Tag Archives: Blitz club

➤ A taste of the 80s Blitz Kids — this photo book captures their unseen glory

Sullivan and Smith at last night's exhibition: man in the middle is king of the posers and Blitz Club host, Steve Strange. Photography by Shapersofthe80s

❚ THE HEROES SHOW IS ON THE ROAD. As of last night the Smith/Sullivan definitive history of 80s clubbing We Can Be Heroes had raised 36% of its “crowd-funding” target required to ensure publication goes ahead. Hence last night’s selling exhibition of Graham Smith’s photography from 30 years ago, most of which has never been seen. His family and friends joined the slebs at the party (video below) hosted by Inside Events in Notting Hill.

Smith said his favourite image on sale last night was on the cover of the book: showing Blitz Kids Clare Thom and a scene-stealing George O’Dowd claiming centre stage by gesturing with both hands and competely masking the face of the second girl beside him, designer Michele Clapton. (Prints are priced from £150 to £450 according to size — inquire by mailing to grsmith [@] mac.com)

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Smith was in the thick of the New Romantic underground taking photos as London nightclubbing revolutionised British pop music and made stars out of Boy George, Sade, Spandau Ballet and scores more new bands. Sullivan was a key player as stylist, host of Soho’s infamous Wag club for 19 years and leader of Blue Rondo à la Turk who had a 1982 chart hit with the soundtrack to our video, Klacto Vee Sed Stein. Broadcaster Robert Elms has written an intro, and there are forewords by Boy George, Steve Strange and Gary Kemp.

The 21st-century way to publish high-quality, short-run numbered editions is to secure sales in advance of publication. So visit Unbound Publishing to place your order which will secure your name in the first edition — and other perks.

Graham Smith in selling mode: can he persuade 22-year-old Bill de Melowood to buy his print of Steve Strange drinking with a bunch of Cardiff dockers? Photography by Shapersofthe80s

Partying family: Graham Smith and wife Lorraine at right, with their daughter Carla and boyfie John. Photography by Shapersofthe80s

❏ iPAD, TABLET & MOBILE USERS PLEASE NOTE — You may see only a tiny selection of items from this wide-ranging website about the 1980s, not chosen by the author. To access fuller background features and site index either click on “Standard view” or visit Shapersofthe80s.com on a desktop computer. ➢ Click here to visit a different random item every time you click

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1980 ➤ Strange days, strange nights, strange people

It is January 1980 – out of the blue comes a call to join the late-night party that would run for years. It turned into the Swinging Eighties

Blitz,  Christine Binnie, Jennifer, Iain R Webb, Julia Fodor

High art at the Blitz, Easter 1980: Julia leads Jennifer Binnie and sister Christine (“Miss Binnie” the artist), both clad in sackcloth, in their first performance piece at the club. The girls sing Death Where is Thy Sting? and are passing out creme eggs to communicants. (The sack dress had earlier won some competition to predict what people would be wearing in the 80s, long before the notorious Binnie neo-naturists threw away their clothes.) The allusion to crucifixion, left, speaks for itself though it does not explain how the victim, fashionista Iain R Webb, would eventually secure the fashion editorship of The Times some years after this tableau was created. Blond-quiffed, white-faced Stephen Linard (extreme right, rear) is evidently pushing the Regency fop look that season. Photograph courtesy of http://www.homersykes.com

First published in the Evening Standard, Jan 24, 1980:

❚ OF ALL THE BRIGHT YOUNG TIDDLERS in one small, though turbulent London pool, Steve Strange is the Big Fish. His is the pool the new Tatler magazine calls the 80s Set whose exploits it reports after its pages on solid old pedigree Society, under the section headed The Other Society. Only under-21s qualify for the 80s Set and by day you can be anything (broker’s runner, Tesco till-girl) but by night you must put on your Look.

King of the posers: London club host Steve Strange in Willy Brown workwear with Vivienne Lynn. Photograph by © Derek Ridgers

Steve was born with his (at 20, he resembles Marc Bolan’s baby brother), so he emerged as a natural arbiter of who has the Look and who hasn’t. And for a couple of years he has been positioned on the doors of the Right Places vetting entrants and ensuring exclusivity for the 80s Set.

At Billy’s in Dean Street he fronted a David Bowie lookalike night. Then the Blitz wine bar in Covent Garden gave him Tuesdays, which he still calls an Electro-Diskow where everyone has to dress to high-tech standards and create new dances to electronic music.

Witchity in Kensington kept imploring him to stage a party a month for them but that place, he says, “looked like a coal-cellar”, so he demanded, as Big Fish should, that they smarten up and improve their sound system. Triumphantly, next Thursday, Steve hosts an 80s prize ball there (admission £2, plus your Look).

Tonight, however, he begins a wild new night at the Blitz. Thursdays from now on will be cabaret night on a strictly Liza Minnelli level (a Bowles Club, perhaps?). Everyone must dress in Berlin/Pigalle/Vegas style and the band, Spandau Ballet, will attempt to combine vocals akin to Sinatra with “dance music for the future”. Believe it or not, Frank Sinatra and Shirley Bassey, says Steve, are very big with under-21s.

“We’ve already booked a fire-eater and what I want are more acts like strippers and jugglers,” he says, urging aspiring acts to contact him at the Blitz.

Understandably, our Big Fish’s ambition has really been fired and in his next breath he’s saying: “Two nights a week at the Blitz aren’t enough. London is just waiting for a good Saturday place – I mean, where do kids spend their Saturday nights? The Scala Cinema. I’m ready to start somewhere like New York’s Mudd Club. I’m only looking for the right backer…”

Second date at the Blitz: Spandau Ballet pictured on Jan 24, 1980 © by Derek Ridgers

Steve Strange, On The Line, Evening Standard

First published in the Evening Standard, Jan 24, 1980

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