Category Archives: Clubbing

➤ Index of posts for December 2010

Duran Duran, 80s, pop

The early Duran Duran: discovered by invitation in 1980

➢ 80s shapers win 2010 New Year Honours for fashion, music and walking in space

➢ 1980 secrets revealed about the SAS, arming Afghanistan and death of the tanner

➢ 1980, As Spandau play in Heaven, all around we can hear the new sounds of 1981

➢ 1980s, So many shapers shaped the decade that people think was all down to Margaret Thatcher — key books of the year

John Lennon death, Daily Mirror, people magazine, 30th anniversary
➢ What larks! Festive fun and games and British ways to make merry

➢ A jolly festive tree by Andrew Logan

➢ 2010, Duran no turkey: here’s the Bacofoil video and two new tracks premiered at East Village Radio

➢ 1980, How Duran Duran’s road to stardom began in the Studio 54 of Birmingham

➢ A feast of Bowie-ana served in waffeur-thin slices

➢ Whatta they like? Essex reality stars shake their vajazzles in the face of Hollywood

➢ 1980, The Lennon we knew: unfulfilled talent with a genius for making friends the world over

Adam & The Ants, David Bowie, Swinging 80s,Top Of The Pops
➢ 1980, The week the Swinging 80s clicked into gear

➢ Live online now, mad hatter Stephen Jones

➢ This £5m iPhone has to be a spoof! Yes, that’s $7.8m or €6m or 52m Chinese Yuan or 245m Russian Rubles

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2011 ➤ Life? Tough? At the Blitz reunion, Rusty delivers a message to today’s 20-year-olds


❚ HERE’S THE ITEM FROM London Tonight, ITV’s six o’clock news magazine, reporting on the Return to the Blitz party hosted on Saturday by Steve Strange, Rusty Egan and Rose Turner on the site of the original Blitz club in Covent Garden. [Choose 360p for better quality video.] They’re celebrating the launch of their official website The Blitz Club and a load of moist-eyed old New Romantics from 1979 find themselves mingling with a sprinkling of floral Neo Romantics from 2011 who seem to have been let out of Shoreditch for a reality check. Featuring King of the Posers Steve Strange, Krautrock’s biggest fan, the deejay Rusty Egan and Spandau’s Martin Kemp (kept in hand by the wife, Shirlie) — you wouldn’t have been at all surprised to see Michael Aspel appear with his big red TIYL book.

London Tonight’s intrepid entertainment correspondent Lucrezia Millarini dives into the scrum and Shapersofthe80s has topped and tailed her report — all content © itv.com … More pictures and report to follow soon…

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2011 ➤ The unknown Mr Big behind London’s landmark nightspot makes his return to the Blitz

Return to the Blitz, Eve Ferret, Mike Brown, Blitz club, Steve Strange

Reunited last night after 30 years: the reclusive founder of the Blitz wine bar, Mike Brown, and the cabaret singer Eve Ferret who first tasted stardom there. (Photograph © by Shapersofthe80s)

❚ BIGGEST SURPRISE AT LAST NIGHT’S Return to The Blitz party, thrown by Steve Strange, Rusty Egan and Rose Turner, was the arrival from Spain of the brains behind the original bar that became the crucible for New Romantic nightlife back in 1979. International man of mystery Mike Brown has always been described by those who worked for him in the late 70s as very private, and indeed he must be the only person among us to generate nil Google results. Nobody was more thrilled to see him for the first time in 30 years than actress and singer Eve Ferret, who made good in cabaret at the Blitz. It was almost a This Is Your Life moment as the pair lingered fondly in each other’s arms.

Biddie & Eve, James Biddlecombe, Blitz club

One-man cabaret: Biddie on-table at the Blitz wine bar in 1977

It was Brown who had the shrewd idea of buying the four-storey Victorian house at No 4 Great Queen Street in 1976 and opening a wine bar there. “I felt like a change from the recruitment business which I was running,” he said last night. “And I’d been watching a World War Two movie about Churchill which gave me the idea for a Blitz theme.

