invisible Hand of Shapersofthe80s draws a selective timeline for The unprecedented rise and rise of Spandau Ballet –– Turn to our inside page
- ➤ Second time unlucky as fire ravages former Camden Palace nightspot
- ➤ Singer Tony Hadley wins royal gong for his services to charity
- ➤ Andy Polaris loads up his own fantabulous Yuletide jukebox
- 2019 ➤ Scott Walker: a singular figure in art and ideas
- 1979 ➤ Spandau’s manager Steve Dagger tells of two offers to sign his band at their debut
- 35 years since Band Aid’s monster Christmas single and the 80s ceased to swing
- 2019 ➤ The Boulevard rises from the ashes of the Raymond Revuebar
- 2019 ➤ Ever wondered how Rusty Egan does what he does?
- ➤ A double act is born – Sulls & Elms, take a bow!
- ➤ After his Spandau ordeal, singer Ross shakes off the blues
- ➤ How Nile Rodgers “rearranged” Bowie’s Let’s Dance into a stonking hit single
- ➤ The makings of Scarlett, a perfect muse for the Eighties
SEARCH our 700 posts or ZOOM DOWN TO THE ARCHIVE INDEX
UNTOLD BLITZ STORIES
✱ If you thought there was no more to know about the birth of Blitz culture in 1980 then get your hands on a sensational new book by an obsessive music fan called David Barrat. It is gripping, original and epic – a spooky tale of coincidence and parallel lives as mind-tingling as a Sherlock Holmes yarn. Titled both New Romantics Who Never Were and The Untold Story of Spandau Ballet! Sample this initial taster here at Shapers of the 80s
LANDMARK FAREWELLS. . . HIT THE INDEX TAB UP TOP FOR EVERYTHING ELSE
✱ “I’m not a rock star” Bowie often said – No, David, you were a messiah – Obituaries and key videos on the godlike one
Archive — Many publication dates are arbitrary, so click and take pot luck!
Tag Archives: Pepsi & shirlie
❚ ON THE EVE OF THE HERE & NOW TOUR, Shirlie Kemp from 80s pop duo, Pepsi & Shirlie, talks to Vanessa about reuniting with Helen “Pepsi” DeMacque after 20 years — and why the reunion took so long. Answer: “Because when I had my daughter I realised that was all I wanted. I had a beautiful husband, Martin Kemp, a beautiful baby, and I wasn’t going to risk losing that.” Shirlie (née Holliman) also recalls how she joined Wham! as a backing singer to two of her former schoolmates, Andrew Ridgeley and George Michael. When Pepsi & Shirlie went their own way in 1986 their debut single Heartache went to No 2 in the UK singles chart and the American dance chart.
➢ The Here and Now 10th anniversary seven-city tour runs June 24–July 2, 2011, taking in Birmingham’s LG and London’s O2. Starring Boy George, Jason Donovan, Jimmy Somerville, Belinda Carlisle, Midge Ure, Pepsi & Shirlie and A Flock of Seagulls
Paradise Point in rehearsal, above: Roman, Johnnie, Cameron, Adam
❚ “I’M THRILLED FOR ROMAN’S BAND. It’s one of the most exciting bands I’ve heard for a while. They’ve been rehearsing downstairs in my games room for the past year and they’ve turned out really well. Their sound reminds me a lot of Duran Duran, but the singer Cameron looks like Tony Hadley when he was younger and he’s got the vibe of Tony. He’s got a great voice, very expressive — he’s got a long way to go this boy.”
OK, if that sounds like a doting father, yes it is. Martin Kemp is best known as one of British TV’s most popular actors after his stint as a villain in the leading soap, EastEnders, but the past year of course was spent touring as bass player with Spandau Ballet, his reformed 80s supergroup.
This Friday, the fourpiece called Paradise Point is unveiled at London’s coolest club-night, The Face, and Martin’s 17-year-old son Roman Kemp follows his father by opting to play bass. This group’s claim to novelty is that they all play their instruments live and their music is pop. They are the vanguard for a return to real Brit pop.
Martin says: “I’m just pleased for Roman that he’s in a proper band, rather than a boyband where five people stand up singing while working out when they’re going to sit on the stools. His band is very polished. If I think of the level Spandau had reached at their age, they’re well ahead of us, much more polished than Spandau were then.
“They look fantastic as well. It’s a band that’s made for girls to pin on their walls, which we haven’t had for a long time. That’s what needs to come around again.
“The whole thing of saying ‘Let’s be famous’ before you have a reason to be famous has meant being in a boyband is much easier than putting in the time and effort, learning to play your instrument, then finding mates who can play bass and the drums, bringing round the gear. That whole thing is a slog. But what you get out of that setup is a bonding experience with your band, which you’ve all been through. And that has disappeared at the moment. For me, it’s nice to see Roman inside a band where he’s got some real mates.”
Paradise Point are determined to return credibility to teen pop music by playing their own instruments live onstage. They offer a determined farewell to the X-culture inflicted on the singles charts by Simon Cowell and his cloned songbirds. PP have had enough of manufactured pop idols and prancing boybands
Spandau Ballet had already broken up by the time Roman was born but with a pop-star mother too — Shirlie Holliman from Wham! — there was always music in the house. Martin says: “I taught him to play guitar when he was about six, then he got into rap for a while. Like all kids, this killed learning any kind of instrument, because they’re into the gangsta rap words.
“Then he picked up his guitar again and now he’s playing bass. He’s doing all right. He’s got a much better ear than I have, it’s brilliant. To tell you truth, when I was going back on tour with Spandau, after 19 years out, I couldn’t work out how I used to do some of the riffs. So I got Roman down to listen to the Spandau track to work out the fingering.
“He’s turning into a good bass player, a lot like John Taylor. Yes, from Duran! I don’t mind who he wants to turn into. If your kids go into the entertainment business, success isn’t about how much money you make — it’s about turning your hobby into your job. For me, that is success. If he can do that fantastic.”
So, Martin, are you coming down to The Face to see Paradise Point? “Absolutely. I’ll be roadying. Back to my original job with Spandau.”
➢ Four audio tracks and more by Paradise Point at MySpace
➢ Four audio tracks by Paradise Point at Facebook
➢ On the road with Martin: Shapersofthe80s’ coverage of Spandau Ballet’s 2009-10 Reformation tour