Category Archives: Pop music

➤ Smith & Sullivan sign off We Can Be Heroes with a sigh

We Can Be Heroes,Unbound publishing, books,Graham Smith,Chris Sullivan,Blitz Kids, New Romantics, Boy George,nightclubbing, Swinging 80s, photography,

Graham Smith: signing advance copies of We Can Be Heroes between coffee and cake today at Soho’s Society Club. Photographed by Shapersofthe80s

❚ THE BOOK OF THE DECADE has arrived and early buyers of the 2,000-copy first edition had it in their hands today. The photo-story of 80s clubland, We Can Be Heroes, felt reassuringly hefty to the touch and we finally discovered the page size to be generous at 235 x 280mm. The five-colour printing gives intensity especially to the black-and-white photography on the high-gloss paper and author Graham Smith’s verdict on the quality was simple: “Stunning.” Collaborator and 80s club-host Chris Sullivan breathed a sigh: “We got there in the end.”

The 320 pages of story-telling and voxpops from perhaps 100 contributors will raise plenty of smiles when the postman delivers the book during the next week. Even if you’ve read Shapersofthe80s from top to bottom, you’ll find as many more quotes and insights from the original Blitz Kids themselves. Deejay Jeffrey Hinton reminds us in the book: “People think this was a premeditated scene but it was not. It was childlike, thrown together. We didn’t do it for the money, we were innocent. It’s all so marketed today.”

We Can Be Heroes,Unbound publishing, books,Graham Smith,Chris Sullivan,Blitz Kids, New Romantics, Boy George,nightclubbing, Swinging 80s, photography,

Ringleaders who shaped the style of the 80s celebrated in We Can Be Heroes: Chris Sullivan, Fiona Dealey, Lee Sheldrick, Stephen Linard and Kim Bowen — the rebels within St Martin’s School of Art, all photographed by Graham Smith

We Can Be Heroes,Unbound publishing, books,Graham Smith,Chris Sullivan,Blitz Kids, New Romantics, Boy George,nightclubbing, Swinging 80s, photography,

Bournemouth was the destination on bank holidays: good-natured hijinks brought London clubbers to the south-coast resort, and Smith has included many of their snaps in We Can Be Heroes

While the main images reveal just how small in number was the coterie who initiated the sounds and styles of the 80s, Smith has supplemented his own portfolio of pictures with many snaps from clubland wags themselves whose ambitions were liberated by the spirit of collaboration inspired in 1980. Nevertheless, designer Fiona Dealey makes a valid point in the book: “When anyone has written about the Blitz it has been by the same few blokes giving the same old soundbites with never a mention of what the women were up to. The Blitz was our youth club and I feel they hijacked it.”

Today John Mitchinson, the book’s publisher, said he was reasonably confident that a commercial edition of Heroes might follow in the autumn of 2012. In the meantime a limited number of copies of the first edition are still available only from Unbound Publishing.

➢ 1976–1984, Creative clubbing ended with the 80s — we profile three of the bright sparks behind We Can Be Heroes and how they shaped the decade

➢ View Shapersofthe80s video — Chris Sullivan telling his “ribald tales of excess” from the Blitz era at a launch party for We Can Be Heroes… with Graham Smith and Robert Elms on video too

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Chris Sullivan signing today: “Now people can see the book itself we might shift a few more copies.” Photographed by Shapersofthe80s

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➤ Bowie’s “lost” Jean Genie from 1973 to be aired on Top of the Pops this week

David Bowie, Jean Genie, Top of the Pops, Mick Ronson,video,John Henshall,

1973 revisited: Bowie and Ronson singing Jean Genie in the "lost" Top of the Pops performance. (Videograb © BBC, courtesy of John Henshall/Bowie.net)

❚ HOT NEWS OF A CHRISTMAS TREAT for Bowie fans. They have waited for almost 40 years to see his only Top of the Pops performance of The Jean Genie with The Spiders from Mars in January 1973 — shirtless, though clad in an open satin jacket. The tape was long thought to have been wiped or lost.

