Category Archives: New Romantics

2022 ➤ Finally, a blue heritage plaque to honour the Rum Runner

heritage plaque, Richard Whittingham, DJDick, Birmingham, nightlife, Swinging 80s, Rum Runner,

At the unveiling: Richard Whittingham beside the new plaque. (Photo by Adam Regan)

❚ NOT ONLY WAS A PLAQUE unveiled this month before the Lord Mayor of Birmingham to underline the importance of its key nightclub during the Swinging 80s, namely the Rum Runner. . . But the star of the occasion was clearly its deejay, judging from the immediate stream of affection from fans and friends that is appearing online alongside his bearded photo at the event, now aged 62. They said he’d flown in from Lapland especially.

At the age of 19 Richard Whittingham – aka, DJDick – was one of Britain’s most savvy club deejays, reading the tastes of Britain’s second largest city and trying to broaden them to embrace the new dance music like Duran Duran’s which was rapidly filling the post-punk vacuum. For my Nightlife column in the magazine New Sounds New Styles, Dick told me back then: “I’ve been trying to break the funk here for ages but nobody’s into it. The customers aren’t into it and the owners aren’t into anyone taking over their own night. I’m just buying the funk for the day when I have more freedom.”

Click any pic to enlarge:

He found all the glamorous dressing up led by Birmingham’s Kahn & Bell boutique crazily entertaining,  but he admitted what so many clubbers in the Eighties also did about not feeling safe on the streets. When the BBC’s One Show asked in 2011 what he would have worn at the Rum Runner, he replied: “Zoot suits, the odd frilly shirt, winklepickers of course – I had to hide them, to take them out of the house in a bag, and then put them on, because my mother thought they were trouble shoes.” [See interview in video clip below.] Today Dick describes himself as a carpenter and joiner, though he still deejays for occasional events.

Also at the plaque’s preview for the Lord Mayor of Birmingham, Councillor Maureen Cornish, and members of the sponsoring charity the Birmingham Civic Society, we see many local characters pictured at Facebook’s website The Rum Runner – Birmingham, which curiously fails to identify anybody by name! We’ve already guessed that the bearded one is DJDick. Another in the green coat caught wielding a mic and parting the curtains has to be Paul Berrow, one of the brothers who owned the Rum Runner, formerly of Wandering Star Pictures and Tritec Music in the Eighties.

The new plaque is attached to a modern building called Rum Runner Works, set back off Broad Street where the entrance once stood, today located between the  Solomon Cutler pub and the Walkabout sports bar. In the Eighties the council planned to turn Birmingham into a major conference city with developments including the ICC and Symphony Hall. The Rum Runner was demolished in 1987 to make way for the Hyatt Regency Hotel, which opened in summer 1990.

Click any pic to enlarge:

➢ Visit The Rum Runner – Birmingham website at Facebook

Photos displayed here were taken by Neil Drakeford, Debra Warren and Adam Regan who said: “Lovely to see this legendary Brummie club getting a much-deserved blue plaque. The club launched so many careers but none more relevant to me than this great man” [DJdick].

LISTEN TO DJDICK LIVE AT THE RUM RUNNER:

DJDick, 1983, RumRunner, live music,
At Dick Whittingham’s website we can listen to two recordings of him deejaying at the Rum Runner in 1983. These were donated on his 40-something birthday by Mark “Mack” McDonald, an old friend from way back.

VIEW THE BBC ONE SHOW FROM 2011:

➢ Previously at Shapersofthe80s:
1981, Birth of Duran’s Planet Earth

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2022 ➤ Martin Kemp on a life full of love but lacking two vital apologies

Martin Kemp, Spandau Ballet, Los Angeles, pop music, live concerts,

Golden years: Martin Kemp escaping fans after Spandau Ballet played at The Palace, Los Angeles, in 1983

❚ MARTIN IS THE YOUNGER BROTHER of the two Kemps, the good-looking one with the easy charm that has opened doors into a television career that included EastEnders. Gary is the older one with such a strong sense of self that as recently as 2017 it wrecked the last of several reunions for Spandau Ballet, by shedding their talented and popular singer Tony Hadley who now thrives with his own band. In 1978 Gary had invited Martin to learn to play bass then join his former school band the Makers 18 months before it was renamed Spandau Ballet and went on to international success.