“I remember it was black and white and showed Londoners down in the Underground shelters whilst the bombs were dropping. More than the actual horror of the damage that was being inflicted, it was the way Londoners banded together that lingers. I remember thinking that I lived on the fourth floor of an old building divided into six flats yet I didn’t know any of the occupants.”

Mike ran his main business in nearby Lincoln’s Inn Fields, and his soft spot for nostalgia was well known to the Blitz staff — barmaid Sally Marks says she imagined he would have been a fighter pilot in another life. Hence the Blitz’s utilitarian wartime decor: bare floorboards, green and cream paintwork, red-gingham tablecloths, hanging enamel lampshades, which were never dusted. Famously the walls were lined with portraits of Churchill and WW2 posters in the declamatory graphics of the period: “Careless talk costs lives” and so on.

Blitz club, Mick Hurd, Richard Jones, Eve Ferret, Brendan Connolly , Sally Marks

Dressing up for the Blitz wine bar’s Come as your Wildest Dream party, 1977: Mick Hurd, Richard Jones as Thunderbirds heroes, with Eve Ferret… and, right, manager Brendan Connolly with barmaid Sally Marks. (Polaroids © by Mick Hurd)

Mike said: “I am a great lover of traditional pie-and-mash and decided that the food theme would be along the lines of bangers-and-mash. The menus looked like old wartime ration books and we had our own wine labels made up.”

Despite having the Irish charmer Brendan Connolly as manager, and the dashing Peruvian Mario Testino behind the bar (as well as Sally, Ian Harington, Mike Roskams, Mick Hurd, Roy Brentnall, Paul Frecker and many, many others), the Blitz with its gorblimey menu wasn’t frankly much of a success. As the oil crisis squeezed western economies in the austere 70s, so London nightspots started resorting to cabaret to attract custom. Coinciding with a menu upgrade, the first performers to make their name at the Blitz were the song-and-dance duo Biddie & Eve.

Slim, camp and Bowie-esque James “Biddie” Biddlecombe started at the Blitz singing solo, accompanied by pianist Richard Jones (later an opera director). Along came buxom redheaded Eve Ferret whose laughter could shake a cocktail. Their riotous partnership was inevitable. Biddie recalls: “Initially we would perform in the middle of the floor three nights a week. By 1978 we’d grown so busy they decided to build us a stage.” Sally says that one night when Island Records boss Chris Blackwell turned up with Bob Marley, the godfather of reggae was persuaded to get up and do a number.

Biddie & Eve, Eve Ferret, James Biddlecombe, Blitz club, London, 1970s

The 1978 relaunch, now with a stage: flyer for Biddie & Eve’s regular thrice-weekly cabaret

With Brendan’s encouragement, Biddie-life-and-soul helped establish a reputation for themed costume events with titles such as Come as Your Wildest Dream, or Stars of Film and TV, so the Blitz rapidly attracted, in the language of the time, an “up for it” party crowd, which included the likes of Tim Rice and Janet Street-Porter from the swank media haunt Zanzibar along the street. Then in February 1979, in walked Steve Strange and his competitive brand of teen cabaret on Tuesdays and the rest is New Romantic history.

The Blitz bar closed when Mike sold the building in 1981 “because after five years I’d had enough”, by which time Strange & Egan had upscaled their ambitions to Club For Heroes over on Baker Street. And Mike went back to recruitment. He said: “It is very humbling to know that there is still such interest in the Blitz Kids. They were a great bunch and it was a very exciting time.”