However a former BBC cameraman recently discovered that he possessed the only broadcast-quality copy in pristine condition, and today Bowie Wonderworld announced that entertainment boss Mark Cooper has arranged to have it included in this Wednesday’s 90-minute collection of classic Christmas hits (TOTP2, 7.30pm). The intention had been to unveil the clip in the BBC4 documentary Tales of Television Centre in the New Year, but enthusiastic fans persuaded him to bring forward its screening, even though you won’t see the track listed in the online billings.

As executive producer of Top Of The Pops 2, Cooper said: “I can’t imagine what other piece of TOTP from the early 70s would be as extraordinary a find.”

Bowie’s performance of The Jean Genie was recorded on Jan 3, 1973 and transmitted the following day for the first and only time. The “lost” recording — copy on 2-inch broadcast videotape — was screened last week at the NFT’s Missing Believed Wiped event. BowieNet’s news editor enthused: “A shirtless David looks amazing as he shakes maracas and blows on the harmonica. It’s clear David and the Spiders were at their peak when this video footage was shot, just a few days before David’s 26th birthday.”

Andy Barding, another privileged witness, added: “The first screening of the newly rediscovered clip of Bowie, Ronson, Woodmansey and Bolder performing The Jean Genie on Top of the Pops saw a packed National Film Theatre struck agog at the majesty of Ziggy in action: in pristine, full-colour TV quality. David, with deep-red hair, shaved brows and bafflingly wide trousers, looked every inch the epitome of what we recall as glam.”

➢ Read Barding’s full appreciation of the lost clip at BowieNet

David Bowie, Jean Genie, Top of the Pops, Mick Ronson,video,John Henshall

TOTP 1973: Jean Genie viewed through John Henshall’s innovative fish-eye lens. (Videograb © BBC, courtesy of John Henshall/Bowie.net)

The Jean Genie single had been released in November 1972, and the January 4 transmission on the BBC’s flagship pop show boosted it to peak at Number 2 in the UK singles chart. The track was remixed for Bowie’s sixth album Aladdin Sane in April 1973 which divided critics over his genius. The Jean Genie surfed in on the inspirational wave caused by the arrival of Ziggy Stardust and the Starman in July 1972, when Bowie’s Top of the Pops appearance years later passed into legend as the glam-rock moment that shaped the imaginations of a teen generation who were to become the popstars of the 80s.

➢ Update Dec 21: Bowie’s friend Wendy Kirby spots herself dancing in Jean Genie for the first time

➢ Glitter versus Glam and where to draw a line – naff blokes in Bacofoil versus starmen with pretensions

TV INNOVATOR WHO SAVED THE KEY RECORDING

❏ The retired cameraman John Henshall, now 69, has been speaking of how he came to own the footage of David Bowie’s Jean Genie which was thought to be lost. In the early 70s, long before the days of digital effects, Henshall ran a company called Telefex which made star filters, multi-image prisms, fish-eye lens attachments, kaleidotubes and picture rotators. Encouraged by TOTP producer Johnnie Stewart, he used the fish-eye to create the optical effects seen in the Bowie recording.

David Bowie, Jean Genie, 1973, Top of the Pops,video,John Henshall ,Mick Woodmansey

Cameraman caught on camera: John Henshall seen in Studio 8 just beyond drummer Mick Woodmansey during the Jean Genie recording. (Videograb © BBC)

Afterwards he asked Stewart for a personal copy on 2-inch tape to include in his company’s showreel.

Today he is an expert in digital imaging, who pioneered the now ubiquitous lightweight television camera mounted on a long boom arm that we see sweeping above artist and audience at concerts. He also directed photography on hundreds of early music videos for artists including Paul McCartney, Kate Bush, Blondie and Elton John.

Henshall only discovered how “rarer than rare” the clip was when he mentioned it in a radio interview. He said: “I couldn’t believe that I was the only one with it. I thought you wouldn’t be mad enough to wipe a tape like that. They’d been looking for it for years.”