Today The Guardian interviews Martin Kemp aged 61 about his third book, Ticket to the World: My 80s Story (HarperCollins £11), which sounds more cosy than you might expect following Kemp’s distressing surgery to remove two brain tumours during the 1990s. He can’t stop telling us how much he loves everybody in his life, even after fist fights with Gary. What does he have to say about why Tony Hadley left the band in 2017, after several previous break-ups? ➢ The interviewer Paula Cocozza reports:

“It’s something that I’d never spoken to him about. But I do feel guilty when I look back.” In the book, Kemp stops short of an apology. “Oh, listen,” he says immediately. “I would apologise to Tony, absolutely, for the way that he was treated. I think it was really poor.”

Why doesn’t he pick up the phone and say all this to Hadley? He really sounds as if he wants to. But he says: “I haven’t spoken to Tony for ages. I reach out to him, but I rarely hear back. I send little messages” – he mimes texting – “if I get two words back, I’m happy.

“Tony is lovely,” he says. “He is a lovely man. I will always, always love him, in the same way I love all the rest of the band. But you drift apart, don’t you?”

Nowhere in the interview does the name of Ross William Wild get mentioned, the singer who succeeded Hadley during 2018 following Martin Kemp’s recommendation, and was silently dumped after a trial series of concerts and subsequently contemplated suicide. When might he, too, expect an apology from the band who blanked him?

Spandau Ballet, Ross William Wild, Gary Kemp, Martin Kemp, Steve Norman, pop music,

October 2018: What proved to be vocalist Ross William Wild’s last outing with Spandau Ballet at the Hammersmith Apollo

➢ Previously at Shapersofthe80s: 2020, Singer Ross reveals how Spandau drove him to try ending it all

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2022 ➤ Spandau seek your help to create a major new showcase

Spandau, New Romantics, pop music, New York City, 1981

Spandau in New York City 1981: were you there and do you have any memorabilia?

■ THE FIRST NEW BAND out of Eighties clubland to score a chart hit are planning a celebration of those early formative years when the world called them the leaders of the New Romantics.

Today Spandau Ballet – all now in their sixties – announced “a major career-defining project” and appealed to fans for help. The band invites everyone who attended any of their performances between 1979 and 1981 to send in memorabilia such as flyers, posters, tickets, video or film footage of Spandau Ballet, onstage and off. For example, these would include their appearances at London’s Blitz Club, Mayhem Studios, Scala Cinema, HMS Belfast, their first Top of the Pops, Birmingham’s Botanical Gardens, Tiger Bay Cardiff, Heaven and the Sundown in London, Exeter Bowl Bournemouth, Le Palace in Paris, the Underground Club in New York, the Ku Club in Ibiza or the Much More in Rome.

Likewise, send them your memories of the pace-setting dance-led clubs during those years, such as Billy’s, the Blitz, Rum Runner, Le Beat Route, Le Kilt, Club for Heroes, Danceteria, the Voodoo Club, or from 1982 the Camden Palace and the Wag club. Again, memorabilia that captures the fashions and the atmosphere is welcomed.

