Tag Archives: Gary Kemp

2020 ➤ Premiering tonight: Spandau’s Parade tour from the Swinging 80s

Blitz Kids, New Romantics, pop music, Swinging 80s, Spandau Ballet, Parade World Tour,

Spandau Ballet in 1985: dressed to impress for their Parade World Tour

❚ THIS WEEK 40 YEARS AGO Spandau Ballet’s first single peaked at No 5 in the UK chart three weeks after its release and exactly one year after the unknown band’s debut at the legendary Blitz Club. More amazingly, in their first year Spandau had been booked to play live on only 10 occasions (two of those on TV, the last being Top of The Pops)! That’s how sudden was their rise during 1980. That’s how phenomenal was their fan base powered by the New Romantics movement.

40
YEARS
ON

Tonight at 8pm GMT the band celebrate by premiering online the video Rockpop In Concert which evokes the Parade Tour of 1984-85, their biggest globally, launched with five nights in Tokyo and its UK leg culminating in December 84 with six nights at Londons Wembley Arena (one more than Duran Duran achieved). These were Spandaus international glory years, fronted by the dazzling vocals of Tony Hadley. This rare 45-minute video captures their taste for flamboyant designer-fashion in their performance at Dortmund’s Westfalenhalle arena, filmed for the German TV show Rockpop and aired in January 1985.

Also marking their 40th anniversary, Spandau have released a choice new compilation album titled 40 Years – The Greatest Hits, as a triple CD set and as double vinyl LPs.

Sax-player Steve Norman says: “I hadn’t heard these mixes for almost 40 years. I’d actually forgotten that we did two 12-inch mixes of ‘Story’. The band’s energy is all over it, which is how I remembered it sounding.” In a promo vid drummer John Keeble notes: “Oh, and I’ve got a credit for backing vocals… about time too!”

➢ Watch tonight’s streaming of Spandau’s Rockpop In Concert video at You Tube: 4 December 8PM GMT / 12PM PST / 3PM EST. The show will continue streaming for the next 48 hours

➢ Order Spandau’s new album 40 Years – The Greatest Hits, plus new items of merch

➢ View Spandau’s first appearance on Top Of The Pops playing To Cut a Long Story Short, on 13 Nov 1980

➢ Previously at Shapersofthe80s:
1980, The Invisible Hand of Shapersofthe80s accounts for the unprecedented rise and rise of Spandau Ballet

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2020 ➤ Vocalist Hadley hammers final nail into the coffin of Spandau Ballet

Tony Hadley , Martin Kemp, Gary Kemp, Rhys Thomas, BBC2, Spandau Ballet, mockumentary,

From last night’s Sun Online

Tony Hadley, Martin Kemp, Gary Kemp, Rhys Thomas, BBC2, Spandau Ballet, mockumentary,

In The Kemps spoof TV doc: this portrait was supposedly painted by Gary Kemp (BBC)

❚ ANOTHER SUN EXCLUSIVE WENT ONLINE simultaneously with last night’s TV “mockumentary” about the Kemp brothers of Spandau Ballet, The Kemps: All True. It saw brothers Martin and Gary mock themselves and featured a portrait supposedly painted by Gary Kemp of Hadley with red eyes, red horns and fangs. Their former singer who reported quitting three years ago declared that he’d rather watch Broadchurch than their TV show. The Sun Online reports Hadley as saying:

Tony Hadley , singer, pop music,

Big Tone: “I’m done.” (Photo: Rex)

I wasn’t approached and would not have anything to do with it. I’m done. They want me back for good but it ain’t going to happen. I’d rather be happy on my own than be in that band again. If they want another lead singer, that’s their choice. But if you want to hear those songs sung by the original singer then you can only really see one bloke – and that’s me.

The Sun reports Hadley’s reaction to the Kemps using their hit Gold last month for a cheesy TV advert for the washing powder Bold. It saw Gold’s lyrics changed to “Bold”:

It’s embarrassing. I posted a social media disclaimer saying, ‘This was nothing to do with me’. Gary wrote Gold. It’s anthemic. When I sing it live, the audience sing back. To change the title is just weird. I thought it was in bad taste.