➢ Listen to John Henshall telling Malcolm Boyden at BBC Radio Oxford about how he saved the Bowie tape

➢ Update Dec 21: Finally, the BBC Six o’Clock News gets round to its own report on John Henshall’s prize discovery

➢ View the Jean Genie video on the BBC iPlayer until New Year’s Eve

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➤ Taste Masters throw another party to show Cowell there’s real music up North

Taste Masters 3 , Laboratory Project, Fac251, albums, live concert,Saturday Night Gym Club,

Electronics: Saturday Night Gym Club

Taste Masters 3 , Laboratory Project, Fac251, albums, live concert,Twin Planets

New wave: Twin Planets

❚ THE PRESTON-BASED Laboratory Project is “a utopian vision” as an antidote to the reign of Simon Cowell’s production-line X-Factor performers. The label and studio aims to support artists with integrity, skill and soul to break into the music industry. A new album Taste Masters 3 is being launched tomorrow, Dec 17, at Manchester’s Fac251 venue with seven acts from the north-west promoting the album release on Jan 1.

Shapersofthe80s featured the Lab and its founder Tony Rigg when an earlier album Taste Masters 2 launched last spring, presenting Dresden, The Salford Jets, China White, Jimmy Docherty, Antistar, Super 8 Cynics … Last autumn the original album Taste Masters 1 included Drama King, Evenhand, Fez, Helvelyn 2, Osiris — both albums are still available for download.

Taste Masters 3 , Laboratory Project, Fac251, albums, live concert,Pangaea

Contemporary rock: Pangaea

The Laboratory project is promoting tomorrow’s showcase as a “World Class Live Music Event” featuring these acts:

Taste Masters 3 , Laboratory Project, Fac251, albums, live concert, MC Tunes, Salford Jets,  Saturday Night Gym Club, Two Weeks Running, Twin Planets, Pangaea, Drew Smith  ➢ MC Tunes — seminal British rap artist performing hits and new material

➢ Salford Jets — hard-hitting punk flavoured rock from the Mancunian institution founded 1976

➢ Saturday Night Gym Club — electronic story-telling from Radio 1 favourites

➢ Two Weeks Running — epochal guitar music at its finest

➢ Twin Planets — alternative/ new wave future classics

➢ Pangaea — fusing classic and contemporary rock since 2009

➢ Drew Smith — unplugged acoustic musical delights

Taste Masters 3 , Laboratory Project, Fac251, albums, live concert,Two Weeks Running

Guitar champs: Two Weeks Running

➢ Taste Masters 3 album launch party, Dec 17 from 7.30pm at Fac251, Princess Street 
Manchester, 
M1 7EN. Tickets £6 at Factory website

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2011 ➤ Party of the year recreates the Swinging 80s at the legendary Beat Route (down, down past the Talk of the Town)

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Graham Smith,Chris Sullivan, photography, books,youth culture, We Can Be Heroes , Swinging 80s,Beat Route, clubbing

Le Beat Route recreated for one night only: One of our heroes, MC Sullivan, sharing the best sounds in London last night

Beat Route, nightclubbing,We Can Be Heroes, books

2011 and it’s Thursday night Beat Route! The same underground club emanating a spookily familiar spirit of place

❚ WITHOUT DOUBT the party of the year filled the former Beat Route, Soho, last night as photographer Graham Smith and writer Chris Sullivan launched their photobook We Can Be Heroes, which is winging its way from printers to the lucky buyers who invested in the first edition. Smith and Sullivan became crucial to leading and documenting the explosion of Eighties club culture in London. Le Beat Route, founded in November 1980 by crimper Ollie O’Donnell and stylist Steve Mahoney with Fidel Castro fan Steve Lewis as its deejay, became the cool Friday-nighter that served the post-Blitz crowd for the next three years while the scene moved gradually overground.

