INDEX OF ALL 700+ POSTS➢ 2009 till now : Everything at Shapers of the 80s...
Now in our eleventh year.
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MORE INTERESTING THAN MOST PEOPLE’S FANTASIES — THE SWINGING EIGHTIES 1978-1984They didn’t call themselves New Romantics, or the Blitz Kids – but other people did.
“I’d find people at the Blitz who were possible only in my imagination. But they were real” — Stephen Jones, hatmaker, 1983. (Illustration courtesy Iain R Webb, 1983)
“The truth about those Blitz club people was more interesting than most people’s fantasies” — Steve Dagger, pop group manager, 1983
An “invaluable website” — historian Dominic Sandbrook, 2012
A UNIQUE HISTORY➢ WELCOME to the Swinging 80s
➢ THE BLOG POSTS on this front page report topical updates
➢ ROLL OVER THE MENU AT TOP to go deeper into the past
➢ FOR NEWS & MONTH BY MONTH SEARCH, see the sidebar below
❏ Header artwork by Kat Starchild shows Blitz Kids Darla Jane Gilroy, Elise Brazier, Judi Frankland and Steve Strange, with David Bowie at centre in his 1980 video for Ashes to Ashes
TOLD FOR THE FIRST TIME
◆ Who was who in Spandau’s break-out year of 1980? The Invisible Hand of Shapersofthe80s draws a selective timeline for The unprecedented rise and rise of Spandau Ballet –– Turn to our inside page
- 35 years since Band Aid’s monster Christmas single and the 80s ceased to swing
- 2019 ➤ The Boulevard rises from the ashes of the Raymond Revuebar
- 2019 ➤ Ever wondered how Rusty Egan does what he does?
- ➤ A double act is born – Sulls & Elms, take a bow!
- ➤ After his Spandau ordeal, singer Ross shakes off the blues
- ➤ How Nile Rodgers “rearranged” Bowie’s Let’s Dance into a stonking hit single
- ➤ The makings of Scarlett, a perfect muse for the Eighties
- ➤ Ross Wild retunes to Gatsby’s Roaring Twenties
- ➤ New from Prince: Holly Rock single and video, plus album of demos
- ➤ Those ‘things’ Blade Runner’s Hauer had seen…
- ➤ Duran rock NASA’s Rocket Garden, feet firmly on Planet Earth
- 2019 ➤ Lawrie’s Eleven talk candidly of being young black and gay in ways many of us never knew
SEARCH our 700 posts or ZOOM DOWN TO THE ARCHIVE INDEX
UNTOLD BLITZ STORIES
✱ If you thought there was no more to know about the birth of Blitz culture in 1980 then get your hands on a sensational new book by an obsessive music fan called David Barrat. It is gripping, original and epic – a spooky tale of coincidence and parallel lives as mind-tingling as a Sherlock Holmes yarn. Titled both New Romantics Who Never Were and The Untold Story of Spandau Ballet! Sample this initial taster here at Shapers of the 80s
LANDMARK FAREWELLS. . . HIT THE INDEX TAB UP TOP FOR EVERYTHING ELSE
✱ “I’m not a rock star” Bowie often said – No, David, you were a messiah – Obituaries and key videos on the godlike one
Archive — Many publication dates are arbitrary, so click and take pot luck!
Tag Archives: cabaret
❚ TODAY’S HOT NEWS from cabaret artiste, Eve Ferret:
“ I hate crowing but I want to share with you that we have got into the London Short Film Festival with a film called Stray which was my concept and art direction alongside Mark Summerfield… Blah Blah and I appear alongside Dudley Sutton, Jenny Runacre. The director is the wonderful David Stewart. It is being shown on January 12 under Left Field And Luscious at the ICA of all places. You can see a trailer for it here.
“ Plus I just got Best Comeback The Stage (as you know, I hadn’t performed for over 15 years) which I think is blinkin hilarious as it makes me sound like return of the 50ft woman and my Fabaret is back on again on Sundays January 12 and 19 at the fabulous Crazy Coqs in London – tickets via Brasserie Zedel or 0207 734 4888. “Oh the ferret is a crowing.” I’m gonna be whacked with a wet fish for doing so but there you go. Love Eve xx ”
➢ If you want to support fresh electropop talent here are A Terrible Splendour – two Londoners called Martin Block and MM Lyle, whose heroes include Duran Duran, Ronny, Japan and Alphaville and they sound a lot like many of them. They say:
“ A Terrible Splendour are a London-based duo who weave tales of blackmail and despair, of cruelty and of heartbreak. Drawing from the Silver Screen, Romanticism and the New Wave, their sound is a darkly luxurious synthesised pop, fractured through the lens of a cursed Berlin.
Their live shows are a theatre of love and death, with performances drawing on Weimar-era cabaret. The recent self-made video for their track Victimless Crime displays an aesthetic that references German Impressionist cinema and gothic storytelling.
The band’s debut album Poseurs, is released on the French electronic label Desire, to include a limited edition of 300 copies on white vinyl. It features 11 tracks ranging in style from dissolute disco to sombre cabaret musings. Resolutely modern synth sounds, in turn lush and vicious, combine with lyrics addressing the eternal themes of rebellion, shame and the vagaries of outrage. Plus sparkling new mixes by producer James Aparicio (These New Puritans, Spiritualized). ”
Er, thassabout it.