Eve Ferret in David Stewart’s film, Stray, which is in the London Short Film Festival January 10-19, at the ICA. The LSFF is an annual event that showcases some of the best short-film making talent in the UK
❚ TODAY’S HOT NEWS from cabaret artiste, Eve Ferret:
“ I hate crowing but I want to share with you that we have got into the London Short Film Festival with a film called Stray which was my concept and art direction alongside Mark Summerfield… Blah Blah and I appear alongside Dudley Sutton, Jenny Runacre. The director is the wonderful David Stewart. It is being shown on January 12 under Left Field And Luscious at the ICA of all places. You can see a trailer for it here.
“ Plus I just got Best Comeback The Stage (as you know, I hadn’t performed for over 15 years) which I think is blinkin hilarious as it makes me sound like return of the 50ft woman and my Fabaret is back on again on Sundays January 12 and 19 at the fabulous Crazy Coqs in London – tickets via Brasserie Zedel or 0207 734 4888. “Oh the ferret is a crowing.” I’m gonna be whacked with a wet fish for doing so but there you go. Love Eve xx ”
Former Blitz Kid Eve Ferret in her recent Fabaret in London
➢ More about Eve at the Blitz club
Blitz club cabaret duo James (Biddie) Biddlecombe and Eve Ferret snapped in 1977 by artist Richard Walker
Posted in Culture, Film, London
Tagged Biddie & Eve, Blitz Kids, cabaret, David Stewart, Eve Ferret, ICA, London Short Film Festival, Richard Walker, Stray, Video
A Terrible Splendour: the eternal themes of rebellion and shame
➢ If you want to support fresh electropop talent here are A Terrible Splendour – two Londoners called Martin Block and MM Lyle, whose heroes include Duran Duran, Ronny, Japan and Alphaville and they sound a lot like many of them. They say:
“ A Terrible Splendour are a London-based duo who weave tales of blackmail and despair, of cruelty and of heartbreak. Drawing from the Silver Screen, Romanticism and the New Wave, their sound is a darkly luxurious synthesised pop, fractured through the lens of a cursed Berlin.
Their live shows are a theatre of love and death, with performances drawing on Weimar-era cabaret. The recent self-made video for their track Victimless Crime displays an aesthetic that references German Impressionist cinema and gothic storytelling.
The band’s debut album Poseurs, is released on the French electronic label Desire, to include a limited edition of 300 copies on white vinyl. It features 11 tracks ranging in style from dissolute disco to sombre cabaret musings. Resolutely modern synth sounds, in turn lush and vicious, combine with lyrics addressing the eternal themes of rebellion, shame and the vagaries of outrage. Plus sparkling new mixes by producer James Aparicio (These New Puritans, Spiritualized). ”
Er, thassabout it.