More exclusive pix are coming on Shapersofthe80s.com once I can wade through the many brilliant soundbites offered by everybody out last night to celebrate the Swinging 80s…

➢ Although the first edition of We Can Be Heroes
has sold out, a special clothbound edition is now on sale
for £35, plus a Deluxe edition for £350, at the
Unbound Publishing website

Beat Route, nightclubbing,Graham Smith, Chris Sullivan,We Can Be Heroes

Thursday night Beat Route! Hosts, authors and 80s deejays Graham Smith and Chris Sullivan

Beat Route, nightclubbing,We Can Be Heroes,1980s, Steve Lewis, Jay Strongman

Thursday night Beat Route! Seminal club deejays of the 80s Steve Lewis and Jay Strongman

Beat Route, nightclubbing,Lesley Chilkes, Boy George, David Holah,We Can Be Heroes

Thursday night Beat Route! Lesley Chilkes, Boy George, David Holah

[ Exclusive party pix courtesy of sandromartini.com ]

Graham Smith,Chris Sullivan, photography, books,youth culture, We Can Be Heroes , Swinging 80s,Beat Route, clubbing

TNBR! Last night’s other chief hero hosting the party of the photobook of the 80s — snapper Graham Smith and his lovely wife Lorraine (Northern Soul veterans, both)

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➤ The true story of how love helped Gary Kemp write the next line

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❚ WHY DID MUSICIAN GARY KEMP find it so “hard to write the next line” in the biggest smash hit love-song of his career? He was not hobbled by writer’s block, but was tongue-tied in admiration of a “wee Celtic pixie” who sang in a Scottish pop group and starred in the hit British romantic movie of 1981.

At exactly the moment his band Spandau Ballet were desperately trying to rescue their flagging fortunes in 1982, Gary was smitten with the pretty girl. The trouble was that she had two other rivals vying for her affections. Honour required discretion, and his love remained unspoken while the three admirers stood hopefully in line. When his beloved gave Gary a book as a gift, suddenly its “words bubbled up inside, percolating through me”, he said years later. He knew he had to send them back to her in a song “so she’d know it was about her” and for double measure added the tell-tale line “I want the truth to be said”.

books, Lyrics of Gary Kemp,Lyric Book Company,

As it happens the Spandau songwriter has recently published an 88-page coffee-table book, titled The Lyrics of Gary Kemp from Lyric Book Company

Gary pretty much identified his never-to-be sweetheart in the autobiography, I Know This Much, published in 2009, where he convincingly dovetailed the one-sided romance with a sequence of other events to account for the genesis of his band’s first No 1 hit, True. In the light of which, perhaps fans can better relish the song-words, when they are re-published this week in a book titled The Lyrics of Gary Kemp.

The very keen will want to invest in the special limited edition signed personally by Kemp and available exclusively through his own website Garykemp.com. The collection represents a songwriting career that has spanned four decades.

All the lyrics from all his songs for Spandau Ballet, plus his solo album Little Bruises, make up this anthology of 60 tales of love, loss and of course London… from growing up in Soho in the 1970s (Chant No1) to the entirely autobiographical 1983 hit about unrequited love (True) through to bittersweet reflections on life (An Inexperienced Man, the solo single in a Celtic groove, released in 1995).

BMI MillionAir, awards, True, Del Bryant, Gary Kemp, Spandau Ballet

Spandau Ballet’s Gary Kemp and BMI President and CEO Del Bryant: at the 2011 BMI London Awards in October, Kemp received a BMI MillionAir award for the song True. (Photo by Brian Rasic)

Kemp is widely acknowledged as one of Britain’s finest songwriters, and won this year’s prestigious BMI Multi Million Award for True after it notched up 4 million radio plays in the US — a significant achievement for a song released in the 1980s — partly because it embodied enough of “the sound of my soul” to be played on black stations too. The song was written on his bed in his parents’ north London house at the age of 22, while he competed with his mum’s vacuum cleaner. At the awards ceremony, he said he’d never imagined True going on being used in films and TV shows as different as The Simpsons, Modern Family and Ugly Betty.

“If you can write one song that’s still being played 28 years later, you’re lucky! We were playing at a time when a lot of people only bought records, they didn’t buy computer games. Music is much more important to that generation.”

The 88-page coffee-table book, The Lyrics of Gary Kemp, is presented bound in a cloth cover, and the first 250 will be personally autographed.

➢ A regular hardback edition of The Lyrics of Gary Kemp (from The Lyric Book Company Ltd) is also available through Amazon

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