➢ View The Kemps: All True at BBC iPlayer

➢ Previewed at Shapers of the 80s:
2020, Knife-edge TV doc shows Kemp tongues firmly in their cheeks

➢ Previously at Shapers of the 80s:
2017, Tony Hadley pulls the plug on Spandau Ballet – but the band will rise from the dead

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2020 ➤ Singer Ross reveals how Spandau drove him to try ending it all

Sun Exclusive, Spandau Ballet, Ross William Wild,

From today’s Sun

Pop music,Spandau Ballet, Ross William Wild,

June 2018: Spandau Ballet showcase their new recruit, vocalist Ross William Wild at their debut gig in Subterania

TODAY’S SUN RUNS A GRIM ACCOUNT of how singer Ross William Wild was pushed into attempting suicide after being frozen out of Spandau Ballet last year. Only 11 months after he took over from frontman Tony Hadley, Ross took some pills and “crashed out” but thankfully a friend raised the alarm.

At that time in May 2019, Shapers of the 80s reported the whole curious background to Ross’s crisis of confidence. After his first impressive performances with Spandau he says he was “ignored” by management and claims he was banned from taking other music and theatre jobs, losing out on much needed income. The Sun reports today:

Spandau Ballet, Ross William Wild, Gary Kemp, Martin Kemp, Steve Norman, pop music,

When he finally mustered the courage to quit, he was humiliated on national TV the next day when the band announced it would never perform again unless Tony rejoins — effectively sacking their young singer live on air. I couldn’t afford to be left on a shelf, not knowing where my next meal was coming from. Then the next day they forced Martin Kemp on This Morning and made him act like I was just being brushed aside. I never even got to say that I quit. I was so humiliated as they had treated me so badly for so long. It hit me like a ton of bricks. That’s when I tried to kill myself.

Shapers of the 80s revealed that Ross made the first move by tweeting that he had resigned, after which Martin Kemp went on ITV to flannel around the issue, barely mentioning Ross but yearning for the day Hadley would rejoin Spandau, saying this was “what people really want”. You can still hear this clip, below. Equally tactless had been Gary Kemp giving a killer “no future” interview to an American blogger only one month earlier. “There are no plans for Spandau going into 2020,” he’d said, and we reported that car-crash interview here too, in all its insulting detail.

LISTEN TO THE CRUCIAL PART OF MARTIN’S ITV INTERVIEW 2019:

+++
Within a couple of days Ross gave us his side of the saga, saying “the way things were put out on TV made me feel like crap”. His good friend sax player Steve Norman also got in touch to say: “I was neither involved in nor informed of any discussions or decision-making regarding the future of my band, least of all Ross’s position in it.” All of which still makes for a gob-smacking read.

Ross’s account in today’s Sun is well worth reading for its courageous candour. He says: “Spandau didn’t realise that they were dealing with a person. I’m not a titan of the music industry like these guys. They gave me a chance, little old Ross, and then they just brushed me aside.” There’s some consolation in knowing that last week Ross saw his new band Mercutio have its raunchy single Slap Bang! voted Classic Rock’s track of the week [see video at YouTube].

➢ Previously at Shapers of the 80s: Another Spandau bombshell – Kemp Brothers drive out Ross their ‘perfect’ new singer

Spandau Ballet, Ross William Wild, Gary Kemp, Martin Kemp, Steve Norman, pop music,

October 2018: What proved to be vocalist Ross William Wild’s last outing with Spandau Ballet at the Hammersmith Apollo

➢ Previously at Shapers of the 80s:
2017, Tony Hadley pulls the plug on Spandau Ballet – but the band will rise from the dead

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2020 ➤ Knife-edge TV doc shows Kemp tongues firmly in their cheeks

Martin Kemp, Gary Kemp, Polly Vernon, BBC2, documentary,

Is it a mockumentary? Spandau brothers reveal all to a Times Magazine journalist. (Photo: Mark Harrison)