Shirlie Holliman,Eve Ferret,John Keeble, Martin Kemp, Blitz club

Spandau delegation at Return to the Blitz 2011: John Keeble, Martin Kemp and Shirlie Holliman catch up with Eve Ferret, second right. (Photograph © by Shapersofthe80s)

➢ Rusty Egan’s set list for Return To The Blitz
reunion party, 15 Jan 2011

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2010 ➤ Most popular bits of Shapersofthe80s during the past year

Worried About the Boy, Blitz club, George O’Dowd, New Romantics, 1980, London

London’s Blitz nightclub recreated for Worried About the Boy, 2010: George with his fictionalised circle of friends, Marilyn, Christopher, Sarah, Mo and Dawn © BBC

❏ During its busiest month, May 2010, Shapersofthe80s was viewed more than 18,000 times. Among the top stories that month was How real did 1980 feel? an extended post in which we hear verdicts from many of the original Blitz Kids depicted in the BBC’s TV play about George O’Dowd, Worried About the Boy, screened on May 16.

❏ The most popular page of all with 5,661 views last year was the who’s who among the Blitz Kids which, like so many parts of this website, keeps on growing.

❏ After Google and Facebook, one of the most popular specific sources of visitors to Shapersofthe80s was DJhistory.com which says it is “where clued-up DJs, record collectors and unshaven misanthropes gather to chat”. Right on, or should that be Kewl? Whateva.

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1980 ➤ As Spandau play in Heaven, all around we can hear the new sounds of 1981

Spreading the New Romantic message, including clothes by PX: Spandau Ballet play Heaven, Dec 29, 1980. Photographed © by Shapersofthe80s

❚ SIX WEEKS IN THE CHARTS with their debut single, To Cut a Long Story Short, on this day in 1980 Spandau Ballet play at Heaven, the biggest disco in London, and probably in Europe. Their average age is 20. A year after their unveiling at the Blitz club, this is still only the band’s tenth public date, and only their second concert since signing to Chrysalis in October. Their policy is to maintain an air of exclusivity, to thwart the backward rock press by playing admission-by-invitation dates in nightclubs rather than conventional rock venues, and to rely on stylish videos to stress the message that here was a new generation of new sounds and, equally important, new styles. Take it on trust that for the whole of 1980 Spandau Ballet had been the most achingly fashionable pop group on the planet, dressed by the designers of the moment. Significantly, as the first club band to win a record deal, they had been the only New Romantics to appear on Christmas Day’s year-ending edition of Top of The Pops, the BBC’s flagship music show. (Yes, Adam and the Ants also appeared, but he was “glam-punk”, important distinction, as Marco Pirroni confirms.)

On Dec 20, Visage, the Blitz club’s seven-piece studio line-up had entered the singles chart with Fade to Grey. The same week saw Le Kilt’s Christmas party, the new New Romantic club that had opened almost as soon as Steve Strange’s clubnights at the Blitz had ceased. Le Kilt’s co-host Chris Sullivan had murmured something about putting together a band he called Blue Rondo à La Turk. Not to be outdone, i-D’s cub editor Perry Haines had mentioned not only a band he was managing, Alix Sharkey’s Stimulin, but tonight in Heaven he now talks of his involvement with Duran Duran, the Rum Runner house band we’d all run into at Spandau’s November show in Birmingham.

Depeche Mode, Daniel Miller, Dreaming of Me, synthpop

Basildon’s finest: Depeche Mode recorded their first single, Dreaming of Me, in December 1980, after a verbal contract with Daniel Miller’s synth-driven label Mute

Here too is Daniel Miller, an anarchic electronic musician with his own label called Mute and a recording studio in an old church where he had set up all his synthesisers. Only last night he’d been watching Depeche Mode, an unsigned teenage band from Essex, playing the Bridge House pub in east London where they were regulars — he’d heard them play their technopop tune Dreaming of Me, helped them record it and they’d all agreed it would make a great first single.

All round us in UK clubland platoons of amazingly young bands making dance music were lining up to storm the charts in the New Year. By the spring, Spandau Ballet was staging the first Blitz invasion of America with a live concert plus fashion show by a gang of Blitz Kids whose average age was 21. During 1981 the group decided against a tour as being “too rocky”, and played only 10 live dates in the whole year — OK, plus a fortnight at the Ku club in Ibiza that summer, which counted as one booking. While the movement took root, staying cool seemed to suit the style of the times.

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