➢ Click to visit Spandau’s special website for
submissions and more information

➢ Previously at Shapers of the 80s:
1980, Steve Strange’s call to join the party

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1982 ➤ When fans first screamed for Spandau and two climbed up to their window

Spandau Ballet, Blitz Kids, New Romantics, Liverpool Empire, 1982, Diamond Tour, fans,

8 May, 1982: Now identified! A teenage fan shins the drainpipe at the Liverpool Empire giving access to Spandau Ballet’s dressing room on their first nationwide tour with the Diamond album. Snapped by © Shapersofthe80s

40
YEARS
ON

■ THE YEAR WAS 1982. Spandau’s seventh single Instinction had put them on Top of the Pops during Easter week and sales were rocketing. The night of May 8, towards the end of Spandau’s first nationwide tour, with stand-up comedian Peter Capaldi in support, has become known as The Return of the Scream. The moment the house lights dimmed, a mighty roar lifted the roof off the Empire, the city’s legendary music venue. It didn’t stop for 75 minutes. The band hadn’t heard anything so intense and were visibly shaken when they came offstage. Guitarist Gary Kemp said in disbelief: “I had to stop playing. I couldn’t hear my own monitor.”
➢ Click through to read all about 8 May 1982 – the return of The Scream to British pop

Yes says Jan: that’s me shinning up
the drainpipe in 1982

■ A 30 YEAR-OLD MYSTERY HAS BEEN SOLVED. At the climax to Spandau Ballet’s first national tour in 1982 fan mania broke out on a level comparable to the 1960s. When their single Instinction crashed into the UK charts with freshly injected energy from producer Trevor Horn, three extra tour dates were added in May. After the show in Liverpool, the creative birthplace of British pop music, a crowd of about 500 fans mobbed the stage door at the fabled Empire theatre. A shadow had only to fall across the band’s dressing room window for screams to erupt in the street. Two girls then decided to shin the drainpipe and beat the window with their handbags until they were let in…

➢ Click through for more about the girls who entered Spandau’s dressing room via the window

Spandau Ballet, Blitz Kids, New Romantics, Liverpool Empire, 1982, Diamond Tour, Martin Kemp, fans, Gary Kemp,Steve Norman, Tony Hadley, Peter Capaldi

Inside the Liverpool Empire, May 8, 1982: fans shocked security staff with the roar that greeted Spandau Ballet. Photograph by © Shapersofthe80s

➢ 1982, How Spandau put Peter Capaldi on the road
to play the new Doctor Who

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1982 ➤ Strange takes UK clubbing mainstream

Koko, Camden Theatre, Camden Palace, nightclubbing, music venue, fire, architecture, Music Machine,

Steve Strange in 1982: for ever being filmed at Camden Palace

40
YEARS
ON

❏ In the same season that Next opened its first shops in Britain to bring colour to the high street, Steve Strange and Rusty Egan went mainstream with their first mega-club venue for the growing generation of nightlifers who had discovered that dressing up could change your life. On this day in April 1982, Strange & Egan began fronting what became the Camden Palace a couple of nights a week, way north of London’s West End. This huge Edwardian theatre was most famous in the postwar years as BBC radio’s studio for recording the Goon Shows.

Within its first year and open five nights a week, the Palace came to offer easily the best night out in London because, as well as the usual delights, this poser’s paradise won a reputation for offering more. The world’s media and photographers learned this was the fashionable place to find the next big thing and on the crowded stairways here, posing truly began to pay its way…

During 1982 mega-clubs began appearing across the country, from the Hacienda in Manchester to Rock City in Nottingham and the Academy in Bournemouth. Click below to read my report in the Evening Standard nailing how streetwise New Romantic followers set about expressing their inner talents in ways that helped transform rampant unemployment into a jobs market in which the young began to thrive…

Camden Palace, nightclubbing, Steve Strange

First published in the Evening Standard, 11 May 1983

➢ Previously at Shapers of the 80s:
1983, A silly hat and a calculated look might be
the best career move you’ve ever made

London, nightlife

Palace forecourt 1983: in their circle of peers everyone in this picture is a household name. Picture © by David Montgomery

➢ Previously at Shapers of the 80s:
2020, Second time unlucky as fire ravages
the former Camden Palace nightspot

➢ 2022, On 29 April Koko, the renamed Camden Palace,
reopens as a state-of-the-art venue after massive refurbs
including a new roof garden. Arcade Fire plays live

Koko, nightclub, London, reopens, live venue

Koko in 2022: a roof-terrace bar as part of its £70m refurbishment

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