WE’VE SEEN A COUPLE OF GOSSIP ITEMS about the Kemp Brothers from Eighties supergroup Spandau Ballet making an oddball TV documentary, but now comes a cover story on a colour supplement no less, to spill more beans about it. Polly Vernon makes a neat job of interviewing the Angel bros, now aged 58 and 60, in Saturday’s Times Magazine, teasing out their lifelong sibling rivalries, keeping them on their toes as much as they return the challenge, songwriter Gary “less inclined toward affability”, she reports, and bass-player Martin “as gentle and affable as he is handsome”. Oh, by the way, did Polly mention he was handsome…? Here are some vital facts about the film satirically titled The Kemps: All True in an extract from her article…

POLLY VERNON WRITES: We have met so that Gary and Martin might promote the 60-minute film made for the BBC in which they play themselves – except, not really – going about their everyday lives (except, not at all). It’s a confusing proposition; part scripted, part improv, part biopic, part nonsense fabrication. Half-truths about the Kemps’ actual characters, histories, relationships and physical attributes meld with overblown fantasies about multiple kidneys and long-lost half-brothers called Ross Kemp.

Martin Kemp, Gary Kemp, Rhys Thomas, BBC2, documentary,

UPDATE: Exclusive preview of new album cover (BBC)

By definition, All True has none of the honesty of 2018’s Bros documentary, that heart-breaking, cringe-inducing, nostalgia-triggering film that documented Matt and Luke Goss’s real attempts to navigate their fraught sibling relationship, on which I’d assumed All True was based. (Gary is keen I know it definitely isn’t – All True was written before Bros: After the Screaming Stops was released – and he, Gary, hasn’t even seen that film. Martin has, mind. “It’s brilliant. That’s who they are, you know? I know them really well, and that’s who they are.”)

Furthermore, I can’t even really tell to which genre All True belongs. What are we calling it, I ask. A mockumentary?
“Hmmmm,” says Gary.
“Yes. That’s what it is,” says Martin, who is rapidly proving as gentle and affable as he is handsome.
“Oh, I’m not sure… Is it?” asks Gary, more interested in being perfectly, completely understood. “I don’t know. What else could you call a mockumentary?”
Uh, a comedy?
“Yeah, a comedy,” says Gary.
(“A comedy. Yeah!” says Martin.)
To be fair, despite it defying reason and categorisation, All True is very funny. Not all of it lands, nor is it precisely as Gary Kemp says he intended: “Like Larry David’s Curb Your Enthusiasm. Like the Steve Coogan-Rob Brydon thing [The Trip], you know.”

Some of it even ventures into comic genius territory… All True was conceived by director, writer and comedian Rhys Thomas (of Star Stories, The Fast Show and Nathan Barley). Thomas had worked with Martin Kemp, so when he approached Martin and Gary with a script for a show depicting a preposterous version of the brothers that, at the same time, wasn’t entirely removed from the truth, they said they’d do it. It seemed fun, they tell me – an opportunity to play with the world’s perceptions of them.
“French and Saunders do Gary and Martin Kemp,” says Martin.
“Our traits, but highlighted,” says Gary.
“Us, but on steroids!” says Martin… / Continued at Times Online

➢ “Top of the Pops was like Tinder” – Polly Vernon interviews Spandau’s Kemp brothers in The Times Magazine

Martin Kemp, Gary Kemp, Rhys Thomas, BBC2, documentary,

JUNE UPDATE: Preview of Gary Kemp’s latest work as a portrait painter (BBC)

➢ UPDATE: All True transmission now set for
5 July on BBC2 (“Contains adult humour”)

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35 years since Band Aid’s monster Christmas single and the 80s ceased to swing

Band Aid , Do They Know It’s Christmas?

The Band Aid band, Nov 25, 1984: most of the pop stars who performed, plus artist Peter Blake who created the record sleeve for Do They Know It’s Christmas?

◼︎ TODAY WAS THE DAY IN 1984 THEY RECORDED the song that became, for 13 years, the biggest selling UK single of all time. Do They Know It’s Christmas was released four days later, stayed at No 1 for five weeks, sold over three million copies and raised significant funds for famine relief in Africa. The project lead naturally the next year to Live Aid, the biggest globally televised rock concerts ever, viewed by two billion people in 60 countries, who coughed up still more dollars…/ Continued inside

➢ Previously at Shapersofthe80s:
How Geldof and Ure rounded up the unlikeliest megagroup
to record the biggest selling single of its era

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